(by Velina of “My Rock Mixtapes”)
Before we get down to business, here’s a song to check out! If you love the late ’80s as much as I do and you’re into hard rock music, you will most certainly like it and won’t hesitate to go down and read/check out the following album I’m recommending this week (in case you haven’t done it yet, of course – if you are familiar with it, then it’s time for you to go down memory lane)…
“Nobody Rides for Free”
I’ve told you before – 1989 was indeed a magical year for rock music and gems like this one are the reason why! I can’t stress this enough – you wanna get drunk on authentic hard rock music, just look for 1989 ’cause that’s your year!! (check out my previous blog publication where I list 15 favorite 1989 rock releases)
Let’s go back to Dirty Looks and focus on their intoxicating second major-label studio album, “Turn of The Screw”. What you need to know about the band in case that’s the first time they are crossing your path is that their major-label debut was in 1988 with what is often regarded to as one of the best hard rock debuts of all time – “Cool From the Wire”. Danish born vocalist Henrik Ostergaard was the man behind it all. The voice, the attitude, that street vibe, coming out of the band and this album in particular was mainly brought by him. Unfortunately, we had to say goodbye to that raspy, quite distinguishable voice in 2011 (RIP).
“Turn of the Screw” might not present an entirely different formula for a hard rock release. Given the time, the ambitions and the trends, Dirty Looks just had to take on that well-established hard rock road so don’t expect a sound you’ve never heard before. What you can expect, though, is a rough, solid and highly motivating gem that in my opinion deserved way more than it actually got. They did just put another brick on the enormous hard rock wall, but if you pay enough attention and devote some time into investigating 1989 album by album, you will see that that brick had its own colors and charms, worthy of your attention.
Ultimately, if you love bands like Kix, Great White, Cinderella, etc. you will love this album. “Turn of the Screw” is what introduced me to the band some time ago and It was love at first listen. “Nobody Rides for Free”, “Turn of the Screw”, “Take What Ya Get” and that special special song “L.A. Anna” which is my favorite cut from this release are as good as any other hard rock tune from the era. Atlantic Records yet again delivered something valuable to my collection so I can’t but thank them for that. The album has a little bit of those blues vibes I adore so much here and there so that’s one thing that might attract you even more.
Now go ahead and listen! Make sure you tell me what you think of the album and which is your favorite song!!
“Turn of the Screw”
“C’mon Frenchie”
Here’s the entire album on YouTube for you to check out. It’s worth it, I promise!
“Everyone’s a Star”, “10 000 Lovers (In One)”, “As Far as the Eye Can See”…and on and on. TNT’s junior album is one of the best releases of 1987 and no one can take that away from it. As biased as I am (obviously), you can’t actually deny the power of vocalist Tony Harnell or the brilliance of guitar player Ronni Le Tekrø who make the perfect dream team. I got “Tell no Tales” in a record store as a “blind purchase” and this turned out to be the best decision of my life!! There are still so many people out there who haven’t discovered the greatness of this band so I urge them to do it now!
Dokken’s fourth studio release also happens to be their best-selling album of all time and certainly one of the most interesting and captivating hard rock gems of 1987. “Prisoner”, “Night by Night” and of course the legendary “Dream Warrior” – the theme song for the horror film “A Nightmare on Elm Street 3: Dream Warriors” are just a few of the stunning rockers on “Back for the Attack”. Some critics and fans don’t consider this album as Dokken’s finest hour but then again I never actually cared about that. The album is full of jaw-dropping rockers and it deserves its place in my list.
White Lion’s sophomore album is an absolute classic and a musical piece that cannot really be described with words. Though my favorite White Lion album is “Mane Attraction”, “Pride” gets the honorable second place! “Wait” and “When the Children Cry” are the hits that came out of it, though I gotta go with “Hungry” as my favorite song from the album. Mike Tramp and Vito Bratta can craft some serious magic and this is one of their strongest products, for sure.
“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish. “Dance with Somebody”, “Only a Fool”, “So Far Away”…go check for yourself if you have never listened to these songs. Vocalist Terry Brock is one of the strongest voices of melodic rock and this is his finest hour.
