Album Recommendations: TRIXTER – “Hear!” (1992)

“Damn Good”

Hooked yet? You should be. I do really hope you clicked “play” and listened to that throat-grabbing glam metal track from the early ’90s. By the end of this publication I sincerely hope that you will get off the chair, go find your CD of “Hear!” and play it for old time’s sake. Even better if this is the first time you hear about this album and the band – what a way to get to know them, really!

I will try to be brief and let the music speak.

trixter

Most fans know the New Jersey band Trixter because of that smashing debut album, featuring the fan-favorites “One in a Million”, “Line of Fire”, “Give it to me Good” and “Surrender”. The guys created quite a fuss around themselves at the end of the ’80s and finally hit the record stands with their 1990 self-titled album. It was all great – MTV, endless tours, sharing a stage with the biggest names of the industry…what a kick-off! But hey, they totally deserved it.

In 1992 (yes, that incredible year of rock music), Trixer released their sophomore album, titled “Hear!”. The album is just as good and their debut but…it was impossible for a new-coming band to survive the Seattle “wrath”, or as we know it – the grunge movement. MCA records dropped them (unbelievable…) after the release of “Hear!”. MTV stopped caring as well…and BAM – all hopes and dreams got crushed as quickly as they arrived. I hate it.

Let’s go back to the album…

Hard and heavy. Everything is a killer and there’s not even a single filler!

Personal favorites – “Power of Love” and “Damn Good”. You had the chance to listen to “Damn Good” so check out this other energizing track. I am absolutely inlove with the drums on this one. Mark “Gus” Scott is damn good!

“Power of Love”

This song right here should give you a clear idea of why this band is featured on my blog and why they are worthy of checking out. There’s just something more there, you know. The mere definition of “underrated” – Trixter and this explosive heavy metal tornado of a track – “Rockin’ House”. Don’t you even get me started on Peter Loran – what a voice of steel!

“Rockin’ House”

Some more song for you to check out:

“Road of a Thousand Dream”

“Runaway Train”

“What it Takes”

Tell me what you think and what memories you have with this album?

Or if this is the first time you are checking these songs out, what do you think? Feel like this might be just for you? Comment below and subscribe to my blog to keep great music alive!


References:

Band photo, retrieved from http://www.theglamnationnetwork.com/trixter.html

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

My TOP 20 Rock&Roll Solo Releases

Quite recently, I asked my Twitter followers what I assume is a very hard question to answer – “Which is your favorite release by a solo rock artist?” I thought it was a great question to ask because so far I think I have mainly emphasized on rock bands and their respectable careers and albums, putting aside important solo accomplishments who are equally deserving. Many people shared their answers and became part of this interesting online discussion (which of course was the basic idea behind this tweet). Artists like Bryan Adams, Phil Collins, Roger Waters and Dio were just a few of the names, mentioned by my fellow rock buddies. You told me who are yours…now it’s time for me to tell you mine! I do hope you enjoy the following list and get inspired! Please note that these albums aren’t really put in any special order, except maybe the first one. Listing them is difficult…can you imagine ranking them? I just can’t …

twitter 1


Don Dokken – Up From the Ashes (1990)

up from the ashes - don dokkenIt must be something quite special if I’m placing this album at the number 1 spot, don’t you think? Well, yes it is! Everyone who knows me is aware of how much I love Dokken so it was only natural for me to fall that hard for Don’s 1990 solo debut. In addition to brilliant and personal favorite songs like the ballad “When Love Finds a Fool” or the catchy rocker “Mirror Mirror”, this album features a winning team of extraordinary musicians, led by Don, of course – John Norum (Europe), Billy White (Watchtower), Peter Baltes (Accept) and Mikkey Dee (King Diamond and pre-Motörhead)! How can you not craft something special with so much talent gathered together to support you? Don is a splendid vocalist and songwriter and I will forever thank him for the great job he did. It took him 18 years to release his second solo album, which wasn’t available for everyone, unfortunately.  


Lou Gramm – Long Hard Look (1989)

long hard look lou grammIt took me some time to decide which one of Lou’s solo albums I want to put in this list and eventually, my favorite Lou track, “Just Between You and Me”, turned out to be the deciding factor. “Long Hard Look” is his sophomore album, released at a time when Foreigner was no more (let’s not forget that he did come back in 1994). I love “Ready or Not” immensely, but “Long Hard Look” is where I think he truly embraced his strong qualities as a solo artist. Also, he took in one of the most splendid guitarists of all time – Vivan Campbell, along with Dann Huff (Giant), Bruce Turgon (Foreigner) and many more great artists, all completing each other in the name of this beautiful AOR release. Later on, Lou did assemble Shadow King and The Lou Gramm band with some of those well-known members.


Steve Perry – Street Talk (1984)

Steve Perry 1Steve freakin Perry! Do I have to say more? Are you actually surprised to see this album here? Well, you shouldn’t be. “Street Talk” is a classic AOR masterpiece with songs that will live longer than the world itself. “Oh Sherrie”, “She’s Mine”, “Foolish Heart”… – all mesmerizing melodic rock pieces who introduced Steve as a solo artist who just knows how to do things on his own. Obviously, Steve had a lot of fun writing, recording and producing this album. I could feel how important it was for him to do and try “his own thing”, separately from Journey. He literally put his heart and soul into the making of this album. We all know he can definitely hit a note or two, however with this album he also proved that The Voice himself can write timeless songs and produce quite respectably. Cheers to that!


Terry Brock – Diamond Blue (2010)

diamond blue terry brockI became a die-hard fan of Strangeways last year; didn’t even realize how quickly I was hooked and how albums like “Native Sons” and “Walk In The Fire” just stole my heart and never gave it back. One of the main reasons why I fell for Strageways was of course, the vocalist – Terry Brock. He eventually left the band and joined Giant which *SURPRISE* is another one of my all time favorite bands! His first solo album was out in 2001 (“Back to Eden”) but for this list, I chose “Diamond Blue”, released in 2010 via Frontiers Records. I am a true fan and hold a sentimental connection to Terry Brock so to me, this album is perfect. The touching ballad “The Rain” became the first reason why I fell for this album…the rest was history; If you are not a devoted fan you might not be interested but in any case, this lesser-known album is worth checking out!


