15 Favorite Rock Albums that Celebrate a 30th Anniversary This Year

I get excited just by thinking of this year – the marvelous year of 1987!!! So many people on social media asked me which I think was the best year for rock music. I always say 1987 with no hesitation. Why? Check my list and you will certainly find out why!

All those outstanding releases are celebrating a 30th anniversary this year (2017) and I really wanted to list all my favorites together, in one place. Of course, I might have missed some of your favorites and yes, Appetite for Destruction is not in my top15 (surprise surprise!) but it is what it is. From Great White to Treat and Def Leppard, I honestly and straightforwardly am telling why exactly I love these albums with the idea to celebrate them and remember that it might have been 30 years since they were released, but the love and excitement over them hasn’t gone anywhere.

Don’t forget to tell me what do you think and which one is your favorite album released in 1987!?

 


Great White – Once Bitten

great white save your loveOnce you hear the mesmerizing ballad “Save Your Love” or the hard-rocking opener “All Over Now”, you will understand why Great White’s junior album deserves a place in your collection. The album came out in the hot summer of 1987 and quickly made a fuss around the band, eventually reaching a platinum status just a year after its release. The highlight and the most-instantly recognizable song from the album has to be “Rock Me” – I bet you know it. “Once Bitten” is actually my favorite Great White album and this song is a pretty solid reason behind my choice.


TNT – Tell No Tales

tnt-tell-no-tales“Everyone’s a Star”, “10 000 Lovers (In One)”, “As Far as the Eye Can See”…and on and on. TNT’s junior album is one of the best releases of 1987 and no one can take that away from it. As biased as I am (obviously), you can’t actually deny the power of vocalist Tony Harnell or the brilliance of guitar player Ronni Le Tekrø who make the perfect dream team. I got “Tell no Tales” in a record store as a “blind purchase” and this turned out to be the best decision of my life!! There are still so many people out there who haven’t discovered the greatness of this band so I urge them to do it now!


Dokken – Back for the Attack

Dokken back for the attackDokken’s fourth studio release also happens to be their best-selling album of all time and certainly one of the most interesting and captivating hard rock gems of 1987. “Prisoner”, “Night by Night” and of course the legendary “Dream Warrior” – the theme song for the horror film “A Nightmare on Elm Street 3: Dream Warriors” are just a few of the stunning rockers on “Back for the Attack”. Some critics and fans don’t consider this album as Dokken’s finest hour but then again I never actually cared about that. The album is full of jaw-dropping rockers and it deserves its place in my list.


White Lion – Pride

white-lion-prideWhite Lion’s sophomore album is an absolute classic and a musical piece that cannot really be described with words. Though my favorite White Lion album is “Mane Attraction”, “Pride” gets the honorable second place! “Wait” and “When the Children Cry” are the hits that came out of it, though I gotta go with “Hungry” as my favorite song from the album. Mike Tramp and Vito Bratta can craft some serious magic and this is one of their strongest products, for sure.


Strangeways – Native Sons

strangeways-native-sons“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish. “Dance with Somebody”, “Only a Fool”, “So Far Away”…go check for yourself if you have never listened to these songs. Vocalist Terry Brock is one of the strongest voices of melodic rock and this is his finest hour.


McAuleySchenker Group – Perfect Timing

msg perfect timingA predictable choice, don’t you think? I mean of course I will include the debut album of the Michael Schenker and Robin McAuley, released in the fall of 1987. This project and this album represent one of my favorite collaborations in rock music. Those two were a match made in heaven and once you play songs like “Gimme More” or my personal favorite “Follow the Night” you will get what I’m saying. “Perfect Timing” deserves all the love and attention you have and I’m not “just saying it”. 


Treat – Dreamhunter

treat-dreamhunter-1987I’ve been introducing those amazing guys to fans who have a very little idea how much more there is to the world of AOR. “Dreamhunter” is the third studio album of Swedish rockers TREAT and it’s one of those underrated gems that should’ve been way bigger. It didn’t leave a big impact on the world of music but it left a tremendous impact on me and my little rocknroll heart. “Sole Survivor”, “Take Me on Your Wings” and “You’re The One I Want” are some of the stand outs from “Dreamhunter”, all impressing with great production value and brilliant melodies.There’s absolutely no way this album can’t win over any melodic/AOR fan.


Foreigner – Inside Information

inside information foreignerSometimes when we talk about the great Foreigner, this album gets left out of the conversation and I’m not quite sure why. I mean, yes – when you have enormous era-defining albums like “4” and “Agent Provocateur”, the follow-ups might get forgotten sometimes. In fact, though, (honesty hour) the sixth studio album of Foreigner – “Inside Information” might be my favorite release by Foreigner. “Say You Will”, “Can’t Wait” and the title songs are some of their greatest works, indeed. One more thing – it’s the last album to feature the 80’s core lineup of Gramm, Jones, Wills and Elliott, making it quite relevant.


REO Speedwagon – Life as we Know It

reo life as we know itHuge REO fan right here so no surprises that their 1987 album “Life as we Know It” is in my list of favorites. The twelfth studio album of the beloved band features some outstanding music, including “That Ain’t Love”, “New Way to Love” and “In My Dreams” – all beautifully written and highly pleasing tunes, solidifying REO Speedwagon’s position as melodic rock giants. Things after this release were never quite the same in terms of commercial performance and popularity and that could be traced back to the growing tensions between the members of the band; however we do have this fine piece of music and I’m so glad it saw the light.


Helix – Wild in the Streets

helix wild in the streetsHelix might as well be my favorite Canadian band so I just had to include their highly underrated sixth studio album “Wild in the Streets”. The beginning of their career was pretty strong but by the time this album was released, the fire was already fading out. The release is filled with memorable, close-to-my-heart rockers, including “She’s too Tough”, “Never Gonna Stop the Rock” and the gorgeous cover of Nazareth’s ballad “Dream On”. Never understood why this release wasn’t that big but that never prevented me from falling in love with it. 


Pink Floyd – A Momentary Lapse of Reason

Pink Floyd - A momentary lapse of reason front“A Momentary Lapse of Reason” is often misunderstood and extremely underrated record, despite magnificent songs such as “Learning to Fly”, “Sorrow” and “On The Turning Away”. I often clash with lack of objectivity when it comes to this album but then again, everyone has their own opinion and views. For me, the magic started when David Gilmour took over and released “A Momentary Lapse of Reason” and “The Division Bell” which instantly became my favorite PF albums. I love the classics and Roger Water is indeed a genius but this album right here is the PF release I connected with on a very personal level.


