I’ve said it before and I will say it again – 1989 was one of the greatest, most prolific years when it comes to hard rock and this album right here is yet another fine example, backing up my statement. We witnessed some great rock debuts during the late ‘80s and early ‘90s – XYZ, Giant, Danger Danger, Slaughter, Heavens Edge, Firehouse and so many countless others; and I never understood why all of a sudden every major music media outlet and label turned their back on those immensely talented musicians in favor of the grunge wave…Anyhow, what’s in the past is in the past. All we can do right now is to keep on discovering music that is worth discovering and appreciate talent when we see/hear it! That’s the reason why I wanted to talk about one of the forgotten but deserving late-‘80s-bands – XYZ and specifically their self-titled debut album. Not only it showcases an excellent playlist of feel-good rockers but it’s a great collection piece for all hard rock fans out there who love to recall the good old days!
I discovered XYZ rather recently, as I was taking one of my routine walks on the endless paths of old-school hard rock. There was something highly captivating about their sound which puzzled me as I rarely have this instant connection. I fell for the album, without knowing the reason why it felt so cozy and so familiar. Later on I discovered the reason why I was so easily hooked up… Their debut was produced by none other than DonDokken! I am a huge Don Dokken fan and this should come as no surprise, especially to the people who follow my postings. Of course, everyone knows who Don Dokken is and is well-aware of all the beautiful things he did as a frontman and co-songwriter of the hard rock band, Dokken. If you love Dokken as much as I do, there is no way you won’t fall for XYZ and that first album of theirs!
By the time XYZ’s debut album was released, Dokken had already split due to the turbulent relationship between Don Dokken and George Lynch. Before Don wrapped things up with his first solo album “Up from the Ashes” (1990), he jumped in as the skillful producer of the French-American band, XYZ’s coming-out party. Unfortunately, the household name Don Dokken printed on the back of the album under “produced by” didn’t really help that much. XYZ’s debut album barely got into the Billboard charts, under #99.
Despite the moderate success, three singles and two music videos were released. The MVs for “Inside Out” and “What Keeps Me Loving You” got a little bit of that MTV spotlight. The third single, “Maggy” didn’t get a MV, however found its way to the big screen, as a soundtrack piece for the 1990 Dolph Lundgren movie, “Come in Peace”.
All in all, “XYZ” is an album that can easily blow out any other hard rock album of that era, even the multi-platinum ones. It’s such a shame when talent remains behind the shadows due to unreasonable circumstances. The four guys – Terry Ilous (vocals), Marc Richard Diglio (guitar), Paul Monroe (drums) and Patrick Fontaine (bass) crafted a steady piece of rock music that is suitable for any music-fanatic out there who is ready to have a great time! Don Dokken’s producer touch could easily be felt as we proceed from one song to another. Yes, the album does sound like a little bit like Dokken, but the sound is rougher, edgier and possesses that young and hungry spirit.
Where do I even begin? “Inside Out” is a satisfying rock masterpiece which can only be enjoyed if played as loud as possible. Glorious guitar work and don’t even get me started on the vocals – Terry is simply fantastic! “What Keeps Me Loving You” is the turning point – a power ballad ready to knock your socks off with its soul-grabbing melody and tender lyrics! “Take What You Can” impresses with its mind-blowing, thunderous guitar intro, which introduces us to a world, dominated by Terry Ilous’ violent screams. “Follow the Night” is yet another praiseworthy ballad I grew an attachment to. The second half of the album is as intriguing as the first – “Come On N’ Love Me”, “Souvenirs” and “After the Rain” are all offering one memorable sonic experience! The strong power ballad presence on the album makes things so interesting for me!
Final verdict: XYZ is another underrated killer band with a superb debut album that should’ve been way bigger! Tons of talent and full of character – I can’t recommend it enough!
Inside Out
What Keeps Me Loving You
Take What You Can
…or you can listen to the entire album here:
Release Date: October 17, 1989
Genre: AOR / Hard Rock Duration: 41:12 Label: Enigma Records Producer(s): Don Dokken
References:
XYZ (album) Official Wikipedia Page: https://en.wikipedia.org/wiki/XYZ_(XYZ_album) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
For the past following weeks, I’ve been having kind of a Skid Row marathon, which I guess is the reason why I wanted to talk about “Youth Gone Wild”. Also, I’ve been binge watching “Gilmore Girls” and Sebastian just keeps on popping and making me crank up some Skid Row right after the episode is over. I got to know the band and of course, their charismatic leader, because of that “little” 1989 debut album. I was making the first steps towards my “late-‘80s-hair metal enlightenment” and it was absolutely inevitable to come across Skid Row on my long and hairy road. I’m a sucker for power ballads so of course “I Remember You” became the reason why I fell for the band and the album. The second place goes to “Youth Gone Wild” which is actually one of my top empowering songs and the reason why Sebastian Bach is one of the most notable rock vocalists in my book. I guess what I felt after hearing it for the first time was exactly what the song was intended to provoke in its listeners – confidence, sense of control and the scream of your inner strength after being set free.