I’ve been introducing those amazing guys to fans who have a very little idea how much more there is to the world of AOR. “Dreamhunter” is the third studio album of Swedish rockers TREAT and it’s one of those underrated gems that should’ve been way bigger. It didn’t leave a big impact on the world of music but it left a tremendous impact on me and my little rocknroll heart. “Sole Survivor”, “Take Me on Your Wings” and “You’re The One I Want” are some of the stand outs from “Dreamhunter”, all impressing with great production value and brilliant melodies.There’s absolutely no way this album can’t win over any melodic/AOR fan. 
Sometimes when we talk about the great Foreigner, this album gets left out of the conversation and I’m not quite sure why. I mean, yes – when you have enormous era-defining albums like “4” and “Agent Provocateur”, the follow-ups might get forgotten sometimes. In fact, though, (honesty hour) the sixth studio album of Foreigner – “Inside Information” might be my favorite release by Foreigner. “Say You Will”, “Can’t Wait” and the title songs are some of their greatest works, indeed. One more thing – it’s the last album to feature the 80’s core lineup of Gramm, Jones, Wills and Elliott, making it quite relevant. 
Huge REO fan right here so no surprises that their 1987 album “Life as we Know It” is in my list of favorites. The twelfth studio album of the beloved band features some outstanding music, including “That Ain’t Love”, “New Way to Love” and “In My Dreams” – all beautifully written and highly pleasing tunes, solidifying REO Speedwagon’s position as melodic rock giants. Things after this release were never quite the same in terms of commercial performance and popularity and that could be traced back to the growing tensions between the members of the band; however we do have this fine piece of music and I’m so glad it saw the light.
Helix might as well be my favorite Canadian band so I just had to include their highly underrated sixth studio album “Wild in the Streets”. The beginning of their career was pretty strong but by the time this album was released, the fire was already fading out. The release is filled with memorable, close-to-my-heart rockers, including “She’s too Tough”, “Never Gonna Stop the Rock” and the gorgeous cover of Nazareth’s ballad “Dream On”. Never understood why this release wasn’t that big but that never prevented me from falling in love with it. 
“A Momentary Lapse of Reason” is often misunderstood and extremely underrated record, despite magnificent songs such as “Learning to Fly”, “Sorrow” and “On The Turning Away”. I often clash with lack of objectivity when it comes to this album but then again, everyone has their own opinion and views. For me, the magic started when David Gilmour took over and released “A Momentary Lapse of Reason” and “The Division Bell” which instantly became my favorite PF albums. I love the classics and Roger Water is indeed a genius but this album right here is the PF release I connected with on a very personal level.
I wish more people would know of this album, because Tommy Shaw truly deserves it. His third solo release, “Ambition” is like a gentle autumn leaf touching your skin. Honestly, it was this beautiful piece of music right here that fully opened my eyes to his musical abilities. Not that I wasn’t appreciating him in Styx but I was always drawn to his melodic rock releases and especially this one. “No Such Thing”, “Dangerous Game” and of course – that magical cover of Survivor’s “Ever Since the World Begin” are offering a memorable experience that can make you a fan of Tommy in an instant.
Do I actually have to introduce or talk about this album? I don’t think so, but here we go…
I saved the best (and my all time favorite album) for last. No need for me to tell you why this album is here and what it means to me because you probably know all about it. The monstrous game-changing and history-defining record turned into one of the highlights of the era, not only because of its production values, 7 hit singles and multi-platinum status, but also because it symbolized the strength of the human spirit and how with a little bit of faith and tons and tons of hard work, you can achieve anything. “Love Bites” is certainly my favorite song from “Hysteria”, though every second of it is like a heaven on Earth.
