Celebrating The 37th Anniversary of AC/DC’s “Back In Black”

It’s been 37 years since this album changed the name of the industry and is still going as strong as ever. There’s not a rock fan in this world who has never heard of AC/DC or haven’t yet experienced that deafening musical strength “Back in Black” carries within. 

ac dcWe all know the facts – AC/DC lost their frontman Bon Scott in the beginning of 1980. The decision on whether to continue as a band or not had to be taken (and it had to be taken quickly). Following up the tragic death of the voice and face of the band, AC/DC were facing numerous difficulties and the thought of quitting wasn’t that far actually. Newly-recruited frontman, Brian Johnson was also dealing with many obstacles as the new vocalist. Things were shaky there for a while BUT thanks to one brilliant producer, famous for his precision and obsession with achieving the perfect sound, AC/DC crafted a sound that ended up bringing “Back in Black” the “second-best selling album of all time” title (the first is, of course, MJ’s “Thriller”.) That’s right, I’m talking about the influential producer Mutt Lange who stepped in with brand new approaches and guided the birth of “Back in Black” – an album that perfectly captured the electrifying energy, astonishing technical and lyrical arrangements and a new and reborn AC/DC, ready to take over the world. The album was released in 1980 and it quickly became their most critically respected album. It spawned 4 huge singles – “You Shook Me All Night Long”, “Hells Bells”, “Back in Black” and “Rock and Roll Ain’t Noise Pollution”, all of which redefined hard rock music and left a mark that can never be erased!

Whatever I say about this album would be totally useless. Why? Well, because if rock&roll was a kingdom, this album would be its prince. Everyone loves it, overplayed or not; everyone sings along with anthems like “Back in Black” or “Have a Drink on Me”. Here’s to 37 more years!

What is your favorite track? Personally, I gotta go with “Have a Drink on Me” or the title song. Hearing those opening riffs is a moment of epiphany for every young rock fan out there…

“Back in Black”

“Hells Bells”

“Rock and Roll Ain’t Noise Pollution”

“You Shook Me All Night Long”


References:

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’90S ROCK BLAST: SLAUGHTER – Stick It To Ya

slaughter-stick-it-to-ya

Released: January 27, 1990
Genre: Glam Metal / Hard Rock
Duration: 49:02
Label: Capitol
Producer(s):
Dana Strum, Mark Slaughter

slaughter-stick-it-to-ya-3

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OVERVIEW

What an explosive start of a new decade! American hard rock band Slaughter debuted in January 1990 with what quickly turned into one of the best-selling and most beloved albums of the year. “Stick It To Ya” was like a much needed slap in the face – the audience was waiting for someone to come and finally wake them up! The ride, unfortunately, didn’t last that long. Slaughter became one of the last glam rock bands to enjoy a significant amount of success before that grunge wave wiped them all, together with other talented acts, such as Winger, Danger Danger, Giant and many more. Nevertheless, thankfully, they still managed to leave this beautiful piece of hard rock music behind and now, 27 years later, classics like “Fly to the Angels”, “Spend My Life”, “Up All Night” and “Eye to Eye” are still relevant and deeply appreciated by any rock fan out there.

Vocalist/rhythm guitarist Mark Slaughter and bassist Dana Strum are the ones that deserve a standing ovation for what they showcased on “Stick it To Ya”. It’s such a rare selection of ear-shattering, soul-scratching, mind-blowing rockers – you jump from one track to another and you don’t even know what the hell is going on! All of a sudden your temperature goes up and you want to go do something wild! I gotta say, not many albums provoke such a strong physical reaction; it’s like my body is a volcano ready to erupt! “Eye to Eye” and “Burnin’ Bridges” are like a shot of adrenaline. Mark Slaughter is a one of a kind vocalist and he just knows how to trigger that hidden rebel spirit of yours with his rough, high-pitched voice. “Fly to the Angels” – one of the most beautiful ballads of all time and a #1 hit, is also among the main reasons why this album is such a treasure. There’s no way you will ever forget the touching melody or cruching lyrics of that song. “She Wants More” and “That’s Not Enough” are just a couple of the other standout sexy tunes, all set and done to knock your socks off. “You Are the One” is a personal favorite – a mid-tempo, romantic tune, perfect for any softie out there (like me).

Nothing more to say about “Stick It To Ya”, except – CRANK IT UP and enjoy it to the max! Slaughter became one of the best early-90s hard rock bands and I’m glad they came to the scene, though it was too little too late. Travel back to 1990 and experience Slaughter’s best effort so far (in my opinion). It absolutely deserves any second you will devote to it!


