(by Velina of “My Rock Mixtapes”)
It’s been over a month since I saw the mighty Judas Priest in my hometown during “Hills of Rock 2018” Festival but I can still hear the voice of the Metal God, Rob Halford and still get those goosebumps when I think of how awesome the whole experience was. During the festival I had the chance to finally listen to “Painkiller” live – one of my favorite Judas Priest songs from my second favorite album of theirs. The moment I heard that iconic, instantly-recognizable opening drum solo, my heart jumped right off my chest and just fell on that stage. This was a moment I will forever remember and cherish.
Now, we are celebrating the anniversary of arguably one of Judas Priest’s finest albums in their career and what many fans consider as their greatest comeback. When “Firepower” hit the shelves this year, critics referred to it as Priest’s best album since “Painkiller”. The albums after “Painkiller” also suffered from the constant “Painkiller” comparison curse. Whatever those guys do, it seems like this 1990 release is always in the talks. There’s a reason why and I don’t think you need a long essay to convince you of the magnitude and influence of this album on the heavy metal scene.
Before I continue, here’s one of the songs I love the most from the album:
I know the dedicated fans are quite familiar with the story behind it but let’s just remember a few important details that I believe should be known about this release by every rock/metal fan out there. First of all, “Painkiller” is the last album to feature Rob Halford – that’s of course until he comes back in 2005. It’s also drummer Scott Travis’ debut and by the way – he is one of the best drummers I’ve seen live ever! The sounds itself was way more aggressive and with a reason – the band had to take something back and that was their redemption. The credibility was surely retrieved after the release of “Painkiller”. The band put back the “heavy” in “heavy metal” with that 1990 release and the critics acknowledged it. Fans, too! Tours, millions of copies sold and a newly-found fame was surrounding the band but as you know, Halford wanted to do his own thing for a while. That’s why they parted ways for some time and vocalist Tim “Ripper” Owens stepped as the band’s new frontman in 1996. Still, Rob came back and the band was once again together.
Let’s celebrate the album by playing some of the most iconic songs from it. As I mentioned already, “A Touch of Evil” is my favorite song, though the title track is a close-second.
Let me know what you think of this album and what is your favorite song on the comment section below!
In 1984, Ratt threw one hell of a coming out party with “Out of the Cellar” – an album that not only got certified triple platinum by RIAA but it also turned Ratt into a household name on the glam metals scene of LA. Classic heavy metal staples, like the monstrous “Round and Round”, “Wanted Man” and “Communication Breakdown” brought nothing but fame and recognition to the five talented rockstars. One listen from start to finish would give you a clear idea of why this album turned into such a huge sensation, surpassing the releases of even bigger names, such as Motley Crue.
In 1985, Ratt once again followed the well-established “Out of the Cellar” formula for success, including top notch glossy production qualities, out-of-this world riffs and of course, the suggestive lyrics. “Invasion of Your Privacy” didn’t create an explosion as big as the first album did, however the sophomore release managed to do one quite essential thing – it strengthened Ratt’s position as one of the most exciting glam rockers of the age. Moreover, the music videos for “Lay it Down” and “You’re in Love” were constantly aired on MTV, which further boosted Ratt’s high standing on the competitive LA hard rock scene of the ‘80s.
The last Bad Company album to feature the fantastic voice of Brian Howe, titled “Here Comes Trouble” was released in September, 1992. The title track, along with memorable AOR classics like “How About That” and “This Could Be the One”, enjoyed a significant amount of airplay on radio stations, making quite the splash in 1992. The album was an absolute fan-favorite, though it most certainly couldn’t compete with the commercial success of their previous releases. 
Giant’s sophomore album, “Time to Burn” became reality in the early spring of 1992. The follow-up to their successful 1989 debut, “Last of the Runaways” didn’t get the attention it deserved, despite the band’s obvious musical growth. From the fiery opening track “Thunder and Lightning” to one of the most emotional power ballads of all time – “Lost in Paradise”, the whole album showcased Giant as everything but your ordinary AOR band. With his beautiful voice, Dann Huff brought so much color to the spring of 1992. “Thunder and Lighting” and “Stay” are some of the other gems from “Time to Burn” which received some considerable time on the classic rock radio stations. Overall, this album remains highly underrated, despite being one of the best releases of 1992, in my opinion. It took Giant 9 years to come back with “III”, which is also worthy of checking out.
After releasing one of the most important and definitive ‘80s albums – the blockbuster “Hysteria”, things were looking pretty good for Def Leppard. Unfortunately, another tragedy struck the guys from Sheffield just went they barely recovered from Rick Allen’s life-changing accident. Guitarist Steve Clark died from alcohol poisoning in 1991. One thing we can say about Def Leppard is that they know how to rise from the ashes with great dignity and strength, despite the constant hardships. In the spring of 1992, after a couple of years of recording, they released “Adrenalize” – an album that gave the fans a chance to one last time listen to the killer riffs of Steve Clark. Splendid rockers like “Heaven Is”, “Let’s Get Rocked”, “Tonight” and “I Wanna Touch You” stood the test of time and till today remain some of Leppard’s most beloved songs. “Adrenalize” achieved immense commercial success, topping the charts in the UK, USA, Australia and New Zealand and selling over three million copies. The strong grunge movement wasn’t able to stop the great Def Leppard!
