Before we get down to business, here’s a song to check out! If you love the late ’80s as much as I do and you’re into hard rock music, you will most certainly like it and won’t hesitate to go down and read/check out the following album I’m recommending this week (in case you haven’t done it yet, of course – if you are familiar with it, then it’s time for you to go down memory lane)…
“Nobody Rides for Free”
I’ve told you before – 1989 was indeed a magical year for rock music and gems like this one are the reason why! I can’t stress this enough – you wanna get drunk on authentic hard rock music, just look for 1989 ’cause that’s your year!! (check out my previous blog publication where I list 15 favorite 1989 rock releases)
Let’s go back to Dirty Looks and focus on their intoxicating second major-label studio album, “Turn of The Screw”. What you need to know about the band in case that’s the first time they are crossing your path is that their major-label debut was in 1988 with what is often regarded to as one of the best hard rock debuts of all time – “Cool From the Wire”. Danish born vocalist Henrik Ostergaard was the man behind it all. The voice, the attitude, that street vibe, coming out of the band and this album in particular was mainly brought by him. Unfortunately, we had to say goodbye to that raspy, quite distinguishable voice in 2011 (RIP).
“Turn of the Screw” might not present an entirely different formula for a hard rock release. Given the time, the ambitions and the trends, Dirty Looks just had to take on that well-established hard rock road so don’t expect a sound you’ve never heard before. What you can expect, though, is a rough, solid and highly motivating gem that in my opinion deserved way more than it actually got. They did just put another brick on the enormous hard rock wall, but if you pay enough attention and devote some time into investigating 1989 album by album, you will see that that brick had its own colors and charms, worthy of your attention.
Ultimately, if you love bands like Kix, Great White, Cinderella, etc. you will love this album. “Turn of the Screw” is what introduced me to the band some time ago and It was love at first listen. “Nobody Rides for Free”, “Turn of the Screw”, “Take What Ya Get” and that special special song “L.A. Anna” which is my favorite cut from this release are as good as any other hard rock tune from the era. Atlantic Records yet again delivered something valuable to my collection so I can’t but thank them for that. The album has a little bit of those blues vibes I adore so much here and there so that’s one thing that might attract you even more.
Now go ahead and listen! Make sure you tell me what you think of the album and which is your favorite song!!
“Turn of the Screw”
Here’s the entire album on YouTube for you to check out. It’s worth it, I promise!
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
It has been six years since one of our favorite ’80s/’90s hard rock bands, Warrant, released an album. “Rockaholc”, featuring vocalist Robert Mason (Lynch Mob, Cry of Love) for the very first time, hit the market in the spring of 2011 – just a few months before the tragic death of Warrant’s original frontman, Jani Lane. No one can take away the precious memories the immensely talented Jani brought to us with his music, but it’s also okay to make new memories with new music, styles and voices. With that being said, I encourage you to listen to “Louder Harder Faster” with an open mind, expect something both familiar and new and most importantly, enjoy music the same way you did 20 or so years ago.
I may as well write a three-word review about Warrant’s new album and call it a day. Guess which words I will use… That’s right – Loud, Hard and Fast! The title says it all – you are in for a real wild, fiery and pleasantly devastating rock&roll experience right from the very first second! Frontiers Records keep on releasing one smashing album after another and I can barely keep it up with all that awesomeness. Have some mercy, please…
Before I dig a little deeper into individual album songs, I want to applaud the superb production of “Louder Harder Faster”, courtesy of the legendary Jeff Pilson (Dokken, Dio, Foreigner) who I believe did an outstanding job, capturing the mood of the album. I’ve been a fan of Jeff, his music and production work for so many years now and he still keeps on impressing me with every new project! Remember how well he did with Last in Line’s debut album, “Heavy Crown”? Expect something in similar, if not in higher production level – he truly did great!
Back to “Louder Harder and Faster” which is a reason enough why 2017 could be considered a strong hard rock year! Original Warrant members, Erik Turner, Jerry Dixon, Joey Allen, and Steven Sweet, together with the returning for the second time vocalist Robert Mason have cooked a real knock-out album, stirred with the band’s trademark melodic rock hooks and tons of modern-day surprises! This killer direction is what makes “Louder Harder and Faster” suitable for any rock fan out there. You don’t need to know songs like “Heaven” or “I Saw Red” (tactically avoiding that one song we all know by Warrant) to be able to enjoy and rock on to Warrant’s 2017 release! I think what they did with this album is truly universal and “generationless” and they will most certainly grab the attention of the younger audiences.
“‘Louder Harder Faster’ is truly one of our best records to date. It has all the classic Warrant ingredients that people have come to know, plus a lot of extras that keep it in the modern realm of todays music. It’s a perfect mix between Balls and Ballads. When we started this project over two years ago, we wanted to bring the listener back to the days of sitting in the living room and cranking up a record from start to finish. Making full records seems to be a lost art, we hope in some small way that this album helps people find that art again,” said bass player Jerry Dixon. (quote retrieved from http://www.antimusic.com)
The 12-song rock&roll gem, featuring a cover of the classic Merle Haggard song, “I Think I’ll Just Stay Here and Drink”, is your ultimate party album! With blazing melodic rock anthems, including the title track, “Louder Harder Faster”, “Devil Dancer” and “Only Broken Heart”, you will definitely be juiced up for days to come. The opening track is your perfect modern-day rock&roll tune, which grabs you by the throat from the first second! Vocalist Robert Mason is truly impressive on this one; not that he has to prove anything to anyone but if he had to, this song right here will shut everyone up! “Devil Dancer” is a personal favorite – those riffs just penetrated my skin and there’s no way I’ll recover. The sing-along tune “Perfect” is another highly memorable point! Pay attention to those harmonies sweet sweet lyrics; that song just won me over after one listen! There’s another side to the Warrant and this album, though. The piano-driven “U in My Life” is a beautifully-done ballad I can listen for days. I wish it had a bit stronger punch into it, though. “Music Man” is a very intriguing track; it starts slowly with just a simple acoustic guitar accompaniment but it nicely progresses into a cowboy blues tune, telling a story worth hearing. “Big Sandy” is another jumpy rocker, meant to lift your spirits. The rest of “Louder Harder Faster” is just as good. Gladly, the physical copy of the album includes the stimulating cover of “I Think I’ll Sit Here and Drink” which triggered a physical reaction in me upon listening. You know a song is good and the vocalist plays with you once your body starts moving and you feel the groove. I think it might be one of my favorite moments from the album.