Up All Night

Fly to the Angels

Spend My Life

Mad About You


References:
“Stick It To Ya” Official Wikipedia Page: https://en.wikipedia.org/wiki/Stick_It_to_Ya
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

16 Reasons Why 1992 Rocked Pretty Hard!

A lot of interesting things were happening on the rock music scene in the year of 1992. To many it’s even the last year of true hard rock before the grunge movement completely took over the industry. It was an expected change, to be honest; after all, hard rock/glam rock was dominating for far too long and people were intrigued by the new alternative scene, making its way during the late ‘80s. Still, rock music enjoyed a couple of more successful years, before it was completely overshadowed by grunge and modern rock music, styles and directions, especially from the mid-90s onwards. Of course, well-established rock acts, like Def Leppard, Van Halen, Bad Company, Bon Jovi, Asia and heavy metal bands like Iron Maiden, Megadeth and Metallica were still going strong and producing great albums during the ‘90s.  

1992 is a colossal year for rock music and not just because I was born in 1992 (😋). That magical year gave birth to some of the most outstanding rock releases and presented long-awaited comebacks of major names, such as Eric Clapton, Bon Jovi, Dream Theater, Def Leppard, Asia and others. Moreover, bands that debuted in the late ‘80s, such as Giant and Slaughter jumped into 1992 with strong sophomore albums. 1992 marked a couple of splendid debut releases as well, including the German hard rock band Fair Warning’s first self-titled album. Some not so pleasant things also happened in 1992, including the disbandment of White Lion, Europe and Ratt. Nevertheless, my final verdict is that 1992 distinguished itself as a smashing rock&roll year. To prove my statement, [My Rock Mixtapes] presents to you 15 admirable rock releases that made 1992 one of the good years of rock!


Bad Company – Here Comes Trouble

bad-company-here-comes-troubleThe last Bad Company album to feature the fantastic voice of Brian Howe, titled “Here Comes Trouble” was released in September, 1992. The title track, along with memorable AOR classics like “How About That” and “This Could Be the One”, enjoyed a significant amount of airplay on radio stations, making quite the splash in 1992. The album was an absolute fan-favorite, though it most certainly couldn’t compete with the commercial success of their previous releases.
It took Bad Company three years to release the follow-up to “Here Comes Trouble”. “Company of Strangers” showcased a brand-new sound, courtesy of lead vocalist Robert Hart.


Giant – Time to Burn

giant-time-to-burn-1992giant-time-to-burn-1992Giant’s sophomore album, “Time to Burn” became reality in the early spring of 1992. The follow-up to their successful 1989 debut, “Last of the Runaways” didn’t get the attention it deserved, despite the band’s obvious musical growth. From the fiery opening track “Thunder and Lightning” to one of the most emotional power ballads of all time – “Lost in Paradise”, the whole album showcased Giant as everything but your ordinary AOR band. With his beautiful voice, Dann Huff brought so much color to the spring of 1992. “Thunder and Lighting” and “Stay” are some of the other gems from “Time to Burn” which received some considerable time on the classic rock radio stations. Overall, this album remains highly underrated, despite being one of the best releases of 1992, in my opinion. It took Giant 9 years to come back with “III”, which is also worthy of checking out.


Def Leppard – Adrenalize

Def_Leppard_-_AdrenalizeAfter releasing one of the most important and definitive ‘80s albums – the blockbuster “Hysteria”, things were looking pretty good for Def Leppard. Unfortunately, another tragedy struck the guys from Sheffield just went they barely recovered from Rick Allen’s life-changing accident. Guitarist Steve Clark died from alcohol poisoning in 1991. One thing we can say about Def Leppard is that they know how to rise from the ashes with great dignity and strength, despite the constant hardships. In the spring of 1992, after a couple of years of recording, they released “Adrenalize” – an album that gave the fans a chance to one last time listen to the killer riffs of Steve Clark. Splendid rockers like “Heaven Is”, “Let’s Get Rocked”, “Tonight” and “I Wanna Touch You” stood the test of time and till today remain some of Leppard’s most beloved songs. “Adrenalize” achieved immense commercial success, topping the charts in the UK, USA, Australia and New Zealand and selling over three million copies. The strong grunge movement wasn’t able to stop the great Def Leppard!


