One of my most anticipated releases of the year is here and I’m thrilled to finally have it! The expectations were high but let me tell you something – Harem Scarem met 100% of them and went way beyond that with “United”. This is definitely going to be a very strong year for Frontiers Records and this album right here is one of the reasons why!
Harem Scarem surely went a long way since their solid (but highly underrated, often forgotten) self-titled debut. The 1991 release spawned fantastic rockers, including “Slowly Slipping Away” and of course one of the saddest rock ballads in history (and the reason why I became a fan of HS), “Honestly”.
After an impressive stream of good albums, compilations, live releases and a lengthy rockstar career, the band called it quits in 2008. That wasn’t the end of it, though. Thankfully, vocalist Harry Hess and guitarist Pete Lesperance pulled their acts together and went back in the studio. To mark their near-30th anniversary and of course, for the love of rock music, Harem Scarem put out their 14th studio album, suitably named “United”.
I’m already referring to Harem Scarem as melodic rock Gods and “United” just solidified their position as such. The album is stunning! The first time I played it, I felt like I was taking a walk in a melodic rock paradise and every song was a breath of fresh, highly energizing air.
The masterful production qualities of “United” (courtesy of Harry Hess and Pete Lesperance, of course) are just one small part of why this album turned out so great. “United” is certainly not in shortage of brilliant hooks, powerful choruses and don’t even get me started on the magnificent guitar riffs.
The upbeat opening track has all the right elements to knock your socks off. This sing-along treasure is just the beginning of the fiery punch this album is! The second track, “Here Today, Gone Tomorrow” is my personal favorite… and how can it not be! The entire song is one world-spinning experience, flavoured by the smashing backing vocals of Jeff Scott Soto (Yngwie Malmsteen). The intriguing journey doesn’t end there, though. The album doesn’t lose momentum – the mid and ending parts are as fascinating as the first tracks. “Gravity” and “Sinking Ship” are pure energy, synthesized in 4-minute songs. Where is my ballad? There it is, finally – track number 5 is the unbelievable “One of Life’s Mysteries”. Just when I thought it’s been a while since I heard a decent rock ballad, these guys pull out a song like this one…how can I not love them? “Bite The Bullet” is also a song to check out – it’s a very appealing modern-style rock tune. “The Sky is Falling” and “Things I Know” are a couple of the other creative, harmony-teemed sensations on “United”.
Final verdict: “United” might as well be one of the greatest melodic rock releases so far this year. I am recommending it to everyone who thinks that the genre went down years ago. It didn’t! As long as we have Harem Scarem and long partnerships like Hess-Lesperance, things will be alright!
Here Today, Gone Tomorrow
One of Life’s Mysteries
United
Reference:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
Legendary bluesman, member of The Yardbirds, Cream, Blind Faith, Derek & The Dominos and many more, Eric Clapton, celebrates his birthday today! One of the most prolific and influential artists of all time, turns 72 so nothing but good wishes are in order! Happy Birthday, Mr. Clapton! Thank you for your devotion, hard work and exceptional music I grew up with and still can’t live without! Thank you for making me fall in love with the blues and learn how to appreciate great guitar work and technicality. Thank you for bringing peace to my life with your music!
Not many musicians can brag with a career, as long, fruitful and impressive as Eric Clapton’s. From his strong debut as a young guitar virtuoso in The Yardbirds, to recording one of the most important blues albums of all time with John Mayall & The Bluesbreakers; from a never-ending struggle with alcoholism to self-rediscovery and a powerful comeback in the ’80s, Eric Clapton’s life is surely one fascinating roller-coaster that keeps getting more and more exciting with each step of the way.
To celebrate Clapton‘s birthday, I have chosen 10 of his most beloved classics, including songs from his time as a member of The Yardbirds, Cream and Derek and the Dominos. There is certainly no better excuse to play Clapton all day long than commemorating his birthday! Let’s listen to the blues and forget about everything else!