Final verdict: I will be brief: Play it LOUD, party with it HARD and buy it FAST. (haha)
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Today I picked Don Dokken‘s “When Love Finds A Fool” to be my song of the day. These days I’ve been listening to Don‘s solo album “Up from the Ashes” (1990) quite often and I gotta say – out of all the breathtaking memorable rockers on that glorious release, no other song impressed me as much as “When Love Finds A Fool”. I am into power ballads, that’s well-known but it’s not the main reason why I am obsessed with this song. There’s just something so mesmerizing about Don‘s vocals and don’t you even get me started on the lyrics. They hold a personal significance for me so I guess that might be the biggest reason behind my strong connection with this song. Anyhow, don’t forget to play it and appreciate it! It’s a one of a kind power ballad, definitely in my list of Top20 rock ballads of all time!
P.S. Interesting fact,“When Love Finds A Fool” is the only track on the album that was co-written by Don Dokken and Glenn Hughes! No wonder I fell for it – I love those two with all my heart and soul!
“When Love Finds A Fool”
I could’ve told you All these tears, what good to they do All these years my life’s been living It’s a shame you’ve not been giving
So tell me what to do And I’ll be there for you, only for you
When love finds a fool like me, it doesn’t see When love finds a fool, baby, like me I could’ve been the one
Sad empty faces look to my eyes They seem to know me I can take the rejection All I need is your affection
I should’ve seen it coming You should’ve said ‘goodbye’ I guess you were right
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
Before we get to House of Lords and their 1988 debut, we have to go back further in time and talk about another glam rock band that rose to stardom in 1984 with the famous single, “Call to Your Heart”. Named after keyboardist Gregg Giuffria, previously a member of the hard rock act Angel, Guiffria quickly turned into way more than a side matter. Right from the very beginning, the band made a solid presence on the charts and on the major AOR radio stations. Their first two albums were quite promising but unfortunately the third album brought the end of Giuffria.
Luckily, another beautiful project rose from the ashes of a band with so much potential, gone so soon. Mr. Everything, a.k.a. Gregg Giuffria, quickly gathered what was left of the recorded demos, assembled his next winning team and formed House of Lords in 1987.
Original Giuffria vocalist David Glen Eisley (who by the way vocally reminds me so much of Steve Perry) was replaced with James Christian. I’m not sure whether that was the right move (not that James isn’t talented but David was truly remarkable in my opinion) but ultimately, it was James who became the face of the new band that even got a brand new name – House of Lords. The deal with Simmons records (the record label of Gene Simmons of KISS) was loud and clear – “you come to us, but you have to change your name and you gotta fire David Glen Eisley!” Ex-Guiffria and Quiet Riot bassist Chuck Wright, guitarist Lanny Cordola and drummer Ken Mary were the final pieces of the puzzle. In the fall of 1988, House of Lords’ debut eponymous release finally became a reality.
The Debut Album
The late ‘80s were the heydays of glam metal and every band out there was trying to make it big on that highly profitable music market. The hardest thing to do wasn’t to gather a couple of musicians and record a glam rock album but rather to achieve some sort of recognition and stand out from the thousands of bands who came to fight with all they got, just like you. (To be perfectly honest, the hardest thing was to find stability and consistent fan-base but realistically, young bands couldn’t ask for that much now could they?)
Overall the debut album, “House of Lords” was a moderate success – the type of success that many bands enjoyed, despite longing for that durable recognition I was talking about. A Top 80 chart position (on Billboard 200), a couple of good singles and music videos to support the promotion of the album – what more could you ask for? The true uniqueness of the album, however, lies in the number of great musicians that were behind many of the songs on the album. Stan Bush, Giuffria’s previous vocalist David Glen Eisley, Armand “Mandy” Meyer (Asia, Cobra) and songwriter Johnny Warman deserve a mention for their songwriting input. Rick Nielsen of the famous rock band Cheap Trick co-wrote the song “Slip of the Tongue” and vocalist Jeff Scott Soto (Yngwie Malmsteen) helped with the backing vocals on the entire “House of Lords” album. The presence of so much brilliant musicians should’ve turned the album into a huge sensation! Instead, it was forgotten as quickly as it was assembled.
The catchy “I Wanna Be Loved” and the power ballad “Love Don’t Lie” are the two most famous tracks, coming out of “House of Lords” (a lot of love on that album!). Since I’m a power ballad person, I would most certainly vote for “Love Don’t Lie” if we have to choose the finest moment of the album. A superb cover of Stan Bush’s softer, way gentler version of this song, “Love Don’t Lie” might as well be referred to as one of the best rock ballads of the year and as a whole. The vocal performance is absolutely stunning and don’t you even get me started on those mesmerizing guitars. “Slip of the Tongue” – now that’s a song you must check out – it’s a highly energizing hard rock tune and the point where you realize that this album has little to do with Giuffria’s original, way friendlier sound. “Call My Name” and “Hearts of the World” are just a couple of the other impressive songs, which I’m sure sounded even better played live.
Overall, as I said, “House of Lords” is just one of all the great hard rock albums that came out during that time. There are no bad songs on this album – only good, heavy-rocking ones that surely deserve your attention. Gregg Giuffria is truly a legend! If you liked what you heard on “House of Lords”, make sure you go ahead with their 1990 sophomore release, “Sahara”!
“I Wanna Be Loved”
“Love Don’t Lie”
“Slip of the Tongue”
“Call My Name”
References: “House of Lords” Official Wikipedia Page: https://en.wikipedia.org/wiki/House_of_Lords_(band) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
You are casually browsing through the suggested section on YouTube, looking for your next favorite old-school rock band – one of the millions you have yet to discover and then BAM, you see the name “Sleeze Beeze”. From here on, you can go two ways; way number one – you just ignore them, thinking it’s just another one of those sparkly spandex-wearing youngsters that don’t want to be taken seriously and named themselves so foolishly just to attract attention to their average heartbreak tunes… or way number two – you decide to check them out anyways, with the hopes that there might be something there. Guess which way I went?
