You are casually browsing through the suggested section on YouTube, looking for your next favorite old-school rock band – one of the millions you have yet to discover and then BAM, you see the name “Sleeze Beeze”. From here on, you can go two ways; way number one – you just ignore them, thinking it’s just another one of those sparkly spandex-wearing youngsters that don’t want to be taken seriously and named themselves so foolishly just to attract attention to their average heartbreak tunes… or way number two – you decide to check them out anyways, with the hopes that there might be something there. Guess which way I went?
The name did throw me off a little, but I was too curious to just let it go. Also, once I saw the name of their sophomore album, “Screwed, Blued & Tattooed” I couldn’t just walk away. One thing I give them, ridiculous or not, it does catch your eye.
Who are Sleeze Beeze?
The most important thing to know about Sleeze Beeze is that they a hard rock band from the Netherlands and lasted for about 9 years (from 1987 to 1996) before they called it quits (reunited in 2010, though). Overall, the band released four studio albums, out of which the debut with Atlantic records (and second release), “Screwed, Blued & Tattooed” (1990) turned out to be their most successful one, introducing the band to the American market and audience. MTV once again participated in the initial success of the band by giving tons of airtime to “Stranger Than Paradise” – one of the singles from the sophomore album.
“Screwed, Blued & Tattooed”
Now let’s talk about this album with the bizarre name – a name which definitely didn’t help their case, in my opinion. But hey, it was the ’80s and it was all about fun, nihilism and doing whatever the hell you want! So let’s not fall into despair and just focus on the music, instead.
“Screwed, Blued & Tattooed” is one of those albums which I say are “worth discovering” and definitely one of the exciting releases of the early 90s. From the opening powerful slap – “Rock in the Western World” to the playful wrap up song “Girls Girls, Nasty Nasty”, the album is one hell of an entertaining piece of hard rock music! Don’t get me wrong, the album is far from perfect or groundbreaking but with lively and highly amusing tracks like “House is on Fire”, “Damned If We Do, Damned If We Don’t” and of course the title song, I feel like I can totally forgive and forget. “Stranger Than Paradise” is unquestionably the finest moment on the album and definitely a song that had the potential to stand against any Bon Jovi, Winger, Great White or Poison song. After a couple of tracks, we finally get to the power ballad – “This Time”. It’s as good as any power ballad of the era, that’s all I have to say. If you are a power ballad enthusiast like me, then you will love it for sure! Check out the rest of the songs – “Heroes Die Young” and “Don’t Talk About Roses” are striking highly deserving rockers as well!
Ultimately, Sleeze Beeze didn’t really predict the strong invasion of the alternative rock scene and their album was quickly forgotten. I can understand why, believe me – in addition to the bad timing, the album (was)is a total cliché. However, I am still recommending it because sometimes those partying non stop/sex/living the life clichés are the ones that help us go through the day. Listen to some tunes and the album below!
“Stranger Than Paradise”
“House Is On Fire”
“Screwed, Blued & Tattooed”
…or you can just check out the whole album:
Sleeze Beez on Wikipedia: https://en.wikipedia.org/wiki/Sleeze_Beez P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
First impressions are extremely important, especially for an artist! Debut albums can either make or break your career. Releasing a smashingly successful first album, however, also means that all eyes and ears will be pointed at you, waiting impatiently for your next big step. A follow-up to a great debut, however, can turn into quite the formidable task. Many bands have failed; the results can be devastating and even career-ending. That wasn’t the case with Ratt, though, at least in my humble opinion.
In 1984, Ratt threw one hell of a coming out party with “Out of the Cellar” – an album that not only got certified triple platinum by RIAA but it also turned Ratt into a household name on the glam metals scene of LA. Classic heavy metal staples, like the monstrous “Round and Round”, “Wanted Man” and “Communication Breakdown” brought nothing but fame and recognition to the five talented rockstars. One listen from start to finish would give you a clear idea of why this album turned into such a huge sensation, surpassing the releases of even bigger names, such as Motley Crue.
None of Ratt’s future releases were able to compete with “Out of the Cellar” in terms of commercial success or influence. Nevertheless, their sophomore album, titled “Invasion of your Privacy” was still a worthy comeback, full of energy and passion that cannot be overlooked. With powerful, mind-crushing hard rock tornadoes, like “You’re In Love”, “Lay it Down” or “Give it All”, “Invasion of Your Privacy” and of course, Ratt, deserve nothing but praises and respect for all the good time they guarantee you!
In 1985, Ratt once again followed the well-established “Out of the Cellar” formula for success, including top notch glossy production qualities, out-of-this world riffs and of course, the suggestive lyrics. “Invasion of Your Privacy” didn’t create an explosion as big as the first album did, however the sophomore release managed to do one quite essential thing – it strengthened Ratt’s position as one of the most exciting glam rockers of the age. Moreover, the music videos for “Lay it Down” and “You’re in Love” were constantly aired on MTV, which further boosted Ratt’s high standing on the competitive LA hard rock scene of the ‘80s.
Ratt welcomed back producer Beau Hill, who worked with big names like Alice Cooper and plenty other glam rockers of the mid/late-80s music scene, such as Warrant and Winger. Beau Hill, together with vocalist Stephen Pearcy, guitarists and songwriter Robbin Crosby and Warren DeMartini, bass player Juan Croucier and drummer Bobby Blotzer came up with a competent playlist of songs, full of entertaining hooks and playful lyrics.
The riff-cantered “You’re In Love” is a thrilling opener with an iconic Music Video which I’m sure many of you guys still remember from the good old-days of MTV. The choruses are brilliant and the overall sexy vibe of the song makes things so much interesting – you just can’t wait to experience it all. “Lay it Down” and “What You Give is What You Get” – the other two singles are simply two more shots of adrenaline with great verses and powerful melodies. I can’t begin expressing my satisfaction with Stephen Pearcy’s well-matched vocal delivery; that slick pop/heavy metal fusion that Ratt became famous for, couldn’t have been accompanied by a better-fitting vocalist. “Between the Eyes” is a hidden gem; “Got Me on the Line” is a personal favorite – a song I can play all day long and nod my head at least a dozen times with the catchy rhythms! “Closer to My Heart” is Ratt’s attempt at a power ballad or at least at a song, designed to cool things off for a while. It’s a splendid, if not one of the most splendid gems that came out of “Invasion of Your Privacy”.
Final verdict: Ratt avoided the “sophomore slump” with grace. “Invasion of Your Privacy” is pure ‘80s glam metal, presented in all its greatness – both visual and sonic (mostly sonic, of course). Shame if you don’t have this album in your collection. It’s most certainly one of my favorite follow-up albums and my favorite Ratt album as a whole. Enjoy!
