[90s] [Album Focus] Best-Selling Soundtrack Of All Time – The Bodyguard: Original Soundtrack Album

Greetings!

So I’ve been meaning to dedicate a publication to the greatest soundtrack albums of all time, however due to busy schedule I’m afraid I cannot do it at this point. Instead, I decided to focus on just one for the – the best of the best, the greatest of the greatest and the best-selling soundtrack albums of all time – Whitney Houston’s “The Bodyguard”.
As I always do, I’m going to start the post with some background information…Back in the day, especially in the 80s and in the 90s there was a heavy cross-media promotion. Unlike today, in the past a media product was usually heavily tight with other media products such as books and music. The movie industry started relying heavily on soundtrack in order to boost the popularity of the movie – it was the other way around as well – soundtracks were relying on the movies to boost their sales. Basically, films and music were together in an inseparable marriage. I don’t know what actually happened, however… – nowadays I feel like movies don’t really invest much in memorable and grandiose soundtracks the way they did before. Time has surely changed…
The practice of cross-promotion between a movie and a soundtrack became a trend since the introduction of Television back in the 50s and 60s. It was a brilliant win-win strategy which left us with the most memorable movie themes and songs ever! Helping the other industry out and capitalizing heavily at the same time became a major business model. Simply all the movie and music producers were working together in order to create a unique and memorable artistic product. In addition, 70s and the 80s marked the rise of blockbusters – you know, those high budget and incredible movies featuring all the famous stars and great effects. Blockbusters have always relied on promotions and heavy exposure to the public in order to obtain revenues – that’s only natural. One way to gain additional promotion was to use music – which of course became the most powerful tool! I’m not sure what the correct line of events is though – one could argue – is the soundtrack promoting the movie or the movie was promoting the soundtrack!? See, that’s what I’m talking about – those two media products were inseparable and had a huge impact on one another! The music of a movie simply represents the spirit and the identity of the movie itself – it is as equally important – no second opinion about that! Little by little, from just one or two theme songs, the idea of a whole album became a cultural phenomenon –producers started investing on whole albums filled with music from the movie. I believe it all started with Saturday Night Fever – one of the greatest soundtrack albums of all time, that’s for sure (kudos to BeeGees). Once it was established that such albums are extremely popular and well-accepted from the audience, everyone just simply jumped on the bandwagon – soundtrack after soundtrack – great albums after great albums. I mean, who can ever forget the original soundtrack albums of “Flashdance” or “Footlose” or “Dirty Dancing”? – no one that is…

Going back to the greatest soundtrack of all-time… I don’t think the album or the movie needs much introduction. It’s one of the all-time classics which will simply remain in history for their brilliance…I will focus on the soundtrack album because it’s an album-related publication, after all. So here we go…the best-selling soundtrack of all time by the princess of pop herself…


 

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Released: November 17th, 1992
Genre: Pop, RnB
Label: Arista
Producer: Clive Davis, Whitney Houston, Jazz Summers, Tim Parry
Tracklist:
*“I Will Always Love You”
*“I Have Nothing”
*“I’m Every Woman”
*“Run to You”
*“Queen of the Night”
*“Jesus Loves Me”
*“Even If My Heart Would Break” (performed by Kenny G and Aaron Neville)
*“Someday (I’m Coming Back)” (performed by Lisa Stansfield)
*“It’s Gonna Be A Lovely Day” (performed by the S.O.U.L.S.Y.S.T.E.M.)
*“(What’s so Funny ‘Bout) Peace, Love, and Understanding” (performed by Curtis Stigers)
*“Waiting for You” (performed by Kenny G)
*“Trust in Me” (performed by Joe Cocker, featuring Sass)
Singles: “I Will Always Love You”, “Someday (I’m Coming Back)”, “I’m Every Woman”, “I Have Nothing”, “Run to You”, “Queen of the Night”, “It’s Gonna Be a Lovely Day”


 

