[Saturday Night Song Focus] Peter Gabriel – Sledgehammer

Greetings!

It’s Saturday and it’s time for my weekly scheduled publication dedicated to a particular song. Once again, I would like to say that the choice is primarily based on my personal preferences and decisions. I was wondering which song to talk about today and suddenly the playlist on my phone decided to play this one so I thought it would be nice to tell you something about this iconic song by Peter Gabriel. Actually, it also happens to me one of my favorite songs of the 80, even though I’m not such a huge fan of Peter Gabriel. Don’t get me wrong, he is indeed one of the greatest “blue-eyed” soul singers, along with others such as Phil Collins, Steve Winwood and Robert Palmer. However, to me Peter Gabriel was always too eccentric and a little bit weird, wild and careless. I mean, we all remember those grotesque Genesis live performances in which he was dressed as a frog and a flower… He is though one of the most iconic figures of the 80s and I give him all the credit for that. He is not only famous for his distinctive vocal delivery, but he was also an activist and also made a protest song for Steve Biko – a noted black South African anti-apartheid activist who died in a prison.

Now let’s talk a little bit more about the song (somehow I always get carried away for which I’m sorry…). “Sledgehammer” was written, produced, composed, performed and pretty much all done by Peter Gabriel himself. The song was released back in 1986 from one of his most famous albums – “So”. It quickly became a huge hit – it topped Billboard Hot 100 in the USA, became #1 in Canada, #4 in UK, etc. Everyone simply fell in love with this catchy upbeat song with such distinctive and unique lyrics. Peter Gabriel’s music has always been influenced by 1960s soul musicians and we can also clearly see it in “Sledgehammer”. In particular, in this song, we can see the influence of Memphis label – Stax Records. Furthermore, the song has numerous distinctive elements, including a horn section and a synthesizer flute with which the song begins. I have to say the flute at the beginning is probably the most memorable part of the song! The reason why I love this song so much is because it has very interesting lyrics – I’m not saying they have special quality, I’m saying to me they are funny and catchy. Also, I love the drums, bass and sax in the song – the whole composition is just perfect! In term of genre, I would say most certainly a mixture between classical “blue-eyed” soul and commercial rock. However I think it has a lot of elements of funk music – The incredibly well-crafted mixture of genres is what made this song so legendary…

The music video is also one of the greatest music videos of all time – that’s just my personal opinion. Maybe now to many of you guys it may seem like nothing, however back in the days the MV was revolutionary! Say whatever you wish to say but facts are facts – up to date, the music video of “Sledgehammer” is the MOST PLAYED music video in the history of MTV!!! This speaks volumes! In addition, Peter Gabriel won the impressive nine MTV awards at the 1987 MTV Music Video Awards – the most awards a music video has ever won. He also got best British video award during 1987 Brit Awards. He also got nominated for Grammys – record of the year, song of the year and best vocal performance. Unbelievable, right…? The song and its music video were just making history and everyone loved it! The music video includes “claymation, pixilation, and stop motion animation that gave life to images in the song” done by Aardman Animations and Brothers Quay. The whole thing looks extremely unique and I can’t believe back in the 80s people could make things like that…revolutionary! There’s of course an irony in all this… Peter Gabriel absolutely hated the idea of music videos. To him, the emergence of MTV and the trend to produce music videos for every song was meaningless and was declining the value of the artist. I guess he also thought that “video killed the radio star”. Finally after so many years of pulling away and resisting the new trend and demand, he decided to produce a music video – and what a video that was. I guess he just said to himself – if I have to do it, I may as well just make something people have never seen before…and he did!

With no further due – enjoy the song and the memorable music video!