The Yardbirds – “For Your Love” (1965)
Cream – “Sunshine of Your Love” (1967)
John Mayall & the Bluesbreakers (with Eric Clapton) – “Ramblin’ on My Mind“ (1966)
Derek & The Dominos – “Layla” (1970)
Derek & The Dominos – Bell Bottom Blues (1970)
“Cocaine” (1977)
“Wonderful Tonight” (1977)
“Bad Love” (1989)
“My Father’s Eyes” (1998)
“Riding With the King” (2000)
+ “Spiral” (2016)
… Or play the entire playlist here:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
German rockers BONFIRE are back with what can easily be referred to as one of the most electrifying, mind-blowing and hair-raising rock releases so far. Guitarist, original founder and basically Mr. Everything, Hans Zilller is back with his strong team of musicians, including bass player Ronnie Parkes, guitarist Frank Pane, drummer Tim Breideband and a brand new vocalist Alexx Stahl, replacing David Reece. Bonfire’s previous album “Glorious” (2015) was a phenomenal hard rock tornado and David was surely a great fit for the band; however things once again turned upside down for Bonfire as they were left with no lead singer. Frequent lineup changes and turbulent periods are part of any rock band’s history, so no surprises there. What’s in the past, however, stays in the past. It was time to look forward to the future and there’s no better way to do it than hire a fantastic new singer and focus on creating something as impressive as “Byte the Bullet”.
The 7-minute opening track, “Power Train” is setting up the mood with its long, quite mysterious intro. Alexx’ staggering vocals, which by the way can’t be a better match for the band’s sound, are captivating us right from the beginning. You thought the first tune was mind-blowing? Wait till you hear what comes next! “Stand Up 4 Rock” is one of the most empowering rockers I’ve heard this year so far. “Praying 4 A Miracle”, “Byte the Bullet”, “Reach for the Sky” – just a few of the other crunchy, melodic metal forces that just beg to be played live. Jethro Tull’s classic “Locomotive Breath” is a lengthy, immensely spirited rock statement, featuring an intriguing piano intro and out-of-this-world guitar work. They surely did justice to it, though nothing can beat the original, at least in my humble opinion. “Sweet Surrender” grabbed my attention right from the very first listen and quickly turned into a personal favorite. To me this tune represents the best of both worlds – it has a sensual, romantic side, perfectly incorporated in those mind-blowing heavy metal rhythms. “Lonely Nights” is the ballad of the year – it breaks my heart every time I play it but I always allow it; when a song affects your emotions that much, you understand that there’s indeed something real right here and the music is worth it.
You may guess what my final verdict might be – “Byte The Bullet” is a strong release, worthy of every second of your time you’ll spend on it! Those 14 tracks (excluding that crazy 50-second German recording “Friedensreich”) are bringing so much to the table. I still can’t get over how amazingly well-done this album is. Most importantly, if you are one of the people (like me) who is always seeking their self-empowerment in music, this album might be the best pick for you! Enjoy it!
Released: March 24, 2017
Genre: Hard Rock / Heavy Metal / Melodic Metal
Label: UDR Music
Tracklist:
Power Train Stand UP 4 Rock Praying 4 a Miracle Some Kinda Evil Lonely Nights Byte the Bullet Locomotive Breath (Jethro Tull Cover) Reach for the Sky Sweet Surrender Friedensreich InstruMetal Too Far From Heaven Without You Sweet Obsession
“Power Train”
“Praying 4 A Miracle”
“Locomotive Breath”
“Sweet Obsession”
“Lonely Nights”
References:
Bonfire Official Wikipedia Page: https://en.wikipedia.org/wiki/Bonfire_(band)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
The strong ‘80s hard rock influence could still be felt during the first couple of years of the ‘90s. I often say that 1992 might be the last good year of hard rock music, before grunge stole the time and affection of every little or big media outlet out there. Surprisingly, however, despite the grunge wave that flooded the early ‘90s, good AOR/hard rock releases kept on appearing here and there. If you were a big name in the ‘80s and had a loyal fanbase, you still had the chance to survive the grunge apocalypse; however, throwing a coming out party after 1992 was an absolute suicidal mission. Nevertheless, a few months back I discovered this rare melodic hard rock gem which totally knocked my socks off! At first I thought it was released sometime in the ‘80s – probably the second half of the decade. Then, I saw the year – 1994 and I was both shocked and angry; shocked, because it sounded from another time and angry because it was too good to be out at a time when no one could appreciate its true value! Nevertheless, I am happy that Atlantic’s “Power” found its way to me and introduced me to the instant-favorites, like “Power Over Me”, “Can’t Hold On” and “When The War is Over”.