The album features a bunch of  other artists – many people think it’s just her songs; however that’s not the case. We have Lisa Stansfield and Kenny G and of course, Joe Cocker…all brilliant musicians and voices. The album was co-executive produced by Whitney Houston and the great Clive Davis – the person behind ARISTA records. Whitney had full control over the album – she chose specifically each and every song. The theme song was supposed to be a completely different one; however they lost it to another movie.Can you imagine that – one of the greatest ballads of all time – the ballads of the ballads, the most powerful and tear-breaking performance by a female artist almost didn’t happen….Whitney’s male co-star – Mr. Kevin Costner was actually the one who suggested that they should record “I Will Always Love You” as the theme song. Maybe some of you don’t know but the original song was written and performed by Dolly Parton – the famous country diva. How did they manage to transform such a slow, rather boring and I’d say “background” music to this amazing and powerful composition, I have no idea. Kudos to the brilliant producers!
The success of the album was almost immediate. Whitney became the first act to sell more than a million copies of an album within a single week period! This makes the album the fastest-selling album in the history of music! She also won a Grammy and for the album of the year and the RIAA certified the album 17 times Platinum. Over 44 million copies have been sold worldwide to day, which makes the album the best-selling soundtrack of all time – well, how can it not be?

Of course, the album is mostly remembered by the phenomenal ballad we all know and love with all our hearts – “I Will Always Love You”. The song appealed to all markets and to people of all ages – it was a mixture of soul, RnB, pop and contemporary music. It also received huge airplay. The single spent fourteen weeks at number one on the Billboard Hot 100. The album itself topped the Billboard 200 for 20 weeks. The following singles that were released from the album followed the success of the theme song – with “I’m Every Woman” (a Chaka Khan cover) and “I Have Nothing”, Whitney Houston became the first female act to have three songs in the Top 20 at the same time.

Not only was the soundtrack a musical phenomenon and a complete triumph, but the movie itself simply became one of the greatest romance stories of all time. This whole project once again proves my point – cross-promotion is needed and it should be very well thought of! In this case, the movie promoted the soundtrack and vice-versa. The results – smashing box-office success and the greatest and most memorable ballad of time… In my opinion, the powerful an unmatched vocal delivery of Whitney Houston and the success of the album completely overshadowed the movie. However, in this case it turned out just great!

There’s absolutely no point in talking about the quality and excellence of this soundtrack – just listen to the songs and lose yourself to the feeling… Every song is so inspirational and so well-crafted that you just can’t stop replaying. That’s the magic of Whitney’s voice and her aura in general – she is able to convey so many emotions with her voice that at one point you just don’t know whether to cry, smile or be happy. I grew up listening to this album (yes, I have it in my CD collection, of course) and it just means the world to me! I am extremely sad that we lost this gorgeous queen and will always wish I could go back in time and enjoy her projects all over again…
One thing I have to say, she was also a brilliant actress and we can most certainly see it in “The Bodyguard”. I miss her and I will always love her…
Also, I wish they could make great soundtracks like this one nowadays – I’ve been waiting and waiting but so far all we have does not deserve to even be mentioned… Let’s wait and see….

Velina

xoxox


Credits:
“The Bodyguard: Original Soundtrack Album” by Arion Berger, November 13, 2013, retrieved by Rolling Stones Magazine
“Top 10 Best Selling Movie Soundtracks”, retrieved by http://www.sky.com
“The Bodyguard (soundtrack)”, retrieved from Wikipedia

 

5 Unforgettable Michael Jackson Duets & Collaborations

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Greetings, everyone!

Today’s publication is very special to me, since I am going to talk about the greatest entertainer that ever lived. The idea behind the publication came to me this morning when I was simply listening to the playlist I have on my phone and suddenly it played “Beat It” by Michael Jackson. As we all know, the song features Eddie Van Halen’s instantly recognizable and brilliant guitar riffs. This made me think about other famous and everlasting collaborations and duets he did throughout the years. I don’t think right now I will have the time to actually list all of them – they are that many. However, I wanted to present and cover at least five of my ultimate favorites and of course provide some background information about the projects.

It was very difficult to decide what to begin with actually, since we are talking about the King of the Kings – the person who did so much for the music industry – not only he broke the racial barrier on TV but he was also one of the greatest philanthropists. He gave the world something much more than music. Personally, I don’t think anyone can match his success or stage persona – he was that good. I was so lucky to be probably the last generation to be influenced by his music on such high levels. It is such a shame that we lost him…
Back to the publication, I don’t really think there were, are, or will be, any entertainers greater than him. However, he was a humble and gentle soul, everybody admired him and he had numerous friends in the industry. Throughout his career he made some unforgettable collaborations and duets with other artists. We grew up listening to those songs and we are still doing it – who can forget “USA for Africa” or “Beat It”? – No one.
I chose to talk about 5 songs in particular – my personal five I would say. In the future, I would most certainly plan on publishing a “part 2” so stay tuned for more. The following list of songs are not numbered chronologically or based on commercial success, popularity or any other recognition. The list simply reflects my preferences.