Velina

xoxox

Single / Album Cover


 

Music Video


 

Lyrics

You could have a steam train
If you’d just lay down your tracks
You could have an aeroplane flying
If you bring your blue sky back

All you do is call me
I’ll be anything you need

You could have a big dipper
Going up and down, all around the bends
You could have a bumper car, bumping
This amusement never ends

I want to be your sledgehammer
Why don’t you call my name
Oh let me be your sledgehammer
This will be my testimony
Show me round your fruit cakes
‘Cause I will be your honey bee
Open up your fruit cakes
Where the fruit is as sweet as can be

I want to be your sledgehammer
Why don’t you call my name
You’d better call the sledgehammer
Put your mind at rest
I’m going to be-the sledgehammer
This can be my testimony
I’m your sledgehammer
Let there be no doubt about it

Sledge sledge sledgehammer

I kicked the habit (I kicked the habit)
Shed my skin (Shed my skin)
This is the new stuff (This is the new stuff)
I go dancing in, (We could go dancing in)
Oh won’t you show for me (Show for me)
I will show for you (Show for you)
Show for me (Show for me), I will show for you

Yea, yeah, yeah, yeah, yeah, yeah, I do mean you
Only you, you’ve been coming through
Going to build that power
Build, build up that power, hey
I’ve been feeding the rhythm
I’ve been feeding the rhythm
Going to feel that power, build in you

Come on, come on, help me do
Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, you
I’ve been feeding the rhythm
I’ve been feeding the rhythm
It’s what we’re doing, doing
All day and night, come on and help me do, come on and help me do


Credits:

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[90s] [Album Focus] Best-Selling Soundtrack Of All Time – The Bodyguard: Original Soundtrack Album

Greetings!

So I’ve been meaning to dedicate a publication to the greatest soundtrack albums of all time, however due to busy schedule I’m afraid I cannot do it at this point. Instead, I decided to focus on just one for the – the best of the best, the greatest of the greatest and the best-selling soundtrack albums of all time – Whitney Houston’s “The Bodyguard”.
As I always do, I’m going to start the post with some background information…Back in the day, especially in the 80s and in the 90s there was a heavy cross-media promotion. Unlike today, in the past a media product was usually heavily tight with other media products such as books and music. The movie industry started relying heavily on soundtrack in order to boost the popularity of the movie – it was the other way around as well – soundtracks were relying on the movies to boost their sales. Basically, films and music were together in an inseparable marriage. I don’t know what actually happened, however… – nowadays I feel like movies don’t really invest much in memorable and grandiose soundtracks the way they did before. Time has surely changed…
The practice of cross-promotion between a movie and a soundtrack became a trend since the introduction of Television back in the 50s and 60s. It was a brilliant win-win strategy which left us with the most memorable movie themes and songs ever! Helping the other industry out and capitalizing heavily at the same time became a major business model. Simply all the movie and music producers were working together in order to create a unique and memorable artistic product. In addition, 70s and the 80s marked the rise of blockbusters – you know, those high budget and incredible movies featuring all the famous stars and great effects. Blockbusters have always relied on promotions and heavy exposure to the public in order to obtain revenues – that’s only natural. One way to gain additional promotion was to use music – which of course became the most powerful tool! I’m not sure what the correct line of events is though – one could argue – is the soundtrack promoting the movie or the movie was promoting the soundtrack!? See, that’s what I’m talking about – those two media products were inseparable and had a huge impact on one another! The music of a movie simply represents the spirit and the identity of the movie itself – it is as equally important – no second opinion about that! Little by little, from just one or two theme songs, the idea of a whole album became a cultural phenomenon –producers started investing on whole albums filled with music from the movie. I believe it all started with Saturday Night Fever – one of the greatest soundtrack albums of all time, that’s for sure (kudos to BeeGees). Once it was established that such albums are extremely popular and well-accepted from the audience, everyone just simply jumped on the bandwagon – soundtrack after soundtrack – great albums after great albums. I mean, who can ever forget the original soundtrack albums of “Flashdance” or “Footlose” or “Dirty Dancing”? – no one that is…

Going back to the greatest soundtrack of all-time… I don’t think the album or the movie needs much introduction. It’s one of the all-time classics which will simply remain in history for their brilliance…I will focus on the soundtrack album because it’s an album-related publication, after all. So here we go…the best-selling soundtrack of all time by the princess of pop herself…


 