Jimi Jamison – Never Too Late (2012)

jimi jamison never too lateBut of course one of the most powerful voices of rock music and one of my favorite rockstars of all time, Jimi Jamison, was going to be on this list. Many of you know how much I love Survivor and yes, Jimi is the primary reason why. I have established a very strong connection with his music and it kept on going strong with his solo releases as well.
“Never Too Late” is the last solo album he released. It came out in November, 2012, via Frontiers Records (of course). No one knew that this was going to be his last release but I don’t think we could’ve gotten a more beautiful farewell than this one. The inspiring title, the touching words and and heart-melting songs are just a few of the reasons why I consider this album to be one of the purest, most angelic pieces of music I have ever heard. Thank you, Jimi for this…I will always love and miss you.


Eric Clapton – August (1986)

Eric Clapton - AugustI may as well just list Eric Clapton’s entire solo discography and call it a day. Eric Clapton is my favorite solo artist of all time and there’s not even a single album of his I dislike. I wasn’t sure which one to put on my list but I ended up choosing “August” because it was one of the first albums of Eric Clapton I genuinely fell in love with back in the day and in my opinion, one of his strongest, most confident releases from his later years. On top of it all, it features that phenomenal duet with the queen of Rock&Roll, Tina Turner – “Tearing Us Apart”; “Miss You” is an important song for me as well. “August” was produced by Phil Collins who was responsible for its funky, radio-friendly sound.


Billy Squier – Don’t Say No (1981)

don't say noI got introduced to Billy Squier through Def Leppard; he was the one who actually brought them to North America for the very first time on his “Emotions in Motion” tour back in the early ’80s! The rest is just history. I heard “Don’t Say No” and that was it! I’ve said it before and I’ll say it again – this is one of the catchiest, most uplifting albums of all time! “Don’t Say No” spawned a long list of gratifying tunes that solidified its position on the Billboard album chart for over two years! This interesting fact should tell you enough about its colossal impact on the music market. Moreover, every single from “Don’t Say No”, including “In the Dark”, “Lonely Is the Night”, “My Kinda Lover” and “The Stroke” established itself as a major radio hit, playing on every station, all over the States for the entire first half of the ‘80s. Last but not least, the album sold over 3 million copies in the US alone, making it one of the most-desirable and beloved records of all time!


Mark Free – Long Way from Home (1993)

mark-free-long-way-from-home-1993Mark Free fronted a couple of glam/hard rock bands such as King Cobra and Single but in 1993, he took off on a journey of his own with an AOR solo debut, titled “Long Way from Home”. The album is the ultimate catch for any melodic rock fan out there. It’s filled with gorgeous vocal performances, impressive hooks and superb keyboard details. “Long Way from Home” offers a great selection of rockers, among which striking tunes like “Someday You’ll Come Running to Me”, “Stranger Among Us”, “State of Love” and “The Last Time” are standing out with breathtaking melodies and lyrics. Overall, “Long Way from Home” is a bit softer and sweeter but definitely his best work as a performer and as a songwriter, that is in my opinion of course.


Alice Cooper – Trash (1989)

trash alice cooperNo surprises here! This album introduced me to Alice Cooper and it was the main reason why I became a fan. “Poison”, “Bed of Nails”, “House Of Fire” – all incredible classic rockers, defining an entire generation of fans. Not only that but my favorite Alice Cooper song of all time, “This Maniac’s in Love with You” comes from “Trash”, which makes it even more special.

“Trash” was a pivotal moment for Alice Cooper’s career; it came out at the right time and was crafted by the right people. Many guest performers and songwriters stepped in, including Joan Jett, Bon Jovi, Steven Tyler, Kip Winger and Richie Sambora. The results were stunning – “Trash” is the ultimate staple of the era and arguably, Alice’s finest moment.


David Coverdale – Into the Light (2000)

David Coverdale - Into the LightIn September 2000, David Coverdale released his third solo album, titled “Into the Light”, after he took a break from Whitesnake. I am a fan of everything he did throughout the years with Deep Purple and Whitesnake but I also admire his solo work just as much. I thought about featuring “Restless Heart” but since it was released under the “David Coverdale & Whitesnake” moniker (though it was a solo album), I decided to go with “Into the Light”.

The thing I love so much about “Into the Light” is the fact that David didn’t exactly embraced the modern-day characteristics of rock music and didn’t follow the new century trends; Rather than that, he released a classic hard rock effort, full of enjoyable AOR tracks that sound as if they were released in the ’80s, including my favorites “Don’t You Cry”, “River Song” and “Love is Blind”.


Tina Turner – Private Dancer (1984)

Tina Turner - Private DancerYou all know how much I love the Queen of Rock & Roll, Tina Turner; Not only is she one of my most beloved and close-to-heart artists but she’s a woman and a role model I truly admire and respect.

This album marked an important point in Tina Turner’s life and career. The messy divorce and Ike Turner were all in the past – it was time for her to shine and tell the world that she’s a strong and independent woman who just knows how to make great music! “Private Dancer” sky-rocketed Tina’s career and hit the multi-platinum status all over the world. Classic rock staples like the title song, “I Can’t Stand the Rain”, “Better Be Good to Me” and of course, “What’s Love Got to do With It” are a pretty solid reason why this album turned out to be one of the best albums of the ’80s! Not only that but she worked with Jeff Beck, Gary Barnacle, Graham Broad and dozens of other talented musicians, to ensure “Private Dancer” will truly make history.

What a triumphant comeback! I can’t express how much this album and Tina mean to me…


Sammy Hagar – VOA (1984)

Sammy Hagar - VOABefore Sammy Hagar joined Van Halen and released 5150, he hit it big with his eight solo album, titled “VOA”. Playing this album might give you a clear idea of why exactly he was chosen to replace David Lee Roth. He is a superb vocalist – we all know and love that about him. “Two Sides of Love” was the first track I heard from this album back in the day and it was enough for me to realize that “VOA” is an album that shouldn’t be overlooked (even though it is). “I Can’t Drive 55” is the lead single and one of Sammy’s most memorable and noted songs that kept on being relevant, even when he became a member of Van Halen. “Rock is In My Blood” and “Two Sides of Love” are some of my favorites as well.


