I’ve been obsessed with this album ever since I heard “Baby’s So Cool” a few months ago and I just cannot wait to introduce it to people who have no idea of this treasure right here. After familiarizing myself with what feels like a million and one late’80s/early-90s hard rock bands, sharing tons of similarities in image and sound, digging up an album that will make me say “Hold on a damn minute, there’s something here!!” became a formidable task. However, every now and then a band with a release like this one comes in and transforms my music library into an even more colorful and electrifying experience.
I will just leave this here before I move on…
A few things you gotta know about the band and this album before I let the music speak for itself!
Baton Rouge formed in Louisiana (hence the name) but just like any other rock band with big dreams, moved to Las Angeles in the late-80s, looking for that desired big break. They did manage to hop in the last hard rock train before the grunge scene totally occupied the industry and released a smashing debut album, titled “Shake Your Soul” (via Atlantic Records.)
The story is well-known – the spark faded away and during those transitional periods in music industry, only the toughest and more experienced artists managed to survive. Baton Rouge weren’t exactly one of those. Two albums and a long-overdue junior (demo) album were the products of their career. I must say, I have yet to befriend the sophomore album but the debut – “Shake Your Soul” blew me away so I have high hopes.
One of the most interesting things surrounding Baton Rouge is that all of its members spread their wings and went on to collaborate with some of the biggest names in the industry, including John Norum, John Sykes, Dokken, etc. or formed their own bands. For example, the impeccable vocals of Kelly Keeling brought richness to the Trans-Siberian Orchestra and guitarist Lance Bulen was being a very busy man, forming one band after another with members of XYZ, White Lion and many others.
Let’s go back to the debut album (sorry about that I just get so much into the background stories of the rock bands. The songs I want you to definitely check out (in addition the that first one I knocked your socks with at the beginning of this publication) are “Doctor”, “Walks Like a Woman” and of course the POWER BALLADS “It’s About Time” and “There Was A Time (The Storm)”. If those songs don’t conquer you, don’t talk to me at all! That’s not the end of it though. “Shake Your Soul” is an excellent selection of underrated gems and when I say underrated I don’t mean XYZ or Hardline level of underrated – I mean one level below that!!! Absolutely unforgivable!! “Big Trouble” and “Young Hearts” are as ear-pleasing as you can imagine.
Don’t get me wrong – this is not an innovative, out-of-this-world piece of music. But it’s refreshing, different and it just STANDS OUT!! Your choice to believe me or not.
Last but not least, I want to bow down to vocalist Kelly Keeling for capturing my heart and filling it with so many emotions! You just don’t get to listen to a vocalist like that every day.
We are here for this album after all, so let’s get down to it! It’s all about the music at the end of the day now isn’t it? I already mentioned that “Funk-O-Metal Carpet Ride” is Electric Boys‘ debut album, released in 1989 but what you really need to remember are the electrifying songs and I’m sure you will because they are THAT good. Let’s start with the obvious mega hit, “All Hips N’ Lips” – a playful, sexy and absolutely hypnotizing piece of music which just begs you to crank it up and dance your ass off to it! This was the first song of theirs I heard and since I had no idea who was performing it, I had to write down the lyrics and search for it later on. Imagine what happened when I found it – listened to it for days without stopping. This seductive catchy rocker makes you wanna dance in the middle of the street without a single care in the world. Who cares whether this song is cheesy or doesn’t shine with that much lyrical or musical depth? I don’t. I absolutely adore vocalist Conny Bloom and we need tracks like this one in our lives every now and then. The album is so much more than this song, though. “Psychedelic Eyes” is equally appealing with its perfect mixture of raw energy and pleasant melodies. “If I Had a Cigar” is the song that finally explains why this album’s title says “Funk-O-Metal”. The groovy, alluring tune is one of the highlights of the album. I love the choruses. Moving on to another satisfying tune – “Rags to Riches”. Where do I even begin? There’s just something a bit aggressive in their approach to music and I simply love how they combined it with the desired melodic rock sound to create universal appeal…with a twist! What I miss is a gentle rock ballad – the ones I’m always looking for in an album but actually Funk-O-Metal Carpet Ride gives me way too much energy to even think about why they didn’t include a solid tear-jerker. The whole album is one huge invitation to dance, party and basically a way to lift your spirits up! There’s no way you can resist it. Funky, heavy, melodic – what else can you ask for! Listen to the songs, I dare you!