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Released: November 17th, 1992
Genre: Pop, RnB
Label: Arista
Producer: Clive Davis, Whitney Houston, Jazz Summers, Tim Parry
Tracklist:
*“I Will Always Love You”
*“I Have Nothing”
*“I’m Every Woman”
*“Run to You”
*“Queen of the Night”
*“Jesus Loves Me”
*“Even If My Heart Would Break” (performed by Kenny G and Aaron Neville)
*“Someday (I’m Coming Back)” (performed by Lisa Stansfield)
*“It’s Gonna Be A Lovely Day” (performed by the S.O.U.L.S.Y.S.T.E.M.)
*“(What’s so Funny ‘Bout) Peace, Love, and Understanding” (performed by Curtis Stigers)
*“Waiting for You” (performed by Kenny G)
*“Trust in Me” (performed by Joe Cocker, featuring Sass)
Singles: “I Will Always Love You”, “Someday (I’m Coming Back)”, “I’m Every Woman”, “I Have Nothing”, “Run to You”, “Queen of the Night”, “It’s Gonna Be a Lovely Day”


 

The album features a bunch of  other artists – many people think it’s just her songs; however that’s not the case. We have Lisa Stansfield and Kenny G and of course, Joe Cocker…all brilliant musicians and voices. The album was co-executive produced by Whitney Houston and the great Clive Davis – the person behind ARISTA records. Whitney had full control over the album – she chose specifically each and every song. The theme song was supposed to be a completely different one; however they lost it to another movie.Can you imagine that – one of the greatest ballads of all time – the ballads of the ballads, the most powerful and tear-breaking performance by a female artist almost didn’t happen….Whitney’s male co-star – Mr. Kevin Costner was actually the one who suggested that they should record “I Will Always Love You” as the theme song. Maybe some of you don’t know but the original song was written and performed by Dolly Parton – the famous country diva. How did they manage to transform such a slow, rather boring and I’d say “background” music to this amazing and powerful composition, I have no idea. Kudos to the brilliant producers!
The success of the album was almost immediate. Whitney became the first act to sell more than a million copies of an album within a single week period! This makes the album the fastest-selling album in the history of music! She also won a Grammy and for the album of the year and the RIAA certified the album 17 times Platinum. Over 44 million copies have been sold worldwide to day, which makes the album the best-selling soundtrack of all time – well, how can it not be?

Of course, the album is mostly remembered by the phenomenal ballad we all know and love with all our hearts – “I Will Always Love You”. The song appealed to all markets and to people of all ages – it was a mixture of soul, RnB, pop and contemporary music. It also received huge airplay. The single spent fourteen weeks at number one on the Billboard Hot 100. The album itself topped the Billboard 200 for 20 weeks. The following singles that were released from the album followed the success of the theme song – with “I’m Every Woman” (a Chaka Khan cover) and “I Have Nothing”, Whitney Houston became the first female act to have three songs in the Top 20 at the same time.

Not only was the soundtrack a musical phenomenon and a complete triumph, but the movie itself simply became one of the greatest romance stories of all time. This whole project once again proves my point – cross-promotion is needed and it should be very well thought of! In this case, the movie promoted the soundtrack and vice-versa. The results – smashing box-office success and the greatest and most memorable ballad of time… In my opinion, the powerful an unmatched vocal delivery of Whitney Houston and the success of the album completely overshadowed the movie. However, in this case it turned out just great!

There’s absolutely no point in talking about the quality and excellence of this soundtrack – just listen to the songs and lose yourself to the feeling… Every song is so inspirational and so well-crafted that you just can’t stop replaying. That’s the magic of Whitney’s voice and her aura in general – she is able to convey so many emotions with her voice that at one point you just don’t know whether to cry, smile or be happy. I grew up listening to this album (yes, I have it in my CD collection, of course) and it just means the world to me! I am extremely sad that we lost this gorgeous queen and will always wish I could go back in time and enjoy her projects all over again…
One thing I have to say, she was also a brilliant actress and we can most certainly see it in “The Bodyguard”. I miss her and I will always love her…
Also, I wish they could make great soundtracks like this one nowadays – I’ve been waiting and waiting but so far all we have does not deserve to even be mentioned… Let’s wait and see….

Velina

xoxox


Credits:
“The Bodyguard: Original Soundtrack Album” by Arion Berger, November 13, 2013, retrieved by Rolling Stones Magazine
“Top 10 Best Selling Movie Soundtracks”, retrieved by http://www.sky.com
“The Bodyguard (soundtrack)”, retrieved from Wikipedia

 

[Saturday Night Song Focus] Daryl Hall & John Oates – Out Of Touch

Greetings!