Tommy Shaw – Ambition

tommy shaw ambitionI wish more people would know of this album, because Tommy Shaw truly deserves it. His third solo release, “Ambition” is like a gentle autumn leaf touching your skin. Honestly, it was this beautiful piece of music right here that fully opened my eyes to his musical abilities. Not that I wasn’t appreciating him in Styx but I was always drawn to his melodic rock releases and especially this one. “No Such Thing”, “Dangerous Game” and of course – that magical cover of Survivor’s “Ever Since the World Begin” are offering a memorable experience that can make you a fan of Tommy in an instant.


Fleetwood Mac – Tango in the Night

fleetwood macFleetwood Mac forever blurred the lines between pop and rock in the ’70s with relevant releases like “Rumors”. Their style didn’t change that much in the ’80s as well. “Tango in the Night” is probably my favorite release by the legendary band and “Big Love”, “Seven Wonders” and “Little Lies” might make you agree with me. “Tango in the Night” is their 14th studio album (wow, you read right, don’t worry) and the last studio album from the band’s most successful line-up of Lindsey Buckingham, Stevie Nicks, Christine McVie, John McVie and Mick Fleetwood. This release certainly is more pop than rock but …it’s the late ’80s we are talking about after all! 


Whitesnake – 1987

Whitesnake WhitesnakeDo I actually have to introduce or talk about this album? I don’t think so, but here we go…

Whitesnake’s most essential and internationally recognized record till today remains their seventh self-titled studio album. Released back in 1987, “Whitesnake” turned into a major successful hit, producing timeless rock tunes like “Is This Love”, “Looking for Love” and “Still of the Night”. What made this album such an impressive masterpiece is the unique combination of classic solid rock and melodic rhythms. This all became true due to the great songwriting collaboration between singer David Coverdale and guitarist John Sykes. Melody, energy, passion and outstanding production are just some of the characteristics of the album that contributed to its phenomenal success.


Def Leppard – Hysteria

hysteria coverI saved the best (and my all time favorite album) for last. No need for me to tell you why this album is here and what it means to me because you probably know all about it. The monstrous game-changing and history-defining record turned into one of the highlights of the era, not only because of its production values, 7 hit singles and multi-platinum status, but also because it symbolized the strength of the human spirit and how with a little bit of faith and tons and tons of hard work, you can achieve anything. “Love Bites” is certainly my favorite song from “Hysteria”, though every second of it is like a heaven on Earth.


References:
Photos, retrieved from Wikipedia and Amazon
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Bringing Back the ’80s with TOTO’s Classic Seventh Album (1988)

Toto and The Seventh Album

toto seventh oneToto is a household name when it comes to classic rock music and no one can change that. The best time to play their timeless classics? Well, that would be anytime! Is there actually a person out there who has never heard of “Africa” or “Rosanna” or “Hold the Line”? I don’t think so. Late ’70s and early ’80s were unquestionably the heydays of Toto. From their smashing 1978 debut to their fourth release in 1982 which is basically synonymous with ’80s rock music, the band was just at the top of the game.

toto straight
TOTO – Straight for the Heart (Photo retrieved fromhttp://www.45cat.com/record/3807945)

I grew up with Toto IV and that album will always have a very special place in my heart. I think the majority of fans would also pick this album as their favorite and for a reason! As I was getting older and had more chances to experience and understand music and formed a solid music personality, I discovered that when it comes to Toto, their seventh studio album goes right at the top of the list of my personal favorites. I don’t think it’s a popular opinion because neither the original voices of Toto, Bobby Kimball or Steve Lukather (who I adore so much) are the ones taking the lead on this one;. When Toto were re-introduced in my life at a later point, I used to listen to “Straight for the Heart” all the time, every day! This is till today one of the most upbeat and bright songs I have ever heard of. I got the album eventually and here we are – to a point where I can, with certainty, state that this is my favorite Toto album and not only because of that one song I love so much; there are just so many things happening on it! 

 

Before we get to the seventh one, let’s go back further in time. The mid-’80s was a turbulent time for Toto. Boby was fired, his replacement Fergie Frederiksen was also dismissed from the band so as you can imagine time was ticking and the stakes were high. Show had to go on, though. In 1986, Toto released Fahrenheit – the first album with new vocalist Joseph Williams and an album I really love (surprise, surprise). “Fahrenheit” couldn’t make a splash despite all the hopes and hard work put into it.

Two years later, in 1988, The Seventh One was out and the situation was even worse. It’s funny how my favorite Toto album is the lowest-charting album of their career (not that it matters). On a positive note, the album was very well-accepted by overseas audiences, especially in Europe and Asia. My love for vocalist Joseph Williams is satisfied on two* classic albums only. Unfortunately, after The Seventh One, he was also fired because of  troubles with his (gorgeous) voice. It took the band about 4 years to re-assemble but as we all know it, the music industry was very different in the ’90s so even the great Toto couldn’t stand a chance. 

*Just FYI, Joseph Williams did come back to Toto for Toto XIV, released in 2015.


The songs

I want to say it so I’m just going to say it – this album is so much better than their fourth one (in my opinion of course). The rhythmic, groovy, dance/pop sound of the record is unbeatable!

We gotta start with “Pamela” which remained the only top40 hit from the album. I don’t understand why American audiences were so unwelcoming to this single (and the album as a whole) but Asian and European fans embraced it so warmly? For one reason or another this mysterious, brilliantly performed track didn’t get the attention it deserved and is one more reason to back up a statement I’ve been saying for years – chart positions mean nothing!

“Straight for the Heart” is a cheerful, sunny, pop/rock track, capable of conquering absolutely anyone out there! For me that song was a turning point – a new singer was added to my “favorite vocalists of all time” list and the rest is just history. There are many songs that makes you wanna smile, dance and forget about it all, but this song right here does all these things on a whole new level. I just love the melody and lyrics so much!

“Stop Loving You” is a very interesting track because it features my beloved Jon Anderson (vocalist of YES) on backing vocals. Not only that, but the entire song is such a blissful experience for my ears. I was listening to it while writing this and unconsciously I started moving! Seriously! I just love songs that provoke a physical reaction in you. So much live and character, what a tune!

