The Story of Mr. Mister’s “BROKEN WINGS” (1985)

There’s nothing more satisfying and life-enriching than seeing how a beloved song of yours materializes on a stage, performed by the artist who wrote it and introduced it to your life. In November 2016, I had the chance to go to a concert of Ringo Starr and His All Starr Band and as we all know, Richard Page is a respectful member of that glorious supergroup. So, naturally, Mr. Mister’s biggest hit – “Broken Wings” had to be a part of the program. I will never forget that marvelous moment, Page brought so much magic into the whole arena, I even got too emotional.

“Broken Wings” is one of those tunes that can instantly build a bridge between itself and your soul, so that the connection can remain forever. The thrilling opening bass chords signal the arrival of something strong and meaningful, but when Page appears with its soulful “Baby, don’t understand, why we can’t just hold on to each others’ hands…”, your heart just knows that this is going to become one of your songs.

 MV

 

– “Broken Wings” was released in 1985 as the lead single from Mr. Mister’s sophomore album Welcome to the Real World. Co-written by Richard Page, Steve George and lyricist John Lang, the idea of the song, was taken from a poetic novel of the same name, written by Khalil Gibran. The book is about the tragic love between two people, who cannot enjoy their freedom and ultimately their affection, due to social circumstances and pressure.
The three of them wrote the song in about half an hour, which once again proves my theory – when there is talent, passion and an idea, great things happen instantaneously.

–  “Broken Wings” topped the charts in Canada and the States and became a top 10 hit in countries all over the world, including Germany, Australia and Norway.

broken-wings– The iconic black/white MV, featuring Page driving a convertible, became a huge MTV hit and one of the earliest staples of VH1, as the network station was launched on the same year the song was released – 1985.

– The lines, “Take these broken wings and learn to fly” also feature in The Beatles’ song “Blackbird” Paul McCartney and John Lennon were both influenced by Kahlil Gibran’s work.

– The lyrics are probably the most compelling part of the song. The protagonist is singing about a relationship that went downhill, but he hasn’t given up yet. He wants to have a new start and hold her hand once again, as “the book of love” let them in. The role of the broken wings in the context is open to interpretation but the way I see it, he truly loves her and wants her to “learn to live and love so free”. She is the blood that makes him whole and that’s why he is giving her those “broken wings”. She has to learn how to fly again and he will be there to help her. The theme is immensely inspiring and soul-healing, urging you to live life again, love, give second chances and be happy.


Mr. Mister – Broken Wings – 12/14/1985


Ringo Starr & His All Starr Band – “Broken Wings” Live


Broken Wings Lyrics

Baby, don’t understand
Why we can’t just hold on to each others’ hands
This time might be the last, I fear
Unless I make it all too clear
I need you so…

Take these broken wings
And learn to fly again
Learn to live so free
When we hear the voices sing
The book of love will open up and let us in
Take these broken wings

Baby, I think tonight
We can take what was wrong and make it right,
Baby, it’s all I know
That you’re half of the flesh
And blood that makes me whole
I need you so

So take these broken wings
And learn to fly again
Learn to live so free
And when we hear the voices sing
The book of love will open up and let us in

Take these broken wings
You’ve got to learn to fly
Learn to live and love so free
And when we hear the voices sing
The book of love will open up and let us in…

Let us in
Let us in

Baby, it’s all I know
That you’re half of the flesh
And blood that makes me whole
Yeah yeah yeah, yeah yeah

So take these broken wings
And learn to fly again
Learn to live so free
And when we hear the voices sing
The book of love will open up and let us in

Take these broken wings
You’ve got to learn to fly
Learn to live and love so free
And when we hear the voices sing
The book of love will open up for us and let us in…


 

– “Broken Wings” was sampled for Tupac Shakur’s song “Until The End Of Time”, which became a top 5 hit in the UK.