Ignoring the provocative and rather unappealing (at least to me) album cover, “Power” has a lot to offer to any fan out there, looking to quench his melodic rock thirst. The British rockers crafted something not so unusual but highly satisfying and definitely worth your time. Led by vocalist and songwriter Phil Bates, who has a long and quite versatile music career, Atlantic hit the AOR market in 1994 with “Power” which unfortunately (though quite predictably) turned out to be their first and last album. Phil went on to do bigger things, including recording songs for famous TV shows and becoming the lead singer of ELO Part II – a spin-off band, formed by Electric Light Orchestra drummer and co-founder Bev Bevan.
Let’s talk a little bit about the highlights of “Power”. Where do I even begin? “It’s Only Love”, “Power Over Me”, “When The War is Over”, “Every Beat of My Heart”, “Can’t Hold On”, “Bad Blood” (and I may as well just write down the entire tracklist) – all showcasing solid AOR power and nothing but talent. I’m a sucker for a good hard rock hook; to me it’s all about the melody and this album right here was made for people like me. “Nothing to Lose” has to be one of my favorite moments from “Power”. Songs like this one put the “power” in a “power ballad”. If only this tune was released as a single during a more suitable time period, I bet it was going to be an absolute radio-sensation. The most famous track to come out of Atlantic‘s debut record has to be “Can’t Hold On” and we shouldn’t be surprised cause it’s the epitome of AOR – synthesizer hooks, melodic riffs, solid-rock sound and of course, a splendid vocal delivery to complete the entire picture!
Final verdict: Enjoy it as much as you can because they don’t make them like this anymore. “Power” is the PERFECT example of a well-made melodic rock record and it’s such a pity that people don’t really remember or listen to it nowadays. It’s not full of timeless classics but it’s full of great mood and impeccable talent! Take a moment of your time to listen to this unfortunate and underrated rock album from start to finish – it might find your next favorite old-school tune somewhere in there, just like I did.
“Power Over Me”
“When The War is Over”
“Can’t Hold On”
I highly recommend you guys listen to the entire album from start to finish:
Release Date: 1994
Genre: AOR / Pop Rock / Hard Rock
Label: Escape Music
Producer(s): Simon Jewel-Harrison & Paul Hoare
Tracklist:
01. Can’t Hold On 02. Every Beat of my Heart 03. Power Over Me 04. When the War is Over 05. Nothing To Lose 06. It’s Only Love 07. Bad Blood 08. Hands of Fate 09. Dangerous Games 10. Hard To Believe 11. Heart’s on Fire (Bonus Track)
References: P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
Everyone loves a good melodic rock hook and this album right here has plenty of those, believe me! The reason why I titled this publication “the catchiest album you’d ever listen to” is because the whole record might as well be played on every single radio station out there, all day long and people will still be excited and singing joyfully with it. Yes, it’s that ear-pleasing, that catchy and that familiar.
Billy Squier (William Haislip Squier) is a name known by many die-hard rock fans out there, especially those who grew up in the States. I, as an European, got the chance to experience his music for the first time quite recently. The most important thing however is that those immensely captivating rhythms of classics like “The Stroke” and “In The Dark” managed to conquer me and now it’s to pass the torch to other young fans out there who must yet discover the magic of those gems. Also, it might be a good way for older rock generations to remind themselves of Billy Squier’s biggest accomplishment of his career which is of course, his 1981 album, “Don’t Say No”.
“Don’t Say No” spawned a long list of gratifying tunes that solidified its position on the Billboard album chart for over two years! This interesting fact should tell you enough about its colossal impact on the music market. Moreover, every single from “Don’t Say No”, including “In the Dark”, “Lonely Is the Night”, “My Kinda Lover” and “The Stroke” established itself as a major radio hit, playing on every station, all over the States for the entire first half of the ‘80s. Last but not least, the album sold over 3 million copies in the US alone, making it one of the most-desirable and beloved records of all time!