“Don’t Come Easy” features 10 stunning hard rock gems, that deserve nothing but high praises. I must begin out discussion with the opening track and the biggest hit of Tyketto’s career, “Forever Young”. How do you describe a song that outstanding? From the powerful, clean vocals of Danny, to the terrific monster riffs this entire song could easily be referred to as the song of the year. Don’t you even get me started on those haunting lyrics: 
Still, if someone who has never heard of REO Speedwagon asks me to recommend him/her an album to start with, I’d pick “Wheels are Turnin’” in a heartbeat. Not only it’s one of their best-selling albums but it also contains some of the catchiest, most uplifting classic rock tunes that came out in the ‘80s. As a matter of fact, it was the first REO Speedwagon album I grabbed and where it all started from me.
By 1986, Journey was already a household name in the popular music scene not only in their homeland of the USA but also all over the world. Multi-platinum albums, sold-out concerts, millions of fans – that was just the beginning of it. The kings of radio crafted a universally-beloved sound which was basically the secret behind their ultimate success. The appealing mixture of rock and pop, colored by mesmerizing keyboards, rhythm sections and unforgettable hooks, all topped by Steve Perry’s unbelievable, out-of-this-world voice was basically the formula that sky-rocketed their career. AOR treasures, like the 3xtimes Platinum “Departure” (1980), the 9xtimes Platinum “Escape” (1981) and the 6xtimes Platinum “Frontiers” (1983) became inseparable parts of every person’s collection; hit singles like “Don’t Stop Believin’”, “Separate Ways” or “Open Arms” defined the ‘80s and influenced generations of musicians. Whatever more I say would be obsolete. Journey was and still is one of the greatest bands out there and their songs will live forever!
The songwriting partnership between Steve Perry, Neal Schon and Jonathan Cain was what kept the band on the top shelves for an entire decade, basically. Things got out of hand, though. We’ve heard the story before with many other bands – fame, success and worldwide recognition can sometimes be the reason why tensions arise within the band, egos start clashing and can sometimes lead to members going their separate ways. After Journey released the smashing hit album “Frontiers” in 1983, guitarist Neal Schon and vocalist Steve Perry took some time off to focus on individual “journeys”. Neal Schon teamed up with Sammy Hagar and released “Through the Fire” in 1984 and Steve Perry recorded that “little” solo album “Street Talk” which was out the same year. Guess which endeavor was more successful?
I was always drawn by that bright blue album artwork; it’s just so appealing to me. I find it quite simple, elegant and so suitable for the songs and the overall musical atmosphere of the album. It’s like when I think of that beautiful blue color and I immediately think of groovy uplifting songs like “Girl Can’t Help It” or “Positive Touch” (it goes the other way around as well). Interestingly, what’s shown on that artwork is actually the studio and antennas of KNGS (AM Radio), formerly owned by Steve’s parents. He was also the one who renamed the album to “Raised on Radio” (the original name for that album was “Freedom”). It just seems like this whole project was very close to Steve Perry and he wanted to make it as personal as possible.
Nevertheless, after Lou Gramm finished with his debut and the promotional activities and concerts he did come back (along with Mick Jones) to record Foreigner’s sixth studio album, “Inside Information” (1987). Unfortunately, that great album, featuring classics like “Say You Will”, also became the last album to feature the ’80s winner line-up, making it the end of an iconic, historically relevant era of rock music. Gramm did come back in the early ’90s (“Mr. Moonlight”, 1994) but then departed again. Foreigner moved on without Lou, naturally. It’s a whole different topic whether there can be a Foreigner without Lou Gramm, though, but will save it for some other time.
“Ready or Not” was released at the very beginning of 1987 and it definitely signaled the arrival of a strong (if not the strongest) year for rock music. Overall, the album did make quite the fuss – a top30 chart position in the USA, a #1 hit single (“Midnight Blue”), dozens of concerts and happy faces, etc. etc… No surprises there – “Ready or Not” is as good as you might expect it to be (we are talking about Lou Gramm after all). Numerous rock band vocalists of the era, including Peter Cetera (Chicago) and Steve Perry (Journey), for example, released solo albums so what Lou did wasn’t really that surprising. What also didn’t surprise fans was the commercial and critical triumph of the album. Lou Gramm and producer Pat Moran crafted some serious melodic rock magic and proved to be a winning team. The Foreigner vibe is still there – I mean come on, what did you expect? Lou was after all a huge part of Foreigner’s sound. Interestingly, though, there’s something unique and distinctive about “Ready or Not” which cannot be found on his previous work with the band. To me, it sounds a little bit more soulful and sincere, less sweet and even a bit edgier. One more thing that impressed me was the guitar work courtesy of Nils Lofgren who was like a breath of fresh air for the fans.
MY ROCK MIXTAPES 