“You’re In Love”
“Lay It Down”
“Closer to My Heart”
“What You Give is What You Get”
…Or you can listen to the entire album here:
References: “Invasion of Your Privacy” by Ratt: https://en.wikipedia.org/wiki/Invasion_of_Your_Privacy P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
I’ve said it before and I will say it again – 1989 was one of the greatest, most prolific years when it comes to hard rock and this album right here is yet another fine example, backing up my statement. We witnessed some great rock debuts during the late ‘80s and early ‘90s – XYZ, Giant, Danger Danger, Slaughter, Heavens Edge, Firehouse and so many countless others; and I never understood why all of a sudden every major music media outlet and label turned their back on those immensely talented musicians in favor of the grunge wave…Anyhow, what’s in the past is in the past. All we can do right now is to keep on discovering music that is worth discovering and appreciate talent when we see/hear it! That’s the reason why I wanted to talk about one of the forgotten but deserving late-‘80s-bands – XYZ and specifically their self-titled debut album. Not only it showcases an excellent playlist of feel-good rockers but it’s a great collection piece for all hard rock fans out there who love to recall the good old days!
I discovered XYZ rather recently, as I was taking one of my routine walks on the endless paths of old-school hard rock. There was something highly captivating about their sound which puzzled me as I rarely have this instant connection. I fell for the album, without knowing the reason why it felt so cozy and so familiar. Later on I discovered the reason why I was so easily hooked up… Their debut was produced by none other than DonDokken! I am a huge Don Dokken fan and this should come as no surprise, especially to the people who follow my postings. Of course, everyone knows who Don Dokken is and is well-aware of all the beautiful things he did as a frontman and co-songwriter of the hard rock band, Dokken. If you love Dokken as much as I do, there is no way you won’t fall for XYZ and that first album of theirs!
By the time XYZ’s debut album was released, Dokken had already split due to the turbulent relationship between Don Dokken and George Lynch. Before Don wrapped things up with his first solo album “Up from the Ashes” (1990), he jumped in as the skillful producer of the French-American band, XYZ’s coming-out party. Unfortunately, the household name Don Dokken printed on the back of the album under “produced by” didn’t really help that much. XYZ’s debut album barely got into the Billboard charts, under #99.
Despite the moderate success, three singles and two music videos were released. The MVs for “Inside Out” and “What Keeps Me Loving You” got a little bit of that MTV spotlight. The third single, “Maggy” didn’t get a MV, however found its way to the big screen, as a soundtrack piece for the 1990 Dolph Lundgren movie, “Come in Peace”.
All in all, “XYZ” is an album that can easily blow out any other hard rock album of that era, even the multi-platinum ones. It’s such a shame when talent remains behind the shadows due to unreasonable circumstances. The four guys – Terry Ilous (vocals), Marc Richard Diglio (guitar), Paul Monroe (drums) and Patrick Fontaine (bass) crafted a steady piece of rock music that is suitable for any music-fanatic out there who is ready to have a great time! Don Dokken’s producer touch could easily be felt as we proceed from one song to another. Yes, the album does sound like a little bit like Dokken, but the sound is rougher, edgier and possesses that young and hungry spirit.
Where do I even begin? “Inside Out” is a satisfying rock masterpiece which can only be enjoyed if played as loud as possible. Glorious guitar work and don’t even get me started on the vocals – Terry is simply fantastic! “What Keeps Me Loving You” is the turning point – a power ballad ready to knock your socks off with its soul-grabbing melody and tender lyrics! “Take What You Can” impresses with its mind-blowing, thunderous guitar intro, which introduces us to a world, dominated by Terry Ilous’ violent screams. “Follow the Night” is yet another praiseworthy ballad I grew an attachment to. The second half of the album is as intriguing as the first – “Come On N’ Love Me”, “Souvenirs” and “After the Rain” are all offering one memorable sonic experience! The strong power ballad presence on the album makes things so interesting for me!
Final verdict: XYZ is another underrated killer band with a superb debut album that should’ve been way bigger! Tons of talent and full of character – I can’t recommend it enough!
What Keeps Me Loving You
Take What You Can
…or you can listen to the entire album here:
Release Date: October 17, 1989
Genre: AOR / Hard Rock Duration: 41:12 Label: Enigma Records Producer(s): Don Dokken
XYZ (album) Official Wikipedia Page: https://en.wikipedia.org/wiki/XYZ_(XYZ_album) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
It was only right to send off a decade full of splendid solid gold rock music with a bang. So many fascinating things happened during the last year of the ‘80s and Blue Murder’s debut album was definitely one of the musical highlights (at least to me). After all, what else can you expect from master guitarist and songwriter John Sykes if not the best?
One of my favorite things to discuss when it comes to old-school rock is the huge pile of underrated artists and bands that deserved way more than they actually got. I often talk about Blue Murder and John Sykes because the band and the album should’ve taken over the world. Unfortunately, for one reason or another, they didn’t.
John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. What followed next was a career-defining move which secured him a pretty solid position on the popular hard rock movement during the second half of the ‘80s. David Coverdale took John Sykes in after the release of Slide It In in 1984. After a couple of recording sessions and a successful tour in support of the album, John Sykes was already in line for “the next best guitarist in town” crown. Whitesnake kept momentum with what is often considered as one of the most enormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. If you thought that these monstrous songs were crafted all by David Coverdale himself, you are greatly mistaken. John Sykes co-wrote the majority of tracks, recorded the killer guitars and even did some back up vocal work here and there. Unfortunately, sometimes partnerships in life don’t last as much as we want them to. Personalities often clash and this is exactly what happened in the case of John vs. David. I won’t be getting into details because that’s not the main focus of this publication. All in all, they both went their separate ways, even though the magic they did sold over 8 million copies in the USA alone.
It was time to move on and most importantly, entirely devote to making great music once again. Geffen Records also lend a helping hand, singing Sykes to a new great deal. You can’t just let go of someone so immensely talented, right? He quickly recruited Vanilla Fudge drummer Carmine Appice and The Firm bassist Tony Franklin and the line-up was all set and done, ready to make the next big album! That’s how Blue Murder was formed in 1988.
In April, 1989, Blue Murder’s self-titled debut album was released to the public. It’s a pity that the record couldn’t generate a big fuss, however the brilliant guitar work showcased on this album did influence generations of musicians, making it important on a whole different level. “Blue Murder” possessed all the right ingredients to become the biggest release of 1989, including out-of-this-world guitar solos, intriguing song themes and spellbinding hard rock melodies. Of course, most of the tunes were written by John Sykes himself, however the team spirit and great collaboration between the members of the supergroup is quite obvious. Under the skillful leadership of John Sykes, each could bring something great to the table. Moreover, Blue Murder recruited legendary producer Bob Rock who worked with Kingdome Come, Bon Jovi, Metallica, Bryan Adams, Motley Crue and many other big industry names. The 1989 debut album turned into one of the highlights of the huge pile of profitable melodic, yet ferocious hard rock releases he produced.