The gorgeous ballad “Anna” (the other lady on the album), the dynamic “Stay Away” and the reggae-inspired ,“These Chains” are some of my other personal favorites on the album. The style, the atmosphere – this has to be Toto’s most energetic and groovy release so far. I am insanely happy that Joseph is back with them and cannot wait to see what the future holds! For now, enjoy these…

“Straight for the Heart”

“Pamela”

“Stop Loving You”

“Anna”


References:
Album artwork, retrieved from: https://www.pinterest.co.kr/pin/519251032017554090/
“Straight for the Heart” artwork, retrieved from http://www.45cat.com/record/3807945
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

ELECTRIC BOYS’ “Funk-O-Metal Carpet Ride” is Yet Another Reason why 1989 Rocked Pretty Hard!

 

I already talked about 1989 and how important this year was for rock music. In fact, why don’t I just put it right here so that you can have a look, in case you haven’t – MY TOP 15 Rock Albums, Released in 1989

Maybe it’s personal or it’s indeed a fact, but there’s just something very special about that year of 1989. Why? Well, first of all, it was the year that marked the end of a decade of solid rocking and rolling; Second of all, grunge was slowly but steadily making its way into the industry. The winds of change started to feel much colder all of a sudden so it was basically do or die for many bands. Shaky or not, this year will forever remain one of the strongest years of rock in my book. From powerful comebacks to solid debuts, 1989 had tons to offer to the fans. To some people this album I want to talk about today may just be one of the many late ’80s glam rock albums that flooded the scene; however to me, it’s a beautifully-made, highly entertaining and immensely captivating “modern” hard rock release that guarantees tons and tons of great time! I give you Electric Boys and their  1989 debut album “Funk-O-Metal Carpet Ride”.


Electric Boys

electric boys band
ELECTRIC BOYS (Photo, retrieved from https://heavyharmonies.com/)

For those of you who don’t know much about Electric Boys, I will try to briefly introduce the band and what they did throughout the years just so you can hopefully get intrigued and decide to dig a little bit deeper by yourself. You thought those handsome, long-haired guys come from the USA? Well, guess again! Electric Boys actually come from Sweden – yes, THAT country which spawned so many brilliant rockstars, including my beloved TREAT, ROXETTE and of course…EUROPE!

Originally a duo, Conny Bloom (guitar/vocals) and Andy Christell (bass guitar), hit it big locally with the ultra catchy single “All Lips and Hips” in 1988. What happened next? Well, you see talent anan opportunity and you grab it! Two more people were added to the line-up and the band’s debut album Funk-O-Metal Carpet Ride saw the light in 1989, with of course that “little” song “All Lips and Hips” leading the way! Do I even have to say that they didn’t get what they deserved? Well, I’m going to say it – they didn’t get what they deserved. A little bit of success here and there, a great tour supporting my lovelies, Thunder and that was it basically. By the time the follow-up album was released, grunge was already a strong force so no luck for our Electric Boys and their pretty decent sophomore effort.

Three albums and the band was no more. Thankfully, there was a reunion in 2009 and a new album in 2011. We will see what the future holds…

“Funk-O-Metal Carpet Ride”

electric boysWe are here for this album after all, so let’s get down to it! It’s all about the music at the end of the day now isn’t it? I already mentioned that “Funk-O-Metal Carpet Ride” is Electric Boys‘ debut album, released in 1989 but what you really need to remember are the electrifying songs and I’m sure you will because they are THAT good. Let’s start with the obvious mega hit, “All Hips N’ Lips” – a playful, sexy and absolutely hypnotizing piece of music which just begs you to crank it up and dance your ass off to it! This was the first song of theirs I heard and since I had no idea who was performing it, I had to write down the lyrics and search for it later on. Imagine what happened when I found it – listened to it for days without stopping. This seductive catchy rocker makes you wanna dance in the middle of the street without a single care in the world. Who cares whether this song is cheesy or doesn’t shine with that much lyrical or musical depth? I don’t. I absolutely adore vocalist Conny Bloom and we need tracks like this one in our lives every now and then. The album is so much more than this song, though. “Psychedelic Eyes” is equally appealing with its perfect mixture of raw energy and pleasant melodies. “If I Had a Cigar” is the song that finally explains why this album’s title says “Funk-O-Metal”. The groovy, alluring tune is one of the highlights of the album. I love the choruses. Moving on to another satisfying tune – “Rags to Riches”. Where do I even begin? There’s just something a bit aggressive in their approach to music and I simply love how they combined it with the desired melodic rock sound to create universal appeal…with a twist! What I miss is a gentle rock ballad – the ones I’m always looking for in an album but actually Funk-O-Metal Carpet Ride gives me way too much energy to even think about why they didn’t include a solid tear-jerker. The whole album is one huge invitation to dance, party and basically a way to lift your spirits up! There’s no way you can resist it. Funky, heavy, melodic – what else can you ask for! Listen to the songs, I dare you!

All Hips N’ Lips

Psychedelic Eyes

Listen to the entire album from start to finish:


References:

I don’t own any audio or visual material used in this publication. All the images on this blog are copyright to their respectful owners. Please note that the digital brand, “My Rock Mixtapes” is for rock music educational purposes only and is in no way participating in any commercial activities.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

31 Years Ago, EUROPE Released “The Final Countdown”

On this day, 31 years ago, EUROPE released “The Final Countdown”. Whatever I say from this point onward would be totally pointless and you may as well just not read it…I mean, what could I possibly say about one of the biggest rock albums of the ’80s? Which fancy musical terms and pop culture references would be suitable enough to describe this glorious album? None…absolutely none;

Still, since I just saw EUROPE for the first time in my life and on top of it all, it was a continuation of their “The Final Countdown 30th Anniversary Tour”, I felt like I should write a little something to commemorate the 31st birthday of this album (even if it’s just a boring description of how great and empowering this album is).

europe the final countdownEurope already had the talent, the potential and the charisma to become a worldwide rock sensation but ultimately, it was “The Final Countdown” that was responsible for their international breakout. In addition to the great lyrical and musical value, I guess one of the most appealing aspects of this album was that each song has its own unique background and history that in a couple of cases goes way before Europe even thought about releasing this album. Take the title song for example – Joey Tempest composed that riff in the early ’80s when he was so young! Thankfully he didn’t use it back then. You know what they say, timing is everything! This song appeared exactly when it had to on the right album, with the right producer. It just all fell into place. Those David Bowie-inspired lyrics were just the final piece of the puzzle. Voila! We ended up with this stimulating, life-changing, eye-opening tornado of a song that we can’t just let go, even after 30 years.