References:
“Broken Wings”, retrieved from http://www.azlyrics.com
“Broken Wings” Songfacts Page: http://www.songfacts.com/detail.php?id=7823
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

In 1990, FIREHOUSE Released a Debut Album of a Lifetime

The Importance of a Debut Album

You never get a second chance to make a first impression and that applies in every sphere of life, including music. A debut album can make or break a musician’s career. That first release is like an immensely important first date with the biggest, most relevant judge in the world – the audience. Therefore, the artists need to strike with their strongest, most exceptional creative weapons right from the very beginning if they want to make a name for themselves in this competitive music market. A successful debut album is essential in the sense that it’s a key to establish a fanbase, not to mention that it sets some sort of standards and expectations for the following projects. Having a powerful debut album doesn’t always walk hand in hand with a powerful, everlasting career; however, it’s indeed a significant aspect to think about when building a reputation. Some great rock acts, like Guns N’ Roses, Boston, Bad Company, even The Beatles, of course, spawned enormously impactful debut albums that stood the test of time. Unfortunately you can’t build a career on just one debut album – you need to develop artistically and be consistent with your releases. Some other rock acts like Elton John, Thin Lizzy and even the great Journey had a rather weak debut but managed to rise from the ashes and come back stronger than ever.

firehouse-debut-2So many rock albums are on my list of “favorite rock debuts of all time”, I don’t even know where to begin with – from Def Leppard’s “On through the Night” to Bad Company’s self-titled debut, from ASIA to Rainbow, the list goes on and on. One of those albums is the album I will be focusing on throughout this publication – the 1990 coming out party of the American glam rocker, FireHouse. Intrigued by the gorgeous power-ballad, “Love of a Lifetime”, I followed its footsteps back to this record where I found out that there was indeed a reason why it was certified double platinum. The album showcases so much talent, effort and what’s so fascinating is that it somehow managed to make a statement during a transitional, rather shaky period in the music world. The time for a debut wasn’t that suitable because grunge basically took over and media, along with fans, just stopped caring about glam rock. Still, what’s good is good and I am sure many people, just like me, appreciate FireHouse and this marvelous album, full of explosive melodic-rockers.

FireHouse

firehouse3Vocalist C. J. Snare, guitarist Bill Leverty, drummer Michael Foster, and bassist Perry Richardson caught the last wave of the glam rock era with a firm grab. What they did with that first release not only got them prestigious awards, including Best Newcomer in the States, but also launched their international success in many countries, including Canada and Japan. FireHouse is yet another band to brag with its supportive fandom and strong presence in the Japanese market and this first album has a lot to do with it.

The band, along with that debut album turned into a much needed breath of fresh air. People were losing interest in melodic AOR records and were waiting for the next big thing. The strong force, known as hair metal, was losing its powers. Suddenly, however, those talented guys came along and spawned a double platinum album in 1990. No one saw that coming but everyone loved it. The quartet, along with producer David Prater, who worked with Dream Theatre, obviously knew how to craft some good old, enduring American hard rock.

Songs and Style

FireHouse was an absolute glam rock revolution, in the sense that they brought so much more than glitter and gold to the table. The critical and audience appreciation was on point – those four guys weren’t joking around – armed with great talent, for FireHouse the sky was the limit. On the surface, to many people it may seem like a regular hair metal album, stuffed with ordinary party rockers with little substance, however once you get to know the songs a little bit better; you will understand why exactly this debut album conquered the world.

“FireHouse” offers a selection of twelve, well-polished pop/metal jewels, which respectfully clogged he radio stations and mesmerized (and still do) the fans with gorgeous riffs and superb vocals. “All She Wrote” – a catchy, humorous rocker which just begs you to find your inner (in my case non-existing) vocal strength and sing your heart out – it’s that captivating! This was the first FireHouse song I heard years ago and it grabbed my attention instantaneously. “All She Wrote” deserved so much more than it got, but then again, chart positions aren’t all that matter, right? “Shake & Tumble” gets its hands on you right from the beginning – those mindblowing riffs are like an energy drink; I can almost taste the power coming out of that tune. The opening track – “Rock on the Radio” is your typical party hard rocker, generating tons of excitement. “Don’t Treat Me Bad” is a sweet mid-tempo radio favorite, showcasing appealing acoustic elements. Another highly compelling tune has to be “Home is Where the Heart is” – I am beyond fascinated with Snare’s vocal delivery on this one, he absolutely kills it.

All She Wrote

Shake & Tumble

Don’t Treat Me Bad

I’m saving the best for last! In case you wonder which band released the greatest power ballad of all time, here’s your answer – it’s FireHouse and you can find it on this album! “Love of a Lifetime” is a simply a ballad of a lifetime. Written by vocalist C.J. Snare, it quickly became a worldwide sensation and their most well known song up to date. Not only that, but it turned into an absolute necessity for every wedding ceremony – the impact and fan love for that song just goes beyond any limits. There’s no surprise, though – just listen to the tune and let it reach every little part of your rock n’ roll heart. Dreamy lyrics, full of hope and encouragement, beautiful solo and heartmelting melody – “Love of a Lifetime” has the whole package.