Asia – Aqua

asia-aquaAsia’s first album with new singer John Payne was released in the early summer of 1992. Moreover, Asia’s original guitarist Steve Howe once again reunited with his old buddies after his departure, following the release of “Alpha” in 1983. The new and exciting line-up, armed with glorious, dangerous even, hard rock sound and top quality production are what made the album so good. John Payne’s hard-edged vocals brought tons of appeal; not only that, he was like a breath of fresh air for Asia and their fans with his approach to songwriting. The album didn’t achieve much recognition, nor it caused a stir among the public; however, with songs like “Who Will Stop The Rain”, “Someday” and “Lay Down Your Arms”, “Aqua” is most certainly one of the great gems of 1992.


Eric Clapton – Unplugged

eric-clapton-unpluggedIn January 1992, armed with an acoustic Martin, backed by just a couple of musicians, in front of a small audience, legendary guitar hero Eric Clapton performed acoustic versions of original compositions, along with a few blues classics for the infamous MTV Unplugged TV series. In August, the concert album was out, becoming one of the first-ever MTV albums and consequently, a turning point in Eric Clapton’s career. After a series of ’80s AOR jewels, including “August” and “Journeyman”, Clapton successfully went on to complete a once in a lifetime project, which critics often consider his best, most sincere release of all time. With so much class, splendid guitar work and emotions, no wonder “Unplugged” stole so many Grammy Awards, including Album of the Year, Best Rock Male Vocal Performance and Best Rock Song. The tender and absolutely heartbreaking hit single “Tears in Heaven” went on to become one of Clapton’s highest career achievements and ultimately the highlight of the concert record.


Fair Warning – Fair Warning

fair-warning-1992March was certainly the rock month of 1992! Despite achieving a moderate commercial success in Japan and some European countries, Fair Warning and the album itself didn’t really make a huge splash in the States, unfortunately. Every song on “Fair Warning” is a glorious melodic rock anthem. From the power ballad “Long Gone” to the dangerous rockers “Longing for Love”, “One Step Closer” and “Hang On” – the albums presents a great selection of breath taking AOR classics. Such passion, fuelling “Fair Warning” can rarely be observed. I often consider this album as one of the most underrated debuts of all time! Fair Warning came back three years later with an equally appealing release, titled “Rainmaker”.


INXS – Welcome to Wherever You Are

inxs-welcomeINXS’ eight studio album, Welcome to Wherever You Are”, marked a new musical direction for the Australian rockers. Amidst the war between grunge and rock, they just said “screw it” and grabbed the sitar, called a 60-piece orchestra and did something they haven’t done before. On top of it all, the sound was more intriguing, different and much more raw than their previous releases. The album topped the UK charts; though things went downhill after that for INXS. Nevertheless, songs like “Baby Don’t Cry” and “Not Enough Time” did achieve a certain amount of recognition and remained some of INXS’ most beloved tracks.  Fans were impressed with the band’s new approach and some even call it “the most welcoming INXS album ever”. There is a reason for that, believe me!


Bon Jovi – Keep the Faith

bon-jovi-keep-the-faith“Keep The Faith” was a very important album for Bon Jovi because it marked a significant shift for the guys – they turned from glam rockers with the perfect ’80s sound and image to becoming a true rock&roll band of the 90s. Released in the end of 1992, the album did manage to create quite the fuss and excitement among fans. Romantic piano ballads and straightforward rockers, decorated with longer guitar solos and more meaningful lyrics, showcased Bon Jovi’s growth as a band. No wonder “Keep The Faith” sold over 2 million copies! The new and improved Bon Jovi was all fans could talk about and listen to. Impressive gems like “Bed of Roses”, “In These Arms”, “I Believe” and the title track, of course, are pretty solid easons to fall in love with this album.


Great White – Psycho City

great-white-psycho-cityGreat White warmed up the autumn of 1992 pretty well with their sixth studio album, titled “Psycho City”. The fact that the industry personnel preferred to give more attention to grunge music and screamed at the faces of bands like Great White that hard rock was dead, couldn’t change the fact that “Psycho City” was and still is a brilliant hard rocker, full of great music. Great White were not the ordinary “poodle rock” band from the ‘80s – they had something special in them and I think that this album showcases this exact spark I am talking about. Exceptional songs, like the gentle “Love is a Lie”, “Big Goodbye”, “I Want You” and the bluesy “Maybe Someday” prove that their sound was unique and definitely going in a more sophisticated direction. 2 years later, they released their acoustic album, named “Sail Away”.