The name did throw me off a little, but I was too curious to just let it go. Also, once I saw the name of their sophomore album, “Screwed, Blued & Tattooed” I couldn’t just walk away. One thing I give them, ridiculous or not, it does catch your eye.
Who are Sleeze Beeze?
The most important thing to know about Sleeze Beeze is that they a hard rock band from the Netherlands and lasted for about 9 years (from 1987 to 1996) before they called it quits (reunited in 2010, though). Overall, the band released four studio albums, out of which the debut with Atlantic records (and second release), “Screwed, Blued & Tattooed” (1990) turned out to be their most successful one, introducing the band to the American market and audience. MTV once again participated in the initial success of the band by giving tons of airtime to “Stranger Than Paradise” – one of the singles from the sophomore album.
“Screwed, Blued & Tattooed”
Now let’s talk about this album with the bizarre name – a name which definitely didn’t help their case, in my opinion. But hey, it was the ’80s and it was all about fun, nihilism and doing whatever the hell you want! So let’s not fall into despair and just focus on the music, instead.
“Screwed, Blued & Tattooed” is one of those albums which I say are “worth discovering” and definitely one of the exciting releases of the early 90s. From the opening powerful slap – “Rock in the Western World” to the playful wrap up song “Girls Girls, Nasty Nasty”, the album is one hell of an entertaining piece of hard rock music! Don’t get me wrong, the album is far from perfect or groundbreaking but with lively and highly amusing tracks like “House is on Fire”, “Damned If We Do, Damned If We Don’t” and of course the title song, I feel like I can totally forgive and forget. “Stranger Than Paradise” is unquestionably the finest moment on the album and definitely a song that had the potential to stand against any Bon Jovi, Winger, Great White or Poison song. After a couple of tracks, we finally get to the power ballad – “This Time”. It’s as good as any power ballad of the era, that’s all I have to say. If you are a power ballad enthusiast like me, then you will love it for sure! Check out the rest of the songs – “Heroes Die Young” and “Don’t Talk About Roses” are striking highly deserving rockers as well!
Ultimately, Sleeze Beeze didn’t really predict the strong invasion of the alternative rock scene and their album was quickly forgotten. I can understand why, believe me – in addition to the bad timing, the album (was)is a total cliché. However, I am still recommending it because sometimes those partying non stop/sex/living the life clichés are the ones that help us go through the day. Listen to some tunes and the album below!
“Stranger Than Paradise”
“House Is On Fire”
“Screwed, Blued & Tattooed”
…or you can just check out the whole album:
Sleeze Beez on Wikipedia: https://en.wikipedia.org/wiki/Sleeze_Beez P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
1989 – What an awesome year for rock music! Where do I even begin?
After being a rock music enthusiast for so long, I can with an absolute clear conscious declare 1989 as one of the best years of rock music! It was the end of a strong, rock&roll decade, grunge music was already becoming a formidable force on the scene, so it was basically do or die for many returning or debuting bands. Out of this turbulent, trend-shifting period, however, tons of great releases managed to come out and leave a memorable trace behind them. From one of Eric Clapton’s strongest albums, featuring a Grammy winning song, to powerful, multi-platinum debuts, such as Skid Row’s eponymous album, 1989 was overflowing with excitement and monumental rock music!
With time, I also came to the conclusion that many of my personal favorite hard rock albums were released around that time as well. Plenty of those records came out in 1989. For the fun of it, I decided to prepare this little list, consisting of 15 albums that to me had (and still have) the best, most appealing and intriguing musical presence during 1989. It’s a personal selection, based on my liking and preferences but I would love to know more about your favorite 1989 albums! Enjoy my list and feel free to comment and share your thoughts and selections! Cheers!
Eric Clapton – Journeyman
Eric Clapton always comes first when it comes to my personal selections, especially if we talk about his 80s’ releases. “Journeyman” was the absolute peak of Eric Clapton’s career, featuring a Grammy winning song, “Bad Love” and tons of other beautiful blues tunes, such as “Before You Accuse Me” and “Hard Times”. What really impressed me was Clapton’s obvious confidence on “Journeyman”. He overcame his alcohol abuse and all the other ghosts of the past and released one of the most phenomenal blues/rock albums of all time. The album definitely sounds modern, more pop-influenced, rather than strictly focusing on that heavy blues mood, Clapton adores so much. Some of the other highlights and personal favorite songs from “Journeyman” include “Pretending”, “Anything for Your Love”, “Old Love” and “Breaking Point”. It’s definitely an album worthy of your time and appreciation!
TNT – Intuition
Norwegian rockers TNT completely blew me away with their 1989 release, “Intuition”. It quickly became a personal favorite and an album I simply cannot live without. I often say that it’s extremely underrated – I mean, just listen to the catchy, outstanding rockers, including the title song, “Caught Between the Tigers”, “Forever Shine On” and of course, one of my FAVORITE songs of all time, the power ballad “Tonight I’m Falling”. “Intuition” didn’t really make a huge splash on the charts or sold that well, compared to other similar glam rock releases of the era; however it did manage to conquer my heart with just one listen. Tony Harnell is a brilliant vocalist and I will forever be thankful to him and guitarist Ronni Le Tekrø for crafting such an enjoyable piece of art.
Giant – Last of the Runaways
Giant’s “Last of the Runaways” is one of the most underappreciated rock releases of all time which I think is unforgivable! In addition to the famous power ballad, “I’ll See You In My Dreams”, “Last of the Runaways” has so much more to offer. The whole debut album is just simply a beautiful, well-balanced selection of arena rock tunes, perfectly demonstrating the artistic skills and qualities of Giant. “Innocent Days”, “Can’t Get Close Enough” and “No Way Out” are just a few of the dangerously obsessive rock gems that could be heard on this album. “Love Welcome Home” and “It Takes Two” are also some of the highlights! Once again, the timing wasn’t right for those talented guys. Let’s not forget Dann Huff who brought so much character to “Last of the Runaways” with his emotional and unforgettable vocal delivery.