Due to busy schedule unfortunately the blog had to be left without a daily publication for a few days. For that I am sorry and I would definitely try my best to post things regularly from now on! The first few posts were a bit here and there – I am still experimenting and establishing the blog’s identity and what types of publications I would like to have on here. I was thinking about it and decided to make something like a weekly program – a consistent publication that will appear every week and will deal with a similar issue. I was wondering what it could be and then I decided that I’m gonna turn Saturday night into a song analysis/focus night! Every Saturday from now on, there will be a publication dedicated to a song. Of course, needless to say, the song would be chosen based on my personal preferences and views. I would also like to emphasize on variety – I will try to include different genres, eras, styles, etc. Those weekly song focus publications will also present additional song related media materials such as music video, artwork, lyrics and others. Most importantly, however, the aim of this publication would be to give some background, historical overview and significance of the song. I hope by doing so, my readers can learn something interesting about a song while listening to it!

*drumroll* ….
The first song I am going to talk about is Daryl Hall & John Oates’s “Out of Touch”. I know it is supposed to be a song review; however I cannot just say nothing about those two! Their story began from Philadelphia – the place where soul music bloomed. The duo was heavily influenced by 60s Motown soul artists and we could most certainly hear it in their work. In terms of production and signwriting they were considered simply as white people copying Motown sound. However, in the 1980s they finally established their own style. Believe it or not, they soon invented a very distinctive fusion between rock ’n’ roll and soul music. They called this genre “ROCK AND SOUL” – sounds cool, right? Their sound was carefully crafted by heavy use of electronic elements and they even experimented with funky and futuristic styles. “At their best, Hall & Oates’ songs were filled with strong hooks and melodies that adhered to soul traditions without being a slave to them by incorporating elements of new wave,” – said critics Stephen Thomas Erlewine and J. Scott McClintock. One of their first big successes was the song “I can’t go for that” which topped the Billboard chart in 1981. The song was covered by numerous artists. Personally, my favorite cover of this song is Simply Red’s “Sunrise”. Their success continued with songs such as “Maneater” which also topped the chart in 1982. If I have to be honest, “Maneater” is probably one of my most favorite pop songs from the 80s – it’s just so good! Their sound however was becoming way too soft, so they called Mr. Neil Kernon – a notable heavy metal producer who worked with bands such as Scorpions and Judas Priest. He helped them enhance their sound and make it a little bit heavier. The result was the song I want to present today – “Out of Touch”. Furthermore, I wanted to say a few more things about Hall & Oates before focusing on the song. When we think about the most successful duos of all time, many of you would probably say Righteous Brothers or Simon & Garfunkel or Tina & Ike or Everly Brothers or even Daft Punk. Surprise! According to the Record Industry Association of America (RIAA) Hall & Oates is the most successful duo in popular music! They have seven RIAA platinum albums and six RIAA golden albums. They have sold more than 40 million records which makes them the second best-selling duo of all time (the Carpenters hold the record with more than 150 million records sold). Those two were unstoppable! Great innovators and probably the most definitive blue eyed soul artist of the era!

About the song itself, “Out of Touch” was released in 1984 and was the lead single from their 1984 album Big Bam Boom. It topped the Billboard Hot 100 chart for two weeks in December 1984. Just a quick reminder that back in the 80s it was very difficult for a song to top the charts –since there were so many ground-breaking and prolific artists, a song rarely stuck on top of the charts for a long period of time. As writers and producers of the song, both guys are being credited. Also, if I have to place a specific genre next to the song I would say pop rock, definitely.
The video is just hilarious! Every little element of it just perfectly illustrates what a wild, crazy and irrational decade the 80s was! The MV begins with the “Dance on Your Knees” intro, which is the opening song of the album. Daryl Hall manages to quite well embrace the spirit of the song and as we can see he is totally feeling it – the funny leopard costumes, jumps, awkward dances, overly dramatic gestures and of course – the definitive hairstyle of the era! I just love his style of delivery in the MV. John Oates is also bringing it – he and his extremely odd and bizarre dancing moves are so entertaining to watch. It was obvious that they don’t really know what’s going on but they don’t even care – the musicians of the 80s were all about having fun, feeling good, free and dance crazily. My favourite element of the MV has to be the huge drums and the huge drumsticks! Watching Oates sitting behind those enormous drums and trying to play with the huge drumsticks is absolutely hilarious! The Music Video was also heavily featured on MTV back in the day when MTV actually played music!
I will wrap things up by saying that this is one of my most favorite songs from the 80s! The lyrics are extremely catchy and you can’t but sing with them! The value of the song, at least in my opinion, lies with the distinctive drum and bass elements and in the funky, new wave sound. In terms of vocal delivery, Hall is just perfect!
Nothing more to say! Just enjoy the song!