Slaughter – The Wild Life

slaughter-the-wild-lifeIn April, 1992, Slaughter came back with an enthusiastic sophomore album that solidified their position as one of the talented, early ‘90s rock bands that could actually produce something meaningful and impactful. Considered as one of their best effort, “The Wild Life” presents variety, good old rock&roll and pretty much something for everyone. “Days Gone By”, “Real Love”, “The Wild Life” and “Out for Love” are just some of the tracks, displaying Slaughter’s great potential and well-deserved fan adoration. It was indeed blown away by all those grunge bands who were dictating the music scene at that time, but still, it’s an album that definitely made the spring of 1992 much more interesting.


Yngwie Malmsteen – Fire and Ice

yngwie-j-malmsteen-fire-and-iceThe sixth studio album of guitar God Yngwie Malmsteen, titled “Fire & Ice” was released in early 1992 and marks a return to more classical, baroque-influenced heavy metal music. As a matter of fact it could easily be considered as one of the best examples of how well classical and heavy metal music can co-exist, if approached with talent and creative mind. Every track on “Fire & Ice” is a loud expression of virtuosity, brightened by relevant lyrics and enjoyable melodies. Malmsteen and Edman’s “Cry No More”, “Forever is a Long Time” and the magnificent title track, of course, are just some of the mind-blowing guitar tornadoes which made quite the statement in 1992. Nothing much to add or say as a matter of fact – the entire album is epic and able to please any fan of Yngwie.


Warrant – Dog Eat Dog

warrant-dog-eat-dogFans and critics consider Warrant’s “Dog Eat Dog” as the band’s most solid effort, despite its weak chart and commercial performance, compared to their previous two releases. The LA-based hard rock band got overlooked, in favour of the solid grunge movement that occupied pretty much every corner of the music scene during that time; however, “Dog Eat Dog” is still one of the strongest, most appealing releases of 1992 and nothing can change that. The album is harder, way more dangerous and sincere, but still managed to keep that fun and exciting glam-spirit that made them so famous in the late ‘80s. “The Hole in My Wall”, “Bonfire”, “Quicksand” and “Let it Rain” are just ome of the tracks that stood out, proving that Warrant could easily compete and even rise above the big names, like Bon Jovi or Motley Crue. “Dog Eat Dog” is a genuine heavy metal album and one of my personal 1992 favorite releases! There’s just something so special going on there!


Skid Row – B-Side Ourselves

skid-row-b-side-ourselves“B-Side Ourselves” is Skid Row’s tribute to the bands that left the biggest imprint on their career. Thrilling cover versions of songs by The Ramones, Kiss, Judas Priest, Rush and The Jimi Hendrix Experience are what make the project so interesting and appealing to the public – there’s just so much diversity, dressed up in obvious respect and passion towards their idols. “Delivering the Goods” is one of the most impressive points on “B-Side Ourselves” because it’s actually a live recording, featuring Judas Priest’s Rob Halford sharing the mic with Sebastian Bach. Skid Row’s interpretation of Rush’s “What You’re Doing” is a personal favorite of mine – Sebastian is absolutely killing it!


Iron Maiden – Fear of the Dark

iron-maiden-fear-of-the-dark1992 was a great year of heavy metal and Iron Maiden’s “Fear of the Dark” is one of the reasons why. The band’s ninth studio album also became the last one to feature lead vocalist Bruce Dickinson before his departure (thank God he came back later on). There seems to be an obvious division among fans’ opinions when it comes to this album – some find it weak, showcasing Iron Maiden’s creative decline in the ‘90s; while others think it’s a solid masterpiece. Nevertheless, it did conquer the charts and it does have a huge amount of charm which pleases me and many other people, so that’s what’s important. As a matter of fact, the title track is one of my favorite Iron Maiden songs of all time! From Here to Eternity”, “Chains of Misery” and “Wasting Love” are great rockers and perfect for fans who prefer lighter and catchier heavy metal hooks.


Pantera – Vulgar Display of Power

pantera-vulgar-display-of-powerOne of the most definitive ‘90s heavy metal albums is Pantera’s “Vulgar Display of Power”, featuring a couple of the band’s most instantly recognizable tunes, such as “This Love”, “Mouth for War” and “Walk”. Moreover, the album went on to become the band’s best-selling album, achieving a double-platinum status in the USA. When it comes to this release, the title says it all – “Vulgar Display of Power” is intense, forceful and full of rage and hostility. That’s exactly why the metalheads love it so much! Heavier, darker and presenting more polished heavy metal sound, as compared to Pantera’s 1990 “Cowboys from Hell”, their 1992 release definitely stood the test of time and is still one of the mandatory records for any metal fan! Not to mention that it’s also the perfect representative of the groove-metal genre.