Strangeways – Walk in The Fire
The Scottish AOR/Melodic rock band, Strangeways’ third album, titled “Walk in the Fire” was the reason why I got to know them in the first place. I played the first track – “Where are they Now” and I was immediately captivated by the gorgeous melody and the superb killer-vocals of Terry Brock. Their Americanized sound can be characterized as mixture between Journey, Boston and Bad Company, but with a little something extra. In addition to “Where are they now”, some other highlights include the charming power ballad “Love Lies Dying” and the uplifting “Every Time You Cry”. “Walk in the Fire” didn’t really achieve commercial success, despite its first class AOR qualities. The album, along with the band should’ve been so much bigger back in the day. Nevertheless, they are worth discovering. I can’t recommend this album enough.
Danger Danger – Danger Danger
Danger Danger debuted in the summer of 1989 with a self-titled album, strictly following the well-established glam rock formula for success. Fueled with catchy, rhythmic and easy to absorb tunes, the record could easily be described as an “enjoyable Friday night experience”. To be fair, the record does sound a bit too generic and can’t really stand out with an exceptional musicianship, outstanding vocal delivery or profound lyrics. Nevertheless, this melodic hard rock jewel can almost guarantee you a perfect mood which is the reason why is on this list! “Naughty Naughty” and “Bang Bang” were released as singles and turned into Danger Danger’s best-known classics. (Those guys really enjoyed double titles.) Both tracks are fun and highly entertaining, despite their obvious commercial-driven goals. “Saturday Nite”, “Rock America”, “Feels Like Love” and “One Step from Paradise” are just a few of the other satisfying rockers who made this album so appealing to me. Danger Danger got all the pieces of the puzzle with this project; however they were 5-10 years later for the party. This album would’ve got so much attention on AOR radio!
Treat – Organized Crime
Swedish rockers Treat grabbed my attention with their third album, “Dreamhunter” (1987), however their 1989 release, titled “Organized Crime” turned me into a die-hard fan. I always felt so sad because despite being so talented, they couldn’t become a household name in the 1980s melodic rock scene. Anyhow, back to “Organized Crime” – their fourth release is home to mind-blowing rockers, such as the unbelievably catchy “Get You On The Run”, “Party All Over”, “Keep Your Hands to Yourself” and the beautiful ballad, “Stay Away”. Attractive melodies, smooth vocals and hard-rocking sound are just some of the reasons why I think that there’s absolutely no way this album can’t win over any melodic/AOR fan.
Bonham – The Disregard of Timekeeping
Another debut and another perfect rock album! “The Disregard of Timekeeping”, the first actual attempt of Jason Bonham to hit it big commercially, became a reality in 1989. The project caused quite the stir among the rock fan communities but it was only natural – the son of legendary Led Zeppelin drummer was about to unleash a new force to the competitive hair metal musical market and fans just had to see through it all! “The Disregard of Timekeeping” spawned exceptional songs, including “Guilty”- a song that won me over with its mesmerizing intro, unparalleled vocal delivery by Daniel MacMaster and that soul-demolishing violin solo by bassist John Smithson. “Wait for You”, “Playing to Win” and “Room for Us All” are other worthy and highly memorable moments on Bonham‘s 1989 debut.
Skid Row – Skid Row
Now we’re talking!!!
Fronted by one of the most charismatic and talented vocalists of all time, Sebastian Bach, Skid Row‘s self-titled debut became one of the best-selling and most influential albums of the year. “Youth Gone Wild”, “18 and Life”, “I Remember You”, “Piece of Me” – do I have to say more? There are plenty of reasons why this album got certified 5x Platinum by the RIAA and you can easily discover them if you listen to it from start to finish. “Skid Row” brought that much-needed sass and danger into the music scene, incorporated among serious melodic riffs. MTV loved them as well, which further more boosted their image as the new hot kids on the block! What else is there to say – it’s an amazing and highly entertaining album and no wonder it’s on my favorite 1989 albums list!
Blue Murder – Blue Murder
John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. Then, he and David Coverdale crafted what is often considered as one of the most enormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. After they went their separate ways, John Sykes formed Blue Murder and in 1989, they released their self-titled, debut album, which is yet again a highly underrated album, despite its out-of-this world qualities and songs that are able to conquer every part of your soul! I’m not exaggerating, believe me – if the timing and situation was different, this album would’ve been so huge! Some of the earth-shattering songs on “Blue Murder” include “Riot”, “Black-Hearted Woman” and the title track. Of course, the sweetest moments come in the face of “Valley of the Kings” which is one of those tunes you can play for days and naturally (at least for me) the mesmerizing ballad “Out of Love”.
Mr. Big – Mr. Big
In the summer of 1989, Mr. Big became one of the many bands to release a debut album. The eponymous record did manage to leave an impression on the charts and it did sell over 300,000 copies in just a year, so we can conclude that it was somewhat successful. It did, however, deserve way more than that. I still remember the first time I heard the opening track, “Addicted to That Rush” – it was like a powerful shot of adrenaline and it made me feel so good! The entire album is one energizing piece of music that was made to give you that much needed kick! “Wind me Up”, “Had Enough” and “Blame it On My Youth” are just a few of my favorite tracks that could be heard on “Mr. Big”. Paul Gilbert and Eric Martin are an exceptional team and I have nothing but respect and adoration for this album!
Tesla – The Great Radio Controversy
Tesla!!! Where do I even begin? I love this band and this album so much!!
In 1989, Tesla released their sophomore album, titled “The Great Radio Controversy” – an album I first got to know through the groundbreaking ballad, “Love Song” which is so unique and different from all the other power ballads released at that same time. That’s not all of it though. The entire album is one splendid mixture of blues, hard rock, pop rock and metal. On top of it all, the distinctive vocals of Jeff Keith made sure that I will forever remember and hold this album dear. In addition to that well-known ballad, “The Great Radio Controversy” is home to one of the most empowering tunes – “Hang Tough”. “Lady Luck”, “Paradise”, “Lazy Days, Crazy Nights”, “Be a Man” and basically each and every other song on this album are highly spirited and so easy to fall in love with. “The Great Radio Controversy” was certified double platinum for a reason!
Great White – …Twice Shy
The unquestionable commercial highlight of Great White’s career has to be “…Twice Shy”. I’m not saying it’s their best album but it most certainly is an amazing release, worthy of acknowledgment. Great White’s cover of Ian Hunter‘s “Once Bitten, Twice Shy” and of course “The Angel Song” are the most popular tunes that came out of the album, conquering charts and leaving a timeless trace. Moreover, “House of Broken Love” is yet another highlight, dedicated to the love struggles vocalist Jack Russell and guitarist Mark Kendall were going through at that time. “Baby’s On Fire” and “Heart Hunter” are a couple of my other favorites on the record! “…Twice Shy” got certified double platinum and is still considered as one of the staples of ‘80s glam rock!