The albums that are hard to explain with words are usually the ones that are that good. The powerful magical guitar world opens up with the earth-shattering, throat-grabbing “Riot” which in my book is one of the best opening tracks of all time. Other songs of similar nature include “Blue Murder” and “Black-Hearted Woman” which deserve nothing but to be played as loud as possible. Heavy guitar riffing, killer rhythm sections and hypnotizing vocal delivery are just some of the reasons why your socks might get knocked off just after the first time you play them. The epic 8-minute “Valley of the Kings” is my personal favorite and arguably the greatest moment on the record. From the enchanting intro, followed by John’s mighty screams, to the ecstatic lengthy guitar solos, “Valley of the Kings” is one of those songs you can play for days. The power ballad “Out of Love” is as breath-taking as any other power ballad that hit the big numbers in 1989 but unfortunately couldn’t make a splash. Never understood why so few people actually appreciate and remember this passionate heart-breaking tune when in fact is one of the best among all power ballads of the decade. “Jelly Roll” is an interesting song, brightened with a little blues feel that makes all the difference in the world.
Every track on “Blue Murder” is infectiously good! The album captures hearts with impeccable musicianship and satisfying variety, ranging from electrifying hard rock, to stunning blues-influenced rhythms. Valuable and well-crafted albums like this one are hard to spot so in case you are one of the many people out there who still haven’t discovered the greatness of “Blue Murder”, now is the time to do it!
John Sykes is a genius and a guitar virtuoso and he deserves nothing but respect and adoration! Enjoy the songs!
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
1980s rock ballads? Now that’s one hell of a topic, isn’t it! Where do we even begin talking? There is just so much to say, so many names to mention, so many breath-taking songs to sing!
That softer, much gentler side of rock turned into an essential component of pretty much every record, released in the ‘80s. All hard rock acts jumped on that well-established bandwagon which would certainly take them on a journey to success and fan recognition. Labels demanded it too – if you wanted to hit it big in the ‘80s, you just had to write a killer ballad! Hard rock aside, blues, pop and even heavy metal musicians were also participants of the phenomenon. Don’t get me wrong, ballads have always been important and they will continue to be, however, the amount of ballads, as well as their importance and wall-to-wall presence was way heavier than it is now, for example. Artists were simply putting more effort and emphasis on crafting that perfect soul-soothing sound which I think turned into one of the reasons why we love ‘80s rock music so much!
The formula for (power) ballads was perfected by the mid-80s. Around that time, some of the staples of the flow were released. From Whitesnake to Def Leppard, from Cinderella to Scorpions – all of these great bands left a great number of strong, unforgettable ballads with an everlasting impact. These classic ballads of the ‘80s are still relevant and loved by every music enthusiast around the world. With this in mind, along with my immense adoration for ballads, I decided to ask my readers and followers on which song do they think is the greatest (power) rock ballad of the ‘80s. For about one month, everyone was able to vote and participate in the poll. The results are in and we can now enjoy this exceptional playlist, you guys created! Also, this might be a good chance for us to get in touch with our emotional side! Let’s listen…
Skid Row’s 1989 debut spawned an incredible ballad, titled “I Remember You”. This gorgeous tune, written by Rachel Bolan and Dave “the Snake” Sabo, turned into one of Skid Row’s most instantly recognizable and beloved songs of all time. No surprises there! With SebastianBach’s near-perfect vocal delivery and that haunting melody, the tune was destined for success. There’s no self-respecting rock fan out there that doesn’t know what follows after “Woke up to the sound of pouring rain…”
Interestingly, the song played a huge part in American popular culture in the year of 1990 – “I Remember You” came to be the most essential component of every prom dance, creating special memories in the hearts of millions.
9. Cheap Trick – The Flame
The highlight of Cheap Trick’s 1988 album “Lap of Luxury” is most certainly the emotional ballad, “The Flame”. The ballad was written by British songwriters Bob Mitchell and Nick Graham and it was first offered to another artist, before Cheap Trick cashed in. “The Flame” is probably one of the most widely-known and profitable rock ballads of all time. Achievements like topping the charts in the USA, Australia and Canada is merely the start of its long legacy. Most importantly, “The Flame” became the life vest of Cheap Trick as they were struggling to stay afloat after the commercial failure of their previous album. “The band was very skeptical about performing this song live, because we only liked to perform songs written by us. However, a young man from, oh, I don’t know, somewhere, confirmed to us after a show in Florida about a week after the song was released that the song was great and, get this, would be a #1 single. As we joked about the guy’s prediction, we later realized whoa! This guy was right. I thank him for that,” said vocalist Robin Zander.
(quote retrieved from https://en.wikipedia.org/wiki/The_Flame_(Cheap_Trick_song) )
According to some sources, the power ballad “Home Sweet Home” by Mötley Crüe is arguably one of the first of its kind. Nevertheless, the iconic tune held tons of personal relevance to the band and they had to fight with all they got for it to be included in their 1985 album “Theatre of Pain”. Mötley Crüe got the big “no” but still bet everything they had on the song, even funded the music video with their own money. Despite never making it that big commercially, “Home Sweet Home” turned into Mötley Crüe’s signature concert finishing track. Moreover, the iconic music video, featuring pre-concert and stage performing scenes is notable for being one of the most requested MVs on MTV back in the day.
“Bands didn’t have a power ballad and MTV as a vehicle to have a hit. That just wasn’t the way it was. After ‘Home Sweet Home’, every band had the one ballad that came as their second or third single….I think the reason we did it was because it was so anti-Mötley Crüe and it was funny, because it threw us into the mainstream….
Trust me, none of us had the foresight to see that,” said Nikki Sixx for In The Studio: The Stories Behind History’s Greatest Rock Bands.
Journey’s 1983 album, “Frontiers” has tons of brilliant surprises inside and “Faithfully” is certainly one of the highlights. The power ballad, written by Jonathan Cain and portraying the hardships and endless struggles of being married while constantly on the road, became one of Journey’s most beloved and respected songs of all time. Not only that but “Faithfully” ended up conquering charts and influencing a generation of artists, including Bryan Adams whose hit single “Heaven” was inspired by “Faithfully”.