Asia’s first album with new singer John Payne was released in the early summer of 1992. Moreover, Asia’s original guitarist Steve Howe once again reunited with his old buddies after his departure, following the release of “Alpha” in 1983. The new and exciting line-up, armed with glorious, dangerous even, hard rock sound and top quality production are what made the album so good. John Payne’s hard-edged vocals brought tons of appeal; not only that, he was like a breath of fresh air for Asia and their fans with his approach to songwriting. The album didn’t achieve much recognition, nor it caused a stir among the public; however, with songs like “Who Will Stop The Rain”, “Someday” and “Lay Down Your Arms”, “Aqua” is most certainly one of the great gems of 1992.
In January 1992, armed with an acoustic Martin, backed by just a couple of musicians, in front of a small audience, legendary guitar hero Eric Clapton performed acoustic versions of original compositions, along with a few blues classics for the infamous MTV Unplugged TV series. In August, the concert album was out, becoming one of the first-ever MTV albums and consequently, a turning point in Eric Clapton’s career. After a series of ’80s AOR jewels, including “August” and “Journeyman”, Clapton successfully went on to complete a once in a lifetime project, which critics often consider his best, most sincere release of all time. With so much class, splendid guitar work and emotions, no wonder “Unplugged” stole so many Grammy Awards, including Album of the Year, Best Rock Male Vocal Performance and Best Rock Song. The tender and absolutely heartbreaking hit single “Tears in Heaven” went on to become one of Clapton’s highest career achievements and ultimately the highlight of the concert record.
March was certainly the rock month of 1992! Despite achieving a moderate commercial success in Japan and some European countries, Fair Warning and the album itself didn’t really make a huge splash in the States, unfortunately. Every song on “Fair Warning” is a glorious melodic rock anthem. From the power ballad “Long Gone” to the dangerous rockers “Longing for Love”, “One Step Closer” and “Hang On” – the albums presents a great selection of breath taking AOR classics. Such passion, fuelling “Fair Warning” can rarely be observed. I often consider this album as one of the most underrated debuts of all time! Fair Warning came back three years later with an equally appealing release, titled “Rainmaker”.
INXS’ eight studio album, “Welcome to Wherever You Are”, marked a new musical direction for the Australian rockers. Amidst the war between grunge and rock, they just said “screw it” and grabbed the sitar, called a 60-piece orchestra and did something they haven’t done before. On top of it all, the sound was more intriguing, different and much more raw than their previous releases. The album topped the UK charts; though things went downhill after that for INXS. Nevertheless, songs like “Baby Don’t Cry” and “Not Enough Time” did achieve a certain amount of recognition and remained some of INXS’ most beloved tracks. Fans were impressed with the band’s new approach and some even call it “the most welcoming INXS album ever”. There is a reason for that, believe me!
“Keep The Faith” was a very important album for Bon Jovi because it marked a significant shift for the guys – they turned from glam rockers with the perfect ’80s sound and image to becoming a true rock&roll band of the 90s. Released in the end of 1992, the album did manage to create quite the fuss and excitement among fans. Romantic piano ballads and straightforward rockers, decorated with longer guitar solos and more meaningful lyrics, showcased Bon Jovi’s growth as a band. No wonder “Keep The Faith” sold over 2 million copies! The new and improved Bon Jovi was all fans could talk about and listen to. Impressive gems like “Bed of Roses”, “In These Arms”, “I Believe” and the title track, of course, are pretty solid easons to fall in love with this album.
Great White warmed up the autumn of 1992 pretty well with their sixth studio album, titled “Psycho City”. The fact that the industry personnel preferred to give more attention to grunge music and screamed at the faces of bands like Great White that hard rock was dead, couldn’t change the fact that “Psycho City” was and still is a brilliant hard rocker, full of great music. Great White were not the ordinary “poodle rock” band from the ‘80s – they had something special in them and I think that this album showcases this exact spark I am talking about. Exceptional songs, like the gentle “Love is a Lie”, “Big Goodbye”, “I Want You” and the bluesy “Maybe Someday” prove that their sound was unique and definitely going in a more sophisticated direction. 2 years later, they released their acoustic album, named “Sail Away”.
In April, 1992, Slaughter came back with an enthusiastic sophomore album that solidified their position as one of the talented, early ‘90s rock bands that could actually produce something meaningful and impactful. Considered as one of their best effort, “The Wild Life” presents variety, good old rock&roll and pretty much something for everyone. “Days Gone By”, “Real Love”, “The Wild Life” and “Out for Love” are just some of the tracks, displaying Slaughter’s great potential and well-deserved fan adoration. It was indeed blown away by all those grunge bands who were dictating the music scene at that time, but still, it’s an album that definitely made the spring of 1992 much more interesting.