XYZ – XYZ
Produced by none-other than Don Dokken himself, XYZ’s self-titled debut turned into another one of the underrated highlights of 1989. All in all, “XYZ” is an album that could have easily blown out any other hard rock album of that era, even the multi-platinum ones. Fantastic stand-out tracks such as “Inside Out”,“What Keeps Me Loving You”, “Take What You Can” and “Come On N’ Love Me” deserve nothing but to be enjoyed and played as loud as possible. Frontman Terry Ilous is contributing significantly to the overall satisfying experience that is this debut release. Tons of talent and full of character – I can’t recommend this release enough!
Kingdom Come – In Your Face
I am a huge Kingdom Come fan so no surprises here. Their sophomore album, titled “In Your Face” is a worthy follow-up to their well-deserving debut album and the second of the trilogy of good releases by Kingdom Come, at least in my opinion. “In Your Face” impressed me with uplifting songs like “Who Do You Love”, “The Wind” and laid-back tunes such as “Just Like a Wild Rose”. All in all, “In Your Face” is an enjoyable album and despite the obvious influences, drawn by Led Zeppelin, I do enjoy listening to this record from time to time. I agree that it’s a bit inconsistent and it does have its flaws but if you like AOR, you’re gonna love this, just like I do!
Whitesnake – Slip of the Tongue
Last but not least, I just had to include Whitesnake’s eight studio album, “Slip of the Tongue”. Many people, including David Coverdale himself think of this album as one of Whitesnake’s weakest releases; however that’s definitely not what I think. As a matter of fact, it’s my favorite Whitesnake album and a couple of songs are the reason why. “The Deeper the Love”, “Judgement Day” and “Now You are Gone” have been an inseparable part of my daily playlist for so many years. Let’s also not forget about that impressive re-recording of “Fool for Your Loving”. Sound shift or not, Whitesnake did wonders with this glorious hard rock album and I will forever defend its greatness.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. The publication presents a selection of 15 albums, picked based on my personal preferences and ideas, fitting the purpose of this article. Please be kind and considerate when you read and/or comment.
I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. Cheers~
First impressions are extremely important, especially for an artist! Debut albums can either make or break your career. Releasing a smashingly successful first album, however, also means that all eyes and ears will be pointed at you, waiting impatiently for your next big step. A follow-up to a great debut, however, can turn into quite the formidable task. Many bands have failed; the results can be devastating and even career-ending. That wasn’t the case with Ratt, though, at least in my humble opinion.
In 1984, Ratt threw one hell of a coming out party with “Out of the Cellar” – an album that not only got certified triple platinum by RIAA but it also turned Ratt into a household name on the glam metals scene of LA. Classic heavy metal staples, like the monstrous “Round and Round”, “Wanted Man” and “Communication Breakdown” brought nothing but fame and recognition to the five talented rockstars. One listen from start to finish would give you a clear idea of why this album turned into such a huge sensation, surpassing the releases of even bigger names, such as Motley Crue.
None of Ratt’s future releases were able to compete with “Out of the Cellar” in terms of commercial success or influence. Nevertheless, their sophomore album, titled “Invasion of your Privacy” was still a worthy comeback, full of energy and passion that cannot be overlooked. With powerful, mind-crushing hard rock tornadoes, like “You’re In Love”, “Lay it Down” or “Give it All”, “Invasion of Your Privacy” and of course, Ratt, deserve nothing but praises and respect for all the good time they guarantee you!
In 1985, Ratt once again followed the well-established “Out of the Cellar” formula for success, including top notch glossy production qualities, out-of-this world riffs and of course, the suggestive lyrics. “Invasion of Your Privacy” didn’t create an explosion as big as the first album did, however the sophomore release managed to do one quite essential thing – it strengthened Ratt’s position as one of the most exciting glam rockers of the age. Moreover, the music videos for “Lay it Down” and “You’re in Love” were constantly aired on MTV, which further boosted Ratt’s high standing on the competitive LA hard rock scene of the ‘80s.
Ratt welcomed back producer Beau Hill, who worked with big names like Alice Cooper and plenty other glam rockers of the mid/late-80s music scene, such as Warrant and Winger. Beau Hill, together with vocalist Stephen Pearcy, guitarists and songwriter Robbin Crosby and Warren DeMartini, bass player Juan Croucier and drummer Bobby Blotzer came up with a competent playlist of songs, full of entertaining hooks and playful lyrics.
The riff-cantered “You’re In Love” is a thrilling opener with an iconic Music Video which I’m sure many of you guys still remember from the good old-days of MTV. The choruses are brilliant and the overall sexy vibe of the song makes things so much interesting – you just can’t wait to experience it all. “Lay it Down” and “What You Give is What You Get” – the other two singles are simply two more shots of adrenaline with great verses and powerful melodies. I can’t begin expressing my satisfaction with Stephen Pearcy’s well-matched vocal delivery; that slick pop/heavy metal fusion that Ratt became famous for, couldn’t have been accompanied by a better-fitting vocalist. “Between the Eyes” is a hidden gem; “Got Me on the Line” is a personal favorite – a song I can play all day long and nod my head at least a dozen times with the catchy rhythms! “Closer to My Heart” is Ratt’s attempt at a power ballad or at least at a song, designed to cool things off for a while. It’s a splendid, if not one of the most splendid gems that came out of “Invasion of Your Privacy”.
Final verdict: Ratt avoided the “sophomore slump” with grace. “Invasion of Your Privacy” is pure ‘80s glam metal, presented in all its greatness – both visual and sonic (mostly sonic, of course). Shame if you don’t have this album in your collection. It’s most certainly one of my favorite follow-up albums and my favorite Ratt album as a whole. Enjoy!