(Oh and by the way, I am not going to talk about the dreadful cover that was made a few years ago by United Nations. To me it was just one huge mess and the only thing it managed to achieve is to insult the work of Hall and Oates. Not to mention the tasteless and horrible music video.)

Single Cover

daryl-hall-and-john-oates-out-of-touch-rca

MUSIC VIDEO

 

LYRICS

Shake it up is all that we know
Using the bodies up as we go
Waking up to fantasy
The shades all around aren’t the colors we used to see
Broken ice still melts in the sun
And times that are broken can often be one again
We’re soul alone
And soul really matters to me
Take a look around

You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
x2

Reaching out for something to hold
Looking for a love where the climate is cold
Manic moves and drowsy dreams
Or living in the middle between the two extremes
Smoking guns hot to the touch
Would cool down if we didn’t use them so much
We’re soul alone
And soul really matters to me
Too much

You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
x2

Oh oh oh oh oh oh
Oh oh oh oh oh oh
(Out of touch)
(Out of touch)

You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around
You’re out of touch
I’m out of time
But I’m out of my head when you’re not around

Songwriters: HALL, DARYL / OATES, JOHN
Out Of Touch lyrics © Warner/Chappell Music, Inc.

Album Focus – Ritchie Blackmore’s Rainbow (1975)

Some people say that the era of the CDs is long gone. However believe it or not, there are people like me out there who still purchase and collect CDs. I have this little CD shop near the place I live (I have to take a picture next time) and I just love spending hours and hours there. They have these huge wooden shelves with tons and tons of CDs and even vinyl records. The whole atmosphere just screams my name!
Anyhow, a few days ago I went there to look for some albums and spend some quality “me” time. After hours of literally checking every single album on the shelves and a huge struggle not to buy all the albums I saw, I ended up buying the debut album of one of my most favorite rock bands – Rainbow. The title of the album is “Ritchie Blackmore’s Rainbow” and it was released on the 4th of August, 1975. Can you believe this? It has been 40 years since this album hit the shelves. It turned out I bought it on its 40th year anniversary – such a pleasant coincidence. Originally I was hoping to come across and buy their “The Very Best of Rainbow” album that came out in 1997, however I couldn’t find it (still not giving up, though). Then, the lady from the CD shop was kind enough to find me the debut album from the storage. The album itself was imported from the USA and of course, it’s a remaster. I just had to buy it – it is such a rare precious and a must for every Rainbow or Ritchie Blackmore or Ronnie James Dio fan. In the following post I would briefly present the album and its songs. This is not a band profile publication, so I would like to focus on the album itself, rather than the members. I decided to dedicate my first publication to this debut album because it is the most recent CD I purchased and because it is the debut of my blog

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Rainbow_-_Ritchie_Blackmore's_Rainbow_(1975)_front_cover

Album Title : Ritchie Blackmore’s Rainbow
Released: 1975 (Vinyl Record) ; 1999 (CD in remastered form)
Genre: Hard Rock, Progressive Rock, Heavy Metal
Record Label: Oyster (UK) ; Polydor (Worldwide)
Members: Ronnie James Dio – lead vocals; Ritchie Blackmore – guitar; Micky Lee Soule – piano, mellotron, clavinet, organ; Craig Gruber – bass; Gary Driscoll – drums
Singles: “Man On The Silver Mountain” ; “Snake Charmer” (October 1975)
Produced by: Ritchie Blackmore, Martin Birch and Ronnie James Dio
Interesting fact: The album was recorded in Germany. It is the first ever project of Ritchie Blackmore after his departure from Deep Purple. Vocalist Ronnie James Dio, consider this album as the best Rainbow album.

