The Story of Bonham’s 1989 Debut,”The Disregard of Timekeeping “

When you are the son of one of the members of probably the biggest rock act out there and carry that colossal family name “Bonham” you don’t really have much of a choice, except to fully embrace that musical spirituality you were born with. As a person who grew up in a family of musicians, I can’t but relate to that – that passion for music and the burning desire to be part of that world are running through your veins and absolutely nothing or no one can change that.

jason-bonham-32Jason Bonham, being born into the big Led Zeppelin family, has been drumming ever since he was a little kid, naturally. At the age of four, he appeared alongside his father on that “little” film, “The Song Remains The Same” and the rest is …one hell of a rock&roll ride! By the age of 17, he was already opening up for AC/DC and Queen with his band Air Force. That should tell you something! Throughout his long and productive career, he has collaborated with major names, such as Jimmy Page, Paul Rodgers, Foreigner, Sammy Hagar, UFO and many more. He has done a great job and his father would’ve been so proud of him! Excellent drummer, a brilliant songwriter and a dedicated artist who always gave and keeps on giving his all – Jason Bonham is the perfect example of how nothing in life should be taken for granted, even a royal family name. You gotta work twice as hard and make your own path of success!

One of the many outstanding things he did was forming the hard rock band Bonham in 1989. Together with the one-of-a-kind singer Daniel MacMaster, bassist/keyboardist John Smithson and guitarist Ian Hatton, they truly had all the right characteristics to be the next big name in the late ‘80s/early ‘90s rock music scene. For one reason or another, however, the band lasted for about two albums only. Nevertheless, Bonham still enjoyed a certain amount of commercial and chart success, as well as one lengthy tour and of course, tons of radio airplay. Arguably, “The Disregard of Timekeeping” has to be the better album out of the two they released. I thought it’s high time I featured this glorious hard rock typhoon on my blog!

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Released: 1989
Genre:
Hard Rock / Hair Metal
Duration:
57:00
Label:
Sony Music Entertainment (CBS Records)
Producer(s):
Bob Ezrin

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The Album:

  • “The Disregard of Timekeeping”, the first actual attempt of Jason Bonham to hit it big commercially, became a reality in 1989. The project caused quite the stir among the rock fan communities but it was only natural – the son of legendary Led Zeppelin drummer was about to unleash a new force to the competitive hair metal musical market and fans just had to see through it all!

    The powerful, instantly recognizable drumming techniques of Jason weren’t going to be enough to carry the weight of the band. Daniel MacMaster – a Canadian-born vocalist (ex-Scorcher) was recruited to complete the picture, along with influential bassist John Smithson and lead guitarist Ian Hatton. The final touches were added by producer Bob Erzin who significantly helped in shaping the band’s distinguishable contemporary sound.

    The Led Zeppelin comparisons were inevitable and immediate. No one expected it to be otherwise. Was it more because of people’s already fixed perceptions of what to expect from the band or because it was actually true, Bonham’s debut album “The Disregard of Timekeeping” does have a part of that Led Zeppelin vibe. Also, is it just me, or Daniel MscMaster does sound a little bit like Robert Plant?

    Daniel’s tenor, in combination with Jason’s drum domination perfected a superb AOR sound, which unfortunately wasn’t good enough for the English audiences. Then again, let’s not forget that that’s exactly what happened with Led Zeppelin back in the day! Bonham’s debut album didn’t even find a spot on the English charts. Canadian and American fans, however, were as always more welcoming and gave the band the chance they deserved. A top 40 position on the Billboard 200 Chart and a top 70 position on the Canadian charts, in addition to hitting the gold RIAA status were just a couple of the outcomes. Successful, never-ending tours with major bands, like Bad Company and The Cult granted them an even more favorable position in the hearts of American audiences.

The Songs:

  • “The Disregard of Timekeeping” spawned two singles, both becoming absolute classics of the genre. The Top-10 song, “Wait for You”, credited to all four members of Bonham, turned into an absolute sensation and probably the biggest hit of their career. To fully experience the magic of “Wait for You”, you have to listen it right after the opening instrumental, which bears the same name as the album. The tune itself was of course, a perfected product of the era, but why would we be mad about it? It’s a catchy, sensual, haunting even rock composition, which despite often forgotten, could easily match any other big title from the era. I am a sucker for rock songs that feature a string section. “Wait for You” does hint a little bit of that epic string feeling but it’s their second single – “Guilty” that truly made me fall in love with that album. It just has it all – a mesmerizing intro, unparalleled vocal delivery by Daniel MacMaster and that soul-demolishing violin solo by bassist John Smithson that is sending me to another dimension.

    “Bringing Me Down” is another highly memorable moment on “The Disregard of Timekeeping”. Perhaps that Led Zeppelin influence is way too obvious on that one, but I can totally forgive and forget about it. “Holding On Forever” and “Don’t Walk Away” are the songs I love to crank up because that’s the only way you can do justice to their captivating, thrilling sound. “Playing to Win” is winning me with its lyrics. “Cross Me and See” is another mid-tempo doze of instant satisfaction. “Just Another Day” is a personal favorite, yet again thanks to that exciting string section which just dances with my soul in a beautiful, shattering rhythm. Symbolically, the album wraps things up with a song, titled “Room for Us All”. We live in a forever-changing world but yes, there’s always a room for talented and spirited artists who do things for the right reasons.

