It’s never too late to discover a great band, don’t you think? Initially I thought the guys from VEGA are beginners but it turned out they’ve been making quality melodic rock for years! The 5th studio album of VEGA , yet again released under the capable wings of Frontiers Records, is what opened my eyes for this band and I’m here to tell you all about it!
If you are looking for easy-going, “little-guitar-little-grooves” kind of melodic rock, referred to as “background music” which you play while chilling with the TV on or getting dinner ready, this is not the melodic rock album for you. The enormous revival wave of the genre is offering plenty of such releases but VEGA‘s “Only Human” is not here to play gentle and occupy exactly 10-15 minutes of your “second-hand attention” – the album is here to deliver something so much more to your life. VEGA and this release are here to bring the excitement back to your life and tell you that there’s good, high-spirited music out there, capable of encouragement and establishing solid musical commitment.
“We wear our love of 80’s rock music on our sleeve, but we also have injected our love of modern rock music to it. We aren’t trying to rehash anything: the sound we have achieved is 100% VEGA. We didn’t want to try and guess what people expect and get it wrong,” says singer Nick Workman.
Many essential components contribute to the final great result which “Only Human” is. One of them most certainly is the capable work of legendary Canadian musician and producer, Harry Hess of Harem Scarem who mixed and mastered this melodic rock gem of a record. The rest was in the hands of the talented guys from the VEGA.
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“Worth Dying For” is one of the finest moments from the album; love the grooves, the catchy riffs, those ultimate sing-along lyrics and of course, the “who-a-o-oh” moments! It’s your perfect summer anthem, bringing all the positive energy out of everyone…”if it’s forbidden for, then it’s worth dying for”. “All Over Now” is another gem – very ’80s-like, perfectly balancing those sweet nostalgic keyboards and fie vocal arrangements, ending up in a fine ear-candy piece of music. “Mess You Made” is your hidden gem and probably my favorite track from the record. The lyrics are what attracted me – trust me, the album’s lyrical value cannot be questioned! The powerful vocals of Nick Workman further cement my adoration for this song. The title song, “Only Human”, coming under #7 is the moment your AOR cravings become completely satisfied.
Entertaining, highly-pleasurable, fine vocal arrangement, relatable lyrics and sweet summer rhythms. I highly recommend VEGA and “Only Human” to anyone who is looking for a refreshing lemonade during a hot early-summer day!
PRODUCED BY:VEGA
MIXED BY:Harry Hess
MASTERED BY: Harry Hess
BAND MEMBERS:
Nick Workman: Lead vocals, backing vocals, acoustic guitar and wall hitter
Tom Martin: Bass guitar
Marcus Thurston: Lead Guitar
James Martin: Keyboards
Mikey Kew: Guitar, backing vocals
Martin “Hutch” Hutchinson: Drums
It took me a few months to discover this album but better late than never, right? I still cannot forgive myself for letting it pass through me without getting the much deserved attention but I have now stopped blaming myself for overlooking it and fully committed to spreading the word and telling everyone how exceptional this album is! I don’t believe in love at first sight but I do believe in love at first listen. These precious moments can be very rare, usually it takes time to fully warm up to an album; but with the Finnish band One Desire and their debut release, things couldn’t have taken a better turn. You play the opening track, “Hurt” and you just end up in getting trapped in this mesmerizing world of new-age melodic rock, where One Desire are the new rulers and their music is the law. I rarely establish such a strong connection with an album from the very first second I hear it but “One Desire” just has the right musical qualities to become the refreshing exception and that’s exactly what happened with me. 
I won’t go into details about the album because for a first time in a while I’ve been left speechless. “God of the Sun” is one of my favorite openers this year; the 11-minute tornado of a song is a clear highlight and how can it not be with that speed, intensity and lyrics (another Greek-inspired theme). “Sings of the Times” is my ultimate number 1 song from this release – that intro knocked my socks off (it’s my new ringtone by the way). You can’t have an album like this one without an instrumental now can you? But then again, “Opus Maximus” is not your ordinary instrumental. Good luck stopping it once you hit the play! “Alive” and “Lost in Oblivion” are pure madness! I am absolutely in love with the way the playlist was crafted – it’s all very well thought of and every song has its own place, contributing to the overall atmosphere of the album. I mean, you can just consider it as one song, actually; it’s indeed a progressive metal album but there’s just so much more to it than that – it’s progressive, it’s classic, it’s hard, it’s loud! What a punch in the face! Guitars are stunning too – Ron “Bumblefoot” Thal is the king of the explosive riff and guitar culminations on this one! 