Tracklist:
1.Man on the Silver Mountain
2.Self Portrait
3.Black Sheep of the Family
4.Catch the Rainbow
5.Snake Charmer
6.Temple of the King
7.If You Don’t Like Rock n’ Roll
8.Sixteenth Century Greensleeves
9.Still I’m Sad (The Yardbirds cover)

🎵🎵🎵🎵🎵🎵

Firstly, I would like to start with the album cover. It was made by American fine artist David Willardson. Honestly speaking, I am not such a huge fan of cartoon-style album covers. Realistic album covers (photographs) or simplistic designs have always been more striking to me. On the cover we see a castle which also happens to be a guitar and there’s a rainbow behind it. It is very colorful and too Disney-like I would say. It’s only natural since the artist worked for Disney at that time, but still…The trend of putting unique and rather strange, surrealistic art on an album cover was very strong at that time – especially the second part of the 70s. For instance artists such as Roger Dean and Storm Thorgerson were extremely popular with bands like Pink Floyd, YES and Asia. Back to Rainbow’s cover, I do really like it – why? – because it is very distinctive and easy to remember. Also, there’s something very magical and mysterious in the painting itself – I just want to enter into the rock castle and never go out…
Real-life picture of the album cover ~ That’s how it looks; Very distinctive, right?

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Secondly, I would like to talk more about the songs from the album. I am not going to comment on each and every song; rather than that I will focus on the overall picture, as well as on two songs in particular – my favorite songs from the album.
Bottom line is, if you like the combination of hard rock and poetic, fantasy-oriented lyrics – this is the album for you. Most of the songs are a bit gloomy in terms of lyrics, except “If You Don’t Like Rock ‘N’ Roll” which is very upbeat and in my opinion is the perfect 60s rock’n’roll nostalgia song! In terms of vocal and guitar delivery I would say that the album is rather simplistic, not as progressive and innovative as some people would like it to be. However, to me that is exactly why the album is so good! Ritchie’s riffs are not as complicated and aggressive as they used to be back when he was with DP and that is the beauty of it! Ronnie, on the other hand is just perfect – in my book of the greatest male rock vocals of all time, he is definitely in top 10. I don’t think anyone can sing those highs the way he does – just play “Black Sheep Of The Family” or “Sixteenth Century Greensleeves” and you will see what am I talking about!

The two songs I wanted to talk about are “Man On The Silver Mountain” and “Catch The Rainbow”, which in my opinion are the best songs of the album.

One of the most memorable song intros ever (at least to me)! Ronnie said that it’s “a semi-religious song, the man on the silver mountain is a kind of God figure everyone is crying out to.” – rather interesting right? It was co-written by Dio and Blackmore. When Ronnie died in 2010, the words “The man on the silver mountain Ronnie James Dio” were put on his grave. The song is a classic and it defines an era – I don’t have to say more. It’s memorable, catchy and very powerful – the greatest thing is that it delivers that power to the listeners. Ronnie’s vocals are beyond perfect! Personally, my favorite part of the song, as well as lyrics is when Ronnie sings :
“Come down with fire
Lift my spirit higher
Someone’s screaming my name
Come and make me holy again” ….and then we hear the memorable guitar riff! ❤

“Catch The Rainbow” is probably the gloomiest song from the album. However, I don’t think it is that type of song that brings out sad emotions and feelings (at least to me). The song itself was not released as a single, however it remains one of their most famous works. The song is loved that much probably because it is often connected with  “Little Wing” by “The Jimmy Hendrix Experience”. To me personally, its strongest point is the simplistic yet powerful guitar riff and the background choirs that create a very mysterious and a bit psychedelic vibe. Lyrically speaking, the song is very poetic and beautiful. I especially love the chorus:
“We believed we’d catch the rainbow
Ride the wind to the sun
Sail away on ships of wonder”

A real life picture of the CD with the tracklist and the covers of each and every song on the right part of the case. Very well-packaged, indeed!

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🎵🎵🎵🎵🎵🎵

Finally, I just want to say that to me, this is one of the most expected and successful debut albums of all time. Ritchie and Ronnie are an amazing team and I wish Ronnie was still with us to continue working together… I am very glad I bought the album and I would recommend it to everyone who enjoy rock music from the 70s. The album possesses an essence…a special and unique atmosphere which is no longer present in today’s music; not to mention quality songwriting and brilliant musicianship… Catch the rainbow!

Me, enjoying the newest addition to my CD collection!

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