Megadeth – Countdown to Extinction

megadeth-countdown-to-extinctionIn the hot summer of 1992, Megadeth released “Countdown to Extinction” – an album full of classic heavy metal gems, such as “Symphony of Destruction”, “Skin O’ My Teeth” and the title track, which even won an award for raising awareness for animal rights issues. The album was welcomed with open arms from both fans and critics, celebrating its melodic thrash qualities. As a matter of fact, “Countdown to Extinction” was responsible for the band’s commercial breakthrough in the ‘90s. No surprises there – the album unveils confidence, pure thrash fury, killer riffs and some great hooks. It might had been quite difficult to top the success of “Rust in Peace” but Megadeth still produced a classic rock gem, which is equally intriguing and fascinating, at least to me that is.



The publication expresses my personal opinion and in no way is trying to make a generalized statement. The publication presents a selection of 15 albums, picked based on my personal preferences and ideas, fitting the purpose of this article. Please be kind and considerate when you read and/or comment.

I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
Cheers~

[The Greatest Rock Albums of the 80s] BLUE ÖYSTER CULT- Fire of Unknown Origin

fire-of-unknown-origin-blue-oyster

Fire of Unknown Origin

Released: July, 1981
Genre: Hard Rock
Duration: 39:06
Label: Columbia
Producer(s): Martin Birch
Certified: Gold (RIAA)

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OVERVIEW:

After a couple of rather commercially weak releases, Blue Öyster Cult rose from the ashes with new born confidence and an album that re-defined their career and introduced them to the audience of the ‘80s. The band’s mid-70s authenticity remained intact; however this time they did manage to put in a little something extra, crafting an immensely enjoyable and much friendlier sound. Many fans, including myself, consider “Fire of Unknown Origin” as Blue Öyster Cult’s finest effort for that exact reason – it’s a perfect hybrid between their dark, old-school rock&roll outlook and newly adopted musical direction. Patti Smith, rock critic Richard Meltzer and fantasy writer Michael Moorcock are some of the cameos, appearing on BÖC’s intriguingly catchy 1981 release. Their enigmatic lyrical approach is bringing so much life into the album!

“Burnin’ for You” is one of those rockers that actually deserved the attention it got. The infectious riffs, accompanied by Buck Dharma’s great vocal performance (which I personally prefer over Bloom‘s) and Allen Lanier’s worthy keyboard work, drew quite the picturesque melodic wonderland; no wonder the track conquered the charts and turned into one of their most famous songs.  The title song, “Fire of Unknown Origin” is as bizarre as ever but once those fiery guitars hit you, there’s no coming back. The synthesizer-driven “Veteran of the Psychic Wars” is one of BÖC’s best works. The ominous melody, along with Bloom’s threatening vocals is definitely something to look forward to on the album. Moreover, it was also featured on the soundtrack of the animated sci-fi film, “Heavy Metal”. “Heavy Metal: The Black and Silver” is a personal favorite – how can you not be captivated by that mighty guitar intro? “Vengeance: The Pact” is as close as we can get to BÖC’s old days. “Fire of Unknown Origin” doesn’t lose its appeal as we jump from one song to the next. The closing song, “Don’t Turn Your Back” keeps things interesting till the very end.

“Fire of Unknown Origin” is a solid piece, compiled of rather eccentric, yet highly appealing tunes. It’s safe to say that it’s one of BÖC’s most valuable releases and still deserves to be played and enjoyed!
Cheers to the timeless classics!


Fire of Unknown Origin

Veteran of the Psychic Wars

Burnin’ For You

Sole Survivor

Don’t Turn Your Back


 

References:
“Fire of Unknown Origin” Official Wikipedia Page: https://en.wikipedia.org/wiki/Fire_of_Unknown_Origin
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[The Greatest Rock Albums of the 80s] WINGER – Winger

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WINGER

Released: August 10, 1988
Genre: Glam Rock / Hard Rock / Progressive Metal
Duration: 43:50
Label: Atlantic
Producer(s): Beau Hill
Certified: Platinum (RIAA)