Speaking of future, “Through Worlds of Stardust” does really sound like it was made in another dimension, somewhere in 2020. I mean, I do really like to use the term “modern-day rock” but that saying can’t really do much justice to this album. Yes, it’s edgy, it’s heavy, mighty, versatile and it combines all the necessary old and new elements to captivate any generations of fans, however I feel like it carries a sound that will echo in the years to come and will remain memorable, current and stylish after 5, 10 and more years. In that sense, what Steelheart crafted can be referred as timeless – an adjective I don’t really use that much these days for current releases. That should tell you something. 
So many beautiful things are happening in this album and I don’t even know where to start. First of all, remember that groundbreaking 1988 self-titled debut album with the torn shoes and the top hat? If you remember and you love that release, then you will most certainly be thrilled to know that their ninth studio album, “Defying Gravity” features those exact four original members Eric Martin (vocals), Billy Sheehan (bass), Pat Torpey (drums, with the help of Matt Starr due to his unfortunate Parkinson disease) and Paul Gilbert (guitar), along with the same producer, Kevin Elson. So far so good, right? It’s been almost 30 years since the release of that debut album but the guys and their talented producer did manage to recover the classic Mr. Big sound from the late ‘80s and early ‘90s that made them so popular and critically-acclaimed.
I remember the first time I heard Slaughter – it was on one of those ballad compilation albums and the song was, of course, “Fly to the Angels”. The progress was natural because let’s face it, there’s no way you can listen to that gorgeous song and don’t ask for more! I got their debut album, 
1990 is long gone but thankfully, Mark Slaughter is still making music, as good as he did over 25 years ago. The band is also currently active, participating in concerts and touring around the States. The ‘90s were, however, Slaughter’s busiest and with that, most successful period of their career. Once the new decade kicked in, vocalist and songwriter Mark Slaughter started exploring other musical directions, including DJ-ing, voice-acting, music composing for TV shows and others. It took Mark Slaughter some time before he officially embarked on a solo musical journey. First, he released a single track, then a digital-only album and now, we can finally purchase and enjoy a full-length solo record, titled “Halfway There”. The special 10-track album (11 in Japan) hit the music market on the 26th of May via EMP Label Group (a US-based label owned by David Ellefson, Megadeth bassist) and let me tell you something – it hit it hard! I really missed that classic, Slaughter sound and Mark is just bringing it all back on this album – that and way way way more! “Halfway There” is a worthy progression and obvious artistic evolution for him but with a little bit of old-school hint. It was a pleasure for me to listen to it from start to finish and I hope after reading this article, you will grab the album if you haven’t done it yet.
The album kick things off with the mighty rock anthem “Hey You” which just begs to be played live. I can imagine it – the crowd screaming together with Mark this captivating chant, “Hey You, All Hands up, Rock & Roll Forever!” What an opener! We move on to “Devoted” which is even more powerful and aggressive than the first one; I swear, this entire album is one punch in the stomach after another! “Supernatural” brings us back to Mark Slaughter‘s more melodic, radio-friendly appeal with its funky rhythms and cheerful vocal delivery. The fourth track is the monumental title song which in my humble opinion has to be the highlight on “Halfway There” and that’s not just because I love ballads. Flawless vocals, striking personal lyrics and don’t you even get me started on the composition; this song left me speechless! “Conspiracy” and “Reckless” are two other tracks to watch out for. The dangerous guitar-driven “Conspiracy” is one of the heaviest, most destructive tracks on “Halfway There”; “Reckless” on the other hand is a straight-up classic rock tune, fueled with mind-blowing riffs that just make your head spin! What an experience! The album wraps things up in a gentle manner with the bluesy, modern-style “Not Here” which impresses with quality solos and of course, Mark‘s soul-soothing, lullaby-like vocal delivery.
MY ROCK MIXTAPES 