David Gilmour – On An Island (2006)

David Gilmour - On An IslandThis would be my favorite David Gilmour solo album! “On an Island” was released 10 years ago but it’s still an inseparable part of my playlist. He took his sweet time (22 years) to record it but the results were brilliant. He wrote some of the tracks with his wife – Polly Samson, which makes it even more special! What can I say? – A gorgeous and delicate combination of instrumentals and soul-soothing tracks, proving that David is the real deal! Such a brilliant guitarist, knowing exactly how to both calm your soul and make it fly at the same time. The opening track, “Castellorizon”, is a haunting instrumental demonstrating his superb guitar skills, backed up by beautiful orchestral arrangements. Both of the singles, “On an Island” and “Smile” are dreamy and so easy to fall in love with. “Red Sky at Night” is my absolute favorite and the reason is, of course, the thrilling saxophone arrangements which are perfect for my tastes! If dreams can become music, this is what they would sound like! By the way, it’s David Gilmour himself who plays the saxophone on that one. Yes, he is as good with sax as he is with his guitar!


John Lennon – Imagine (1971)

John Lennon - ImagineThere had to be a John Lennon album in my list and it took me some time before I decide which one of his solo works I love the most; I ended up choosing “Imagine” over the critically-acclaimed “John Lennon/Plastic Ono Band” because to me his sophomore album sounds more atmospheric, it’s much calmer and I absolutely adore songs like “Jealous Guy” and “How Do You Sleep?”. The title track is legendary, no need to even comment on it. I remember singing “Imagine” when I was in elementary, or was it middle school…I don’t remember but what I can say is that this song along with the album have been in my life for far too long, making them very personally-relevant and close to my heart. 


George Harrison – Cloud Nine (1987)

George Harrison - Cloud NineI miss this sunshine so much.

When we talk about rock&roll comebacks, I always mention this album. George Harrison took some time away from his solo career and in 1987 had one of the most triumphant comebacks with the commercially-successful and critically-acclaimed “Cloud Nine.” George is known as the quiet Beatle but this album right here is everything but quiet! “Devil’s Radio,” “Cloud 9,” “Just for Today” and the smashing cover of “Got My Mind Set on You,” turned this into one of his best, most beloved releases of all time. This is the album that introduced him to the mainstream audience, making it a very crucial move for his career. Let’s also praise the input of Jeff Lynn who co-produced this beautiful piece of music.


Bryan Adams – Reckless (1984)

bryan adams - reckless“Reckless” is a rocker full of enthusiasm, energy and that was the main reason why I fell for it back in the day. The multi-platinum release spawned some of ’80s most classic hits, including “Summer of 69”, “Run To You” and of course “Heaven”. Not only that but this pleasing work contains one of my most favorite duets of all time, “It’s Only Love”, featuring Tina Turner. 

The greatness of the album lies in its simplicity – yes, I do agree that the lyrics are too ordinary and not at all meant to trigger a deep emotional response and yes – the melodies are not as complicated and refined, however this is a fun, rock n’ roll radio-perfect album that is meant to be entertaining, fun and enjoyable. Bryan Adams made history with this one, that’s for sure.


Gary Moore – Still Got the Blues (1990)

Gary Moore - Still Got the BluesWhat can I say about Gary Moore and this album? Words are meaningless! “Still Got the Blues” has to be one of the most relevant blues-rock releases of all time. Emotional, sensational, passionate, soul-touching – all that and way more!

“Still Got the Blues” came to life once again thanks to a team of exceptional musicians, including George Harrison, Albert King and many more. No wonder this turned out to be his most commercially-successful release. What’s surprising, though is the fact that the title track – yes that superb, worldly-beloved blues songs, barely got a top100 position on the charts. Anyhow…

I was always touched by this brilliant blues-meets-hard rock album and there was no way I wouldn’t have added it.


Phil Collins – Face Value (1981)

Phil Collins - Face ValueI put a lot of thought into which Phil Collins album to pick for my list. Obviously, I ended up with “Face Value” for a few reasons and no, it’s not just because his most memorable song “In The Air Tonight” is the opening track – this album is so much more than that track.

I picked it because it was his first solo album and because it’s a classic staple of the ’80s music scene. Not only that, but I adore songs like “I Missed Again” and “Behind the Lines”. Phil Collins emerged as one of the strongest forces of rock/pop music scene of the decade and this album was just the beginning. What followed was a long line of exceptional solo releases and numerous collaboration, turning him into one of the most networked musicians of all time! Back to the album – it’s breezy, refreshing, atmospheric and definitely something you need to own in your collection just like I do.


Tom Keifer – The Way Life Goes (2013)

tom keifer the way life goesI’ve been a fan of Cinderella and Tom Keifer for a long time now; Honestly, I cannot even imagine having a day without listening to his unique voice. Tom is one of those artists I truly respect and admire not only because he’s a brilliant songwriter, but because he is an amazing human being, worthy of admiration.

In 2013, finally, after so many years of success, turbulence and hardships, he released his first solo album, suitably titled “The Way Life Goes”. It took about 10 years for this album to become a reality but it was worth it, believe me. Some critics claim that this is by far his greatest work. I cannot draw such conclusion but one thing is for sure – this rather intimate, highly impressive solo release is superb, from start to finish. I love “Thick and Thin”, “It’s Not Enough” and of course, the lead single, “The Flower Song”. This album represented Tom’s evolution as an artist and despite everything he went through, his vocals still sound better than ever!


Mark Slaughter – Halfway There (2017)

halfwaythere slaughterThis new release impressed me so much that no way in hell was I going to miss including it on my list! The special 10-track album (11 in Japan) hit the music market on the 26th of May, 2017 and let me tell you something – it hit it hard! I really missed that classic, Slaughter sound and Mark is just bringing it all back on this album – that and way way way more! “Halfway There” is a worthy progression and obvious artistic evolution for him but with a little bit of old-school hint. It was a pleasure for me to listen to it from start to finish. Rock anthems like “Hey You”, “Supernatural” and “Devoted” are just a few of the reasons why this album left me speechless and turned into a personal favorite. One of the most brilliant aspects of this album is that Mark was actually in charge of not only the vocals but he’s also the one playing the guitar, bass, keyboards and behind the orchestration as well. That should tell you something! This is clearly a very dear album to him and he put his soul, heart and every talent he has to make it sound as sincere as possible. Mark is a superb artist and taking full control over this entire record was definitely the right direction.