The “on the road” music video created quite the fuss as well and was one of the first of a long line of similar-concept videos, adopted by bands like Genesis, Motley Crue and Bon Jovi. Journey started making music videos with the release of “Frontiers” even though they truly disliked it. Nevertheless, thanks to that iconic music video and the exposure on MTV, along with of course the great attributes of the song, “Faithfully” was immortalized.
6. Def Leppard – Bringin’ On the Heartbreak
Arguably, the finest moment of Def Leppard’s sophomore 1981 album “High ‘N’ Dry” has to be the ballad, “Bringin’ on the Heartbreak”. With this song, not only did they set the standard for power ballads, but challenged the perception that these types of songs could only be performed by female artists, such as Bonnie Tyler for instance. Initially titled “A Certain Heartache”, the track, produced by A-class producer Robert “Mutt” Lange, was quickly picked up by the recently launched MTV station where the music video received a heavy rotation and led to the revival of album sales. 2 million copies later, it was more than safe to say that Leppard were the next big and worthy thing on the horizon.
In 1984, “High ‘N’ Dry” was re-issued, featuring a remixed version of “Bringin’ on the Heartbreak”. This time, the song finally made it to the charts, peaking at a top70 position. The song got a brand new music video as well! Check it out!
5. Cinderella – Don’t Know What You Got (Till It’s Gone)
Right in the middle of our top10 (power) ballad song playlist, we have Cinderella‘s “Don’t Know What You Got (Till It’s Gone)” which surprisingly is not in the top3, despite its immense popularity. Written by singer-songwriter and co-founder of Cinderella, Tom Keifer and released as a single from their second album “Long Cold Winter” (1988), “Don’t Know What You Got (Till It’s Gone)” remains the band’s highest charting single and most successful track of all time. The emotional and highly intense power ballad got a beautiful MV, filmed nearby Mono Lake in California. MTV did justice to it by playing it every couple of minutes on a daily basis (which was totally fine by everyone).
Tom Keifer is an outstanding vocalist and if you question this statement, you most probably haven’t listened to this song yet. This gorgeous human being wrote the most sincere and soul-crushing rock ballad of all time and if it was up to me, it would’ve been in an even higher position.
Written by vocalist Don Dokken and bass guitarist Jeff Pilson, the power ballad “Alone Again” was released as a single from Dokken’s 1984 album “Tooth and Nail”. After a highly unsuccessful debut album, it was do or die for Dokken. The label barely agreed to give them a second chance but thank God they did, otherwise brilliant songs such as “Alone Again” would’ve remained on a paper, rotting somewhere under a pile of music notebooks. The track didn’t really hit it that big in terms of chart success, which in my books makes it one of the greatest unappreciated power ballads of the ‘80s ever!
Interestingly, Don Dokken wrote the words of “Alone Again” in the ‘70s when he was barely 25 years old. We can’t but be thankful that the song resurfaced in mid-80s and ended up being an irreplaceable component of “Tooth and Nail”.
Not surprised to see Scorpions’ “Still Loving You” in a top 3 position on our rock ballad playlist. The 1984 album, “Love at First String” defined their career like no other album did, spawning immortal hit singles like “Rock You like a Hurricane” and of course, “Still Loving You”. The European rockers made quite the statement on the US charts, hitting a top 10 position with the album and a top 70 position with the song. The French gave it the #1, though! “Still Loving You” is one of the most emotional rock ballads of all time, telling us a story about a broken romance and longing for a second chance.
“…It’s a story about a love affair where they recognized it may be over, but let’s try again. It’s the old story; always the old story. I mean, what can we use? We can’t reinvent the wheel. What we always do, is say something which has already been said many times, in our own way,” said Scorpions guitarist Rudolf Schenker.
Whitesnake’s “Is This Love” comes at number two with just a couple of votes behind the number one. When we talk about universal appeal and strength of impact, no other ballad had it as big as this one. Everyone knows it, everyone sings it and is everyone’s favorite Whitesnake song. Written by vocalist David Coverdale and guitarist John Sykes, the idea for “Is This Love” was initially born after they were asked to come up with some good material for a new Tina Turner song.
Whitesnake‘s enormous 1987 album gave birth to a number of hit singles but no other song can actually compete with the legacy of this mind-blowing tune.Just like in our little playlist, “Is This Love” peaked at #2 in the US singles chart. The song, of course, got the music video makeover where Coverdale’s then-girlfriend Tawny Kitaen could be seen, along with a band, playing on a misty stage. Coverdale is the only Whitesnake member to be featured on the video. Now is not the time to explain why, though! Enjoy the classic!
Number 1 on our ‘80s hard rock ballad playlist is Def Leppard’s “Love Bites”. Coincidentally, this track is also Def Leppard’s only #1 hit so far!
The year is 1987 and the album is “Hysteria” – do I have to say more? It turned out to be the perfect marriage between pop and hard rock that can easily be felt as we go from one song to another. To make the sound of “Hysteria” so unique and essential, producer Mutt Lange went above and beyond by using a variety of technology, vocal and sound layering and adopting numerous other effects to give the tracks a “stadium rock vibe” and “extra solid sound” that pierce your heart and gives you chills the moment you play them.
Joe Elliott’s gentle but rather extreme vocal delivery techniques crate a beautiful tension which I believe is the reason why “Love Bites” grabbed the attention of so many people. Moreover, the simple, yet painfully truthful lyrics made it universally relatable.
Interestingly, producer Mutt Lange was the one who brought the song to the band. Initially it was a country-style ballad that eventually got the Def Leppard hard rock treatment and turned into this gorgeous power ballad.
“It was just a standard rock ballad but it had something else going for it. Lyrically, it kind of painted a picture, and in a song you always want to do that, paint a picture. ‘On a dark desert highway,’ the first line of ‘Hotel California,’ great song, it just paints an image for you straight off the bat and that’s the sign of a really good song. It takes you right there. ‘Love Bites’ did that as well,” said Joe Elliott.
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
One word (well, actually two) – Mike Tramp! He is one of the best and most memorable voices of hard rock, at least to me he is. Danish-born singer fronts White Lion – a charismatic and immensely talented rock band that made quite the splash in the late ‘80s. Take Mike Tramp and put him alongside guitarist Vito Bratta and you will get the heart and soul of White Lion! Their coming-out party took place in 1987 with a heart-stirring sophomore album, titled “Pride”. 1987 is such a special year in my book and this album is one of the reasons why. That simplistic white design of the cover artwork is unforgettable. What’s inside is even better, though.