Let’s not forget that Skid Row is a household name when it comes to hard rock, so if you are looking to expand your knowledge or learn more about that band that just keeps on appearing everywhere on your “YouTube suggested videos” section, their debut single might be the right place to start.Let’s go wild with this ultimate hard rock classic!
“Youth Gone Wild” is Skid Row’s debut single, released from their 1989 eponymous album. Written by bass player Rachel Bolan and guitarist Dave Sabo, the uplifting, rebellious tune quickly became one of Skid Row’s signature live acts and an absolute fan favorite. Despite the major commercial success of the debut album (certified 5xPlatinum by the RIAA), “Youth Gone Wild” barely made it on the US Billboard Hot 100 chart. Then again, that’s not a merit for the significance and brilliance of a song. The impact and significance of that song turned out to be colossal – both for the band’s legacy and the history of hard rock.
In 1992, Skid Row re-released the song on their cover album “B-Side Ourselves”. The re-introduction of “Youth Gone Wild” got awarded with a Top30 position on the UK Singles Chart.
The iconic music video to accompany the anthem-like song “Youth Gone Wild” was an absolute sensation, receiving tons of airplay on MTV. The video features a dynamic stage performance of Skid Row, cut by scenes of the members of the band running, breaking fences till one gets caught by what appears to be a police officer. Similar-style music videos were countless back in the day, however this one seems to stand out – whether it’s because of the song or because of Sebastian being handsome as hell, I don’t know. The important thing is that MTV loved this video.
Music Video
“When Skid Row wanted me to join the band, they sent me a cassette with a bunch of songs on it and that song was probably my favorite. When I joined the band, I got the tattoo of ‘Youth Gone Wild’ on my arm before we had a record deal, before we had a manager. I got ‘Youth Gone Wild’ tattooed on my arm when we were a club band.”
“I believed in that song with all my heart before anybody else did that I know about,” he added. “A lot of people think I got that tattoo after we had sold a million copies of the record. I got it when we were completely unknown, when nobody knew that song. That’s when I got it.”
The most fascinating point of “Youth Gone Wild” (at least in my opinion) is its lyrical strength and aggressiveness. The striking title says it all – this song is about those misfit kids, who never played by the rules and stayed true to their nature; “Youth Gone Wild” is a song about not doing what others tell you to do but stand for what you believe in. The track is one hell of a kiss-ass way of saying “screw you, I am young and I am wild and I will follow my heart!” “Youth Gone Wild” is the perfect teenage anthem!
Moreover, to me this song was Skid Row‘s way of making a statement regarding the way rock fans were seen as back in the day. He would often say, right before he starts singing “Youth Gone Wild”, that this is all about the prejudice against people who listen to rock&roll.
The debut single of Skid Row is the kind of song that makes people knock the socks off everyone and everything! Yes, it’s that powerful. If we add Sebastian’s legendary vocals, we get this perfect sonic force that can easily cause an earthquake. If you are looking for music to make your blood boil and give you an extra dose of confidence, look no further!
A couple of reasons why this song was a live staple ~
Sebastian Bach “YOUTH GONE WILD”, M3 Rock Festival, 2014
“Youth Gone Wild” Lyrics
[Bolan, Snake]
Since I was born they couldn’t hold me down Another misfit kid, another burned-out town
Never played by the rules I never really cared My nasty reputation takes me everywhere
I look and see it’s not only me So many others have stood where I stand We are the young so raise your hands
They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won’t fall We’re the one and one for all The writing’s on the wall We are the youth gone wild
Boss screamin’ in my ear about who I’m supposed to be Getcha a 3-piece Wall Street smile and son you’ll look just like me
I said “Hey man, there’s something that you oughta know. I tell ya Park Avenue leads to Skid Row.”
I look and see it’s not only me We’re standin’ tall ain’t never a doubt We are the young, so shout it out
They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won’t fall We’re the one and one for all The writing’s on the wall We are the youth gone wild
They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won’t fall We’re the one and one for all The writing’s on the wall We are the youth gone wild We are the youth gone wild
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
Rising from the ashes of Thin Lizzy, hard rock band Dare debuted in 1988 with a phenomenal collection of melodic rock gems, titled “Out of the Silence”. Led by keyboard player and vocalist Darren Wharton, Dare quickly established a solid fanbase with their powerful AOR statement. Don’t look for any traces of Thin Lizzy because you won’t find them. Dare’s “Out of the Silence” is an elegant melodic rock treasure, combining all elements, necessary to make it unforgettable. From the enhanced but highly pleasant keyboards to the intriguing lyrics; from the monumental hooks to the brilliant haunting voice of Darren Wharton – “Out of the Silence” was destined to conquer and please our ears.
Well-polished rockers like “Abandon” and “Into the Fire” are a couple of the stand-outs and reasons why this is an absolute classic AOR album that should be owned by everyone. “Into the Fire” impresses with its mysterious intro that progresses into a magical, captivating sonic experience I wish everyone could experience on a daily basis. “Abandon” has to be one of the greatest opening tracks in the history of AOR records – indescribably satisfying hooks and persuasive chorus that could win the heart of anyone. Let’s talk ballads – “King of Spades” is a supreme mellow rocker, granting you a first-row seat to the beautiful but touching confession of Darren Wharton. “Nothing Is Stronger Than Love” is a personal favorite and one of my most beloved guilty pleasures. Regardless of the high level of sugar, it’s still a sensual, quite cushy love song that is suitable for all the softies out there. “Runaway”, “Under the Sun”, “Return the Heart” – all unbelievably well-done songs that go straight to your heart and never leave.