Hope you enjoyed my list! This is how things look in 2017… and who knows how my list will look like 5 or 10 years from now. One thing is for sure – the above 20 releases are very important and close to my heart!

Don’t forget to subscribe to my blog and share your favorite solo rock releases here or on my Twitter account!

 


References:

I don’t own any audio or visual material used in this publication. All the images on this blog are copyright to their respectful owners. Please note that the digital brand, “My Rock Mixtapes” is for rock music educational purposes only and is in no way participating in any commercial activities.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Recommendations: Shadow King’s 1991 Self-Titled Debut

I love giving life back to old-school rock gems by reminding people of their greatness. One of my favorite types of publications is “ALBUM RECOMMENDATIONS” because I get the chance to not only share some of my all time favorite less-known releases but I also introduce them to readers from all over the world who don’t know much abut these albums or don’t know about their existence at all. This week, I chose a special but short-lived band, named Shadow King because the members of this band (especially two of them) are very dear to my heart; on the other hand we have a pleasing hard rock record which deserves our attention. Let’s go!

Shadow King

Supergroups are highly intriguing, at least to me. There’s nothing cooler than having a bunch of well-known musicians, members of your favorite bands, teaming up for a project. You witness how pieces of different puzzles become a whole new piece and in most of the cases, the results are so satisfying! This was also the case with Shadow King. We have the founder – Lou Gramm, the voice of Foreigner, guitarist Vivian Campbell (Dio, Whitesnake, Riverdogs and now Def Leppard), bass player Bruce Turgon (Foreigner, Black Sheep, eventually the Lou Gramm Band) and drummer Kevin Valentine (Breathless, of Donnie Iris and the Cruisers and eventually also in the Lou Gramm Band); obviously there was a lot of talent in that band and under different circumstances, I’m sure they would’ve lasted for more than just a single release.

Lou Gramm had previously worked with Vivian Campbell and Bruce Turgon on his solo releases so the frontman knew quite well how to assemble a winning team. However, it seems to me that all members of the band were in some kind of a transitional period in those early ears of the new decade and that’s one of the reasons why I think they went their separate ways after this album. “Shadow King” ended up as an “in-between” project till the guys decided which way to go.

Shadow King were supposed to embark on an extensive tour and move on to new projects, however fate got in the way; Vivian became a member of (the greatest band in the world) Def Leppard; Lou and Bruce rejoined Foreigner in 1992 and they both, along with Kevin Valentine went on to become members of The Lou Gramm band in the early 2000s.

What’s in the past is in the past, though; Short-lived or not, I’m still grateful that they released this one album, full of breathtaking gems and glorious rock tunes.

The Self-Titled Debut

shadow kingI will try to be as straightforward as possible because when you have one of the strongest, most iconic rock vocalists of all time as a frontman, you can’t but expect the best. The most surprising thing, though, is that despite Lou‘s fame and worldwide recognition, many fans don’t really know this album and project even existed! Why, though? – The sound is maybe a bit too similar to Foreigner (well duh, Foreigner was founded by Lou) and people think they are just listening to the classic rock band; the time period was unsuitable – you know, the early ’90s wasn’t the best time to be a hard rock act and release an album that wasn’t “alternative”. Ultimately, I don’t know why people often forget about “Shadow King” but here I am, writing about it with the hopes of reviving it. And no, I’m not going to refer to it as Lou’s third solo album.

Most of the songs are written by the talented songwriting team of Lou Gramm and Bruce Turgon who skillfully crafted a catchy, highly enjoyable melodic rock playlist. Objectively speaking, the album cannot really compete with Foreigner’s earlier works, despite sounding a lot like a Foreigner album. Don’t be surprised – Lou was behind Foreigner’s iconic sound and classic songs. The difference is that now we have Vivian who changes the game for me; I may be a little bit biased but Viv is a top-notch guitarist and he can produce some of the greatest guitar sound out there.

The Songs you Must Hear:

Well, I am definitely recommending the entire album – from start to finish; however, if my words didn’t persuaded you to do so, I’m going to let you enjoy just a few songs from the self-titled release, to get a little idea of what’s going on (and why I’m so right).

The playlist didn’t get enough radio play despite sensational AOR classics like, “I Want You” and “Anytime, Anywhere”. There’s not even a single disappointing song on this record and I’m not just saying it for no reason. 

Have a listen at the beautiful melodic rock gems below and let me know what you think; I sincerely hope you appreciate the tunes and the album as much as I do.

What Would It Take

Once Upon A Time

I Want You


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

31 Years Ago, EUROPE Released “The Final Countdown”

On this day, 31 years ago, EUROPE released “The Final Countdown”. Whatever I say from this point onward would be totally pointless and you may as well just not read it…I mean, what could I possibly say about one of the biggest rock albums of the ’80s? Which fancy musical terms and pop culture references would be suitable enough to describe this glorious album? None…absolutely none;

Still, since I just saw EUROPE for the first time in my life and on top of it all, it was a continuation of their “The Final Countdown 30th Anniversary Tour”, I felt like I should write a little something to commemorate the 31st birthday of this album (even if it’s just a boring description of how great and empowering this album is).

europe the final countdownEurope already had the talent, the potential and the charisma to become a worldwide rock sensation but ultimately, it was “The Final Countdown” that was responsible for their international breakout. In addition to the great lyrical and musical value, I guess one of the most appealing aspects of this album was that each song has its own unique background and history that in a couple of cases goes way before Europe even thought about releasing this album. Take the title song for example – Joey Tempest composed that riff in the early ’80s when he was so young! Thankfully he didn’t use it back then. You know what they say, timing is everything! This song appeared exactly when it had to on the right album, with the right producer. It just all fell into place. Those David Bowie-inspired lyrics were just the final piece of the puzzle. Voila! We ended up with this stimulating, life-changing, eye-opening tornado of a song that we can’t just let go, even after 30 years.

The second track, “Rock the Night” is arguably the best track from the album and if you ask me, it should’ve been the opening track (and “The Final Countdown” should’ve been left as the grand finale). Two tracks of such equal strength together in the same album, one after the other – that’s something!

What else is there? Oh, right…that GORGEOUS “little” tear-jerker power ballad, “Carrie” which may as well be titled “Cryyie”.