Full of exciting hard rock staples, like “When the Children Cry”, “Tell Me”, “Hungry” and of course the song I will be talking about, “Wait”, along with other notable achievements like keeping a position on the Billboard Top 200 chart for a full year, “Pride” may as well be referred to as one of the crown jewels of the genre. Mike Tramp and Vito Bratta were at their songwriting heydays and they should definitely take “Pride” in what they did…
Written by vocalist Mike Tramp and guitarist Vito Bratta, “Wait” became the first single of “Pride”. The initial impact wasn’t as big as expected – the song didn’t even chart. It wasn’t until 1988 when MTV secured a regular rotation for the music video that the track finally got what it deserved – a top 10 chart position in the States, along with international recognition as a bonus. Moreover, “Pride” settled at the way cozier #11 chart position. It took “Wait” about 7 months to get noticed from the general public but when it did, all hell broke loose!
The mid-tempo rocker conquered the hearts of millions of people all over the world with its sincere lyrics and gentle yet soul-grabbing riffs. Let’s give a round of applause for Mike who turned “Wait” into one monumental sonic experience.
The iconic music video features Christie Muhaw of the dance/electronic pop trio The Flirts. Unfortunately, less than a year after the music video turned this song into a sensation, Christie died at the age of 24. In addition to the scenes, featuring Christie and Mike, holding hands, walking around different places and her, running near a beach and posing for close-up shots, the MV follows a well-established formula, according to which a band performance in an empty room is absolutely mandatory.
I never had a chance to love you…”
Sometimes in life, people leave out of the blue. All of a sudden, you are left alone, in a white room, with nothing but your love and adoration for that person, burning inside of you. You feel unfulfilled and desperate to get him/her back so that they can truly feel the strength of your love. This is what Mike Tramp is singing about. “So if you go away, I know that I will follow” …because when love is that big you can’t just “let that feelin’ walk out through the door”; you can’t just say goodbye! You have to fight at all costs! The lyrics are quite simple, yet meaningful. I wish more people would protect that pure feeling with all they have, instead of watching it slip away…
The death of Christie Muhaw made the lyrics of the song quite poignant.
Wait just a moment before our love will die Cause I must know the reason why we say goodbye Wait just a moment and tell me why ’cause I can show you loving that you won’t deny
Wait and show your loving like it was before Cause I won’t let that feeling walk out through the door Yeah wait just a moment and try once more Cause babe I need to hold you like I did before
So if you go away I know that I will follow Cause there’s a place inside my heart that tells me Hold out, hold out, hold out
Wait – wait I never had a chance to love you Wait – wait If only our love could show you Wait – wait I never wanna be without you Wait – wait No I never had a chance to love you Now I only wanna say I love you One more time
Wait – wait I never had a chance to love you Wait – wait If only our love could show you Wait – wait I never wanna be without you Wait – wait No I never had a chance to love you Now I only wanna say I love you Wait…
I was fortunate enough to be born in 1992 – a year in which LP/CD/Audiocasette stores were everywhere and people were still enthusiastically buying music. On top of it all, I come from a family of musicians, so you can imagine the kind of musical collections I grew up with. By 1992, the CD had already established itself as a major music format and its importance in people’s lives was unquestionable. I remember asking my parents for CDs every time there was an occasion – birthdays, name days, Christmas, I would always get tons of CDs or audiocassettes of my favorite ‘90s artists as gifts from my parents. I was (and still do it by the way) giving CDs to my friends too.
I guess the CD mania didn’t really allow me to appreciate or look for any other music format when I was a kid. I remember my parents’ vinyl collections but it never really made much sense to get into the whole thing myself. Most of the LPs we had were Russian pressings and it just looked so weird to me. Like, what do I do with that black round thing? How do I play it? I better just go back to the cool stereo and play my CDs. I should’ve known better…
I’ve never really thought about the true value of a vinyl mostly because I was too young and basically moving along with the trend. The technological advancements in sound quality and proliferation and affordability of HiFi stereos made it even easier for people to enjoy music and purchase CDs (and audio-cassettes till early 2000s actually).
As I was getting into music more and more with each second, it was only natural for me to discover the magic of a vinyl record. I guess it all fell into place when I became a die-hard fan of old-school rock music. When this whole new world opened up in front of me, all of a sudden I had tons of exceptional ‘60s, ‘70s and ‘80s rock bands settling in my heart and they brought so much more than mind-blowing rock&roll in my life. These great artists brought with them the old ways of music which eventually became a staple for me. Of course, growing up with artists like Eric Clapton, The Beatles, Chicago, Toto, Tina Turner, Foreigner and similar, had a lot to do with my natural progression towards becoming the ultimate classic rock enthusiast. When you reach the next level of fandom, listening to Led Zeppelin or The Beatles on a CD might not be satisfying enough. I’m not sure I can fully explain it but as I was growing up and my level of music expertise and knowledge of rock music history expanded, my preference for musical formats changed too. I still buy CDs all the time but it’s the LP records that excite me and make my heart jump the moment I come across a LP store.
Some of you may know this but I live in Seoul at the moment, though I come from Bulgaria. Just like in my other countries around the world, in Korea too record stores keep on disappearing as we speak. Korean pop is still a massive force and the market for idol merchandise, including CDs, is still going strong. For a moment, if we forget about Kpop and focus on the international music market, there aren’t actually that many places that offer a wide selection of past and current releases. Moreover, my adoration for second-hand LP record shopping had to be satisfied sooner or later. After my favorite little local record store closed (because of course it had to) I felt quite lost for a little while. I had this routine and the owners knew me not just because I was the only foreigner who would come every week but because I would spend a long time there, browsing and listening to music and trying to find comfort. Eventually, I was fortunate enough to be brought to this underground shopping area, located in Myeong-dong (명동), Seoul. I’ve been to Myeong-dong area plenty of times but never knew that there was this second-hand vinyl heaven right beneath my feet. First time I went it was quite late and I couldn’t really make the best of it. I promised myself to devote at least one day and go through each and every LP that was there! I kept my promise….multiple times Ha!
I wanted to share this meaningful experience with you, guys and emphasize once again on how magical it can be to dive into this world of old-school music, put into a vinyl record so many years ago. I am well aware of the fact that most of my readers are probably from previous generations and grew up with LP records so they keep on buying and collecting them. However, it’s not just the older rock fans that know a thing or two about records. Believe it or not, there are many younger people, like myself, out there who are devoted LP collectors and appreciate this format. With this publication, I wanted to not only share what it is like to go record shopping in Seoul, Korea, but also to emphasize and remind everyone that records are the real deal and no other format can ever replace the value and the spirit, this vinyl carries within itself. I truly hope you enjoy the photos!
…This is Myeong-dong – a shopping district, located in the heart and soul of SEOUL, South Korea. There are thousands of tourists who can enjoy all kinds of stores, restaurants, malls and tourist attractions. It is always extremely crowded and it looks something like this:
…But this is where we are heading for! Myeong-dong underground shopping center – that’s where the real music is!