All in all, “Out of the Silence” is a masterful testimony of how great the ‘80s were. Albums like this one possess those enchanting rock vibes that just make you play it over and over again. I am a sucker for melodic rock and this is one of my favorite AOR albums. I do hope you guys enjoy it as much as I do! Cheers to Dare!
Tracklist:
“Abandon” – 4:35
“Into The Fire” – 4:53
“Nothing Is Stronger Than Love” – 4:42
“Runaway” – 4:29
“Under The Sun” – 6:12
“The Raindance” – 5:23
“King Of Spades” – 4:44
“Heartbreaker” – 3:38
“Return The Heart” – 5:09
“Don’t Let Go” – 5:37
Into The Fire
Abandon
Under The Sun
Nothing Is Stronger Than Love
References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Welcome to the ‘80s – the hair was too big, the fashion was outrageous but the music was GREAT!
Inspired by ‘70s British glam rock artists, such as David Bowie, T.Rex and Roxy Music, glam/pop metal became the biggest monster genre trend on the music scene in the States throughout the ‘80s. Kicking things off with bands such as Cheap Trick, Kiss, Van Halen and of course Alice Cooper and evolving into rock acts, like Cinderella, Ratt, Warrant, Dokken and so many others, the glam/pop metal domination was simply out of control. Not that this was a bad thing – on the contrary. The ‘80s gave birth to some of the most talented and exceptional musicians of all time. The looks played a huge role, I can’t argue with that. However, once you go beyond the heavy make-up and tight spandex pants, all you are left with is awesome music, crashing guitar riffs and catchy melodic hooks that bring you nothing but fun, excitement and tons of feelings and emotions of all kinds. Looks and music aside, places once again were significant for the popularization of a specific musical culture. The LA music scene and in particular that sinful Sunset Strip where all the rock bars and nightclubs were located, turned into the mecca of the entertainment industry. Basically, that “little” 2.4km stretch of Sunset Boulevard became the hottest place to be!
Back to the music talks, the glam rock frenzy was probably the best thing that could’ve happened in the ‘80s, at least to me. I can’t really imagine my life without representatives of the genre, such as Cinderella, Danger Danger and Dokken, for instance. These bands and their electrifying rockers, stunning power-ballads, tough attitude and weird, but still appealing music videos will always play such an important part of my life. Unfortunately, it all came to an end when grunge acts started appearing one after another. Don’t know what you got, till it’s gone, right?
Since I was in the mood for some serious hair metal power, I prepared this little playlist of 10 songs by famous (or not so famous) bands, which I have always considered as the best among all glam rockers of the ‘80s. Some of them are even among my most beloved bands of all time (like Cinderella, for instance). I have gathered tunes that I believe are the perfect example of the glam rock wave that flooded the music scene in the USA, especially in the second half of the ’80s. If you are a dedicated fan, you most certainly know them. If you are making your first steps towards the genre, this is a good place to start. [My Rock Mixtapes] gives you ’80s GLAM ROCK through the Music of 10 Great Bands.
Cinderella – Shake Me (1986)
In 1986, one of the most distinguishable and talented hard rock bands debuted with an album that put to shame even the rock veterans. Vocalist and lead songwriter Tom Keifer is one of the reasons why this world is such a great place! “Shake Me” was their debut single and I thought that it’s a very good place to start our glam rock discussion and playlist. The MV is iconic and the song that accompanies it is just brilliant! Tom is a killer, one-of-a-kind vocalist and “Shake Me” is a great uplifting and energizing tune that begs you to crank it up!
White Lion – When The Children Cry (1987)
New York’s White Lion, led by Danish singer Mike Trampand and guitarist Vito Bratta debuted in 1983 but it was their sophomore album, titled “Pride” (1987) that drove them to stardom. I’ve always considered White Lion, along with Cinderella, as two of the most talented and worthy examples of glam rock bands. That sophomore album by White Lion is filled with outstanding rockers, including classics like “Wait” and “Tell Me”. This time, though, the focus would entirely be on the beautiful mellow rocker, “When the Children Cry”. This song proved (and still keeps on proving) my point – glam rock bands created some really meaningful and timeless compositions and it most definitely wasn’t all about the looks and the ladies!
Giuffria – Call To The Heart (1984)
Giuffria (led by keyboardist Gregg Giuffria) debuted with a splendid self-titled album in 1984. Armed with breathtaking songs, like “Do Me Right”, “Don’t Tear Me Down” and of course “Call to The Heart”, no wonder the impact of that album was so colossal. “Call to the Heart” is I believe the greatest song of their career (not to mention a personal favorite). Vocalist David Glen Eisley should’ve been bigger. His voice strikes quite the resemblance with Steve Perry, actually. Anyhow, I stand by what I said – this album and this tune are amazing and should NOT be forgotten!