Now let’s talk about that hard-to-resist, hard-to-beat sound that made this album so famous back in the day. Honestly, when I heard “Don’t Say No” for the first time, I could swear it was released in the late ‘80s; it just sounded too “polished” and “radio-ready” to me. I was highly surprised when I found out that this album got out so early in the decade. It seems like it was one of those well-done, commercial releases that set the tone for the years to come. A round of applause to the famous record producer and sound engineer Reinhold Mack (a.k.a. Mack) who previously worked with big names like Deep Purple, Scorpions, Queen, ELO and countless more; he surely left his magical trace on “Don’t Say No”.
I can write plenty on how entertaining, groovy and great-sounding this album is. However, it would be way better for you guys to listen and sing along with the following tunes. The title sums it up quite well – “Don’t Say No” to this album!
“In The Dark”
“The Stroke”
“My Kind of Lover”
“Lonely is the Night”
…& don’t forget to listen to the entire album:
Release Date: April 13, 1981 Genre: AOR / Pop Rock / Hard Rock Duration: 38:11 Label: Capitol Producer(s): Mack and Billy Squier
References:
“Don’t Say No” Official Wikipedia Page: https://en.wikipedia.org/wiki/Don%27t_Say_No_(Billy_Squier_album) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
It doesn’t take that long to fall in love with the right music – the kind of music that completes you, empowers you and fills up your heart with nothing but pure delight. I had a similar experience when I heard Yngwie Malmsteen’s “You Don’t Remember, I’ll Never Forget” for the first time. Songs like this one made me experience that “love at first listen” feeling, which I think is one of the most beautiful things in the world. A whole new world opened for me after that song; I just simply had to find and listen to more! I got the album and that’s how my Yngwie journey started. “Trilogy” was the album that completely redefined my attitude and expectations towards guitarists. One listen from start to finish was more than enough for me to learn how to further appreciate aspects of guitar playing, such as speed and technicality and not just take it for granted. Don’t get me wrong, there are plenty of superb guitar players who possess admirable qualities and are able to turn every song into a magical experience. However, there are a few who go beyond those well-known and highly enjoyable electrifying riffs. Yngwie Malmsteen is one of them and if you listen to “Trilogy” you will understand what I’m talking about.
Background:
Despite Yngwie’s steady reputation as a guitar virtuoso and a debut album that completely blew everyone’s minds away, his junior album – “Trilogy” couldn’t really make a huge statement on the charts, outside his homeland of Sweden. Nevertheless, as I keep on repeating over and over again – chart positions and commercial performance are not the greatest merit of the brilliance and quality of an album. In fact, “Trilogy” remains probably the second most critically appraised and beloved album of Yngwie Malmsteen (after “Rising Force”, 1984).
Released in November 1986, “Trilogy” is Yngwie Malmsteen’s thoughtful dedication to Swedish Prime Minister, Olof Palme, who was assassinated earlier that year.
The album carries the name of the closing instrumental, titled “Trilogy Suite Op:5”. The name is of course related with the fact that it is after all Yngwie’s third release. Many fans consider this album and its title as a perfect way to wrap up an exceptional trilogy of albums, featuring “Rising Force” (1984), “Marching Out” (1985) and “Trilogy” (1986).