“Cherokee” …OH! Marching on the trail of tears! I will never forget how happy I was when they played that song in front of me; Joey has a fascination about Native American culture and history and it’s definitely something unusual as he is from Sweden. For him to write that song and make it so personal – I can’t but be in love and respect with this amazing human being.

My other personal favorite is “Heart of Stone” and that’s because of the vocals. Lyrically, it’s not as impressive as some other songs on the album, but Joey is just killing it on this one; The moment I hear the opening, “I’ve told you once and I’ve told you twice,” I just switch to a “don’t talk to me, I’m in the zone” mode and nothing or no one else matters.

“Danger on the Track”, “Ninja”, “Love Chaser”…do I have to go on? It’s just one shot of adrenaline after another;

It’s sad to think that one day, when younger (and weirder) generations are roaming the Earth this album might lose its relevance BUT I hope I’m still around to keep these oldies alive and introduce them to the newbies. If you are educating the youngsters on ’80s rock music, start here…

Now, I’m gonna go play it as loud as possible…

europe
My “The Final Countdown” Vinyl and CD  ~ I wish the artwork was as good as the album…

References:
I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

 

 

Overview of REO SPEEDWAGON’s Smashing Hit Album,”Wheels Are Turnin'” (1984)

REO Speedwagon

A story…

A few weeks ago I went to this huge bookstore where they sell CDs and Vinyl records; I was looking for a REO Speedwagon CD and I asked one of the staff about it. (Not) Surprisingly, the person I asked had no idea who they were and while searching for the CD, they asked me about the band. I thought about it for a second – like, how do I introduce this American old-school rock band to a young European who doesn’t know anything about them. I just said that they are a melodic rock band and moved on (they didn’t have the CD I wanted either ways).

This made me think about it. Similar bands like Foreigner, Journey, Boston, etc. were quite popular in my country (and still are) but somehow REO Speedwagon didn’t really become a thing over here. Anyhow, I just really felt like dedicating a little something to one of my most beloved melodic rock bands and the first album of theirs I heard back in the day. My American readers would of course be well-aware of the band and their career but for the others, I hope you discover something life-changing!

REO Speedwagon formed in the late ‘60s even though many people might think that they are just one of the many ‘80s melodic rock bands. Yes, the early-to-mid ‘80s were indeed the heydays of their career, but they go way back! It would be somewhat difficult to go through every stage of the band and the numerous line-up changes that occurred throughout the years. Ultimately, what you need to know about them is that their early years were quite shaky (but very charming) and REO Speedwagon often reo speedwagon hi infhad a different frontman for every new release. The bell of success rang in the late ‘70s with their “You Can Tune A Piano, But You Can’t Tuna Fish” album. Their melodic rock/pop turn was fully made by the early ‘80s with staple rock albums like “Hi Infidelity” and “Good Trouble”. Both these albums, especially “Hi Infidelity” (1980) set the tone for the early ‘80s music scene and brought tons of recognition to the band. It was that same album that arguably defined the career of the band and remained their most beloved and critically acclaimed release.

“Wheels Are Turnin'”

reo speedwagonStill, if someone who has never heard of REO Speedwagon asks me to recommend him/her an album to start with, I’d pick “Wheels are Turnin’” in a heartbeat. Not only it’s one of their best-selling albums but it also contains some of the catchiest, most uplifting classic rock tunes that came out in the ‘80s. As a matter of fact, it was the first REO Speedwagon album I grabbed and where it all started from me.

The album did make quite the splash on the charts and spawned evergreen rock classics, including that “ballad” everyone knows the words to, “Can’t Fight This Feeling”. Many fans refer to “Wheels are Turnin’” as a “guilty pleasure” – back in the day, releasing a synthesizer-oriented album that early in the decade was still frowned upon; still, I’m certain that everyone was criticizing it but secretly listening to it ( you just cannot NOT fall for those magical melodic rock hooks). Keyboardist Neal Doughty wasn’t just your regular keyboardist; he was a true visionary and his elegant keyboard style was one of the main reasons why REO Speedwagon caught the attention of fans all over the world.

“Wheels are Turnin’” is so much more than the smashing hit single “Can’t Fight This Feeling”. I won’t argue though, this song is one of the main reasons why I was sold back in the day. The moment you hear “I can’t fight this feeling any longer…and yet I’m still afraid to let it flow,” you just start singing and you feel your heart filling up with joy and happiness. Every song on that album has a similar effect on me. The opening track, “I Do’ Wanna Know” is a personal favorite maybe because it has that early-REO Speedwagon vibe, mixed with modern elements. It’s actually the best of both worlds – raw and melodic. It’s most certainly a song that should’ve gotten more attention and recognition. “One Lonely Night” is another worthy track; Kevin Cronin was just born to sing for this genre. “Rock ‘N Roll Star” is an often forgotten rock anthem despite being a fantastic piece of a puzzle. The rest is just as appealing; from start to finish, “Wheels are Turnin’”, is a beautiful melodic bliss. If you are in a mood and need a little cheer, don’t go to the store for a huge box of ice-cream; instead, play REO Speedwagon’s “Live Every Moment” which has to be one of the liveliest and most positive songs I’ve ever heard. The album wraps things up with the title track which to me sounds as if it was made in the mid ‘70s, (that’s a great thing, of course). I’m unconditionally inlove with the piano touches and the riffs on this one.

REO Speedwagon flourished on their 11th studio album, “Wheels are Turnin’”. The guys just wanted to craft a satisfying piece of rock music and they did it. The album is breezy and atmospheric, overflowing with fantastic instrumentation, gratifying riffs and superb vocals. This album is as warm as an afternoon coffee with extra marshmallows.

Now, it’s time to listen to it….