Great White – Once Bitten Twice Shy (1989)
Although it’s a cover version of a popular song by Ian Hunter, I decided to include “Once Bitten, Twice Shy” by Great White because I think it’s much better (and more influential) than the original. On top of it all, it’s the song that defined Great White’s career like no other, reaching top 10 positions in both UK and the States. “…Twice Shy” (1989) was the crown jewel of Great White’s career, I believe. This song, along with classics like “The Angel Song” and “House of Broken Love”, also featuring on their fourth studio album, are absolute staples of the pop rock / glam metal musical phenomenon in the late ‘80s.
Warrant – Heaven (1989)
Power ballads were a must for any hard rock band. No power ballad = no chance of getting signed to a label or releasing an album. Those were the rules of the game and Warrant just knew how to win it. “Heaven” was the second single from their 1989 debut album, “Dirty Rotten Filthy Stinking Rich”. It didn’t take that long for the track to became a sensation and turn into the band’s most commercially successful song of their career. The fans, the radio stations, the critics – everyone loved it and there’s a reason why, believe me. Jani Lane brought so much passion and beauty into a world full of songs about partying hard and drinking all day and all night. It’s definitely Warrant’s best song one of the best power ballads of the ‘80s.
Ratt – You’re In Love (1985)
I can’t talk about glam rock and not mention Ratt! Their sophomore album, titled “Invasion of Your Privacy” (1985) is a premium example of an album, following the musical trend and one of the best of its kind, as a matter of fact. Classics like “What You Give Is What You Get” and “Lay It Down” could be heard on that second release of theirs. For this playlist, however, I chose their second single “You’re in Love” because I love the strong vibe that comes out of this tune. One listen and you’re absolutely hooked. Moreover, I wanted to illustrate the various themes and topics, as well as types of songs glam rock bands were producing back in the day. Vocalist Stephen Pearcy is bringing so much to the table on this one. The MV is groundbreaking!
Skid Row – 18 and Life (1989)
Moving on to Skid Row, I think this song right here is where all discussions about the band should begin. Don’t get me wrong, they have so many songs that deserve recognition (and got way more of it compared to this one), but I think if we have to choose just one, it has to be “18 & Life”. Released as a single from their debut self-titled album, the rocker quickly turned into Skid Row’s biggest hit and ultimately a turning point in their career. I am a huge fan of Sebastian Bach and I even though this tune wasn’t written by him, it’s his vocal performance that made me fall inlove with this band in the first place.
Poison – Nothin’ But A Good Time(1988)
If for a moment there we don’t look at that bizarre and ridiculous album artwork, we can actually find some excellent glam rock gems inside the album. The first single from “Open Up and Say… Ahh!” (1988) carries the laid-back title “Nothin’ but a Good Time”. I chose this song, because it sums it up quite well: the ‘80s, the glam metal, the music, the bands – it was all about having nothing but a really good time. It’s a fun tune, capturing the essence of the genre – both lyrically and musically. Vocalist Bret Michaels is doing some pretty decent job too!
Dokken – Into the Fire(1984)
“Tooth and Nail” (1984) is an absolute masterpiece and one of my most beloved albums of all time. The strength and musical brilliance of the album were born out of the hardships Dokken had to go through before releasing it. It was a tough time to be a glam rock artist in the late 80s – a period dominated by the early grunge movement. Despite all, the album materialized and thank God it did otherwise we wouldn’t have songs like “Into the Fire”. I am highly biased but that doesn’t mean I’m wrong. The album and the song are perfect!
Danger Danger – Naughty Naughty (1989)
We had a good time, we listened to some gorgeous power ballads and lyrically-rich tunes but now it’s time to wrap things up on a less-meaningful note. Danger Danger are the glam metal band to listen if you just want to have fun and forget about it all! Their self-titled debut album spawned some great songs, designed to bring you nothing but a sweet enjoyment! The debut single of their eponymous album bears the catchy title “Naughty Naughty” and as you suspected, it just can’t be taken seriously. That doesn’t mean it’s bad or unworthy. Not at all – it’s a super fun, sexy and exciting track. The guys are pretty good too! Ted Poley is a great vocalist too!
The playlist contains 10 Glam Metal tracks, selected based on my personal preferences and in accordance with the idea I am trying to deliver through this publication. There are plenty of other bands and artists who are representatives of the Glam Rock scene of the 1980s, but according to my opinion, the above 10 are some of the most notable ones. Please keep an open mind! Cheers
References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
It doesn’t take that long to fall in love with the right music – the kind of music that completes you, empowers you and fills up your heart with nothing but pure delight. I had a similar experience when I heard Yngwie Malmsteen’s “You Don’t Remember, I’ll Never Forget” for the first time. Songs like this one made me experience that “love at first listen” feeling, which I think is one of the most beautiful things in the world. A whole new world opened for me after that song; I just simply had to find and listen to more! I got the album and that’s how my Yngwie journey started. “Trilogy” was the album that completely redefined my attitude and expectations towards guitarists. One listen from start to finish was more than enough for me to learn how to further appreciate aspects of guitar playing, such as speed and technicality and not just take it for granted. Don’t get me wrong, there are plenty of superb guitar players who possess admirable qualities and are able to turn every song into a magical experience. However, there are a few who go beyond those well-known and highly enjoyable electrifying riffs. Yngwie Malmsteen is one of them and if you listen to “Trilogy” you will understand what I’m talking about.