Themes and Songs:
One quick glance at the tracklist will instantly give you an idea of what kind of themes and atmosphere to expect from the album. “Dark Ages”, “Fury”, “Fire”, “Magic Mirror”, “Queen In Love”, etc. – the titles are telling a medieval story, filled with fantasy, magic and skilfully portrayed in intriguing, imagination-stimulating lyrics. It’s not all about dungeons and dragons, though. The opening track, “You Don’t Remember, I’ll Never Forget” is Yngwie’s attempt at crafting a radio-friendly, more universally-acceptable tune and I believe he did a splendid job with that. Vocalist Mark Boals is giving his all. His vocal style and Yngwie’s music is simply a match made in heaven. The mad guitar-genius sends chills down our spines right from the very start – that thrilling intro grabs you by the throat and doesn’t even give you a second to prepare yourself for what’s coming. I have always emphasized on the importance of a song intro and this right here is one great example of how things should be done! What comes next is as exciting as you can predict. “Liar” is yet another forceful, mind-blowing guitar tornado that destroys everything that stands on its way. Mark is hitting those high notes with blissful ease. “Queen In Love” is another high point on “Trilogy” and a personal favorite of mine. The soul-shredding guitar solos and alluring chorus are surely going to leave an everlasting impact on the listener. Yngwie’s guitar is gently moaning on the acoustic euphoria, titled “Crying”. The emotionally-charged instrumental is the much needed breath of fresh air, after the explosive first tracks. “Fury”, “Fire”, “Magic Mirror” and “Dark Ages” are the last couple of drops to make up this violent sea of heavy metal flames. Yngwie’s secret master plan was to make our minds go up in smoke once we listen to those tunes. The closing instrumental, “Trilogy Suite Op:5” is in my opinion one of Yngwie’s highest points of his career. No words can describe the power that comes out of those riffs. It’s an absolute supernatural force that took a musical form.
“You Don’t Remember, I’ll Never Forget”
“Liar”
“Queen in Love”
“Crying”
“Fire”
Album Artwork:
The album artwork of “Trilogy” definitely has a spot on my list of favorite album covers. I mean, just look at it – can it be any cooler? I don’t think so. A three-headed dragon vs. a guitarist – a battle of a lifetime! A magical journey to distant lands, filled with intriguing adventures, monsters and queens. Believe me, you will never forget the musical once you open that record and set foot on Yngwie’s mystical creation, named “Trilogy”.
What Followed Next?
In 1987, a fatal car crash accident almost took Yngwie Malmsteen’s life. Regardless, one year later, his next project, titled “Odyssey” was released. Together with one of the most talented rock vocalists of all time – Joe Lynn Turner (Fandango, Rainbow, Deep Purple), Yngwie once again crafted a dreamy, stylish and very up-to-date album, quite suitable for a constant radio play. There wasn’t any place for his mystical, dungeons-and-dragons, medieval neo-classical themes. It was time for something more romantic, approachable. Most importantly, it was the time to make hits. He couldn’t have picked a better singer to collaborate with. Songs like “Dreaming (Tell Me)”, “Déjà vu”, “Heaven Tonight” and “Crystal Ball” are the perfect blend between raw guitars, captivating vocals and perfect melodies.
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
Released: 1987 Genre: AOR / Pop Rock / Hard Rock Duration: 44:52 Label:Hangdog Records / Majestic Rock Records (2006) Producer(s): John Punter
OVERVIEW
In 1987, the British-American AOR/Melodic rock band Strangeways released arguably their finest work, titled “Native Sons”. The follow-up to their respectable 1984 eponymous debut also proved that the right singer can make all the difference in the world. Original vocalist Tony Liddell was replaced with Terry Brock – a renowned back-up singer for some of the biggest names of the era, including Foreigner and Journey. What followed after he stepped in as the new frontman, could easily be described as pure musical magic. “Native Sons” is a brilliant melodic rock record that guarantees you nothing but delight and feelings of great pleasure. The album carries all the best genre elements of the era, including colourful keyboards, splendid guitar playing and glittering hooks. Add Terry’s powerful vocals, the edgy hard-rock vibe and the A-level songwriting and you end up with a melodic treasure that could effortlessly stand on its own two feet against the big AOR titles of the late ‘80s.
If AOR/melodic rock runs through your blood, this might be the right album for you. Kicking things off with the playful but classy tune “Dance With Somebody”, “Native Sons” properly sets the mood for the remarkable things that are about to come. The mellow rocker “Only a Fool” is another track that stands out with its gorgeous melody and touching lyrics. Terry Brock’s spirited vocal delivery could easily turn this song into your next favorite ballad. “Empty Streets” is unquestionably the hidden pearl of “Native Sons” and one of the finest AOR gems I have ever heard in my life. The high-powered guitars, heated up by Terry’s fiery vocals give me thrills every time I play it. “Where Do We Go From Here”, “Stand Up and Shout” and “Never Gonna Lose it” are just a couple of the other warm and powerful 100% AOR-authentic masterpieces you can find on “Native Sons”.