The second track, “Rock the Night” is arguably the best track from the album and if you ask me, it should’ve been the opening track (and “The Final Countdown” should’ve been left as the grand finale). Two tracks of such equal strength together in the same album, one after the other – that’s something!

What else is there? Oh, right…that GORGEOUS “little” tear-jerker power ballad, “Carrie” which may as well be titled “Cryyie”.

“Cherokee” …OH! Marching on the trail of tears! I will never forget how happy I was when they played that song in front of me; Joey has a fascination about Native American culture and history and it’s definitely something unusual as he is from Sweden. For him to write that song and make it so personal – I can’t but be in love and respect with this amazing human being.

My other personal favorite is “Heart of Stone” and that’s because of the vocals. Lyrically, it’s not as impressive as some other songs on the album, but Joey is just killing it on this one; The moment I hear the opening, “I’ve told you once and I’ve told you twice,” I just switch to a “don’t talk to me, I’m in the zone” mode and nothing or no one else matters.

“Danger on the Track”, “Ninja”, “Love Chaser”…do I have to go on? It’s just one shot of adrenaline after another;

It’s sad to think that one day, when younger (and weirder) generations are roaming the Earth this album might lose its relevance BUT I hope I’m still around to keep these oldies alive and introduce them to the newbies. If you are educating the youngsters on ’80s rock music, start here…

Now, I’m gonna go play it as loud as possible…

europe
My “The Final Countdown” Vinyl and CD  ~ I wish the artwork was as good as the album…

References:
I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

 

 

Overview of REO SPEEDWAGON’s Smashing Hit Album,”Wheels Are Turnin'” (1984)

REO Speedwagon

A story…

A few weeks ago I went to this huge bookstore where they sell CDs and Vinyl records; I was looking for a REO Speedwagon CD and I asked one of the staff about it. (Not) Surprisingly, the person I asked had no idea who they were and while searching for the CD, they asked me about the band. I thought about it for a second – like, how do I introduce this American old-school rock band to a young European who doesn’t know anything about them. I just said that they are a melodic rock band and moved on (they didn’t have the CD I wanted either ways).

This made me think about it. Similar bands like Foreigner, Journey, Boston, etc. were quite popular in my country (and still are) but somehow REO Speedwagon didn’t really become a thing over here. Anyhow, I just really felt like dedicating a little something to one of my most beloved melodic rock bands and the first album of theirs I heard back in the day. My American readers would of course be well-aware of the band and their career but for the others, I hope you discover something life-changing!

REO Speedwagon formed in the late ‘60s even though many people might think that they are just one of the many ‘80s melodic rock bands. Yes, the early-to-mid ‘80s were indeed the heydays of their career, but they go way back! It would be somewhat difficult to go through every stage of the band and the numerous line-up changes that occurred throughout the years. Ultimately, what you need to know about them is that their early years were quite shaky (but very charming) and REO Speedwagon often reo speedwagon hi infhad a different frontman for every new release. The bell of success rang in the late ‘70s with their “You Can Tune A Piano, But You Can’t Tuna Fish” album. Their melodic rock/pop turn was fully made by the early ‘80s with staple rock albums like “Hi Infidelity” and “Good Trouble”. Both these albums, especially “Hi Infidelity” (1980) set the tone for the early ‘80s music scene and brought tons of recognition to the band. It was that same album that arguably defined the career of the band and remained their most beloved and critically acclaimed release.

“Wheels Are Turnin'”

reo speedwagonStill, if someone who has never heard of REO Speedwagon asks me to recommend him/her an album to start with, I’d pick “Wheels are Turnin’” in a heartbeat. Not only it’s one of their best-selling albums but it also contains some of the catchiest, most uplifting classic rock tunes that came out in the ‘80s. As a matter of fact, it was the first REO Speedwagon album I grabbed and where it all started from me.

The album did make quite the splash on the charts and spawned evergreen rock classics, including that “ballad” everyone knows the words to, “Can’t Fight This Feeling”. Many fans refer to “Wheels are Turnin’” as a “guilty pleasure” – back in the day, releasing a synthesizer-oriented album that early in the decade was still frowned upon; still, I’m certain that everyone was criticizing it but secretly listening to it ( you just cannot NOT fall for those magical melodic rock hooks). Keyboardist Neal Doughty wasn’t just your regular keyboardist; he was a true visionary and his elegant keyboard style was one of the main reasons why REO Speedwagon caught the attention of fans all over the world.

“Wheels are Turnin’” is so much more than the smashing hit single “Can’t Fight This Feeling”. I won’t argue though, this song is one of the main reasons why I was sold back in the day. The moment you hear “I can’t fight this feeling any longer…and yet I’m still afraid to let it flow,” you just start singing and you feel your heart filling up with joy and happiness. Every song on that album has a similar effect on me. The opening track, “I Do’ Wanna Know” is a personal favorite maybe because it has that early-REO Speedwagon vibe, mixed with modern elements. It’s actually the best of both worlds – raw and melodic. It’s most certainly a song that should’ve gotten more attention and recognition. “One Lonely Night” is another worthy track; Kevin Cronin was just born to sing for this genre. “Rock ‘N Roll Star” is an often forgotten rock anthem despite being a fantastic piece of a puzzle. The rest is just as appealing; from start to finish, “Wheels are Turnin’”, is a beautiful melodic bliss. If you are in a mood and need a little cheer, don’t go to the store for a huge box of ice-cream; instead, play REO Speedwagon’s “Live Every Moment” which has to be one of the liveliest and most positive songs I’ve ever heard. The album wraps things up with the title track which to me sounds as if it was made in the mid ‘70s, (that’s a great thing, of course). I’m unconditionally inlove with the piano touches and the riffs on this one.

REO Speedwagon flourished on their 11th studio album, “Wheels are Turnin’”. The guys just wanted to craft a satisfying piece of rock music and they did it. The album is breezy and atmospheric, overflowing with fantastic instrumentation, gratifying riffs and superb vocals. This album is as warm as an afternoon coffee with extra marshmallows.