Background:
Despite Yngwie’s steady reputation as a guitar virtuoso and a debut album that completely blew everyone’s minds away, his junior album – “Trilogy” couldn’t really make a huge statement on the charts, outside his homeland of Sweden. Nevertheless, as I keep on repeating over and over again – chart positions and commercial performance are not the greatest merit of the brilliance and quality of an album. In fact, “Trilogy” remains probably the second most critically appraised and beloved album of Yngwie Malmsteen (after “Rising Force”, 1984).
Released in November 1986, “Trilogy” is Yngwie Malmsteen’s thoughtful dedication to Swedish Prime Minister, Olof Palme, who was assassinated earlier that year.
The album carries the name of the closing instrumental, titled “Trilogy Suite Op:5”. The name is of course related with the fact that it is after all Yngwie’s third release. Many fans consider this album and its title as a perfect way to wrap up an exceptional trilogy of albums, featuring “Rising Force” (1984), “Marching Out” (1985) and “Trilogy” (1986).
Themes and Songs:
One quick glance at the tracklist will instantly give you an idea of what kind of themes and atmosphere to expect from the album. “Dark Ages”, “Fury”, “Fire”, “Magic Mirror”, “Queen In Love”, etc. – the titles are telling a medieval story, filled with fantasy, magic and skilfully portrayed in intriguing, imagination-stimulating lyrics. It’s not all about dungeons and dragons, though. The opening track, “You Don’t Remember, I’ll Never Forget” is Yngwie’s attempt at crafting a radio-friendly, more universally-acceptable tune and I believe he did a splendid job with that. Vocalist Mark Boals is giving his all. His vocal style and Yngwie’s music is simply a match made in heaven. The mad guitar-genius sends chills down our spines right from the very start – that thrilling intro grabs you by the throat and doesn’t even give you a second to prepare yourself for what’s coming. I have always emphasized on the importance of a song intro and this right here is one great example of how things should be done! What comes next is as exciting as you can predict. “Liar” is yet another forceful, mind-blowing guitar tornado that destroys everything that stands on its way. Mark is hitting those high notes with blissful ease. “Queen In Love” is another high point on “Trilogy” and a personal favorite of mine. The soul-shredding guitar solos and alluring chorus are surely going to leave an everlasting impact on the listener. Yngwie’s guitar is gently moaning on the acoustic euphoria, titled “Crying”. The emotionally-charged instrumental is the much needed breath of fresh air, after the explosive first tracks. “Fury”, “Fire”, “Magic Mirror” and “Dark Ages” are the last couple of drops to make up this violent sea of heavy metal flames. Yngwie’s secret master plan was to make our minds go up in smoke once we listen to those tunes. The closing instrumental, “Trilogy Suite Op:5” is in my opinion one of Yngwie’s highest points of his career. No words can describe the power that comes out of those riffs. It’s an absolute supernatural force that took a musical form.
“You Don’t Remember, I’ll Never Forget”
“Liar”
“Queen in Love”
“Crying”
“Fire”
Album Artwork:
The album artwork of “Trilogy” definitely has a spot on my list of favorite album covers. I mean, just look at it – can it be any cooler? I don’t think so. A three-headed dragon vs. a guitarist – a battle of a lifetime! A magical journey to distant lands, filled with intriguing adventures, monsters and queens. Believe me, you will never forget the musical once you open that record and set foot on Yngwie’s mystical creation, named “Trilogy”.
What Followed Next?
In 1987, a fatal car crash accident almost took Yngwie Malmsteen’s life. Regardless, one year later, his next project, titled “Odyssey” was released. Together with one of the most talented rock vocalists of all time – Joe Lynn Turner (Fandango, Rainbow, Deep Purple), Yngwie once again crafted a dreamy, stylish and very up-to-date album, quite suitable for a constant radio play. There wasn’t any place for his mystical, dungeons-and-dragons, medieval neo-classical themes. It was time for something more romantic, approachable. Most importantly, it was the time to make hits. He couldn’t have picked a better singer to collaborate with. Songs like “Dreaming (Tell Me)”, “Déjà vu”, “Heaven Tonight” and “Crystal Ball” are the perfect blend between raw guitars, captivating vocals and perfect melodies.
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
Released: 1987 Genre: AOR / Pop Rock / Hard Rock Duration: 44:52 Label:Hangdog Records / Majestic Rock Records (2006) Producer(s): John Punter
OVERVIEW
In 1987, the British-American AOR/Melodic rock band Strangeways released arguably their finest work, titled “Native Sons”. The follow-up to their respectable 1984 eponymous debut also proved that the right singer can make all the difference in the world. Original vocalist Tony Liddell was replaced with Terry Brock – a renowned back-up singer for some of the biggest names of the era, including Foreigner and Journey. What followed after he stepped in as the new frontman, could easily be described as pure musical magic. “Native Sons” is a brilliant melodic rock record that guarantees you nothing but delight and feelings of great pleasure. The album carries all the best genre elements of the era, including colourful keyboards, splendid guitar playing and glittering hooks. Add Terry’s powerful vocals, the edgy hard-rock vibe and the A-level songwriting and you end up with a melodic treasure that could effortlessly stand on its own two feet against the big AOR titles of the late ‘80s.