Love of a Lifetime


What followed?

firehouse-hold-your-fireWhat followed was indeed pure fire! “Hold Your Fire” was released in 1992 and though it couldn’t compete with the debut one in terms of sales, it still left a mark of its own. “When I Look Into Your Eyes”, “Hold Your Fire”, “Reach for the Sky” – all immensely successful hit singles and fan favorites. This right here is a perfect example of a worthy sophomore effort – an album that delivered what the fans expected after the first one. Unfortunately, those were the last good albums we got before grunge hit the music scene and kicked hard rock out of the picture. Nevertheless, I am still here, along with many other fans, who love and haven’t forgotten about bands such as FireHouse! Cheers!


References:
“FireHouse” Album Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(album)
FireHouse Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(band)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] EUROPE In 10 Outstanding Rockers

europe-band-collageAs a proud European, it’s only natural for me to be a huge fan of Europe; as a matter of fact they are among my most beloved hard rock acts of all time. I feel pretty excited to be writing this because the connection I share with those guys is too strong and I do have to say a thing or two about their fantastic career, spawning some of my favorite songs of all time.

Originally named Force, the Swedish band of vocalist Joey Tempest, guitarist John Norum, bass guitarist Peter Olsson, and drummer Tony Reno is a solid example of how dreams do come true as long as you are not afraid to try and give it your all. From innocent beginnings to becoming an international sensation in the mid-1980s, Europe definitely proved that you don’t have to be British or American to know how to produce quality rock n’ roll and  conquer the world with it. After a moderately successful self-titled debut album (1983) and a strong evolution with “Wings of Tomorrow (1984), Europe caught the attention of the right people who knew exactly what to make out of those outstanding musicians. In May 1986, the world welcomed “The Final Countdown” – a record and a title track known by each and every person on this planet, I believe. Kevin Elson, a mastermind producer, who worked with Journey stepped in and shaped what is known as one of the most era-defining records of all time. Europe kept on delivering impressive rock in the following “Out of This World” (1988) and “Prisoners in Paradise” (1991). Unfortunately, just like many other hard rock bands on the market, Europe also stumbled and fell over the sudden grunge outburst in the early 1990s. Despite releasing a phenomenal record in that magical 1991, they received little appreciation, making it one of the most underrated albums in my book. After a little break, they got their act together and released some decent albums, including the most recent one “War of Kings” (2015). What comes next for Europe? A worldwide tour, celebrating the 30th Anniversary of that groundbreaking record that redefined the 80s! They surely still got it!

In honor of “The Final Countdown” and because I am a huge fan of Europe, I prepared this little playlist of 10 songs, which I believe best represent the band and their exciting sound. The playlist is suitable for people who are meeting the band for the first time, as well as to those who want to experience good music all over again! I am not discriminating against their newer releases (they are very good, actually) but for me personally, the first five albums are the greatest pieces of work they have done so far and whatever I do, I always go back to those classic rock jewels.

Cheers to Europe!


All or Nothing

The opening track of “Prisoners in Paradise” (1991) has to be my most beloved Europe tune of all time. Captivating guitar intro that progresses in catchy hard rock rhythms, accompanied by Joey’s mesmerizing vocals – this song is everything. If you are the type of person who likes solid hard rock, characterized by hooky melodies to sing over to, this is the tune for you. The lyrics are not as impressive as the melodies, but still pleasing and easy to sing:  All or nothing at all, There’s nothing I won’t do, And the one thing I want, All of is you…”


I’ll Cry for You

“I’ll Cry for You” became the reason why I fell inlove with “Prisoners in Paradise”. The instant attention-grabbing keyboard intro is transforming into a guitar-paradise and bittersweet lyrics that really get under your skin “…I wanna give you my heart, Give you my soul; I wanna lay in your arms, Never let go…”


Girl from Lebanon

Very unique and intriguing concept right here. “Girl from Lebanon” yet again came out from “Prisoners in Paradise” and in my opinion is one of their greatest works. Those thunder riffs are unforgettable, John Norum is simply killing it on this one…


Wings of Tomorrow

The title track of their sophomore album, “Wings of Tomorrow” (1984), clearly showcased a progress towards the right direction. Raw, straightforward, hitting you hard with no preparation whatsoever, this is definitely my favorite tune from the album. Of course, it’s a bit far from that polished sound we get to experience on the junior record, but equally interesting and worthy of appreciation.