Already mentioned that this is the one and only album of Saints & Sinners and it was released in 1992. Anything else you need to know? Well, if you love glam metal, if you love catchy riffs and solid rocking melodies, colored by magnificent vocals, you will LOVE this album. The atmosphere is very energetic and it just makes you play it all over again once you reach the last track. Needless to say, this melodic but loud self-titled debut is highly underrated. But hey, discovering hidden gems is what I live for! In terms of songs, I would definitely point “Wheels of Fire” and “Walk the Walk” as my two favorite tracks from it. Those two songs (now when I think about, most of the album actually…) reminds me of Hardline’s “Double Eclipse” and XYZ’s self-titled album – both great and dearly beloved albums. That’s all good, though! “We Belong” is another track to check out and that’s not just me and my power ballad adoration speaking. The ending track is epic so watch out for it! “Slippin Into Darkness” wrapped up the album and ironically, wrapped up their career which slipped into darkness…
Def Leppard
It was basically do or die for Dokken after the minimal success of their 1983 NWOBHM debut, “Breaking the Chains”. The label barely agreed to give them a second chance but thank God they did, otherwise this brilliant smoking-hot second release, titled “Tooth and Nail” would’ve never happened. The band’s crave for success and recognition are quite obvious on this record, hence the title.
rather unfulfilling start of the album, “Tooth and Nail” still impressed fans and critics with unique qualities, such as mean guitar solos (courtesy of George Lynch, of course), memorable vocals (thanks to Don Dokken) and a fantastic hard rock (but not too hard) atmosphere. The most important song on “Tooth and Nail” has to be the power ballad “Alone Again” which actually became the reason why Dokken’s name finally reached the surface. The playful “Just got Lucky”, the intense “Into the Fire” and of course that rough and dangerous Judas Priest sounding title song “Tooth and Nail” are some of the others worthy rockers you can find on this album. Overall, “Tooth and Nail” turned out to be а perfect mixture of heavy/speed metal and pop rock (getting more towards the heavy metal). I cannot put Dokken or this album in a category with other “hair metal” bands like Winger or Motley Crue despite popular opinion. If you are looking for something that goes beyond the lighter pop (hair) ‘80s metal, make sure you check out “Tooth and Nail”.
1992 was a marvelous year for rock music, if the last one to be perfectly honest. Grunge was knocking on the door and fans were letting it at the expense of hard rock. Firehouse was one of those bands that got the boot way too early. Imagine if they released their strong self-titled debut album and their even stronger sophomore album in the early ‘80s…!?
Many people refer to Cinderella’s “Long Cold Winter” as their finest release and they are probably right. I couldn’t let go of my adoration for “Night Songs” but “Long Cold Winter” is a more than a worthy successor in my book. Cinderella made a little shift from a signature glam metal to more blues-oriented rock, reflecting Tom Keifer’s influences and childhood adoration for the blues.
Giant’s sophomore album, “Time to Burn” became reality in the early spring of 1992. The follow-up to their successful 1989 debut, “Last of the Runaways” didn’t get the attention it deserved, despite the band’s obvious musical growth. From the fiery opening track “Thunder and Lightning” to one of the most emotional power ballads of all time – “Lost in Paradise”, the whole album showcased Giant as everything but your ordinary AOR band. With his beautiful voice, Dann Huff brought so much color to the spring of 1992. “Thunder and Lighting” and “Stay” are some of the other gems from “Time to Burn” which received some considerable time on the classic rock radio stations. Overall, this album remains highly underrated, despite being one of the best sophomore releases and one of the finest releases of 1992, in my opinion. It took Giant 9 years to come back with “III”, which is also worthy of checking out by the way.
This right here has to be one of the most special sophomore releases in my book of rock. ASIA debuted in 1982 with a monstrous self-titled album which not only celebrated the perfect music partnership of legends Steve Howe, Carl Palmer, Geoff Downes and John Wetton but also became one of the essential AOR albums that ruled the 80s. With radio-friendly classics like “Heat of the Moment”, “Sole Survivor” and “Time Again”, the album was destined for commercial success. One year later, however, ASIA released a worthy sophomore album, titled “Alpha”, which in its own way became a valuable ‘80s classic. The second date with ASIA was definitely less tense and more familiar, more sensitive even. Unfortunately, “Alpha” couldn’t meet the industry’s expectation and despite its platinum status, critics often refer to it as somewhat a failure. Sadly, this album turned into one of the most underrated ‘80s rock records of all time, despite the wonderful playlist it offers. “Alpha” may not be as strong or as important as “Asia” but it still holds a place in our heart and once you hear songs such as “Don’t Cry”, “The Smile Has Left Your Eyes” or The Beach Boys sounding “Open Your Eyes”, you will most certainly fall under the magic of the album. There are great and good songs on this record, but the level doesn’t go below that. The album is a festival of romance, under a sky of gorgeous lyrics and touching music. I often referred to “The Smile Has Left Your Eyes” as one of the most beautifully written ballads of all time, for instance. 