If AOR/melodic rock runs through your blood, this might be the right album for you. Kicking things off with the playful but classy tune “Dance With Somebody”, “Native Sons” properly sets the mood for the remarkable things that are about to come. The mellow rocker “Only a Fool” is another track that stands out with its gorgeous melody and touching lyrics. Terry Brock’s spirited vocal delivery could easily turn this song into your next favorite ballad. “Empty Streets” is unquestionably the hidden pearl of “Native Sons” and one of the finest AOR gems I have ever heard in my life. The high-powered guitars, heated up by Terry’s fiery vocals give me thrills every time I play it. “Where Do We Go From Here”, “Stand Up and Shout” and “Never Gonna Lose it” are just a couple of the other warm and powerful 100% AOR-authentic masterpieces you can find on “Native Sons”.
“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish – play any song from the tracklist and you get a melodic rock classic and a couple of minutes in rock paradise. I can’t recommend this album enough. Strangeways’ junior album “Walk In The Fire” (1989) is what you should get next, after “Native Sons”! Cheers to great music!
Tracklist:
“Dance With Somebody” – 4:26 “Only a Fool” – 4:42 “So Far Away” – 4:57 “Where Do We Go From Here” – 3:58 “Goodnight L.A.” – 5:02 “Empty Streets” – 4:20 “Stand Up and Shout” – 3:28 “Shake the Seven” – 4:33 “Never Going to Lose It” – 4:47
“Face to Face” – 4:39
Dance With Somebody
Only a Fool
Where Do We Go From Here
Empty Streets
Stand Up and Shout
…or listen to the entire album here:
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
There are great rock ballads and then there’s Journey’s “Open Arms” – a song that goes beyond the realms of any ordinary power ballad with its distinctive poeticism and ability to break down even the toughest hearts out there. Back in the day, when I knew so little about Steve Perry or Journey, it was “Open Arms” that convinced me that there is something special about this band and I should dig deeper. Now, years later, I look back at that moment when I fell in love at first listen and I can’t but be grateful for this gorgeous song that found a way to appear in my life and brought Journey with it.
I thought it’s high time this out-of-this-world power ballad got the spotlight on [My Rock Mixtapes]. I have gathered some interesting facts and personal interpretations which hopefully my readers will find beneficial. Don’t get too emotional (though I know I will).
– “Open Arms” was released as the third single from Journey’s highly successful 1981 album “Escape”. Written by Steve Perry and Jonathan Cain, the delicate ballad turned into an instant radio sensation and a fan-favorite. Moreover, not only it skyrocketed the album sales but it became the band’s highest charting single, occupying #2 spot for six weeks! (Surprise! Journey’s most popular tune “Don’t Stop Believin’” didn’t even reach top5 positions in the States). All in all, what “Open Arms” achieved should come as no surprise because it was in fact a revolutionary song at the time – after its release and commercial success, it became an absolute necessity for any rock act to release a power-ballad.
– Initially, Jonathan Cain wrote the melody of “Open Arms” for The Babys – a band, led by John Waite. However, to John the tune was simply too sentimental and had absolutely no interest in recording it. Imagine how different the future would’ve looked like for “Open Arms” if it wasn’t Journey who released it at the end. (Huge mistake, John…)
Things didn’t kick off that smoothly in the Journey corner as well, though. The rest of the band members, including lead guitarist Neal Schon, had their doubts about the mellow rocker as it was way too different than anything they had ever recorded before. Basically, Steve Perry was the only one who rooted for the song till the very end. He was committed and knew what was right. Let’s all thank Steve Perry for not giving up on “Open Arms”.
– “Open Arms” is a perfect marriage between melody and lyrics. Steve Perry is such a magical being; how could he come up with words so touching and so affecting, is beyond my comprehension. Simple, yet so moving, those lines are effortlessly playing on the strings of your heart, making you fall apart with each second. There’s a reason why many fans and critics refer to “Open Arms” as one of the greatest ballads of all time – not many ballads can actually provoke an emotional and physical reaction in you.
– To me, the song is about that “soft” and “sincere” love between two people, who may have “drifted apart” for one reason or another, but the true feelings they have for each other never actually changed. Steve is singing about someone he wants back, ready to welcome her with “open arms” and start their beautiful life once again, forgetting the past. At the end of the day, I think it’s all about what your heart wants; when there’s “nothing to hide” and that sweet love means so much to you, it’s never too late to welcome it back to your life. My favorite lines from “Open Arms” are “…But now that you’ve come back, Turned night into day…I need you to stay” – they can perfectly summarize the entire concept of the tune. If you have broken up with someone you love dearly and gotten back together, this is the song you should play on your first date back as a couple.