“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish – play any song from the tracklist and you get a melodic rock classic and a couple of minutes in rock paradise. I can’t recommend this album enough. Strangeways’ junior album “Walk In The Fire” (1989) is what you should get next, after “Native Sons”! Cheers to great music!
Tracklist:
“Dance With Somebody” – 4:26 “Only a Fool” – 4:42 “So Far Away” – 4:57 “Where Do We Go From Here” – 3:58 “Goodnight L.A.” – 5:02 “Empty Streets” – 4:20 “Stand Up and Shout” – 3:28 “Shake the Seven” – 4:33 “Never Going to Lose It” – 4:47
“Face to Face” – 4:39
Dance With Somebody
Only a Fool
Where Do We Go From Here
Empty Streets
Stand Up and Shout
…or listen to the entire album here:
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Released: July, 1981 Genre: Hard Rock Duration: 39:06 Label: Columbia Producer(s): Martin Birch Certified: Gold (RIAA)
OVERVIEW:
After a couple of rather commercially weak releases, Blue Öyster Cult rose from the ashes with new born confidence and an album that re-defined their career and introduced them to the audience of the ‘80s. The band’s mid-70s authenticity remained intact; however this time they did manage to put in a little something extra, crafting an immensely enjoyable and much friendlier sound. Many fans, including myself, consider “Fire of Unknown Origin” as Blue Öyster Cult’s finest effort for that exact reason – it’s a perfect hybrid between their dark, old-school rock&roll outlook and newly adopted musical direction. Patti Smith, rock critic Richard Meltzer and fantasy writer Michael Moorcock are some of the cameos, appearing on BÖC’s intriguingly catchy 1981 release. Their enigmatic lyrical approach is bringing so much life into the album!
“Burnin’ for You” is one of those rockers that actually deserved the attention it got. The infectious riffs, accompanied by Buck Dharma’s great vocal performance (which I personally prefer over Bloom‘s) and Allen Lanier’s worthy keyboard work, drew quite the picturesque melodic wonderland; no wonder the track conquered the charts and turned into one of their most famous songs. The title song, “Fire of Unknown Origin” is as bizarre as ever but once those fiery guitars hit you, there’s no coming back. The synthesizer-driven “Veteran of the Psychic Wars” is one of BÖC’s best works. The ominous melody, along with Bloom’s threatening vocals is definitely something to look forward to on the album. Moreover, it was also featured on the soundtrack of the animated sci-fi film, “Heavy Metal”. “Heavy Metal: The Black and Silver” is a personal favorite – how can you not be captivated by that mighty guitar intro? “Vengeance: The Pact” is as close as we can get to BÖC’s old days. “Fire of Unknown Origin” doesn’t lose its appeal as we jump from one song to the next. The closing song, “Don’t Turn Your Back” keeps things interesting till the very end.
“Fire of Unknown Origin” is a solid piece, compiled of rather eccentric, yet highly appealing tunes. It’s safe to say that it’s one of BÖC’s most valuable releases and still deserves to be played and enjoyed! Cheers to the timeless classics!
Fire of Unknown Origin
Veteran of the Psychic Wars
Burnin’ For You
Sole Survivor
Don’t Turn Your Back
References:
“Fire of Unknown Origin” Official Wikipedia Page: https://en.wikipedia.org/wiki/Fire_of_Unknown_Origin
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
Released: August 10, 1988 Genre: Glam Rock / Hard Rock / Progressive Metal Duration: 43:50 Label: Atlantic Producer(s): Beau Hill Certified: Platinum (RIAA)
OVERVIEW
By the time Winger, led by the charismatic vocalist and bass player Kip Winger, debuted, the popularity of glam rock, along with the attention it received from media outlets, was already disappearing, in favor of grunge acts. Nevertheless, their 1988 self-titled release, still managed to impress the audience with its high quality musicianship, ranging from unforgettable melodies to earth-shaking guitar riffs by Reb Beach. Let’s not forget Kip’s vocal range, which put to shame the majority of male vocalists of that era (even the big names). On the surface, “Winger” may sound like your standard, “safe” hard rock album, fueled with the same old lyrics and well-known rock stunts. However, once you get to know it a little bit deeper, you can easily feel how different it is from the rest of the late ‘80s hard rock albums. Winger’s debut deserves a round of applause for showcasing first-class songwriting skills and distinctive progressive metal touches, hidden here and there in almost each song.