Now, it’s time to listen to it….


“One Lonely Night”

“Can’t Fight This Feeling”

“I Do Wanna Know”


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of JOURNEY’s “Raised on Radio” (1986)

Journey

Journey - September 3rd, 1981By 1986, Journey was already a household name in the popular music scene not only in their homeland of the USA but also all over the world. Multi-platinum albums, sold-out concerts, millions of fans – that was just the beginning of it. The kings of radio crafted a universally-beloved sound which was basically the secret behind their ultimate success. The appealing mixture of rock and pop, colored by mesmerizing keyboards, rhythm sections and unforgettable hooks, all topped by Steve Perry’s unbelievable, out-of-this-world voice was basically the formula that sky-rocketed their career. AOR treasures, like the 3xtimes Platinum “Departure” (1980), the 9xtimes Platinum “Escape” (1981) and the 6xtimes Platinum “Frontiers” (1983) became inseparable parts of every person’s collection; hit singles like “Don’t Stop Believin’”, “Separate Ways” or “Open Arms” defined the ‘80s and influenced generations of musicians. Whatever more I say would be obsolete. Journey was and still is one of the greatest bands out there and their songs will live forever!


The Years before “Raised on Radio”

the threeThe songwriting partnership between Steve Perry, Neal Schon and Jonathan Cain was what kept the band on the top shelves for an entire decade, basically. Things got out of hand, though. We’ve heard the story before with many other bands – fame, success and worldwide recognition can sometimes be the reason why tensions arise within the band, egos start clashing and can sometimes lead to members going their separate ways. After Journey released the smashing hit album “Frontiers” in 1983, guitarist Neal Schon and vocalist Steve Perry took some time off to focus on individual “journeys”. Neal Schon teamed up with Sammy Hagar and released “Through the Fire” in 1984 and Steve Perry recorded that “little” solo album “Street Talk” which was out the same year. Guess which endeavor was more successful?

Steve Perry said so many times that while writing and recording “Street Talk” he had the time of his life and even considered leaving Journey for good. I can understand; after all, if you are as talented as Steve Perry and you found what makes you truly happy then there’s nothing wrong to pursue it. Same goes to Neal Schon who by the way is one of the most networked musicians of all time. It was keyboardist Jonathan Cain who somehow pursued Steve Perry to come back and finish with what was started years ago. That’s the short version of how “Raised on Radio” became a reality.

I am not one of those people who would say that Steve Perry was JOURNEY but I am one of those people who ask themselves whether there could be a JOURNEY without Steve Perry. I’m not going to go into details on who did what and who was given what before Perry came back to record “Raised on Radio” but ultimately, there was a line-up change, along with a shift in musical as well as leadership direction in the band.  We are here to talk about the music, though! I get that there might be some people interested in the “juicy” stuff but whatever happened happened. The results were more than satisfying so it’s time to focus on the content, rather than on its background.

“Raised on Radio”

“Raised on Radio” was out just in time for the hot summer of 1986. Steve, Neal and Jonathan were back to their usual songwriting days, except this time Steve Perry took over the production role as well. He did a marvelous job on his solo debut so giving him this opportunity was a justified decision, I think. A few tracks were written by Steve and Jonathan only; the majority of tracks were crafted by the trio.

journey raised on radioI was always drawn by that bright blue album artwork; it’s just so appealing to me. I find it quite simple, elegant and so suitable for the songs and the overall musical atmosphere of the album. It’s like when I think of that beautiful blue color and I immediately think of groovy uplifting songs like “Girl Can’t Help It” or “Positive Touch” (it goes the other way around as well). Interestingly, what’s shown on that artwork is actually the studio and antennas of KNGS (AM Radio), formerly owned by Steve’s parents. He was also the one who renamed the album to “Raised on Radio” (the original name for that album was “Freedom”). It just seems like this whole project was very close to Steve Perry and he wanted to make it as personal as possible.

In terms of commercial success, “Raised on Radio” couldn’t really match the enormous popularity and critical acceptance of the previous two albums of Journey. Nevertheless, it was certified 2xPlatinum and it did spawn a few mind-blowing singles that took over the charts.

One more thing you gotta know about this album is that Steve, Neal and Jonathan weren’t just the main songwriters of Journey. They were actually the only official members left. That’s right, “Raised on Radio” was done by those three, along with dozens of guest musicians. You might ask what happened with Journey’s drummer and bass player and why was the band just trimmed down to a trio? Well, what can I say – sometimes things work out, sometimes they don’t. Don’t worry though, those two came back and are still rocking with Journey.


The Songs

It’s a matter of opinion and fan devotion when it comes to this album. Some people strongly believe that “Raised on Radio” was just Steve Perry calling all the shots without being able to fill in that hole left by the two guys that got fired. To others, this album was Journey’s natural progression, reflected by the time period. To me, this is just a piece of beautiful pop/rock fusion album that sounded just as good as “Frontiers” and “Escape” and to some extent, even better!

The song that introduced me to the greatness of this album was “It Could Have Been You” which is also a personally-relevant song. I fell for the lyrics, along with that somehow mellow (at least to me) vibe of the song. It’s difficult to describe it but I always felt so sad while listening to this tune, despite its uplifting grooves; I mean just listen to Steve singing: “I can’t wait all my life, on a street of broken dreams, It could have been you my love, where are you now…I still wonder if you remember the night, It could have been you…” – that’s just so heartbreaking.

“Girl Can’t Help It” – the third single from the album is definitely one of the catchiest, most uplifting songs of Journey; there’s just so much life in that song. “I’ll Be Alright Without You” – the ultimate post-break up track is also another highlight on “Raised on Radio”. Excluding the fact that Steve Perry can turn any song into a memorable body/mind experience, this song is indeed quite affecting and empowering. “Suzanne” is another rhythmic, immensely atmospheric tune just waiting for you to go to the dancefloor. The rest is just as good – “Once You Love Somebody” which came out straight from a ‘80s action movie is a personal favorite and “Why Can’t This Night Go On Forever” is your typical world-spinning Journey ballad, so full of soul. The title song is absolutely stunning; Perry’s sincere tribute to his rock&roll heroes who he grew up with at his parents’ radio station is a key track on “Raised on Radio” and one of Journey’s best if you ask me. “Be Good to Yourself” is another spirited track that was actually written and recorded in a flash of inspiration on the day they were supposed to finish the record. Steve was going through some tough personal times and he was seeking for inner strength and affirmation.