“One Lonely Night”

“Can’t Fight This Feeling”

“I Do Wanna Know”


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of BLIND FAITH’s “Can’t Find My Way Home” (1969)

Eric Clapton was part of many outstanding collaborations throughout his long and prolific career. Where do I even begin? It all started with The Yardbirds, then Cream, then John Mayall and The Bluesbreakers. Before he moved on to Derek & The Dominos – a project we all know quite well due to that “little” album “Layla and Other Assorted Love Songs”, Eric Clapton, along with Steve Winwood, Ric Grech and ex-Cream drummer Ginger Baker formed the short-lived band, Blind Faith.

blind faith 3
Blind Faith

The blues-oriented Blind Faith has often been referred to as one of the first ever supergroups. Not only that but they crafted the perfect sound fusion between rock and blues, which influenced many young musicians in the years to come. Despite releasing only one, self-titled album in 1969, Blind Faith still remain one of the most essential English-blues acts, at least in my book. That album generated a huge commotion not only because of its unique sound but because of its controversial album artwork, featuring a young topless girl, holding a silver space ship. It was still the ‘60s after all…what else could you expect?

blind faith cover“Blind Faith” offers a superb playlist; each and every song on that album is a true masterpiece and deserves our praises. After all, it did peak at #1 in three different countries (UK, USA, Canada) so you can expect nothing but the best from this album. Nevertheless, I’ve always been attracted to “Can’t Find My Way Home” the most. As a matter of fact, it’s one of my personal favorite blues songs of all time. It’s immensely comforting and definitely a song I can play every time I feel like I need a break. I do hope there are people out there who appreciate it as much as me and are interested to know a little bit more about this not only beautiful but historically relevant song. Here we go!

  • “Can’t Find My Way Home” was written and sang by the legendary Steve Winwood who is regarded as one of the most influential blue-eyed soul and rhythm and blues musicians of all time. Throughout his career, he made history as a notorious member of bands such as The Spencer Davis Group, Traffic, Go and of course, Blind Faith.
  • Eric Clapton played acoustic guitar on this song, which was highly unusual for him. As a member of CREAM, Clapton was famous for his lengthy and complex guitar solos, from which he obviously wanted to take a break. Many fans consider his gentle guitar performance on “Can’t Find My Way Home” as one of the best of his career.
  • Many have speculated about the true meaning behind the lyrics of the song. Some say this Steve is singing about break-up or the meaning of life while others claim that it’s about war and death. The most well-known interpretation of the “Can’t Find My Way Home” is that it’s merely a song about drugs.
    I am inclined to believe that it’s a song about drugs. I mean if we look carefully, Come down off your throne and leave your body alone” might be sayingget down from that grand illusion and just stop taking drugs and doing this to your body!”. The following lines, “You are the reason I’ve been waiting all these years, somebody holds the key” can be interpreted as “drugs were the reason why I can’t move on and I need someone to help me!”
    Of course, what do I know? I didn’t write the song. It might as well be a track about self-rediscovery and trying to change your life after you made a series of bad choices. Drugs might be just one small part of it. We all make mistakes, take wrong turns and as a result, can’t find our way back home; the important thing is to be sane, realize what is wrong and try to seek help.

  • “Can’t Find My Way Home” was (and still is) Blind Faith‘s most beloved song. It was an irreplaceable part of every one of their (relatively few) live performances (and later of Clapton‘s).
  • Steve Winwood and Eric Clapton performed “Can’t Find My Way Home” during the Crossroads Guitar Festival in 2007, along with Derek Trucks and Doyle Bramhall.
  • “Can’t Find My Way Home” is one of the most covered songs in the history of music. From House of Lords to Joe Cocker, from Styx to John Wetton – various musicians of different genres, including hard rock, soul and pop, recorded their own interpretations of this song. We can easily conclude that “Can’t Find My Way Home” turned out to be an inspiration for many younger generations of musicians.

    Below is my favorite cover of the classic by House of Lord (“Sahara”, 1990)
  • “Can’t Find My Way Home” often makes an appearance on TV. More recently, the famous CW TV Series, Supernatural, featured it during seasons 1 and 9.

“Can’t Find My Way Home”

Come down off your throne and leave your body alone – somebody must change
You are the reason I’ve been waiting so long – somebody holds the key
Well, I’m near the end and I just ain’t got the time
And I’m wasted and I can’t find my way home

Come down on your own and leave your body alone – somebody must change
You are the reason I’ve been waiting all these years – somebody holds the key
Well, I’m near the end and I just ain’t got the time
And I’m wasted and I can’t find my way home


References:
“Can’t Find My Way Home” Lyrics, retrieved from http://www.azlyrics.com/lyrics/stevewinwood/cantfindmywayhome.html
“Can’t Find My Way Home” Official Wikipedia Page: https://en.wikipedia.org/wiki/Can’t_Find_My_Way_Home
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Song of The Day: J. Geils Band – Love Stinks (1980)

Unfortunately, yet another respectable rockstar left our world.

Guitarist John Warren Geils Jr., also known as J. Geils, a member of the eponymous American rock band, The J. Geils Band, was found dead on April 11.

j gailsBorn in 1946, the mechanical engineering-student formed The J. Geils Band in the late ‘60s, along with Danny Klein, Magic Dick Salwitz, Stephen Jo Bladd, and Peter Wolf, with Seth Justman. The band, heavily influenced by R&B and soul music, released a total of 11 studio albums. They are famous for rock classics like “Must of Got Lost”, “Freeze-Frame”, their cover of the song “Lookin’ for a Love” by The Valentinos and of course, “Love Stinks”, which is my choice for song of the day.  

To remember J. Geils and all he did as a musician and a member of The J. Geils Band, I give you “Love Stinks” – a catchy, fun, simple, highly enjoyable track, coming from the band’s 1980 album of the same name. The song deals with the uncertainty, heartbreak and constant turbulence that surround relationships and love in general. Singer Peter Wolf says “…You love her, But she loves him, And he loves somebody else, You just can’t win” – words that can relate to everyone. Many people love listening to this song on Valentine’s Day, jokingly!

Enjoy this lovely track and let’s all remember J. Geils and the good old times!

RIP!

Music Video:

Enjoy this live performance as well:


“Love Stinks” Lyrics

You love her
But she loves him
And he loves somebody else
You just can’t win
And so it goes
‘Til the day you die
This thing they call love
It’s gonna make you cry
I’ve had the blues
The reds and the pinks
One thing for sure (Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah

Two by two and side by side
Love’s gonna find you, yes, it is
You just can’t hide
You’ll hear it call
Your heart will fall
Then love will fly
It’s gone, that’s all
I don’t care what any Casanova thinks
All I can say is

(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah

Shoo doo wop
Shoo doo wop
Shoo doo wop, shoop, shoop
Shoo doo wop
Shoo doo wop

I’ve been through diamonds
And I’ve been through minks
I’ve been through it all

(Love stinks)
Love stinks
Yeah, yeah
(Love stinks)
Love stinks
Yeah, yeah
Breakdown

Love stinks (Love stinks)
Yeah, yeah
(Love stinks)
Love stinks (Love stinks)
Yeah, yeah
(Love stinks)
Love stinks (Love stinks)
Yeah, yeah
(Love stinks)
Love stinks (I mean it stinks)
Yeah, yeah

(Love stinks)
Love stinks (Love stinks)
Yeah, yeah
(Love stinks)
Love stinks (Love stinks)


P.S.