“Out of This World” (1988) spawned four internationally successful singles, among which “Superstitious” and “More Than Meets the Eye” stood out the most to me and to the majority of Europe fans, actually. Following the well-established “The Final Countdown” formula for success, Europe defended the title of the kings of European melodic rock with that album. Both songs impress with catchy riffs and simple, yet charming lyrics.

Superstitious

More Than Meets the Eye


Seven Doors Hotel

“Seven Doors Hotel” was Europe’s first single, released from their debut album back in 1983. This song signalled the arrival of a great songwriting force. That’s right, I am talking about Joey Tempest who at such young age, with no experience whatsoever demonstrated such talent. “Seven Doors Hotel” was actually one of the first songs he had ever written. It became an enormously successful hit single in Japan. Interestingly, Europe are actually one of the few Western bands that became a strong force on the Japanese market back in the day. Even nowadays, Japanese fans love them to death!


coverI will wrap up my playlist with three hit singles from “The Final Countdown” (1986) – the spirited party-anthem, “Rock the Night”; the gentle power ballad, “Carrie”; and of course the monstrous hard rocker, “The Final Countdown”. Each of these tunes have its own uniqueness and became an absolute staple of ‘80s rock scene. You don’t have a party without “Rock the Night”, you don’t create a power-ballad playlist without “Carrie” and you don’t associate with people who don’t like “The Final Countdown” – simple as that!

Rock the Night

Carrie

The Final Countdown


+Bonus Track

Little Bit of Lovin’

There is just something very special about “Prisoners in Paradise” and I want you guys to really feel it. I may have included a lot of tunes from that album, but I stand by what I said – it’s their most deserving work.


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] My Top 10 ALAN PARSONS PROJECT Songs

alan-parsons

Thank God Alan Parsons and Eric Woolfson – two of the most notable geniuses of progressive rock, decided to join creative forces in 1975 and create The Alan Parsons Project, a band whose presence entirely redefined progressive rock and the music scene of the time. Accompanied by talented session musicians and various vocalists, The Alan Parsons Project quickly established a name as the ultimate pioneers of concept album releases.

Alan Parsons, or as I like to call him Mr Everything, already had a long list of achievements, including engineering Pink Floyd’s “The Dark Side of the Moon” and helping with The Beatles’ “Abbey Road” and “Let it Be”. For such an outstanding songwriter, audio-engineer, producer, signer and most importantly – a man with a unique perspective and approach to music, the sky was the limit. He saw a respectful partner in crime in the early 1970s in the face of the equally talented lyricists, vocalist and multi-instrumentalist Eric Woolfson and… the rest was history.  

The Alan Parsons Project debuted with in 1976 with a concept album titled “Tales of Mystery and Imagination”. The band’s identity was yet to be solidified, though. In the years to come, the duo crafted groundbreaking albums like “I Robot” (1977), “The Turn of a Friendly Card” (1980), “Eye in the Sky” (1982), “Ammonia Avenue” (1984) which cemented the duo as one of the highest and most important British progressive rock towers in the mid-1970s and 1980s.

In their 40-year career, Alan Parsons and Eric Woolfson managed to craft some serious magic. Ten studio albums, each with its own thought-provoking concept, spawned numerous timeless hit singles, still relevant and appreciated by (progressive) rock fans all over the world. Heavily-orchestrated, enigmatic, a bit melancholic even, decorated with powerful lyrics – their music has always been my biggest soothing agent. It is impossible to cherry-pick ten songs from their extensive catalogue and label them as “my absolute favorites”, however I did my best to at least craft a reasonable playlist for the fans who wish to experience the music of The Alan Parsons Project. I do hope you enjoy it!


Eye in the Sky (1982)

The mesmerizing “Eye in the Sky” is among Alan Parsons Project’s biggest commercial successes. Coming from their 1982 album with the same name, the track brought them top chart positions in countries all over the world. Eric Woolfson provided lead vocals for “Eye in the Sky”, which perfectly aligned with the soothing, quiet, yet funky and thrilling rhythms of the song. The lyrics are what captivate the listener the most, in my opinion. Just listen…


Games People Play (1980)

“Games People Play” – another immensely satisfying tune, this time coming from Alan Parsons Project’s 1980 album “The Turn of a Friendly Card”Lenny Zakatek brought so much life into the tune with his memorable vocals. The concept of the song is pretty straightforward, directly related to the overall theme of the record. The lyrics are once again the strongest point, at least to me.