“You’re In Love”
“Lay It Down”
“Closer to My Heart”
“What You Give is What You Get”
…Or you can listen to the entire album here:
References: “Invasion of Your Privacy” by Ratt: https://en.wikipedia.org/wiki/Invasion_of_Your_Privacy P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
I’ve said it before and I will say it again – 1989 was one of the greatest, most prolific years when it comes to hard rock and this album right here is yet another fine example, backing up my statement. We witnessed some great rock debuts during the late ‘80s and early ‘90s – XYZ, Giant, Danger Danger, Slaughter, Heavens Edge, Firehouse and so many countless others; and I never understood why all of a sudden every major music media outlet and label turned their back on those immensely talented musicians in favor of the grunge wave…Anyhow, what’s in the past is in the past. All we can do right now is to keep on discovering music that is worth discovering and appreciate talent when we see/hear it! That’s the reason why I wanted to talk about one of the forgotten but deserving late-‘80s-bands – XYZ and specifically their self-titled debut album. Not only it showcases an excellent playlist of feel-good rockers but it’s a great collection piece for all hard rock fans out there who love to recall the good old days!
I discovered XYZ rather recently, as I was taking one of my routine walks on the endless paths of old-school hard rock. There was something highly captivating about their sound which puzzled me as I rarely have this instant connection. I fell for the album, without knowing the reason why it felt so cozy and so familiar. Later on I discovered the reason why I was so easily hooked up… Their debut was produced by none other than DonDokken! I am a huge Don Dokken fan and this should come as no surprise, especially to the people who follow my postings. Of course, everyone knows who Don Dokken is and is well-aware of all the beautiful things he did as a frontman and co-songwriter of the hard rock band, Dokken. If you love Dokken as much as I do, there is no way you won’t fall for XYZ and that first album of theirs!
By the time XYZ’s debut album was released, Dokken had already split due to the turbulent relationship between Don Dokken and George Lynch. Before Don wrapped things up with his first solo album “Up from the Ashes” (1990), he jumped in as the skillful producer of the French-American band, XYZ’s coming-out party. Unfortunately, the household name Don Dokken printed on the back of the album under “produced by” didn’t really help that much. XYZ’s debut album barely got into the Billboard charts, under #99.
Despite the moderate success, three singles and two music videos were released. The MVs for “Inside Out” and “What Keeps Me Loving You” got a little bit of that MTV spotlight. The third single, “Maggy” didn’t get a MV, however found its way to the big screen, as a soundtrack piece for the 1990 Dolph Lundgren movie, “Come in Peace”.
All in all, “XYZ” is an album that can easily blow out any other hard rock album of that era, even the multi-platinum ones. It’s such a shame when talent remains behind the shadows due to unreasonable circumstances. The four guys – Terry Ilous (vocals), Marc Richard Diglio (guitar), Paul Monroe (drums) and Patrick Fontaine (bass) crafted a steady piece of rock music that is suitable for any music-fanatic out there who is ready to have a great time! Don Dokken’s producer touch could easily be felt as we proceed from one song to another. Yes, the album does sound like a little bit like Dokken, but the sound is rougher, edgier and possesses that young and hungry spirit.
Where do I even begin? “Inside Out” is a satisfying rock masterpiece which can only be enjoyed if played as loud as possible. Glorious guitar work and don’t even get me started on the vocals – Terry is simply fantastic! “What Keeps Me Loving You” is the turning point – a power ballad ready to knock your socks off with its soul-grabbing melody and tender lyrics! “Take What You Can” impresses with its mind-blowing, thunderous guitar intro, which introduces us to a world, dominated by Terry Ilous’ violent screams. “Follow the Night” is yet another praiseworthy ballad I grew an attachment to. The second half of the album is as intriguing as the first – “Come On N’ Love Me”, “Souvenirs” and “After the Rain” are all offering one memorable sonic experience! The strong power ballad presence on the album makes things so interesting for me!
Final verdict: XYZ is another underrated killer band with a superb debut album that should’ve been way bigger! Tons of talent and full of character – I can’t recommend it enough!
What Keeps Me Loving You
Take What You Can
…or you can listen to the entire album here:
Release Date: October 17, 1989
Genre: AOR / Hard Rock Duration: 41:12 Label: Enigma Records Producer(s): Don Dokken
XYZ (album) Official Wikipedia Page: https://en.wikipedia.org/wiki/XYZ_(XYZ_album) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
It was only right to send off a decade full of splendid solid gold rock music with a bang. So many fascinating things happened during the last year of the ‘80s and Blue Murder’s debut album was definitely one of the musical highlights (at least to me). After all, what else can you expect from master guitarist and songwriter John Sykes if not the best?
One of my favorite things to discuss when it comes to old-school rock is the huge pile of underrated artists and bands that deserved way more than they actually got. I often talk about Blue Murder and John Sykes because the band and the album should’ve taken over the world. Unfortunately, for one reason or another, they didn’t.
John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. What followed next was a career-defining move which secured him a pretty solid position on the popular hard rock movement during the second half of the ‘80s. David Coverdale took John Sykes in after the release of Slide It In in 1984. After a couple of recording sessions and a successful tour in support of the album, John Sykes was already in line for “the next best guitarist in town” crown. Whitesnake kept momentum with what is often considered as one of the most enormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. If you thought that these monstrous songs were crafted all by David Coverdale himself, you are greatly mistaken. John Sykes co-wrote the majority of tracks, recorded the killer guitars and even did some back up vocal work here and there. Unfortunately, sometimes partnerships in life don’t last as much as we want them to. Personalities often clash and this is exactly what happened in the case of John vs. David. I won’t be getting into details because that’s not the main focus of this publication. All in all, they both went their separate ways, even though the magic they did sold over 8 million copies in the USA alone.
It was time to move on and most importantly, entirely devote to making great music once again. Geffen Records also lend a helping hand, singing Sykes to a new great deal. You can’t just let go of someone so immensely talented, right? He quickly recruited Vanilla Fudge drummer Carmine Appice and The Firm bassist Tony Franklin and the line-up was all set and done, ready to make the next big album! That’s how Blue Murder was formed in 1988.