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OVERVIEW

By the time Winger, led by the charismatic vocalist and bass player Kip Winger, debuted, the popularity of glam rock, along with the attention it received from media outlets, was already disappearing, in favor of grunge acts. Nevertheless, their 1988 self-titled release, still managed to impress the audience with its high quality musicianship, ranging from unforgettable melodies to earth-shaking guitar riffs by Reb Beach. Let’s not forget Kip’s vocal range, which put to shame the majority of male vocalists of that era (even the big names).  On the surface, “Winger” may sound like your standard, “safe” hard rock album, fueled with the same old lyrics and well-known rock stunts. However, once you get to know it a little bit deeper, you can easily feel how different it is from the rest of the late ‘80s hard rock albums. Winger’s debut deserves a round of applause for showcasing first-class songwriting skills and distinctive progressive metal touches, hidden here and there in almost each song.

Every track on “Winger” is a potential radio hit. The opening tune, “Madalaine”, which also was their first single, grabs you by the throat right from the very beginning. The immensely catchy and sexy “Seventeen” is one of Winger’s instantly recognizable classics; there’s no way you can forget those fiery riffs. “Hungry” is one of a kind rock fiesta, combining string instruments, haunting chorus and explosive rhythms. The crown jewel of the album has to be the ultimate power ballad “Headed for Heartbreak”. There’s no way you won’t get hooked right from its first opening seconds. That electrifying race between keyboards and guitars, decorated with Kip’s thrilling groans, is something you don’t hear every day! This may as well be one of the top 10 power ballads of the ‘80s! “Without the Night” is the other mid-tempo ballad, which is equally fierce and intriguing as “Headed for Heartbreak”.

Don’t overlook this brilliant album, that’s all I want to say to you. I strongly believe that “Winger” can easily appeal to any rock fan out there – it has the strong hooks, the right lyrics and the flaming riffs, all wrapped under excellent music craftsmanship and superb talent. It’s a must for any record collection!

Read the Story of Winger’s “Headed for A Heartbreak”

 

Tracklist:

Madalaine
Hungry
Seventeen
Without The Night
Purple Haze
State of Emergency
Time To Surrender
Poison Angel
Hangin On
Headed for a Heartbreak
Higher & Higher

Hungry

Seventeen

Madalaine

Without the Night

Headed for a Heartbreak


 

References:
“Winger(album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Winger_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

10 Classic Rock Records That Should Be Owned By Everyone

albums-you-must-own-collage

Innovation, brilliant musicianship and timeless impact are the three criteria based on which I chose the following list of 10 albums I believe should be owned by absolutely every person who values and understands music. There are indeed SO MANY groundbreaking albums that re-defined history but then again, we have those 10 which I think went far beyond re-defining – they simply turned things upside down. The echoes of their strong collision with the music world were so loud we could still hear them every day. Beatles, Led Zeppelin, Eagles and Fleetwood Mac are among the artist the works of which I would like to draw your attention to. I am positively certain that my readers know and are already in possession of those record but in case you don’t own a copy, grab your things and rush to the nearest record store!

(P.S. I made this list based on my personal expertise and opinion. I realize that some of you may not agree, but I still think those 10 albums deserve to be on everyone’s record shelf)


The Beatles – Sgt.Pepper’s Lonely Hearts Club Band (1967)

beatles s

I just had to kick things off with this groundbreaking masterpiece, because let’s face it – no other record can actually beatSgt.Pepper’s Lonely Hearts Club Band” when it comes to influence, cutting-edge music and artistry. Beatles retired as a live band and focused entirely on writing new music and experimenting with latest techniques in the studio. In June 1967, the results were in. Beatles didn’t have to worry about playing this album live, so they could go in any direction they want – they had the absolute freedom to arrange and produce things the way they wanted them to be. On Sgt.Pepper’s Lonely Hearts Club Band”, each of the Beatles adopted a new imaginary persona, which made things so much more interesting. The album also marked the beginning of album-oriented rock. “Sgt. Pepper” is a concept album you just have to listen from start to finish in order to truly understand its beauty; the record is simply one 40-minute song, an entity, an exceptional musical monster. Not only that, but it was the psychedelic, highly experimental, ambiguous, quite surreal nature of the record that gave rise to art and progressive rock, as well. Let us not forget that “Sgt. Pepper” has one of the most original artworks which re-evaluated the importance of album covers for future releases. “A Day in the Life”, “Lucy in the Sky with Diamonds”, “When I’m Sixty Four”, “Penny Lane” – songs that live forever.