After a couple of minutes this breathtaking view welcomes you to paradise! There are plenty of music stores in that underground area but this one is the biggest and offers the widest selection of records. On top of it all, it’s not just this one wall – the owner has little record displays everywhere. I love going there because they have the best ’80s hard rock LPs and in the greatest condition (I am convinced he is a huge classic rock fan)! Don’t even get me started on how awesome the prices are!
Of course, there are plenty of other genres offered – you can spot classic music, jazz music, pop music, ’90s music and many other subsections!
…In addition to vinyl records, they also offer CDs (second hand, of course). Here, it says that you can get 4 CDs for 10.000Won, which is around 10$.
Sometimes you can come across real treasures! That wasn’t what I came for, though…
My favorite section – the place where all the great things happen is this one – this little shelf that contains mostly Korean (or Japanese) pressings of LPs from the good old days of hard rock (a.k.a the ’80s). The prices vary from 5.000Won (5$) to 15.000Won (15$), depending on the condition or popularity of the LP. I’ve been going there for quite some time now and what truly impresses me is that there are new (old) ones every time! Some even quite rare, actually! There is a little chair provided for the people (like me) who just have to go through every single record and make sure nothing is left unseen. Time flies so fast when you are looking for your next big discovery!
These are just some of the treasures I found…
Some of them I do have, some of them I don’t! I am still working on my rock collection and have a lifetime to do it! I wasn’t really sure what to get till I saw those two albums…
It’s amazing how the things we want so much, always find a way to come to us! I have been record shopping for ages and this is the first time I see those two albums in any music format. Bonham’s “The Disregard of Timekeeping” has been on my “list” for so long! It was almost unbelievable that it was there, just waiting for me…
Fortune’s self-titled debut album is one rare-gem! I have never came across it and knowing how rare it is, I just had to buy it!
The prices of both were 7.000Won (7$ each). It’s crazy, right? Excellent condition, still with their lyric and promo sheets inside! This is what I’m talking about – I don’t know about you, guys but the thrill of browsing through records and all of a sudden finding one that you wanted so much can be such an emotional moment. Moreover, the most amazing thing is that these kinds of experiences can make you feel so much closer to the music. I didn’t have the chance to be born during the time these albums were released. I never attended their concert or passionately discussed such records with my friends. For someone like me, this is the most genuine way to feel that ’80s rock vibe. For a second there I feel like I was part of it all and it feels so good! Just like that, by holding an old-school second-hand record, I was brought back to the late ’80s and time didn’t matter anymore, it was all about my favorite music and me.
Bonham – The Disregard of Timekeeping (1989)
Fortune – Fortune (1985)
Moving on to the big wall of records… I just had to browse through them all.
Other interesting records I thought I’d never see in Korea!
I wasn’t the only one on a hunt…
Another separate CD section for the enthusiastic collectors.
There were a couple of more stores which I had to visit before I leave. Though this one was the biggest and definitely the best, sometimes you never know what will jump out of the old vinyl boxes. Interestingly, there were plenty of people who were browsing and looking around. Korean people haven’t fully given up on LPs and that’s great!
One of the other little stores always offers the best deals! In front of it, you can spot a couple of boxes, full of records, all for 5.000Won each (5$). I always find pretty interesting things there! Last time I went, I purchased Europe’s “The Final Countdown” and TNT’s “Tell No Tales” so with the hopes of finding new treasures, I went back…
& let the browsing begin…
I don’t have Guns N’ Roses’ “Use Your Illusion I” and it was such an amazing deal that I just had to buy it!
Guns N’ Roses – Use Your Illusion (1991)
There are plenty of LP stores all over the underground shopping center but some of them were closed as it was too early when I went there.
Of course, there are stores that offer the suitable sound equipment for listening to those LPs you just bought.
…and there’s me at the end of my record shopping journey all happy and full of smiles, holding my three new LPs.
I hope by my words and photos you can tell how exciting and joyful this whole experience was for me. I do that quite often but this time I decided to photograph it all step by step with the hopes of triggering pleasant emotions to my readers and create a sweet memory. I am leaving Korea for good pretty soon but this habit of mine will keep on existing wherever I go. I hope that people out there don’t forget the many benefits of purchasing a record and don’t stop doing it. As I said, that’s one of the most beautiful ways of going back in time. Imagine – this LP was made 30+ years ago and somehow it found its way to your arms. To me that’s just so extraordinary.
When I went back home I had the chance to take a closer look at my new LPs. Ain’t they amazing?
P.S. All the photos are taken by me. Please make sure that you don’t just save and use them without my permission! Rock on!
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
When you are the son of one of the members of probably the biggest rock act out there and carry that colossal family name “Bonham” you don’t really have much of a choice, except to fully embrace that musical spirituality you were born with. As a person who grew up in a family of musicians, I can’t but relate to that – that passion for music and the burning desire to be part of that world are running through your veins and absolutely nothing or no one can change that.
Jason Bonham, being born into the big Led Zeppelin family, has been drumming ever since he was a little kid, naturally. At the age of four, he appeared alongside his father on that “little” film, “The Song Remains The Same” and the rest is …one hell of a rock&roll ride! By the age of 17, he was already opening up for AC/DC and Queen with his band Air Force. That should tell you something! Throughout his long and productive career, he has collaborated with major names, such as Jimmy Page, Paul Rodgers, Foreigner, Sammy Hagar, UFO and many more. He has done a great job and his father would’ve been so proud of him! Excellent drummer, a brilliant songwriter and a dedicated artist who always gave and keeps on giving his all – Jason Bonham is the perfect example of how nothing in life should be taken for granted, even a royal family name. You gotta work twice as hard and make your own path of success!
One of the many outstanding things he did was forming the hard rock band Bonham in 1989. Together with the one-of-a-kind singer Daniel MacMaster, bassist/keyboardist John Smithson and guitarist Ian Hatton, they truly had all the right characteristics to be the next big name in the late ‘80s/early ‘90s rock music scene. For one reason or another, however, the band lasted for about two albums only. Nevertheless, Bonham still enjoyed a certain amount of commercial and chart success, as well as one lengthy tour and of course, tons of radio airplay. Arguably, “The Disregard of Timekeeping” has to be the better album out of the two they released. I thought it’s high time I featured this glorious hard rock typhoon on my blog!
Genre: Hard Rock / Hair Metal
Label: Sony Music Entertainment (CBS Records)
Producer(s): Bob Ezrin
“The Disregard of Timekeeping”, the first actual attempt of Jason Bonham to hit it big commercially, became a reality in 1989. The project caused quite the stir among the rock fan communities but it was only natural – the son of legendary Led Zeppelin drummer was about to unleash a new force to the competitive hair metal musical market and fans just had to see through it all!