The great thing about “Raised on Radio” is that there are tons of enjoyable and easy to fall for ear-candies. That’s not all, though. The album is in no shortage of genuine rock tunes, full of feelings and emotional backstories. Overall, this is a positive, eager and exceptionally well-written and produced album. I don’t necessarily think that “Raised on Radio” brought that much to the band; it didn’t really get them that higher. The general mood of the album seems a bit different from their previous work; it is energetic and enthusiastic but not on the same levels as before. Some songs are too sweet but since it’s Steve singing them, I’m totally cool with that!

Now, it’s your turn to listen and feel the great music on “Raised on Radio”…


“Girl Can Help It”

“It Could’ve Been You’

“I’ll Be Alright Without You”


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Billy Squier’s “Don’t Say No” Might Be The Catchiest Album You’d Ever Listen To

Everyone loves a good melodic rock hook and this album right here has plenty of those, believe me! The reason why I titled this publication “the catchiest album you’d ever listen to” is because the whole record might as well be played on every single radio station out there, all day long and people will still be excited and singing joyfully with it. Yes, it’s that ear-pleasing, that catchy and that familiar.

don't say noBilly Squier (William Haislip Squier) is a name known by many die-hard rock fans out there, especially those who grew up in the States. I, as an European, got the chance to experience his music for the first time quite recently. The most important thing however is that those immensely captivating rhythms of classics like “The Stroke” and “In The Dark” managed to conquer me and now it’s to pass the torch to other young fans out there who must yet discover the magic of those gems. Also, it might be a good way for older rock generations to remind themselves of Billy Squier’s biggest accomplishment of his career which is of course, his 1981 album, “Don’t Say No”.


“Don’t Say No” spawned a long list of gratifying tunes that solidified its position on the Billboard album chart for over two years! This interesting fact should tell you enough about its colossal impact on the music market. Moreover, every single from “Don’t Say No”, including “In the Dark”, “Lonely Is the Night”, “My Kinda Lover” and “The Stroke” established itself as a major radio hit, playing on every station, all over the States for the entire first half of the ‘80s. Last but not least, the album sold over 3 million copies in the US alone, making it one of the most-desirable and beloved records of all time!

Now let’s talk about that hard-to-resist, hard-to-beat sound that made this album so famous back in the day. Honestly, when I heard “Don’t Say No” for the first time, I could swear it was released in the late ‘80s; it just sounded too “polished” and “radio-ready” to me. I was highly surprised when I found out that this album got out so early in the decade. It seems like it was one of those well-done, commercial releases that set the tone for the years to come. A round of applause to the famous record producer and sound engineer Reinhold Mack (a.k.a. Mack) who previously worked with big names like Deep Purple, Scorpions, Queen, ELO and countless more; he surely left his magical trace on “Don’t Say No”.

I can write plenty on how entertaining, groovy and great-sounding this album is. However, it would be way better for you guys to listen and sing along with the following tunes. The title sums it up quite well – “Don’t Say No” to this album!

“In The Dark”

“The Stroke”

“My Kind of Lover”

“Lonely is the Night”

…& don’t forget to listen to the entire album:

Release Date: April 13, 1981
Genre: AOR / Pop Rock / Hard Rock
Duration: 38:11
Label: Capitol
Producer(s): Mack and Billy Squier

buy-from-amazon


References:
“Don’t Say No” Official Wikipedia Page:  https://en.wikipedia.org/wiki/Don%27t_Say_No_(Billy_Squier_album)

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of XYZ’s Self-Titled 1989 Debut Album

I’ve said it before and I will say it again – 1989 was one of the greatest, most prolific years when it comes to hard rock and this album right here is yet another fine example, backing up my statement. We witnessed some great rock debuts during the late ‘80s and early ‘90s – XYZ, Giant, Danger Danger, Slaughter, Heavens Edge, Firehouse and so many countless others; and I never understood why all of a sudden every major music media outlet and label turned their back on those immensely talented musicians in favor of the grunge wave…Anyhow, what’s in the past is in the past. All we can do right now is to keep on discovering music that is worth discovering and appreciate talent when we see/hear it! That’s the reason why I wanted to talk about one of the forgotten but deserving late-‘80s-bands – XYZ and specifically their self-titled debut album.  Not only it showcases an excellent playlist of feel-good rockers but it’s a great collection piece for all hard rock fans out there who love to recall the good old days!

don dokken1I discovered XYZ rather recently, as I was taking one of my routine walks on the endless paths of old-school hard rock. There was something highly captivating about their sound which puzzled me as I rarely have this instant connection. I fell for the album, without knowing the reason why it felt so cozy and so familiar. Later on I discovered the reason why I was so easily hooked up… Their debut was produced by none other than Don Dokken!  I am a huge Don Dokken fan and this should come as no surprise, especially to the people who follow my postings. Of course, everyone knows who Don Dokken is and is well-aware of all the beautiful things he did as a frontman and co-songwriter of the hard rock band, Dokken. If you love Dokken as much as I do, there is no way you won’t fall for XYZ and that first album of theirs!

By the time XYZ’s debut album was released, Dokken had already split due to the turbulent relationship between Don Dokken and George Lynch. Before Don wrapped things up with his first solo album “Up from the Ashes” (1990), he jumped in as the skillful producer of the French-American band, XYZ’s coming-out party. Unfortunately, the household name Don Dokken printed on the back of the album under “produced by” didn’t really help that much. XYZ’s debut album barely got into the Billboard charts, under #99.

Despite the moderate success, three singles and two music videos were released. The MVs for “Inside Out” and “What Keeps Me Loving You” got a little bit of that MTV spotlight. The third single, “Maggy” didn’t get a MV, however found its way to the big screen, as a soundtrack piece for the 1990 Dolph Lundgren movie, “Come in Peace”.

xyzAll in all, “XYZ” is an album that can easily blow out any other hard rock album of that era, even the multi-platinum ones. It’s such a shame when talent remains behind the shadows due to unreasonable circumstances. The four guys – Terry Ilous (vocals), Marc Richard Diglio (guitar), Paul Monroe (drums) and Patrick Fontaine (bass) crafted a steady piece of rock music that is suitable for any music-fanatic out there who is ready to have a great time! Don Dokken’s producer touch could easily be felt as we proceed from one song to another. Yes, the album does sound like a little bit like Dokken, but the sound is rougher, edgier and possesses that young and hungry spirit.