Led Zeppelin – IV (1971)

led Zeppelin 4

With masterpieces like “Stairway to Heaven”, “Black Dog” and “Rock and Roll”, Led Zeppelin’s fourth album was destined for success. Surprisingly this album never actually topped the US charts, despite being in top 5 best-selling albums in the States of all time and being owned by pretty much every person who lived during the 70s. The organic and folky but quite atmospheric song “Stairway to Heaven” became the most requested song on a FM radio ever, breaking that 3 minute song barrier. It didn’t matter what the critics said about Zeppelin or this album – what mattered is that they made history.


David Bowie – The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

ziggy

The absolute peak of David Bowie’s career has to be the adventurous concept album The Rise and Fall of Ziggy Stardust and the Spiders from Mars”. For this album, the white duke adopted the persona of a Martian who comes to Earth liberate human kind. The album, along with David Bowie himself became synonymous with art rock, praising individualism, mysticism, theatrical performances and fashion. David was so ahead of his time – he simply offered a glimpse to another world, where you can be whoever you want to be.


Pink Floyd – The Dark Side Of The Moon (1973)

dark-side-of-the-moon-album-cover-pink-floyd

“The Dark Side of the Moon” shook the grounds of progressive rock the moment it was released to the public. It was this album that forever shattered the notion that progressive rock couldn’t be enjoyed by everyone – Pink Floyd simply brought this style to the mainstream audience. “The Dark Side of the Moon” is not just your ordinary influential rock album of the 70s – it’s an absolute cultural landmark and a celebration of cutting edge techniques, keyboards, synthesizers, sounds effects and coherent musicianship. With its highly intellectual, avant-garde lyrics, the album explores themes such as time, money and the dark-sides of human nature. “The Dark Side of the Moon” spent 471 consecutive weeks on the Billboard album chart – an achievement no other album could ever surpass. Kudos to the brainchild of David Gilmour and Roger Waters!


Eagles – Hotel California (1976)

hotel-california-eagles

Eagles are probably one of the most beloved American bands of all time – Americans wouldn’t trade them even for the Beatles. In 1976, they just blew off the roof with the concept album “Hotel California” which eventually became one of the best-selling albums of all time and one of the most critically acclaimed records of all time. “New Kid in Town”, “Life in the Fast Lane”, “Hotel California” – all brilliant rockers with an everlasting impact! The title tracks contains one of the most memorable guitar solos; lyrics-wise, it deals with topics still relevant nowadays – self-destruction, corruption, drugs and the greed in the music industry.


The Beach Boys – Pet Sounds (1966)

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Whether you like Beach Boys or not, you gotta respect them for their legacy and especially for “Pet Sounds” – one of the most influential albums of all time, loved by critics and fans from all over the world. Brian Wilson’s goal was to create “the greatest rock album ever made” – a powerful rock tornado with absolutely no weak points or filler songs. I am not sure we can refer to “Pet Sounds” as the greatest rock album but it’s definitely in the top 10. Brian Wilson adopted so many interesting, cutting-edge techniques and approaches for this album – from unusual instruments to sounds of dogs barking and bicycle bells; from complex symphonic arrangements to sophisticated vocal harmonies. No wonder “Pet Sounds” changed history – it offered the ultimate musical experience. Not to mention that, just like “Sgt. Pepper”, “Pet Sounds” was equally responsible for the development of art and progressive rock.


Fleetwood Mac – Rumours (1977)

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Fleetwood Mac’s “Rumours” is essential for so many reasons. If, for a moment, we put aside the fact that it’s one of the BEST SELLING albums of all time and won a Grammy award for album of the year, “Rumours” was the album that forever blurred the lines between pop and rock. On top of that, “Rumours” was recorded when all members of the band were divorcing or breaking up with each other. There was no way a good album would come out of it. However, against all odds, their brutal frankness somehow stroke a chord with the audience and the album achieved something they never even hoped for – immortality. Candid, open-minded, emotional – I guess it’s true that the greatest masterpieces come out of pain, sorrow and heartbreak. Every song on this album, though it’s about sadness and break-up, is worth listening to.


Derek & The Dominos – Layla and Other Assorted Love Songs (1970)

LAYLA

I don’t even know where to begin with when it comes to this album. Often considered as Eric Clapton’s greatest career achievement, the double album Layla and Other Assorted Love Songs”, can’t stop captivating the audience with its emotional intensity and groundbreaking guitar work. Eric Clapton was simply giving it his all on this record. The inspiration 7-minute epic ballad title-song, “Layla”, has to be one of the highlights of the 70s and the ultimate staple of what a love song should sound like. The album is so much more than that though – “Bell Bottom Blues”, “I Am Yours”, “Anyday” – any song of the record offers comforting blues, solid rock&roll, raw guitars and a great mood.