It’s a mission impossible to try and top Boston’s 1976 self-titled debut album. That groundbreaking release, featuring the classics “Peace of Mind” and “More Than a Feeling” is the ultimate classic rock staple and the greatest milestone in Boston’s career. Nevertheless, the 1978 follow-up, “Don’t Look Back“ is definitely not an album to ignore. I will skip the comparisons with that enormous first release, though they seem to be inevitable when we talk about Boston. Instead, I will jump right into the music talks to remind people that Boston DO have other great albums other than their debut.
In 1987, the British-American AOR/Melodic rock band Strangeways released arguably their finest work, titled “Native Sons”. The follow-up to their respectable 1984 eponymous debut also proved that the right singer can make all the difference in the world. Original vocalist Tony Liddell was replaced with Terry Brock – a renowned back-up singer for some of the biggest names of the era, including Foreigner and Journey. What followed after he stepped in as the new frontman, could easily be described as pure musical magic. “Native Sons” is a brilliant melodic rock record that guarantees you nothing but delight and feelings of great pleasure. The album carries all the best genre elements of the era, including colourful keyboards, splendid guitar playing and glittering hooks. Add Terry’s powerful vocals, the edgy hard-rock vibe and the A-level songwriting and you end up with a melodic treasure that could effortlessly stand on its own two feet against the big AOR titles of the late ‘80s.![doublevision]](https://myrockmixtapes.com/wp-content/uploads/2017/04/doublevision.jpg?w=279&h=279)
I will be very brief with this one because when we talk about Foreigner and this album in particular, no words are needed. After their highly influential 1977 debut, arena rockers Foreigner came back with what is often referred to as one of the finest albums of the genre and one of Foreigner’s best, most critically-acclaimed works. We can undoubtedly conclude that they did wrap up the ‘70s with quite the style, setting up the mood for the changes that were about to come in the ‘80s.
Last but not least, I just had to include Cream’s finest, most precious work of art, titled “Disraeli Gears”. Not only did this album introduced the holy trio of Eric Clapton, Ginger Baker and Jack Bruce to the American audiences but it also showcased how a band can achieve success if only they dare to dig deeper and fearlessly experiment with their music. “Disraeli Gears” showcased the band’s shifting interest from blues, to psychedelic rock. Moreover, it was on this album that Eric Clapton perfected his guitar skills and cemented his position as one of the finest guitarists of his time.
“Screwed, Blued & Tattooed” is one of those albums which I say are “worth discovering” and definitely one of the exciting releases of the early 90s. From the opening powerful slap – “Rock in the Western World” to the playful wrap up song “Girls Girls, Nasty Nasty”, the album is one hell of an entertaining piece of hard rock music! Don’t get me wrong, the album is far from perfect or groundbreaking but with lively and highly amusing tracks like “House is on Fire”, “Damned If We Do, Damned If We Don’t” and of course the title song, I feel like I can totally forgive and forget. “Stranger Than Paradise” is unquestionably the finest moment on the album and definitely a song that had the potential to stand against any Bon Jovi, Winger, Great White or Poison song. After a couple of tracks, we finally get to the power ballad – “This Time”. It’s as good as any power ballad of the era, that’s all I have to say. If you are a power ballad enthusiast like me, then you will love it for sure! Check out the rest of the songs – “Heroes Die Young” and “Don’t Talk About Roses” are striking highly deserving rockers as well!
MY ROCK MIXTAPES 