(Do I even need to comment on Steve Perry and his God-like vocal delivery? I will just let him do the talking…)
“Open Arms” Lyrics
Lying beside you Here in the dark Feeling your heartbeat with mine Softly you whisper You’re so sincere How could our love be so blind We sailed on together We drifted apart And here you are By my side
So now I come to you With open arms Nothing to hide Believe what I say So here I am With open arms Hoping you’ll see What your love means to me Open arms
Living without you Living alone This empty house seems so cold Wanting to hold you Wanting you near How much I wanted you home
But now that you’ve come back Turned night into day I need you to stay
So now I come to you With open arms Nothing to hide Believe what I say So here I am With open arms Hoping you’ll see What your love means to me Open arms
References: “Open Arms” Lyrics, retrieved from http://www.azlyrics.com/lyrics/journey/openarms.html “Open Arms” official Wikipedia Page: https://en.wikipedia.org/wiki/Open_Arms_(Journey_song) P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~
ASIA debuted in 1982 with a monstrous self-titled album which not only celebrated the perfect music partnership of legends Steve Howe, Carl Palmer, Geoff Downes and John Wetton but also became one of the essential AOR albums that ruled the 80s. With radio-friendly classics like “Heat of the Moment”, “Sole Survivor” and “Time Again”, the album was destined for commercial success. Coming up with an equally deserving follow-up album was always going to be quite the formidable task. One year later, however, ASIA released a worthy sophomore album, titled “Alpha”, which in its own way became a valuable ‘80s classic. Unfortunately, this turned out to be the last album with the band’s original line up as guitarist Steve Howe left one year after its release. There have been some reunions here and there, but the momentum was long lost.
The second date with ASIA was definitely less tense and more familiar, more sensitive even. Producer Mike Stone was once again on board with the rest of the team, crafting a quality collection of charming pop/rock tunes. All of the songs are credited to the songwriting collaboration of John Wetton and Geoff Downes, except “The Smile Has Left Your Eyes”, written by Wetton alone. Juxtaposing “Alpha” to its predecessor is inevitable. In terms of sound, ASIA’s second album is less progressive and more mellow, pop oriented, fuelled up with excellent hooks and delightfully attractive choruses. Melodically-empowered and well-seasoned with pleasing keyboard work and sleek multi-layered harmonies, “Alpha” definitely captures a type of progressive rock, that could almost effortlessly be digested by the audience of the ‘80s.
Many experts claim that the debut album is the most important album of a musician’s career – after all, you don’t get a second chance to make a first impression. We have so many examples of ground-breaking debut album which sky-rocketed the careers of bands like Guns N’ Roses, Bad Company, King Crimson, Boston, Rainbow, etc. Because of its novelty, huge impact and quality of production, ASIA’s debut album certainly falls under the category of “the greatest rock debuts of all time. “Alpha”, however, didn’t have that novelty factor anymore, nor could it compete in terms of quality of production. “Alpha” also couldn’t meet the industry’s expectation and despite its platinum status, critics often refer to it as somewhat a failure. Sadly, this album turned into one of the most underrated ‘80s rock records of all time, despite the wonderful playlist it offers. If one should chose to ignore all that was said and written about this album and for a second forgets about the enormous sonic force of their debut album, “Alpha” could become a truly pleasant experience. Someone once said that “Asia‘s first album is like Saturday night while the sophomore is more like a Sunday afternoon” which entirely supports my claim – “Alpha” may not be as strong or as important as “Asia” but it still holds a place in our heart.
Cracks were slowly starting to appear, but once you hear songs such as “Don’t Cry”, “The Smile Has Left Your Eyes” or The Beach Boys sounding “Open Your Eyes”, it will all be forgiven. There are great and good songs on this record, but the level doesn’t go below that. The album is a festival of romance, under a sky of gorgeous lyrics and touching music. I often referred to “The Smile Has Left Your Eyes” as one of the most beautifully written ballads of all time, despite its weak production. This stunning song deserved so much more. A Phil Spector/Wall of Sound treatment, including horn sections and enhanced piano sounds would’ve done some justice to it. “Don’t Cry” is a personal favorite, mainly due to the dreamy lyrics which every girl secretly wants to hear from a guy: “So leave it all behind you, It took so long to find you, I know that we can last forever, ever and more…”. “The Heat Goes On” is another fine moment which should’ve been awarded with more attention; an atmospheric classic rock tune with so much energy, it surely deserves a listen or two.
I’m not gonna go into detail about each and every tune of “Alpha” – you can listen to the whole album below the publication. What I would like to emphasize on is that even though is not as strong as their debut album, it still carries valuable characteristics that makes it a great ‘80s rock record. Symphonic sound, sensitive lyrics and stirring harmonies are just a few of its valuable qualities. ASIA would disappear for two years before they released “Astra” in 1985. The first three albums, in my opinion, perfectly represent their glory days. Whichever one of those albums you pick, you won’t make a mistake. I am somewhat biased and “Alpha” will forever remain my favorite ASIA album mostly because of a few tracks I hold very close to my heart and of course, that marvellous Roger Dean cover. That’s the beauty of music, isn’t it – it has to offer something to everyone. Listen to those outstanding tracks and let’s appreciate such long gone musicianship!