In April, 1989, Blue Murder’s self-titled debut album was released to the public. It’s a pity that the record couldn’t generate a big fuss, however the brilliant guitar work showcased on this album did influence generations of musicians, making it important on a whole different level. “Blue Murder” possessed all the right ingredients to become the biggest release of 1989, including out-of-this-world guitar solos, intriguing song themes and spellbinding hard rock melodies. Of course, most of the tunes were written by John Sykes himself, however the team spirit and great collaboration between the members of the supergroup is quite obvious. Under the skillful leadership of John Sykes, each could bring something great to the table. Moreover, Blue Murder recruited legendary producer Bob Rock who worked with Kingdome Come, Bon Jovi, Metallica, Bryan Adams, Motley Crue and many other big industry names. The 1989 debut album turned into one of the highlights of the huge pile of profitable melodic, yet ferocious hard rock releases he produced.
The albums that are hard to explain with words are usually the ones that are that good. The powerful magical guitar world opens up with the earth-shattering, throat-grabbing “Riot” which in my book is one of the best opening tracks of all time. Other songs of similar nature include “Blue Murder” and “Black-Hearted Woman” which deserve nothing but to be played as loud as possible. Heavy guitar riffing, killer rhythm sections and hypnotizing vocal delivery are just some of the reasons why your socks might get knocked off just after the first time you play them. The epic 8-minute “Valley of the Kings” is my personal favorite and arguably the greatest moment on the record. From the enchanting intro, followed by John’s mighty screams, to the ecstatic lengthy guitar solos, “Valley of the Kings” is one of those songs you can play for days. The power ballad “Out of Love” is as breath-taking as any other power ballad that hit the big numbers in 1989 but unfortunately couldn’t make a splash. Never understood why so few people actually appreciate and remember this passionate heart-breaking tune when in fact is one of the best among all power ballads of the decade. “Jelly Roll” is an interesting song, brightened with a little blues feel that makes all the difference in the world.
Every track on “Blue Murder” is infectiously good! The album captures hearts with impeccable musicianship and satisfying variety, ranging from electrifying hard rock, to stunning blues-influenced rhythms. Valuable and well-crafted albums like this one are hard to spot so in case you are one of the many people out there who still haven’t discovered the greatness of “Blue Murder”, now is the time to do it!
John Sykes is a genius and a guitar virtuoso and he deserves nothing but respect and adoration! Enjoy the songs!
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
1980s rock ballads? Now that’s one hell of a topic, isn’t it! Where do we even begin talking? There is just so much to say, so many names to mention, so many breath-taking songs to sing!
That softer, much gentler side of rock turned into an essential component of pretty much every record, released in the ‘80s. All hard rock acts jumped on that well-established bandwagon which would certainly take them on a journey to success and fan recognition. Labels demanded it too – if you wanted to hit it big in the ‘80s, you just had to write a killer ballad! Hard rock aside, blues, pop and even heavy metal musicians were also participants of the phenomenon. Don’t get me wrong, ballads have always been important and they will continue to be, however, the amount of ballads, as well as their importance and wall-to-wall presence was way heavier than it is now, for example. Artists were simply putting more effort and emphasis on crafting that perfect soul-soothing sound which I think turned into one of the reasons why we love ‘80s rock music so much!
The formula for (power) ballads was perfected by the mid-80s. Around that time, some of the staples of the flow were released. From Whitesnake to Def Leppard, from Cinderella to Scorpions – all of these great bands left a great number of strong, unforgettable ballads with an everlasting impact. These classic ballads of the ‘80s are still relevant and loved by every music enthusiast around the world. With this in mind, along with my immense adoration for ballads, I decided to ask my readers and followers on which song do they think is the greatest (power) rock ballad of the ‘80s. For about one month, everyone was able to vote and participate in the poll. The results are in and we can now enjoy this exceptional playlist, you guys created! Also, this might be a good chance for us to get in touch with our emotional side! Let’s listen…
Skid Row’s 1989 debut spawned an incredible ballad, titled “I Remember You”. This gorgeous tune, written by Rachel Bolan and Dave “the Snake” Sabo, turned into one of Skid Row’s most instantly recognizable and beloved songs of all time. No surprises there! With SebastianBach’s near-perfect vocal delivery and that haunting melody, the tune was destined for success. There’s no self-respecting rock fan out there that doesn’t know what follows after “Woke up to the sound of pouring rain…”
Interestingly, the song played a huge part in American popular culture in the year of 1990 – “I Remember You” came to be the most essential component of every prom dance, creating special memories in the hearts of millions.
9. Cheap Trick – The Flame
The highlight of Cheap Trick’s 1988 album “Lap of Luxury” is most certainly the emotional ballad, “The Flame”. The ballad was written by British songwriters Bob Mitchell and Nick Graham and it was first offered to another artist, before Cheap Trick cashed in. “The Flame” is probably one of the most widely-known and profitable rock ballads of all time. Achievements like topping the charts in the USA, Australia and Canada is merely the start of its long legacy. Most importantly, “The Flame” became the life vest of Cheap Trick as they were struggling to stay afloat after the commercial failure of their previous album. “The band was very skeptical about performing this song live, because we only liked to perform songs written by us. However, a young man from, oh, I don’t know, somewhere, confirmed to us after a show in Florida about a week after the song was released that the song was great and, get this, would be a #1 single. As we joked about the guy’s prediction, we later realized whoa! This guy was right. I thank him for that,” said vocalist Robin Zander.
(quote retrieved from https://en.wikipedia.org/wiki/The_Flame_(Cheap_Trick_song) )
According to some sources, the power ballad “Home Sweet Home” by Mötley Crüe is arguably one of the first of its kind. Nevertheless, the iconic tune held tons of personal relevance to the band and they had to fight with all they got for it to be included in their 1985 album “Theatre of Pain”. Mötley Crüe got the big “no” but still bet everything they had on the song, even funded the music video with their own money. Despite never making it that big commercially, “Home Sweet Home” turned into Mötley Crüe’s signature concert finishing track. Moreover, the iconic music video, featuring pre-concert and stage performing scenes is notable for being one of the most requested MVs on MTV back in the day.
“Bands didn’t have a power ballad and MTV as a vehicle to have a hit. That just wasn’t the way it was. After ‘Home Sweet Home’, every band had the one ballad that came as their second or third single….I think the reason we did it was because it was so anti-Mötley Crüe and it was funny, because it threw us into the mainstream….
Trust me, none of us had the foresight to see that,” said Nikki Sixx for In The Studio: The Stories Behind History’s Greatest Rock Bands.