The sixth studio album of guitar God Yngwie Malmsteen, titled “Fire & Ice” was released in early 1992 and marks a return to more classical, baroque-influenced heavy metal music. As a matter of fact it could easily be considered as one of the best examples of how well classical and heavy metal music can co-exist, if approached with talent and creative mind. Every track on “Fire & Ice” is a loud expression of virtuosity, brightened by relevant lyrics and enjoyable melodies. Malmsteen and Edman’s “Cry No More”, “Forever is a Long Time” and the magnificent title track, of course, are just some of the mind-blowing guitar tornadoes which made quite the statement in 1992. Nothing much to add or say as a matter of fact – the entire album is epic and able to please any fan of Yngwie.
Fans and critics consider Warrant’s “Dog Eat Dog” as the band’s most solid effort, despite its weak chart and commercial performance, compared to their previous two releases. The LA-based hard rock band got overlooked, in favour of the solid grunge movement that occupied pretty much every corner of the music scene during that time; however, “Dog Eat Dog” is still one of the strongest, most appealing releases of 1992 and nothing can change that. The album is harder, way more dangerous and sincere, but still managed to keep that fun and exciting glam-spirit that made them so famous in the late ‘80s. “The Hole in My Wall”, “Bonfire”, “Quicksand” and “Let it Rain” are just ome of the tracks that stood out, proving that Warrant could easily compete and even rise above the big names, like Bon Jovi or Motley Crue. “Dog Eat Dog” is a genuine heavy metal album and one of my personal 1992 favorite releases! There’s just something so special going on there!
“B-Side Ourselves” is Skid Row’s tribute to the bands that left the biggest imprint on their career. Thrilling cover versions of songs by The Ramones, Kiss, Judas Priest, Rush and The Jimi Hendrix Experience are what make the project so interesting and appealing to the public – there’s just so much diversity, dressed up in obvious respect and passion towards their idols. “Delivering the Goods” is one of the most impressive points on “B-Side Ourselves” because it’s actually a live recording, featuring Judas Priest’s Rob Halford sharing the mic with Sebastian Bach. Skid Row’s interpretation of Rush’s “What You’re Doing” is a personal favorite of mine – Sebastian is absolutely killing it!
1992 was a great year of heavy metal and Iron Maiden’s “Fear of the Dark” is one of the reasons why. The band’s ninth studio album also became the last one to feature lead vocalist Bruce Dickinson before his departure (thank God he came back later on). There seems to be an obvious division among fans’ opinions when it comes to this album – some find it weak, showcasing Iron Maiden’s creative decline in the ‘90s; while others think it’s a solid masterpiece. Nevertheless, it did conquer the charts and it does have a huge amount of charm which pleases me and many other people, so that’s what’s important. As a matter of fact, the title track is one of my favorite Iron Maiden songs of all time! “From Here to Eternity”, “Chains of Misery” and “Wasting Love” are great rockers and perfect for fans who prefer lighter and catchier heavy metal hooks.
One of the most definitive ‘90s heavy metal albums is Pantera’s “Vulgar Display of Power”, featuring a couple of the band’s most instantly recognizable tunes, such as “This Love”, “Mouth for War” and “Walk”. Moreover, the album went on to become the band’s best-selling album, achieving a double-platinum status in the USA. When it comes to this release, the title says it all – “Vulgar Display of Power” is intense, forceful and full of rage and hostility. That’s exactly why the metalheads love it so much! Heavier, darker and presenting more polished heavy metal sound, as compared to Pantera’s 1990 “Cowboys from Hell”, their 1992 release definitely stood the test of time and is still one of the mandatory records for any metal fan! Not to mention that it’s also the perfect representative of the groove-metal genre.
In the hot summer of 1992, Megadeth released “Countdown to Extinction” – an album full of classic heavy metal gems, such as “Symphony of Destruction”, “Skin O’ My Teeth” and the title track, which even won an award for raising awareness for animal rights issues. The album was welcomed with open arms from both fans and critics, celebrating its melodic thrash qualities. As a matter of fact, “Countdown to Extinction” was responsible for the band’s commercial breakthrough in the ‘90s. No surprises there – the album unveils confidence, pure thrash fury, killer riffs and some great hooks. It might had been quite difficult to top the success of “Rust in Peace” but Megadeth still produced a classic rock gem, which is equally intriguing and fascinating, at least to me that is.![[Song of the Week] Judas Priest – New Beginnings](https://thatmixtapewillrock.files.wordpress.com/2016/11/judas-priest-nostradamus.jpg?w=825&h=510&crop=1)
MY ROCK MIXTAPES 