Where do I even begin? “Inside Out” is a satisfying rock masterpiece which can only be enjoyed if played as loud as possible. Glorious guitar work and don’t even get me started on the vocals – Terry is simply fantastic! “What Keeps Me Loving You” is the turning point – a power ballad ready to knock your socks off with its soul-grabbing melody and tender lyrics! “Take What You Can” impresses with its mind-blowing, thunderous guitar intro, which introduces us to a world, dominated by Terry Ilous’ violent screams. “Follow the Night” is yet another praiseworthy ballad I grew an attachment to. The second half of the album is as intriguing as the first – “Come On N’ Love Me”, “Souvenirs” and “After the Rain” are all offering one memorable sonic experience! The strong power ballad presence on the album makes things so interesting for me!

Final verdict: XYZ is another underrated killer band with a superb debut album that should’ve been way bigger! Tons of talent and full of character – I can’t recommend it enough!

Inside Out

What Keeps Me Loving You

Take What You Can

…or you can listen to the entire album here:

Release Date: October 17, 1989
Genre: AOR / Hard Rock

Duration: 41:12
Label: Enigma Records
Producer(s): Don Dokken

buy-from-amazon


References:

XYZ (album) Official Wikipedia Page: https://en.wikipedia.org/wiki/XYZ_(XYZ_album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~

Inside the 1989 Debut of John Sykes’ BLUE MURDER

It was only right to send off a decade full of splendid solid gold rock music with a bang. So many fascinating things happened during the last year of the ‘80s and Blue Murder’s debut album was definitely one of the musical highlights (at least to me). After all, what else can you expect from master guitarist and songwriter John Sykes if not the best?

One of my favorite things to discuss when it comes to old-school rock is the huge pile of underrated artists and bands that deserved way more than they actually got. I often talk about Blue Murder and John Sykes because the band and the album should’ve taken over the world. Unfortunately, for one reason or another, they didn’t.

John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. What followed next was a career-defining move which secured him a pretty solid position on the popular hard rock movement during the second half of the ‘80s. David Coverdale took John Sykes in after the release of Slide It In in 1984. After a couple of recording sessions and a successful tour in support of the album, John Sykes was already in line for “the next best guitarist in town” crown. Whitesnake kept momentum with what is often considered as one of the most Whitesnake Whitesnakeenormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. If you thought that these monstrous songs were crafted all by David Coverdale himself, you are greatly mistaken. John Sykes co-wrote the majority of tracks, recorded the killer guitars and even did some back up vocal work here and there. Unfortunately, sometimes partnerships in life don’t last as much as we want them to. Personalities often clash and this is exactly what happened in the case of John vs. David. I won’t be getting into details because that’s not the main focus of this publication. All in all, they both went their separate ways, even though the magic they did sold over 8 million copies in the USA alone.

It was time to move on and most importantly, entirely devote to making great music once again. Geffen Records also lend a helping hand, singing Sykes to a new great deal. You can’t just let go of someone so immensely talented, right? He quickly recruited Vanilla Fudge drummer Carmine Appice and The Firm bassist Tony Franklin and the line-up was all set and done, ready to make the next big album! That’s how Blue Murder was formed in 1988.

In April, 1989, Blue Murder’s self-titled debut album was released to the public. It’s a pity that the record couldn’t generate a big fuss, however the brilliant guitar work showcased on this album did influence generations of musicians, making it important on a whole different level. “Blue Murder” possessed all the right ingredients to become the biggest release of 1989, including out-of-this-world guitar solos, intriguing song themes and spellbinding hard rock melodies. Of course, most of the tunes were written by John Sykes himself, however the team spirit and great collaboration between the members of the supergroup is quite obvious. Under the skillful leadership of John Sykes, each could bring something great to the table. Moreover, Blue Murder recruited legendary producer Bob Rock who worked with Kingdome Come, Bon Jovi, Metallica, Bryan Adams, Motley Crue and many other big industry names. The 1989 debut album turned into one of the highlights of the huge pile of profitable melodic, yet ferocious hard rock releases he produced.

The Songs

The albums that are hard to explain with words are usually the ones that are that good. The powerful magical guitar world opens up with the earth-shattering, throat-grabbing “Riot” which in my book is one of the best opening tracks of all time. Other songs of similar nature include “Blue Murder” and “Black-Hearted Woman” which deserve nothing but to be played as loud as possible. Heavy guitar riffing, killer rhythm sections and hypnotizing vocal delivery are just some of the reasons why your socks might get knocked off just after the first time you play them. The epic 8-minute “Valley of the Kings” is my personal favorite and arguably the greatest moment on the record. From the enchanting intro, followed by John’s mighty screams, to the ecstatic lengthy guitar solos, “Valley of the Kings” is one of those songs you can play for days. The power ballad “Out of Love” is as breath-taking as any other power ballad that hit the big numbers in 1989 but unfortunately couldn’t make a splash. Never understood why so few people actually appreciate and remember this passionate heart-breaking tune when in fact is one of the best among all power ballads of the decade. “Jelly Roll” is an interesting song, brightened with a little blues feel that makes all the difference in the world.   

Every track on “Blue Murder” is infectiously good! The album captures hearts with  impeccable musicianship and satisfying variety, ranging from electrifying hard rock, to stunning blues-influenced rhythms. Valuable and well-crafted albums like this one are hard to spot so in case you are one of the many people out there who still haven’t discovered the greatness of “Blue Murder”, now is the time to do it!

John Sykes is a genius and a guitar virtuoso and he deserves nothing but respect and adoration! Enjoy the songs!