Joan Jett did a cover of the song for the soundtrack of the 1996 movie “Mr. Wrong”.


References:
“Love Stinks” Lyrics: http://www.azlyrics.com/lyrics/jgeilsband/lovestinks.html
“Love Stinks” Wikipedia Page: https://en.wikipedia.org/wiki/Love_Stinks_(song)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Inside the 1989 Debut of John Sykes’ BLUE MURDER

It was only right to send off a decade full of splendid solid gold rock music with a bang. So many fascinating things happened during the last year of the ‘80s and Blue Murder’s debut album was definitely one of the musical highlights (at least to me). After all, what else can you expect from master guitarist and songwriter John Sykes if not the best?

One of my favorite things to discuss when it comes to old-school rock is the huge pile of underrated artists and bands that deserved way more than they actually got. I often talk about Blue Murder and John Sykes because the band and the album should’ve taken over the world. Unfortunately, for one reason or another, they didn’t.

John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. What followed next was a career-defining move which secured him a pretty solid position on the popular hard rock movement during the second half of the ‘80s. David Coverdale took John Sykes in after the release of Slide It In in 1984. After a couple of recording sessions and a successful tour in support of the album, John Sykes was already in line for “the next best guitarist in town” crown. Whitesnake kept momentum with what is often considered as one of the most Whitesnake Whitesnakeenormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. If you thought that these monstrous songs were crafted all by David Coverdale himself, you are greatly mistaken. John Sykes co-wrote the majority of tracks, recorded the killer guitars and even did some back up vocal work here and there. Unfortunately, sometimes partnerships in life don’t last as much as we want them to. Personalities often clash and this is exactly what happened in the case of John vs. David. I won’t be getting into details because that’s not the main focus of this publication. All in all, they both went their separate ways, even though the magic they did sold over 8 million copies in the USA alone.

It was time to move on and most importantly, entirely devote to making great music once again. Geffen Records also lend a helping hand, singing Sykes to a new great deal. You can’t just let go of someone so immensely talented, right? He quickly recruited Vanilla Fudge drummer Carmine Appice and The Firm bassist Tony Franklin and the line-up was all set and done, ready to make the next big album! That’s how Blue Murder was formed in 1988.

In April, 1989, Blue Murder’s self-titled debut album was released to the public. It’s a pity that the record couldn’t generate a big fuss, however the brilliant guitar work showcased on this album did influence generations of musicians, making it important on a whole different level. “Blue Murder” possessed all the right ingredients to become the biggest release of 1989, including out-of-this-world guitar solos, intriguing song themes and spellbinding hard rock melodies. Of course, most of the tunes were written by John Sykes himself, however the team spirit and great collaboration between the members of the supergroup is quite obvious. Under the skillful leadership of John Sykes, each could bring something great to the table. Moreover, Blue Murder recruited legendary producer Bob Rock who worked with Kingdome Come, Bon Jovi, Metallica, Bryan Adams, Motley Crue and many other big industry names. The 1989 debut album turned into one of the highlights of the huge pile of profitable melodic, yet ferocious hard rock releases he produced.

The Songs

The albums that are hard to explain with words are usually the ones that are that good. The powerful magical guitar world opens up with the earth-shattering, throat-grabbing “Riot” which in my book is one of the best opening tracks of all time. Other songs of similar nature include “Blue Murder” and “Black-Hearted Woman” which deserve nothing but to be played as loud as possible. Heavy guitar riffing, killer rhythm sections and hypnotizing vocal delivery are just some of the reasons why your socks might get knocked off just after the first time you play them. The epic 8-minute “Valley of the Kings” is my personal favorite and arguably the greatest moment on the record. From the enchanting intro, followed by John’s mighty screams, to the ecstatic lengthy guitar solos, “Valley of the Kings” is one of those songs you can play for days. The power ballad “Out of Love” is as breath-taking as any other power ballad that hit the big numbers in 1989 but unfortunately couldn’t make a splash. Never understood why so few people actually appreciate and remember this passionate heart-breaking tune when in fact is one of the best among all power ballads of the decade. “Jelly Roll” is an interesting song, brightened with a little blues feel that makes all the difference in the world.   

Every track on “Blue Murder” is infectiously good! The album captures hearts with  impeccable musicianship and satisfying variety, ranging from electrifying hard rock, to stunning blues-influenced rhythms. Valuable and well-crafted albums like this one are hard to spot so in case you are one of the many people out there who still haven’t discovered the greatness of “Blue Murder”, now is the time to do it!

John Sykes is a genius and a guitar virtuoso and he deserves nothing but respect and adoration! Enjoy the songs!


Riot

Valley of the Kings

Out of Love

Jelly Roll


References:
“Blue Murder” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Blue_Murder_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[’80s Rock Album Focus] STRANGEWAYS – Native Sons (1987)

strangeways-native-sons

NATIVE SONS

Released: 1987
Genre: AOR / Pop Rock / Hard Rock
Duration: 44:52
Label: Hangdog Records / Majestic Rock Records (2006)
Producer(s): John Punter

native-sons-back-and-front

buy-from-amazon


OVERVIEW

In 1987, the British-American AOR/Melodic rock band Strangeways released arguably their finest work, titled “Native Sons”. The follow-up to their respectable 1984 eponymous debut also proved that the right singer can make all the difference in the world. Original vocalist Tony Liddell was replaced with Terry Brock – a renowned back-up singer for some of the biggest names of the era, including Foreigner and Journey. What followed after he stepped in as the new frontman, could easily be described as pure musical magic. “Native Sons” is a brilliant melodic rock record that guarantees you nothing but delight and feelings of great pleasure.  The album carries all the best genre elements of the era, including colourful keyboards, splendid guitar playing and glittering hooks. Add Terry’s powerful vocals, the edgy hard-rock vibe and the A-level songwriting and you end up with a melodic treasure that could effortlessly stand on its own two feet against the big AOR titles of the late ‘80s.