Every track on “Winger” is a potential radio hit. The opening tune, “Madalaine”, which also was their first single, grabs you by the throat right from the very beginning. The immensely catchy and sexy “Seventeen” is one of Winger’s instantly recognizable classics; there’s no way you can forget those fiery riffs. “Hungry” is one of a kind rock fiesta, combining string instruments, haunting chorus and explosive rhythms. The crown jewel of the album has to be the ultimate power ballad “Headed for Heartbreak”. There’s no way you won’t get hooked right from its first opening seconds. That electrifying race between keyboards and guitars, decorated with Kip’s thrilling groans, is something you don’t hear every day! This may as well be one of the top 10 power ballads of the ‘80s! “Without the Night” is the other mid-tempo ballad, which is equally fierce and intriguing as “Headed for Heartbreak”.
Don’t overlook this brilliant album, that’s all I want to say to you. I strongly believe that “Winger” can easily appeal to any rock fan out there – it has the strong hooks, the right lyrics and the flaming riffs, all wrapped under excellent music craftsmanship and superb talent. It’s a must for any record collection!
Madalaine Hungry Seventeen Without The Night Purple Haze State of Emergency Time To Surrender Poison Angel Hangin On Headed for a Heartbreak Higher & Higher
Hungry
Seventeen
Madalaine
Without the Night
Headed for a Heartbreak
References:
“Winger(album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Winger_(album) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
Among the endless river of glam rock bands, flooding the music scene in the late ‘80s, one band managed to stand out with their enormous talent and exceptional songwriting skills. That’s right, I’m talking about Cinderella, led by the exceptional Tom Keifer. I fell in love with their music and with his instantly recognizable, out-of-this-world, husky voice the moment I heard “Don’t Know What You Go (Till It’s Gone)”. That was a very pivotal moment for me because that’s how I was introduced to one of my favorite bands, Cinderella. Not only that but that song became a very important part of my life and one of the reasons why I fell in love with ‘80s power ballads in general. As a matter of fact, when I talk about power ballads and their dominance during that period, a couple of songs instantly come to my mind, including Cinderella’s “Nobody’s Fool” and “Don’t Know What You Go (Till It’s Gone)”. Why? Well, because those two are the absolute staples of ‘80s power ballads and the ultimate examples of how it’s okay to follow a trend, as long as you have a talent and do things with elegance and style. Those two tunes defined the relatively short-lived (unfortunately) career of Cinderella and honestly if you are going to be remembered by a couple of songs, they better be that good. In our case they are THAT GOOD! On top of it all, those two power ballads are their best-selling songs of all time! That should say something, right?
Cinderella’s catalog, include four studio albums – “Night Songs” (1986), “Long Cold Winter” (1988), “Heartbreak Station” (1990) and “Still Climbing” (1994). Those records spawned some pretty awesome rockers, including “Shake Me”, “Night Songs”, “Somebody Save Me”, “Shelter Me” and many more. Moreover, they housed a couple of groundbreaking tender rock ballads, which I would like to talk about now. The two previously mentioned blockbuster ballads are not the only slow-paced rockers Cinderella can brag with. There are a couple of more gentle tunes, which I believe are worthy of appreciation. If you are a rock ballad freak like me, you would probably enjoy the following playlist quite a lot. Let’s go!
Nobody’s Fool
“Nobody’s Fool” was released as the second single from their debut album “Night Songs” (1986) and quickly conquered the charts in the States. In addition, it became their second best-selling single, coming after “Don’t Know What You Got (Till It’s Gone)”. Written by Tom Keifer himself, the song talks about a protagonist, being used, mistreated and lied to in a relationship. Tom sings about being sick and tired of being someone’s fool. He finally got the strength to cut things off and keep his self-respect.
I personally think the lyrics are the most appealing part of the song because the topic of being abused, taken for granted or toyed around with by someone else is something we have all experienced in our lives. Of course, Tom’s scratchy voice makes things much deeper. I especially love the part where he sings “I scream my heart out, just to make a dime, and with that dime i bought your love, But now i’ve changed my mind…” – this is such a powerful moment.