Journey’s 1983 album, “Frontiers” has tons of brilliant surprises inside and “Faithfully” is certainly one of the highlights. The power ballad, written by Jonathan Cain and portraying the hardships and endless struggles of being married while constantly on the road, became one of Journey’s most beloved and respected songs of all time. Not only that but “Faithfully” ended up conquering charts and influencing a generation of artists, including Bryan Adams whose hit single “Heaven” was inspired by “Faithfully”.
The “on the road” music video created quite the fuss as well and was one of the first of a long line of similar-concept videos, adopted by bands like Genesis, Motley Crue and Bon Jovi. Journey started making music videos with the release of “Frontiers” even though they truly disliked it. Nevertheless, thanks to that iconic music video and the exposure on MTV, along with of course the great attributes of the song, “Faithfully” was immortalized.
6. Def Leppard – Bringin’ On the Heartbreak
Arguably, the finest moment of Def Leppard’s sophomore 1981 album “High ‘N’ Dry” has to be the ballad, “Bringin’ on the Heartbreak”. With this song, not only did they set the standard for power ballads, but challenged the perception that these types of songs could only be performed by female artists, such as Bonnie Tyler for instance. Initially titled “A Certain Heartache”, the track, produced by A-class producer Robert “Mutt” Lange, was quickly picked up by the recently launched MTV station where the music video received a heavy rotation and led to the revival of album sales. 2 million copies later, it was more than safe to say that Leppard were the next big and worthy thing on the horizon.
In 1984, “High ‘N’ Dry” was re-issued, featuring a remixed version of “Bringin’ on the Heartbreak”. This time, the song finally made it to the charts, peaking at a top70 position. The song got a brand new music video as well! Check it out!
5. Cinderella – Don’t Know What You Got (Till It’s Gone)
Right in the middle of our top10 (power) ballad song playlist, we have Cinderella‘s “Don’t Know What You Got (Till It’s Gone)” which surprisingly is not in the top3, despite its immense popularity. Written by singer-songwriter and co-founder of Cinderella, Tom Keifer and released as a single from their second album “Long Cold Winter” (1988), “Don’t Know What You Got (Till It’s Gone)” remains the band’s highest charting single and most successful track of all time. The emotional and highly intense power ballad got a beautiful MV, filmed nearby Mono Lake in California. MTV did justice to it by playing it every couple of minutes on a daily basis (which was totally fine by everyone).
Tom Keifer is an outstanding vocalist and if you question this statement, you most probably haven’t listened to this song yet. This gorgeous human being wrote the most sincere and soul-crushing rock ballad of all time and if it was up to me, it would’ve been in an even higher position.
Written by vocalist Don Dokken and bass guitarist Jeff Pilson, the power ballad “Alone Again” was released as a single from Dokken’s 1984 album “Tooth and Nail”. After a highly unsuccessful debut album, it was do or die for Dokken. The label barely agreed to give them a second chance but thank God they did, otherwise brilliant songs such as “Alone Again” would’ve remained on a paper, rotting somewhere under a pile of music notebooks. The track didn’t really hit it that big in terms of chart success, which in my books makes it one of the greatest unappreciated power ballads of the ‘80s ever!
Interestingly, Don Dokken wrote the words of “Alone Again” in the ‘70s when he was barely 25 years old. We can’t but be thankful that the song resurfaced in mid-80s and ended up being an irreplaceable component of “Tooth and Nail”.
Not surprised to see Scorpions’ “Still Loving You” in a top 3 position on our rock ballad playlist. The 1984 album, “Love at First String” defined their career like no other album did, spawning immortal hit singles like “Rock You like a Hurricane” and of course, “Still Loving You”. The European rockers made quite the statement on the US charts, hitting a top 10 position with the album and a top 70 position with the song. The French gave it the #1, though! “Still Loving You” is one of the most emotional rock ballads of all time, telling us a story about a broken romance and longing for a second chance.
“…It’s a story about a love affair where they recognized it may be over, but let’s try again. It’s the old story; always the old story. I mean, what can we use? We can’t reinvent the wheel. What we always do, is say something which has already been said many times, in our own way,” said Scorpions guitarist Rudolf Schenker.
Whitesnake’s “Is This Love” comes at number two with just a couple of votes behind the number one. When we talk about universal appeal and strength of impact, no other ballad had it as big as this one. Everyone knows it, everyone sings it and is everyone’s favorite Whitesnake song. Written by vocalist David Coverdale and guitarist John Sykes, the idea for “Is This Love” was initially born after they were asked to come up with some good material for a new Tina Turner song.
Whitesnake‘s enormous 1987 album gave birth to a number of hit singles but no other song can actually compete with the legacy of this mind-blowing tune.Just like in our little playlist, “Is This Love” peaked at #2 in the US singles chart. The song, of course, got the music video makeover where Coverdale’s then-girlfriend Tawny Kitaen could be seen, along with a band, playing on a misty stage. Coverdale is the only Whitesnake member to be featured on the video. Now is not the time to explain why, though! Enjoy the classic!
Number 1 on our ‘80s hard rock ballad playlist is Def Leppard’s “Love Bites”. Coincidentally, this track is also Def Leppard’s only #1 hit so far!
The year is 1987 and the album is “Hysteria” – do I have to say more? It turned out to be the perfect marriage between pop and hard rock that can easily be felt as we go from one song to another. To make the sound of “Hysteria” so unique and essential, producer Mutt Lange went above and beyond by using a variety of technology, vocal and sound layering and adopting numerous other effects to give the tracks a “stadium rock vibe” and “extra solid sound” that pierce your heart and gives you chills the moment you play them.
Joe Elliott’s gentle but rather extreme vocal delivery techniques crate a beautiful tension which I believe is the reason why “Love Bites” grabbed the attention of so many people. Moreover, the simple, yet painfully truthful lyrics made it universally relatable.
Interestingly, producer Mutt Lange was the one who brought the song to the band. Initially it was a country-style ballad that eventually got the Def Leppard hard rock treatment and turned into this gorgeous power ballad.
“It was just a standard rock ballad but it had something else going for it. Lyrically, it kind of painted a picture, and in a song you always want to do that, paint a picture. ‘On a dark desert highway,’ the first line of ‘Hotel California,’ great song, it just paints an image for you straight off the bat and that’s the sign of a really good song. It takes you right there. ‘Love Bites’ did that as well,” said Joe Elliott.
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.