The powerful, instantly recognizable drumming techniques of Jason weren’t going to be enough to carry the weight of the band. Daniel MacMaster – a Canadian-born vocalist (ex-Scorcher) was recruited to complete the picture, along with influential bassist John Smithson and lead guitarist Ian Hatton. The final touches were added by producer Bob Erzin who significantly helped in shaping the band’s distinguishable contemporary sound.
The Led Zeppelin comparisons were inevitable and immediate. No one expected it to be otherwise. Was it more because of people’s already fixed perceptions of what to expect from the band or because it was actually true, Bonham’s debut album “The Disregard of Timekeeping” does have a part of that Led Zeppelin vibe. Also, is it just me, or Daniel MscMaster does sound a little bit like Robert Plant?
Daniel’s tenor, in combination with Jason’s drum domination perfected a superb AOR sound, which unfortunately wasn’t good enough for the English audiences. Then again, let’s not forget that that’s exactly what happened with Led Zeppelin back in the day! Bonham’s debut album didn’t even find a spot on the English charts. Canadian and American fans, however, were as always more welcoming and gave the band the chance they deserved. A top 40 position on the Billboard 200 Chart and a top 70 position on the Canadian charts, in addition to hitting the gold RIAA status were just a couple of the outcomes. Successful, never-ending tours with major bands, like Bad Company and The Cult granted them an even more favorable position in the hearts of American audiences.
“The Disregard of Timekeeping” spawned two singles, both becoming absolute classics of the genre. The Top-10 song, “Wait for You”, credited to all four members of Bonham, turned into an absolute sensation and probably the biggest hit of their career. To fully experience the magic of “Wait for You”, you have to listen it right after the opening instrumental, which bears the same name as the album. The tune itself was of course, a perfected product of the era, but why would we be mad about it? It’s a catchy, sensual, haunting even rock composition, which despite often forgotten, could easily match any other big title from the era. I am a sucker for rock songs that feature a string section. “Wait for You” does hint a little bit of that epic string feeling but it’s their second single – “Guilty” that truly made me fall in love with that album. It just has it all – a mesmerizing intro, unparalleled vocal delivery by Daniel MacMaster and that soul-demolishing violin solo by bassist John Smithson that is sending me to another dimension.
“Bringing Me Down” is another highly memorable moment on “The Disregard of Timekeeping”. Perhaps that Led Zeppelin influence is way too obvious on that one, but I can totally forgive and forget about it. “Holding On Forever” and “Don’t Walk Away” are the songs I love to crank up because that’s the only way you can do justice to their captivating, thrilling sound. “Playing to Win” is winning me with its lyrics. “Cross Me and See” is another mid-tempo doze of instant satisfaction. “Just Another Day” is a personal favorite, yet again thanks to that exciting string section which just dances with my soul in a beautiful, shattering rhythm. Symbolically, the album wraps things up with a song, titled “Room for Us All”. We live in a forever-changing world but yes, there’s always a room for talented and spirited artists who do things for the right reasons.
What followed next?
The perks of that newfound glory, included a busy rockstar lifestyle, lengthy tours and tons of pressure, coming from all directions and people. New management, along with drug and alcohol problems were just a couple of the obstacles, Bonham had to deal with. Vocalist Daniel MacMaster even said that he never wanted to sing again – he was that mortified by the music industry.
Despite all, in 1992, however, Bonham did come back with a sophomore album, titled “Mad Hatter”. Unfortunately, the album wasn’t even half as successful as the debut one was. On top of it all, it was 1992 –people were shifting their preferences towards the big grunge movement which eventually wiped out hard rock acts, including Bonham. Nevertheless, I still consider the sophomore album as a solid effort; definitely not as good as the first one and obviously the band was trying hard to distance themselves from that Led Zeppelin-influenced sound, but still, I give it full points.
Jason Bonham is still as active as ever, mostly occupied with his Jason Bonham’s Led Zeppelin Experience project, touring all over North America.
RIP Daniel MacMaster (July 11, 1968 – March 16, 2008)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Released: January 27, 1990
Genre: Glam Metal / Hard Rock
Producer(s): Dana Strum, Mark Slaughter
What an explosive start of a new decade! American hard rock band Slaughter debuted in January 1990 with what quickly turned into one of the best-selling and most beloved albums of the year. “Stick It To Ya” was like a much needed slap in the face – the audience was waiting for someone to come and finally wake them up! The ride, unfortunately, didn’t last that long. Slaughter became one of the last glam rock bands to enjoy a significant amount of success before that grunge wave wiped them all, together with other talented acts, such as Winger, Danger Danger, Giant and many more. Nevertheless, thankfully, they still managed to leave this beautiful piece of hard rock music behind and now, 27 years later, classics like “Fly to the Angels”, “Spend My Life”, “Up All Night” and “Eye to Eye” are still relevant and deeply appreciated by any rock fan out there.
Vocalist/rhythm guitarist Mark Slaughter and bassist Dana Strum are the ones that deserve a standing ovation for what they showcased on “Stick it To Ya”. It’s such a rare selection of ear-shattering, soul-scratching, mind-blowing rockers – you jump from one track to another and you don’t even know what the hell is going on! All of a sudden your temperature goes up and you want to go do something wild! I gotta say, not many albums provoke such a strong physical reaction; it’s like my body is a volcano ready to erupt! “Eye to Eye” and “Burnin’ Bridges” are like a shot of adrenaline. Mark Slaughter is a one of a kind vocalist and he just knows how to trigger that hidden rebel spirit of yours with his rough, high-pitched voice. “Fly to the Angels” – one of the most beautiful ballads of all time and a #1 hit, is also among the main reasons why this album is such a treasure. There’s no way you will ever forget the touching melody or cruching lyrics of that song. “She Wants More” and “That’s Not Enough” are just a couple of the other standout sexy tunes, all set and done to knock your socks off. “You Are the One” is a personal favorite – a mid-tempo, romantic tune, perfect for any softie out there (like me).
Nothing more to say about “Stick It To Ya”, except – CRANK IT UP and enjoy it to the max! Slaughter became one of the best early-90s hard rock bands and I’m glad they came to the scene, though it was too little too late. Travel back to 1990 and experience Slaughter’s best effort so far (in my opinion). It absolutely deserves any second you will devote to it!