If AOR/melodic rock runs through your blood, this might be the right album for you. Kicking things off with the playful but classy tune “Dance With Somebody”, “Native Sons” properly sets the mood for the remarkable things that are about to come. The mellow rocker “Only a Fool” is another track that stands out with its gorgeous melody and touching lyrics. Terry Brock’s spirited vocal delivery could easily turn this song into your next favorite ballad. “Empty Streets” is unquestionably the hidden pearl of “Native Sons” and one of the finest AOR gems I have ever heard in my life. The high-powered guitars, heated up by Terry’s fiery vocals give me thrills every time I play it. “Where Do We Go From Here”, “Stand Up and Shout” and “Never Gonna Lose it” are just a couple of the other warm and powerful 100% AOR-authentic masterpieces you can find on “Native Sons”.

“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish – play any song from the tracklist and you get a melodic rock classic and a couple of minutes in rock paradise. I can’t recommend this album enough. Strangeways’ junior album “Walk In The Fire” (1989) is what you should get next, after “Native Sons”!
Cheers to great music!

 

Tracklist:

“Dance With Somebody” – 4:26
“Only a Fool” – 4:42
“So Far Away” – 4:57
“Where Do We Go From Here” – 3:58
“Goodnight L.A.” – 5:02
“Empty Streets” – 4:20
“Stand Up and Shout” – 3:28
“Shake the Seven” – 4:33
“Never Going to Lose It” – 4:47
“Face to Face” – 4:39


Dance With Somebody

Only a Fool

Where Do We Go From Here

Empty Streets

Stand Up and Shout

…or listen to the entire album here:


 

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of DEEP PURPLE’s “Stormbringer”

First time I listened to Deep Purple’s “Stormbringer” was a life-changing moment for me. I may have been just a little girl but I knew well how to experience music and let it flow through my body and soul. After the first couple of times I played it, I knew two things: first, that male vocalist will occupy an important part of my life; second, this will be one of the tunes I will be seeking empowerment and strength from.

I don’t know a person who doesn’t love Deep Purple, even though fans’ preferences when it comes to line-ups are sometimes different. I love the classic Purple years, as well as their grandiose 80s comeback with “Perfect Strangers” but the Coverdale years, I believe, are always what I come back to. That’s why I wanted to give the spotlight to a beloved Deep Purple track of mine, performed by the magnificent David Coverdale. On top of all, he introduced the song to a whole new generation a couple of years ago on Whitesnake‘s 2015 “The Purple Album”. With all that in mind, I believe we have to acknowledge the significance of “Stormbringer” and most importantly, never forget to play it as loud as possible!

  • deep-purple-stormbringer“Stormbringer” is the opening track to Deep Purple’s 1974 album of the same name. It’s the second release, after “Burn” to feature David Coverdale as the lead vocalist of Deep Purple. The album failed to match the commercial excellence of the band’s previous releases, such as the iconic “Machine Head”, “Who Do We Think We Are!” and even “Burn”; however it did give birth to some outstanding classics. “Stormbringer”, “Soldier of Fortune” and “High Ball Shooter” are some of the tunes from the album that surely stood the test of time. Moreover, it will always be remembered as the album that brought the (temporal) departure of Ritchie Blackmore and the album with the perfect Coverdale/Hughes vocal collaboration.

  • Written by Ritchie Blackmore and David Coverdale, “Stormbringer” is a powerful heavy metal blast, showcasing the band’s love for hard solid rock&roll, soul and even funk music. The tune grabbed everyone’s attention with its peculiar lyrics and intriguing title, making it one of Deep Purple’s essential live acts during the ‘70s.

  • The title and theme of the song have always been subjected to questions and constant fan interest. The charismatic mysticism that surrounds “Stormbringer” has often been associated with Michael Moorcock who uses the same name to describe a magical sword, appearing on a couple of his fantasy novels. David Coverdale, however, denied any relation with Moorcock’s works or that he had any prior knowledge of his work, before writing the song.

“I wrote the lyrics about a mythical creature called Stormbringer who, in a surrealistic story, creates a lot of trouble. But I never even considered Michael Moorcock‘s work,” David Coveradle explained in a 1974 interview with New Musical Express.

  • At the beginning of “Stormbringer”, David Coverdale speaks some gibberish which always sounded quite spooky and devilish, at least to me. According to Glenn Hughes, this was in fact the “dialogue that Linda Blair’s character utters in the film The Exorcist when she is questioned by the priest.” [?]

  • “Stormbringer”’s hook line – “Ride the rainbow, Crack the sky” is supposedly where Ritchie Blackmore got the idea to name his next band “Rainbow”.
  • whitesnake-the-purple-albumIn 2015, Whitesnake released “The Purple Album”, consisting of interpretations of classic songs from Deep Purple band lineups Mark III and Mark IV – the time when David Coverdale was DP‘s frontman. Among the remakes were tunes such as “Burn”, “Soldier of Fortune”, “Might Just Take Your Life”, “Mistreated” and of course “Stormbringer”. This newer version of the 1974 gem was heavier, more intense and in my personal opinion, better than the original.

Whitesnake‘s version of “Stormbringer” (The Purple Album, 2015)


 

Stormbringer Lyrics

Comin’ out of nowhere
Drivin’ like rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Rainbow shaker
On a stallion twister
Bareback rider
On the eye of the sky
Stormbringer coming down
Meaning to stay
Thunder and lightning
Heading your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Coming out of nowhere
Drivin’ like a-rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

 


 

References:
Lyrics retrieved from http://www.azlyrics.com

DEEP PURPLE’s Stormbringer Turns 40 – “I’ve Never Embraced The Expression Heavy Metal Because All My Themes Are Emotional”, retrieved from http://bravewords.com/features/deep-purples-stormbringer-turns-40-ive-never-embraced-the-expression-heavy-metal-because-all-my-themes-are-emotional
“Stormbringer” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Stormbringer_(album)

“Stormbringer” SongFacts, retrieved from http://www.songfacts.com/detail.php?id=14243

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~