Listen to ASIA’s “Alpha” here:
Don’t Cry
The Smile Has Left Your Eyes
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
“Hang Tough” by Tesla is a song that can truly help you when you are going through some tough times and you need that extra push – something to remind you that you gotta keep your head above, fight for yourself and don’t let the hardships of life conquer you. I know that it’s easier said than done but when such uplifting and encouraging words are accompanied by brilliant rock&roll music, things get a little bit better, believe me.
The track comes from Tesla’s (extremely underrated) 1989 album “The Great Radio Controversy”, which by the way is a gorgeous hard rock album and I deeply recommend it to you, guys!
I hope you find your inner strength and this song helps you through the day! Defeat, heartbreak, unfulfilled dreams…life is so unfair but we have music to make things brighter, right?
Official MV
“Hang Tough” Lyrics
Took a shot to the chin. Looks like you just can’t win In this do or die situation. And it’s harder than it seems To survive, keep alive and make your dreams, Make your dreams all come true.
You gotta, you gotta give it your best shot. Give it ev’rything you got. Oh, you gotta hang tough. Hang tough. Hang tough.
Sometimes love can make you blue. A heartache made just for you. But you can’t let it bring ya down. If you should stumble, if you should fall, Pick yourself up off the floor. Fight for what’s right and stand your ground.
You gotta give it your best shot. Give it ev’rything you got. Oh, you gotta hang tough. Hang tough. Hang tough. When the goin’ gets rough. Hang tough. You got to give it all you’ve got. Hang tough. Keep your head above the ground. Don’t you let it get you down. Oh, you gotta hang tough. Hey! Oh! Hey! Oh!
You stay locked away inside your room ‘Cause you don’t know what this world is comin’ to. Hummingbird hums ’cause he don’t know the words And the piper will play ’cause he don’t know what to say. He’s alot like you, yeah. Oh, he’s alot like you, yeah. He tries hard ev’ry day to be free and fly away. Yeah!
Hang tough, oh, when the goin’ gets rough. Hang tough. You’ve got to give it all you got. Hang tough. Keep your head above the ground. Don’t you let it get you down. Oh, you gotta hang tough.
Hang tough. Oh, you got to give it all you got. You gotta Hang tough. Don’t you let it get you down. Hang tough. No! Oh, you gotta hang tough. Hang tough. Hang tough!
Lyrics retrieved from http://www.azlyrics.com/lyrics/tesla/hangtough.html
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~
Released: August 29, 1989 Genre: Rock/Hard Rock/AOR Duration: 55:16 Label: A&M Producer(s): Terry Thomas
OVERVIEW
Giant’s “Last of the Runaways” deserved so much more than it actually got. Unfortunately, the time wasn’t right for it – by 1989, the heydays of album-oriented rock were long gone. Despite its high production value, melodic quality and outstanding vocals and riffs by Dann Huff, “Last of the Runaways” somehow got lost in the transition period from the ‘80s to the ‘90s. Nevertheless, there will always be rock fans like me and you, who can truly appreciate a piece of art when they see it, regardless of any other factors. The debut album of Giant has a lot to offer – from solid rockers, fueled with mind-blowing riffs, to emotional power-ballads, the whole album is a pure melodic paradise.
“Last of the Runaways” makes a clear statement right from the first tune – “I’m a Believer” is a solid rocker with one of the most chilling, hair-raising guitar intros. What follows next is a beautiful, well-balanced selection of arena rock tunes, perfectly demonstrating the artistic skills and qualities of Giant. “Innocent Days”, “Can’t Get Close Enough” and “No Way Out” are just a few of the dangerously obsessive rock tornadoes that could be heard on this album. I’m saving the best for last – “Last of the Runaways” gives us three of the greatest power ballads ever written – “Love Welcome Home”, “It Takes Two” and of course their most commercially successful song, “I’ll See You in My Dreams”. How Dann and the rest of the guys wrote such powerful and emotionally-charged pieces of art is beyond my understanding, but believe me when I say this – If you are searching for a heart-stirring musical experience, look no further than those three tunes, especially “I’ll See You In My Dreams”. (I mean just listen to those lyrics “…Time, time will never be a friend of mine again, It tries to make your memory fade, but I won’t let it end…”)
“Last of the Runaways” wrapped up the ‘80s in an outstanding way, with excellent music craftsmanship and gorgeous selection of rockers. I can’t recommend it enough! Giant’s next step – the sophomore album “Time to Burn” yet again proved that they weren’t your ordinary hard rock/hair metal band. Listen to the songs and I hope you will understand what I’m saying…
Tracklist:
I’M A BELIEVER INNOCENT DAYS I CAN’T GET CLOSE ENOUGH I’LL SEE YOU IN MY DREAMS NO WAY OUT SHAKE ME UP IT TAKES TWO STRANGER TO ME HOLD BACK THE NIGHT LOVE WELCOME HOME THE BIG PITCH
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers. The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment. Cheers~