Time (1980)

“Time” comes from “The Turn of a Friendly Card”(1980) and is in my opinion one of the saddest songs ever to be made. Eric Woolfson’s quiet and gentle vocal delivery is everything but comforting. – It just makes me so emotional. Interestingly, this is one of the few songs in which we can hear Alan Parsons himself singing on the background.


Sirius (1982)

“Sirius” and “Eye in the Sky” are meant to be listened one after the other; however I separated them because the 2-minute instrumental has its own charm and sometimes I just play it on a loop, without moving on to the next tune. “Sirius” segues into “Eye in the Sky” and both were usually played as a package on radio stations. The instrumental, however, made a name for itself by becoming an opening number for many sport events.


Ammonia Avenue (1984)

The title track of Alan Parsons Project’s 1984 “Ammonia Avenue” album became one of the reasons why I got into the band in the first place. It seems like songs, performed by Eric Woolfson somehow always get to my heart. A little bit dramatic, but highly enjoyable, this soothing tune has often been there to help me when I am feeling down. I highly recommend it to everyone, it’s just so calming…


Children of the Moon (1982)

“Eye in the Sky” is indeed a very special album to me, as you can see. Another tune from that fabulous progressive rock extravaganza found its place in my top 10. “Children of the Moon” with David Paton on vocals is a rhythmic treasure with a sweet reggae aftertaste and gorgeous lyrics. Have a listen~


Some Other Time (1977)

Alan Parsons Project’s 1977 “I Robot” was their coming out party. Filled with outstanding progressive rock jewels, the record signalled the arrival of a strong prog rock force. The epic “Some other Time”, performed by Peter Straker and Jaki Whitren, stood out to me with its triumphant horn sections and memorable lyrics.


In the Real World (1985)

This tune represents a stronger, more rock-oriented side of Alan Parsons Project which is equally intriguing and worthy of appreciation. “In The Real World” comes from their ninth album, titled “Stereotomy” (1985). The highlight of that record has to be the instrumental “Where’s The Walrus?” which even got them a Grammy Award. However, the uplifting rocker “In The Real World”, performed by Graham Dye, appealed the most to me.


Pipeline (1984)

“Pipeline” is one of the alluring instrumentals on “Ammonia Avenue” (1984) and generally, one of my favorite instrumentals of all time. Alan Parsons Project just know how to craft a time-enduring pieces of art that are equally intriguing with or without lyrics.


Separate Lives (1985)

Alan Parsons Project’s 1985 “Vulture Culture” was probably the last commercial and critical success of the duo. The ‘80s arrived and with them new musical trends, directions and possibilities. There was just little room left for progressive rock. Nevertheless, I find this record to be exceptional, especially “Separate Lives”, once again performed by Eric Woolfson.


+ I Wouldn’t Want to Be Like You (1977)

A bonus tune – “I Wouldn’t Want to Be Like You” from Alan Parsons Project’s highly successful “I Robot” (1977).  Vocalist Lenny Zakatek brought so much to the table, it was no wonder that later on he would sing so many of the band’s songs. You can’t but be compelled by this funky, disco-sounding tune!


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Remembering Greg Lake (1947-2016)

greg-lake-65I am writing this publication with tears in my eyes but I really felt like saying a little something to the person whose voice and music brought me so much comfort and joy when I really needed them. Greg Lake passed away on the 8th of December 2016 (age 69) after he lost a long battle with cancer. He was the frontman of King Crimson and Emerson, Lake & Palmer – two bands that defined progressive rock and completely changed the course of music history with their extraordinary musicianship, experimentation with hard rock and symphonic elements, profound lyrics and never-seen before technicality. Two unbelievably talented bands, both led by Greg Lake – one of the most emotionally-fueled voices of rock music; a voice that always found a way to touch people’s souls and make them fly. I cannot believe we lost him…

My progressive rock journey started with ELP and in particular the song “Still…You Turn Me On”. I will always remember how immensely captivated I was by the bizarre, but gorgeous instrumentation, stunning lyrics and of course, Greg’s vocals that just sent me to another dimension. I felt so attracted to this song; my body, my mind instantly reacted and by the time I knew it, I was already listening to their entire discography. ELP opened a new chapter of my life and for that I will always love them. “Brain Salad Surgery”, “Trilogy”, “Pictures at an Exhibition” – all albums that showed me the true depth of music. One reason why I connected so much with the band was of course Greg Lake. His tender, calming voice was there to help me fall asleep while I was going through some tough times and couldn’t even close my eyes; his music guided me through the dark roads of despair and stress. They say that music helps the pain fade; for me, it was the music of ELP, fronted by Greg that helped me fight my demons and made me feel alive again.