Black Sabbath – Paranoid (1970)

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After careful consideration, I decided to wrap things up with Black Sabbath’s “Paranoid”. When it comes to the origins of heavy metal, things might be a little bit blurred. The foundations of the genre were laid in time, with the contribution of so many bands, styles, approaches, etc. However, to me personally one of the first records that presented a clear-cut vision of what heavy metal should sound like was “Paranoid”. There’s no surprise that many critics refer to this album as “the birthplace of heavy metal”. The simplistic approach to music, heavy guitar hooks, gloomy lyrics, exploring dark subjects and of course – the loud and quite sharp vocal delivery of Ozzy, defined the sound and image of heavy metal.

How many of these records you guys own?


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[The Greatest Rock Albums of the 80s] STEVE PERRY – Street Talk

Steve Perry - Street Talk

STREET TALK

Released: April, 1984
Genre: Pop/Rock
Duration: 39:13
Label: Columbia
Producer(s): Steve Perry, Bruce Botnick
Certified: 2xPlatinum (RIAA)
Singles: “Oh Sherrie”, “Foolish Heart”, “She’s Mine”, “Strung Out”

Street Talk CD by Steve Perry

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OVERVIEW

“Street Talk” by Steve Perry definitely falls under the category of “my favorite 80s rock albums”, therefore I am more than excited to be writing this overview. His first solo effort was definitely something quite different and much more pop-oriented than his previous works with Journey, however Steve’s voice is so soulful and magical that at one point you don’t really care about the music. Just like Jimi Jamison from Survivor sings on their album “Vital Signs”“it’s the singer, not the song”.

Steve Perry hits hard right from the beginning – the second you hear those warm synthesizer chords, followed by the violins and him pouring his soul out with “You should’ve been gone, knowing how I made you feel”, you can’t but be hooked! The explosive R&B hurricane, titled “Oh Sherrie” is by far his greatest success – the track reached #3 on the Billboard Hot 100 and #1 on Billboard’s Rock chart. It highlights Steve’s vocal power like no other song, it’s catchy, lyrically-pleasing and on top of that there’s a personal story there – as we all know “Oh Sherrie” was written for his then-girlfriend Sherrie Swafford. The strength of the single somehow overshadowed the rest of the album, which in my personal opinion contains a lot of uplifting rockers and beautiful soulful tunes. For instance, the gentle “Foolish Heart” which peaked at #18 on the charts, perfectly represents the vocal and music quality of the album. My personal favorite “She’s Mine” is another romantic, mid-tempo rocker, featuring a lot of screaming soul from Steve and pleasing saxophone solos by Steve Douglas. “Strung Out” and “Running Alone” are too sugary and way too safe; however we do have Steve’s positively infectious vocals to compensate for the sweet pop mediocrity of those tracks. “You Should be Happy” is another personal treasure-track from the record – the lyrics are wonderful and there’s a special vibe coming out of this song, at least to me.

Obviously, Steve had a lot of fun writing, recording and producing this album. I could feel how important it was for him to do and try “his own thing”, separately from Journey. He literally put his heart and soul into the making of this album. We all know he can definitely hit a note or two, however with this album he also proved that The Voice himself can write timeless songs and produce quite respectably. Cheers to that!

“The kind of neuroses than you feel in Journey because of the pressure can tend to sterilize your work,” Perry said during an August 1984 interview with Kerrang!. With this album I just said ‘F— it, I got into this business to hear my own songs as they should be heard, to see the ideas take form, to build a track…that’s all. That’s what I’m gonna do with this record.”

Tracklist

“Oh Sherrie”
“I Believe”
“Go Away”
“Foolish Heart”
“It’s Only Love”
“She’s Mine”
“You Should Be Happy”
“Running Alone”
“Captured by the Moment”
“Strung Out”

Oh Sherrie

She’s Mine

Foolish Heart

Strung Out


References:
“Street Talk” Official Wikipedia Page: https://en.wikipedia.org/wiki/Street_Talk
30 Years Ago: Steve Perry Releases ‘Street Talk’, retrieved from http://ultimateclassicrock.com/steve-perry-street-talk/?trackback=tsmclip
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~