“That song, that’s something I think everyone can relate to. In life there is the falling in love, and then there’s the falling out of love. There are songs for both experiences, and ‘Nobody’s Fool’ is certainly the song for the falling out of love experience. And I would say that was not written for any one particular person. I’d been through that several times prior to writing that song. A lot of times, the emotions of songs are cumulative. That’s not one particular experience, but the culmination of many, “Tom Keifer explained.
Don’t Know What You Got (Till It’s Gone)
“Don’t Know What You Got (Till It’s Gone)” was once again written by singer-songwriter and co-founder of Cinderella, Tom Keifer. The track was released as a single from their second album “Long Cold Winter” (1988). Up to date, it’s their highest charting single and most successful track! It was also pretty popular on MTV as it received heavy rotation in the late 80s. “Don’t Know What You Got (Till It’s Gone)” can easily become a soundtrack to the end of a love story – a painful reminder of how we have to cherish and appreciate what we have because one day, it might be long gone. I am absolutely in love with the lyrics, though I must say they make me feel so sad and lonely. Tom just knows how to craft something so beautiful and lasting. Don’t even get me started on his vocal delivery – absolutely mind-blowing.
“Long Cold Winter” may not fit perfectly into the description of a “power ballad”, however the tender blues tune is still one of Cinderella’s greatest ballads of all time, at least to me. The title track from their 1988 album is once again reminding us that they are not your ordinary glam rock band. Tom Keifer draws his influences from the blues and he is mixing it with the typical elements of ‘80s glam rock with such ease and excellence. His soulful voice was made for such kind of songs.
Coming Home
A country-style grandiose ballad which is another highlight from “Long Cold Winter”. The guitar work is simply superb. I don’t even have to talk about Tom – he makes the whole experience so atmospheric. That album is splendid, there’s just no weak no song or performance! It’s a must for everyone!
Heartbreak Station
In 1990, Cinderella came back with another incredible record, titled “Heartbreak Station”, which Tom Keifer himself often point as his favorite Cinderella album. Once again fans weren’t disappointed with the new material. The title song, a power ballad yet again, is moving a bit further from the successful formula they used for the previous tender rockers. “Heartbreak Station” can’t exactly fall under the category of glam rock, I believe. The song, as well as the entire album as a matter of fact, is more blues, hard rock-influenced which I believe was the natural way to go. Tom Keifer wanted to fully embrace the spirit of The Rolling Stones and he did it quite eloquently.
“Heartbreak Station” is one of my most beloved songs of all time. The lyrics are too sentimental and Tom’s vocal delivery is playing with my emotions with such an ease. He is simply singing about being heartbroken, after his love left him. A simple concept, but delivered in a stunning way.
Winds of Change
The delicate “Winds of Change” is the last song on “Heartbreak Station” and one of their underrated songs. I recently re-discovered it and quickly turned into one of my soothing safe places. The gentle acoustic guitars and Tom’s shape-shifting voice are just sending me to another realm. It’s a very beautiful song and in case you missed it, now is your chance to take a listen.
Hard to Find the Words
Many people overlooked Cinderella’s last album – “Still Climbing” (1994) merely because the timing wasn’t right for this kind of release. The audience was obsessed with grunge and alternative rock bands, which were dominating all musical mediums, including the biggest one – MTV. Tom had to deal with vocal issues, the company also didn’t do much justice with the promotion of the record and adding the grunge boom, we can conclude that “Still Climbing” had a very little chance to make a difference on the music scene. It’s quite sad, actually – the album is so beautiful and soul-soothing.
The two ballads from “Still Climbing” – “Hard to Find the Words” and “Through the Rain” are the highlights of the album, in my opinion of course. Especially the latter, I believe holds one of the keys to my heart. I wish more people would appreciate it the way I do.
Through the Rain
A gorgeous race between gentle piano sounds, mellow guitars and Tom’s alien-like voice! This song is sending me to heaven.
References:
“Nobody’s Fool” on SongFacts: http://www.songfacts.com/detail.php?id=2022 P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~