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Excluding the dozens of hard rock acts that came out of the United Kingdom, Europe surely had a lot more to offer during the rocking days of the ‘80s. Norway was just one of the other countries on the continent that squeezed out a pretty decent hard rock band that is actually still alive and kicking. Yes, I’m talking about TNT! The non-stopping lineup changes didn’t really prevent the band from releasing twelve studio albums and a couple of really impressive live ones as well. Ever since their promising debut back in 1982, TNT kept things intriguing, especially with their early releases. The first four albums (1982-1989) represent the best stage of their career as they brought nothing but fame and recognition to their name. Moreover, those four releases are all packed up with some incredible hard rock staples which deserved way more love than they actually got back in the day. TNT are in my opinion one of the strongest acts that came out of Europe during the heydays of rock. Can you really imagine a world without AOR treasures like “10,000 Lovers (In One)” or “Tonight I’m Falling”? Because I surely can’t! Let’s listen to some awesome classics by TNT! Hope you guys will enjoy my little playlist, dedicated to TNT’s ‘80s hard rock albums!
I’m kicking things off with the opening track of TNT’s self-titled, 1982 album. The catchy, highly enjoyable rhythmic tune was written by lead vocalist Dag Ingebrigsten and composer Gustav Alfheim. Their first album remained the only one to feature songs with Norwegian lyrics and “Harley Davison” wasn’t an exception. At first, the song was available in Norwegian only and was sung by original member and lead vocalist Dag Ingebrigsten. However, later on, the guys re-recorded the track in English (Thank Thor) many times, with different vocalists and on different albums. Tony Harnell and Tony Mills both did a version of “Harley Davison” in English. Drummer and co-founder of TNT, Morten “Diesel” Dahl also featured this tune on his 1997 release, titled “Recycled”. This time, it was Frode Henriksen on lead vocals. There is also a version with vocalist Jorn Lande! All in all, this turned out to be one of THE songs of their career. Nothing surprising there – the catchy, uplifting tune is able to captivate the hearts of everyone! Not to mention that it’s the perfect song to crank up while you are driving alone on those long and lonely roads and feel like the king of the world.
From “Recycled”(Diesel Dahl & Friends)
Similarly to “Harley Davison”, the story of TNT’s “Eddie” also begins from their self-titled debut album. A Norwegian tune, written by lead vocalist Dag Ingebrigsten and composer Gustav Alfheim was simply too limiting to the international audiences, if I may say. Thankfully, the beautiful song was re-recorded for their second album – “Knights of the New Thunder” (1984) with new vocalist Tony Harnell as a bonus track. Little by little the Norwegian tunes started to re-appear in English, which of course was the right thing to do. “Eddie” is a breathtaking ballad which I still believe got overlooked. In my opinion it is one of the best songs that came out in 1984 (talking about the English version, of course). The most fascinating aspect of the rocker is the powerful guitar solos, which can easily send you to another dimension.
Another important song for TNT’s (early) career was the anthem “U.S.A” which once again has two versions – one in Norwegian (with Dag Ingebrigsten on vocals) from their 1982 debut album and one in English (with Tony Harnell on vocals), released from their sophomore album in 1984. There is a difference in the lyrics; however, as Tony re-wrote the song before it was officially included in “Knights of the New Thunder”. “U.S.A” impresses with its memorable chants and energizing guitar riffs. It’s a great experience, believe me.
The opening track of “Knights of the New Thunder” is this beautiful Viking metal/glam rock extravaganza which I still consider one of the highlights of their career. That sophomore album spawned incredible rockers and this one tops them all, if we gotta be honest with ourselves. Tony is a superb vocalist and I gotta say he was certainly the perfect fit for TNT. “Seven Seas” was credited to the entire band and that’s why it’s so special. Moreover, it’s a worthy opening track that captivates you right from the beginning. I am personally enjoying every second of this melodic treasure and I can’t recommend it enough.
10,000 Lovers (In One)
Time to travel back to 1987 when TNT released their junior album, titled “Tell No Tales”. I have to admit, it’s a recent discovery of mine but it took me exactly one listen from start to finish to fall in love with it! So many magical things are happening on this release and “10,000 Lovers (In One)” has to be one of them – 100% pure Norwegian heavy metal with a little bit of that European flavor that always makes things so interesting. The song is just a solid opening to an excellent ‘80s heavy metal/glam rock album. Fantastic guitars (courtesy of Ronni Le Tekrø), solid melodic hooks and outstanding vocal performance by Tony Harnell – just listen and you will see for yourself! There truly was a reason why this song conquered the American audiences and even won a Norwegian Grammy!
Everyone’s A Star
“Everyone’s A Star” is yet another brilliant moment on “Tell No Tales”. I’ve always been amazed by the vocal range of singer Tony Harnell and this song is just another mindblowing example of how great he is! The iconic MV received a heavy rotation on MTV back in the day too! “Everyone’s A Star” is a great song for when you feel down and you need that extra push. I just love songs that make you feel special and brighten up your mood!
As Far as the Eye Can See
My third pick from “Tell No Tales” is “As Far As The Eye Can See”. Written by lead vocalist Tony Harnell and lead guitarist Ronni Le Tekrø, it’s yet again a worthy example of how great TNT were back in the day. There’s just so much heart and passion in their music! Not to mention Ronni’s demolishing guitar sounds this should’ve given him a seat among the best guitarists of all time.
We arrived at our final destination – “Intuition” (1989) which has to be my favorite TNT album! Yes, we could easily point it out as their most commercial-sounding album but then again, what’s wrong with that? As long as you do things with love and devotion and you obviously have tons of talent, things will turn out great! The title track of “Intuition” would be a reason enough to understand what am I talking about. Gorgeous hard rock melodies, spirited guitars, Tony killing it yet again (that man’s an alien I just know it) and tons of good mood! The song is everything you’ll ever need in case you are feeling down! Enjoy!
Caught Between the Tigers
Let’s move on to “Caught Between the Tigers” which impresses with its funky, energetic hard rock sound. You listen to songs like this one and you can’t but wonder why the hell weren’t those guys way bigger back in the day? Why in the name of Thor weren’t Tony Harnell or Ronni Le Tekrø right alongside the biggest names of rock music? Frustrations aside, both this tune and the album are perfect!
Tonight I’m Falling
I saved the best for last. “Tonight I’m Falling” is the absolute crown jewel of TNT’s “Intuition” (arguably of their career too) and maybe it’s just me but the song has one of those indescribable auras that bring nothing but happiness and joy to your life. Where do I even begin? The first time I heard it, it was like a door to a new world opened in front of me. The lyrics, the melody, the vocal delivery, the guitars…they all compose this endless river of emotions you just gotta experience. My heart starts beating faster every time I hear the haunting intro. Thank you, TNT for this song and thank you Tony Harnell and Ronni Le Tekrø for writing it.
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~