Riot

Valley of the Kings

Out of Love

Jelly Roll


References:
“Blue Murder” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Blue_Murder_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of Bonham’s 1989 Debut,”The Disregard of Timekeeping “

When you are the son of one of the members of probably the biggest rock act out there and carry that colossal family name “Bonham” you don’t really have much of a choice, except to fully embrace that musical spirituality you were born with. As a person who grew up in a family of musicians, I can’t but relate to that – that passion for music and the burning desire to be part of that world are running through your veins and absolutely nothing or no one can change that.

jason-bonham-32Jason Bonham, being born into the big Led Zeppelin family, has been drumming ever since he was a little kid, naturally. At the age of four, he appeared alongside his father on that “little” film, “The Song Remains The Same” and the rest is …one hell of a rock&roll ride! By the age of 17, he was already opening up for AC/DC and Queen with his band Air Force. That should tell you something! Throughout his long and productive career, he has collaborated with major names, such as Jimmy Page, Paul Rodgers, Foreigner, Sammy Hagar, UFO and many more. He has done a great job and his father would’ve been so proud of him! Excellent drummer, a brilliant songwriter and a dedicated artist who always gave and keeps on giving his all – Jason Bonham is the perfect example of how nothing in life should be taken for granted, even a royal family name. You gotta work twice as hard and make your own path of success!

One of the many outstanding things he did was forming the hard rock band Bonham in 1989. Together with the one-of-a-kind singer Daniel MacMaster, bassist/keyboardist John Smithson and guitarist Ian Hatton, they truly had all the right characteristics to be the next big name in the late ‘80s/early ‘90s rock music scene. For one reason or another, however, the band lasted for about two albums only. Nevertheless, Bonham still enjoyed a certain amount of commercial and chart success, as well as one lengthy tour and of course, tons of radio airplay. Arguably, “The Disregard of Timekeeping” has to be the better album out of the two they released. I thought it’s high time I featured this glorious hard rock typhoon on my blog!

jason-bonham-band1


 

bonham-disregard

Released: 1989
Genre:
Hard Rock / Hair Metal
Duration:
57:00
Label:
Sony Music Entertainment (CBS Records)
Producer(s):
Bob Ezrin

buy-from-amazon


The Album:

  • “The Disregard of Timekeeping”, the first actual attempt of Jason Bonham to hit it big commercially, became a reality in 1989. The project caused quite the stir among the rock fan communities but it was only natural – the son of legendary Led Zeppelin drummer was about to unleash a new force to the competitive hair metal musical market and fans just had to see through it all!

    The powerful, instantly recognizable drumming techniques of Jason weren’t going to be enough to carry the weight of the band. Daniel MacMaster – a Canadian-born vocalist (ex-Scorcher) was recruited to complete the picture, along with influential bassist John Smithson and lead guitarist Ian Hatton. The final touches were added by producer Bob Erzin who significantly helped in shaping the band’s distinguishable contemporary sound.

    The Led Zeppelin comparisons were inevitable and immediate. No one expected it to be otherwise. Was it more because of people’s already fixed perceptions of what to expect from the band or because it was actually true, Bonham’s debut album “The Disregard of Timekeeping” does have a part of that Led Zeppelin vibe. Also, is it just me, or Daniel MscMaster does sound a little bit like Robert Plant?

    Daniel’s tenor, in combination with Jason’s drum domination perfected a superb AOR sound, which unfortunately wasn’t good enough for the English audiences. Then again, let’s not forget that that’s exactly what happened with Led Zeppelin back in the day! Bonham’s debut album didn’t even find a spot on the English charts. Canadian and American fans, however, were as always more welcoming and gave the band the chance they deserved. A top 40 position on the Billboard 200 Chart and a top 70 position on the Canadian charts, in addition to hitting the gold RIAA status were just a couple of the outcomes. Successful, never-ending tours with major bands, like Bad Company and The Cult granted them an even more favorable position in the hearts of American audiences.

The Songs:

  • “The Disregard of Timekeeping” spawned two singles, both becoming absolute classics of the genre. The Top-10 song, “Wait for You”, credited to all four members of Bonham, turned into an absolute sensation and probably the biggest hit of their career. To fully experience the magic of “Wait for You”, you have to listen it right after the opening instrumental, which bears the same name as the album. The tune itself was of course, a perfected product of the era, but why would we be mad about it? It’s a catchy, sensual, haunting even rock composition, which despite often forgotten, could easily match any other big title from the era. I am a sucker for rock songs that feature a string section. “Wait for You” does hint a little bit of that epic string feeling but it’s their second single – “Guilty” that truly made me fall in love with that album. It just has it all – a mesmerizing intro, unparalleled vocal delivery by Daniel MacMaster and that soul-demolishing violin solo by bassist John Smithson that is sending me to another dimension.

    “Bringing Me Down” is another highly memorable moment on “The Disregard of Timekeeping”. Perhaps that Led Zeppelin influence is way too obvious on that one, but I can totally forgive and forget about it. “Holding On Forever” and “Don’t Walk Away” are the songs I love to crank up because that’s the only way you can do justice to their captivating, thrilling sound. “Playing to Win” is winning me with its lyrics. “Cross Me and See” is another mid-tempo doze of instant satisfaction. “Just Another Day” is a personal favorite, yet again thanks to that exciting string section which just dances with my soul in a beautiful, shattering rhythm. Symbolically, the album wraps things up with a song, titled “Room for Us All”. We live in a forever-changing world but yes, there’s always a room for talented and spirited artists who do things for the right reasons.

What followed next?

  • The perks of that newfound glory, included a busy rockstar lifestyle, lengthy tours and tons of pressure, coming from all directions and people. New management, along with drug and alcohol problems were just a couple of the obstacles, Bonham had to deal with. Vocalist Daniel MacMaster even said that he never wanted to sing again – he was that mortified by the music industry.

    mad-hatter-bDespite all, in 1992, however, Bonham did come back with a sophomore album, titled “Mad Hatter”. Unfortunately, the album wasn’t even half as successful as the debut one was. On top of it all, it was 1992 –people were shifting their preferences towards the big grunge movement which eventually wiped out hard rock acts, including Bonham. Nevertheless, I still consider the sophomore album as a solid effort; definitely not as good as the first one and obviously the band was trying hard to distance themselves from that Led Zeppelin-influenced sound, but still, I give it full points.
    Jason Bonham is still as active as ever, mostly occupied with his Jason Bonham’s Led Zeppelin Experience project, touring all over North America.

 

RIP Daniel MacMaster (July 11, 1968 – March 16, 2008)

daniel


Guilty

Wait for You

Bringing Me Down

Don’t Walk Away


References:
“Bonham” Official Wikipedia Page: https://en.wikipedia.org/wiki/Bonham_(band)
“The Disregard of Timekeeping” Official Wikipedia Page: https://en.wikipedia.org/wiki/The_Disregard_of_Timekeeping
+ Information about the album, referenced from the CD Booklet I own

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~