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“Beat It” (featuring Eddie Van Halen)
ROCK meets POP

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I won’t lie – the reason why I love this song so much is because of Eddie’s distinctive and powerful guitar riffs. Everyone who knows me is well aware of how much I love Van Halen, so it was only natural to begin with this song. Another reason why I chose to start with “Beat It” was because of its background story. The song itself was the third single from the singer’s sixth solo album, Thriller and it was released on February 3, 1983. It ultimately topped all the charts, including US R&B singles chart, US Billboard Top Tracks chart and Billboard Hot 100. Many music critics claim that this song was the best song of the album. I would agree for sure. Don’t get me wrong, I absolutely adore Thriller and Billie Jean and pretty much every song from the album. However, “Beat it” did it perfectly to me. It is a perfect fusion of rock and pop and what a fusion that was!! “I wanted to write a song, the type of song that I would buy if I were to buy a rock song… That is how I approached it and I wanted the children to really enjoy it—the school children as well as the college students,” – He said. The story of how Eddie Van Halen ended up in the song is also pretty interesting. When he was first contacted by Quincy Jones, Eddie thought it was a prank call – really? However, once he realized that Michael really wanted to collaborate with him for a rock song, Eddie quickly agreed. What I love about this story is the fact that Eddie didn’t even ask for money – he simply did it for free. “I did it as a favour…I was a complete fool, according to the rest of the band, our manager and everyone else. I was not used. I knew what I was doing – I don’t do something unless I want to do it,” – Eddie said. His guitar riffs were a bit too much though, so the producers had to reduce the distorted guitar a little. Another interesting fact is that when they were recording his solo, a monitor speaker in the control room actually caught on fire – imagine the power coming out of the guitar! Unfortunately, Eddie was not allowed to be in the music video of the song (Shame!) however he did appear on stage with Michael during Jackson brothers “Victory Tour”. Bottom line is – they were both phenomenal! Eddie was ripping through those notes with the speed of light! He wrote his own guitar solo, of course. However I should mention that the song itself was composed, arranged and written by Michael – and what a song that is!
“You have to show them that you’re really not scared
You’re playin’ with your life, this ain’t no truth or dare
They’ll kick you, then they beat you,
Then they’ll tell you it’s fair…”

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“Say, Say, Say” (featuring Paul McCartney)
Legend vs Legend

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Two music geniuses coming together and creating such an amazing, catchy and everlasting song with probably one of the most memorable music videos ever! The song doesn’t need introduction. In my opinion it is Michael’s most successful collaboration with another artist ever! In terms of commercial success and popularity it is indeed one of the greatest duet songs ever. However, in my opinion the vocal delivery of both Paul and Michael is not as impressive as I would like it to be.
“Say, Say, Say” was released in 1983 and was produced by George Martin for Paul McCartney’s album, Pipes of Peace. It quickly hit number one in charts all over the USA and Europe. It was also certified as gold by the RIAA for sales of more than one million copies in 1983.
During the recording sessions, Michael actually stayed and lived with Linda and Paul with whom eventually he became good friends. The majority of the song lyrics were written by Michael and the song itself was produced by George Martin who worked with The Beatles before. I am sure most of you guys know the story behind the feud between those two but I really think it is hilarious – so I would like to share it once more. During Michael’s stay in Paul and Linda’s house, Paul shared with him how much money he makes from all the publishing rights he bought to hit songs. That is indeed through because if you own the publishing rights, every time someone covers the song or plays it on the radio – you get money. Michael got inspired and eventually bought the company that owned most of the Fab Four’s music catalog – such an irony, right! “…to be someone’s friend and then buy the rug they’re standing on…,” – Paul said.
“What can I do
Girl to get through to you?
Cause I love you, baby
Standing here, baptisted in all my tears
Baby through the years
You know I’m crying…”

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“Scream” (featuring Janet Jackson)
Brother vs. Sister