After ELP, I moved on to the debut album of King Crimson “In the Court of the Crimson King” which many people refer to as “the birth of progressive rock”. In songs such as “Epitaph”, Greg perfectly demonstrates how immensely talented he is. I could listen to that song for ages and never get tired of hearing his mind-altering delicate voice. Just listen to his isolated vocals – that’s the kind of experience you will never get from music, being released nowadays. Greg Lake delivered sadness, comfort, happiness, sorrow…the whole rainbow of emotions trough his singing and believe me, for that he will always be appraised and loved.

Keith Emerson died earlier in 2016 and now we lost Greg Lake in the last month of 2016. Carl Palmer remains the third and final member of ELP to be alive. I am still in shock and refuse to believe that one of my favorite bands is down to its final piece. 2016 took so many lives and in my book it’s simply going to be remembered as “the year music died”.

No one is ever prepared and the loss is huge but I am glad that the world was able to witness his musical creativity, passion and vision. Greg Lake will be remembered as a first-class producer with a heavenly voice and an unforgettable approach to music. I will remember him as the artist who lovingly brought harmony and peace in my life. Thank you so much for your music! Rest in peace, my love….


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Song of the Week: PRIDE OF LIONS – THE TELL

As a huge fan of Jim Peterik – as a matter of fact, he is in my top 5 favorite songwriters of all time, I was immensely excited to find out that Pride of Lions are releasing a new record next month. “Fearless” will be out on the 27th of January 2017, under Frontiers Records and it will be their seventh album, following “Immortal” (2012).

Just for a second there I thought that there was nothing exciting coming out next year! Not only that but, 2017 will start with a blast (at least for me). “The Tell” was released last week (29.11.2016) on YouTube and I haven’t stopped listening to this gorgeous tune ever since. It’s my choice for “song of the week” because I think it truly deserves it! I hope the rest of the album is going to be as intriguing as this tune. Haunting lyrics about a woman who is giving off signals she’s not really aware of, (I already know it by heart), A-level vocals and very pleasing instrumentation – this track was everything I’ve wished for!

Have a listen!



P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] 10 Classic Rock Songs With A Girls’ Name In The Title

names

Crafting playlists is my favorite thing to do – I am sure you already know that if you follow my blog or follow me on Twitter. I try to collect classic rock songs that share similarities in terms of themes, lyrics, titles, instrumentation and many other characteristics.

The idea of coming up with a playlist, featuring classic rock songs with a girl’s name in the title came to me the other day as I was listening to the playlist I have on my phone (it’s on shuffle, of course). First it played Toto’s “Rosanna” and then it jumped to Boston’s “Amanda” – such an interesting coincidence. Then it hit me – there are so many beautiful rock tunes who share that exact same peculiarity! Most of all, it was one of the biggest trends of the ‘70s and the ‘80s. Nowadays we don’t really observe such fashion; however as you will see in the following mixtape, every major rock act had at least one or two songs that were titled after a girl’s name. From AC/DC to Ramones; from Derek and the Dominos to Boston – all major artists loved to sing about that special girl with the gorgeous name. One more thing, pay attention to the names – all vocally strong, ending in –a or –e, aimed at creating a lasting memorable impact.

There are plenty more to add, however I had to draw the line somewhere! Feel free to add your choices on the comment section or on Twitter! Cheers!


Boston – Amanda (1986)

Derek & The Dominos – Layla (1970)

Toto – Rosanna (1982)

Europe – Carrie (1986)

Steve Perry – Oh! Sherrie (1984)

The Police – Roxanne (1978)

Rod Stewart – Maggie May (1971)

Ike & Tina Turner – Proud Mary (1970)

The Rolling Stones – Angie (1973)

The Kinks – Lola (1970)

+ Bonus Tracks

AC/DC – Whole Lotta Rosie (1977)

 Ramones – Sheena Is a Punk Rocker (1977)


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~