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Phenomenal! Exceptional! Brilliant! I don’t even know what to say about this collaboration and this song! Not to mention the video which is indeed one of the craziest videos of the 90s – but that is Michael, after all – the king of the music videos! The song is very rough, wild and quite angry I think – it about how media misinterpret and misinform the society. (Quite sensitive and popular topic, especially after the 90s)… In the first half of the 90s, Michael Jackson was often the center figure of media backlash – so he decided that the best way to respond is through his music! Specifically, the song addresses the sexual child abasement claims that were made against Michael in 1993.
In my opinion, however, when we talk about this specific Janet and Michael collaboration, what made it so famous is the music video, rather than the song itself. Don’t get me wrong – it is a song to die for. However, the MV was why it stood out and made such a buzz – both of them took on a much darker and wild persona and took off to space to get away from all the media hustle and bustle. One other thing I wanted to point out is that they both sounded very different from their usual selves, especially Michael. With this song and his vocal delivery, you could tell how frustrated and angry he was – and most certainly was not hiding it.
The single was released on May 31, 1995.
“Tired of injustice
Tired of the schemes
The lies are disgusting
So what does it mean
Kicking me down
I got to get up
As jacked as it sounds
The whole system sucks”

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“State Of Shock” (featuring Mick Jagger)
Fun, Crazy, Pure Rock’n’Roll….

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I love this song! This song and “Beat It” are probably my top favorite Michael Jackson collaborations of all time! Mick Jagger – do I need to say more? Mick brought so much energy, so much passion and so much fun to the song! It was written by Jackson and guitarist Randy Hansen and it reached number 3 on the US Billboard Hot 100 (huh? It deserved number 1)… It was originally supposed to be a song featuring only Jackson’s guitarist Randy, but then they came up with the idea of inviting a rockstar.
Interesting fact, the song was originally supposed to be a duet between Michael Jackson and Freddie Mercury, however their schedules were so different, that Michael eventually recorded it with Jagger. Personally, I think they made the right decision. I don’t wish to compare Mick and Freddie since I adore them both on so many levels; however for this song in particular, Mick’s energetic vocal delivery did it for me!
“State Of Shock” was released in June 1984 “by The Jacksons and it was their last platinum effort.
“The lead singer of the Rolling Stones eyed the phenomenal success of Thriller with envy,”
– said Christopher P. Andersen.
“Mick became obsessed with Michael Jackson” and explained it saying, “He wanted to know every detail about Jackson’s life, his contract with Columbia, how the Thriller singles were selling,…,” said Arthur Collins, then president of Rolling Stones Records.
“You gotta be mine
‘Cause you’re so fine
I like your style
It makes me wild
You take it to me good
Know you should
You get me on my knees
Well, please, baby, please…”

+ bonus – a live performance I absolutely adore – featuring my favorite female rockstar Tina Turner during LIVE AID in 1985

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“Give Into Me” (featuring Slash)
Power, Power, Raw Power…

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After the phenomenal success of “Beat It”, I think it was only natural for Michael to start making more and more projects with famous guitarists. This time, he chose Slash from Guns n Roses and what a perfect match!!! The song is often considered as a hard rock ballad and it was released on February 1993 as the tenth track on Michael Jackson’s 1991 studio album Dangerous.
Many people are sometimes confused when it comes to Slash and Michael Jackson’s collaborations because the guitarist is often associated with the song “Black or White”. However to set the records straight, the song’s main riff is not played by Slash.
“Give Into Me” on the other hand turned into this sensual, wild and rather aggressive heavy metal ballad tanks to Slash’s genius guitar skills. It was also written, composed, and produced by Michael Jackson and Bill Bottrell. Slash also appeared on the music video, as well as other musicians such as Muzz Skillings (Living Color) and Gilby Clarke (Guns n Roses).
“You Always Knew Just How To Make Me Cry
And Never Did I Ask You Questions Why
It Seems You Get Your Kicks From Hurting Me
Don’t Try To Understand Me
Because Your Words Just Aren’t Enough”

This is it for now!
Those are my five most favorite Michael Jackson collaborations of all time!
He was indeed the greatest and whatever he was doing – he was doing it with class, love and a lot of hard work! That is why so many people loved him and wanted to work with him.
I hope I brought back some memories to you guys ~
Stay tuned for more!

 

Velina

xoxoxo

 

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Credits:
“31 Years Ago: Mick Jagger Releases ‘State of Shock’ with Michael Jackson” by Tony Rettman; Retrieved from http://ultimateclassicrock.com
“How ‘Scream’ became the craziest video of the 90s” by Michael Cragg; Retrieved from http://www.dazeddigital.com/music
“Paul McCartney vs. Michael Jackson” by Matthew Wilkening; Retrieved from http://ultimateclassicrock.com/paul-mccartney-vs-michael-jackson-nastiest-rock-feuds/
“10 unforgettable Michael Jackson collaborations” by Andy Huang; Retrieved from https://thebestten.wordpress.com