What followed next?

  • The perks of that newfound glory, included a busy rockstar lifestyle, lengthy tours and tons of pressure, coming from all directions and people. New management, along with drug and alcohol problems were just a couple of the obstacles, Bonham had to deal with. Vocalist Daniel MacMaster even said that he never wanted to sing again – he was that mortified by the music industry.

    mad-hatter-bDespite all, in 1992, however, Bonham did come back with a sophomore album, titled “Mad Hatter”. Unfortunately, the album wasn’t even half as successful as the debut one was. On top of it all, it was 1992 –people were shifting their preferences towards the big grunge movement which eventually wiped out hard rock acts, including Bonham. Nevertheless, I still consider the sophomore album as a solid effort; definitely not as good as the first one and obviously the band was trying hard to distance themselves from that Led Zeppelin-influenced sound, but still, I give it full points.
    Jason Bonham is still as active as ever, mostly occupied with his Jason Bonham’s Led Zeppelin Experience project, touring all over North America.

 

RIP Daniel MacMaster (July 11, 1968 – March 16, 2008)

daniel


Guilty

Wait for You

Bringing Me Down

Don’t Walk Away


References:
“Bonham” Official Wikipedia Page: https://en.wikipedia.org/wiki/Bonham_(band)
“The Disregard of Timekeeping” Official Wikipedia Page: https://en.wikipedia.org/wiki/The_Disregard_of_Timekeeping
+ Information about the album, referenced from the CD Booklet I own

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~

’90S ROCK BLAST: SLAUGHTER – Stick It To Ya

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Released: January 27, 1990
Genre: Glam Metal / Hard Rock
Duration: 49:02
Label: Capitol
Producer(s):
Dana Strum, Mark Slaughter

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OVERVIEW

What an explosive start of a new decade! American hard rock band Slaughter debuted in January 1990 with what quickly turned into one of the best-selling and most beloved albums of the year. “Stick It To Ya” was like a much needed slap in the face – the audience was waiting for someone to come and finally wake them up! The ride, unfortunately, didn’t last that long. Slaughter became one of the last glam rock bands to enjoy a significant amount of success before that grunge wave wiped them all, together with other talented acts, such as Winger, Danger Danger, Giant and many more. Nevertheless, thankfully, they still managed to leave this beautiful piece of hard rock music behind and now, 27 years later, classics like “Fly to the Angels”, “Spend My Life”, “Up All Night” and “Eye to Eye” are still relevant and deeply appreciated by any rock fan out there.

Vocalist/rhythm guitarist Mark Slaughter and bassist Dana Strum are the ones that deserve a standing ovation for what they showcased on “Stick it To Ya”. It’s such a rare selection of ear-shattering, soul-scratching, mind-blowing rockers – you jump from one track to another and you don’t even know what the hell is going on! All of a sudden your temperature goes up and you want to go do something wild! I gotta say, not many albums provoke such a strong physical reaction; it’s like my body is a volcano ready to erupt! “Eye to Eye” and “Burnin’ Bridges” are like a shot of adrenaline. Mark Slaughter is a one of a kind vocalist and he just knows how to trigger that hidden rebel spirit of yours with his rough, high-pitched voice. “Fly to the Angels” – one of the most beautiful ballads of all time and a #1 hit, is also among the main reasons why this album is such a treasure. There’s no way you will ever forget the touching melody or cruching lyrics of that song. “She Wants More” and “That’s Not Enough” are just a couple of the other standout sexy tunes, all set and done to knock your socks off. “You Are the One” is a personal favorite – a mid-tempo, romantic tune, perfect for any softie out there (like me).

Nothing more to say about “Stick It To Ya”, except – CRANK IT UP and enjoy it to the max! Slaughter became one of the best early-90s hard rock bands and I’m glad they came to the scene, though it was too little too late. Travel back to 1990 and experience Slaughter’s best effort so far (in my opinion). It absolutely deserves any second you will devote to it!


Up All Night

Fly to the Angels

Spend My Life

Mad About You


References:
“Stick It To Ya” Official Wikipedia Page: https://en.wikipedia.org/wiki/Stick_It_to_Ya
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[PLAYLIST] Norwegian/American Rockers TNT Ruled the ’80s With These 10 (Favorite) Songs

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Excluding the dozens of hard rock acts that came out of the United Kingdom, Europe surely had a lot more to offer during the rocking days of the ‘80s. Norway was just one of the other countries on the continent that squeezed out a pretty decent hard rock band that is actually still alive and kicking. Yes, I’m talking about TNT! The non-stopping lineup changes didn’t really prevent the band from releasing twelve studio albums and a couple of really impressive live ones as well. Ever since their promising debut back in 1982, TNT kept things intriguing, especially with their early releases. The first four albums (1982-1989) represent the best stage of their career as they brought nothing but fame and recognition to their name. Moreover, those four releases are all packed up with some incredible hard rock staples which deserved way more love than they actually got back in the day. TNT are in my opinion one of the strongest acts that came out of Europe during the heydays of rock. Can you really imagine a world without AOR treasures like “10,000 Lovers (In One)” or “Tonight I’m Falling”? Because I surely can’t! Let’s listen to some awesome classics by TNT! Hope you guys will enjoy my little playlist, dedicated to TNT’s ‘80s hard rock albums!

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Harley Davison

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I’m kicking things off with the opening track of TNT’s self-titled, 1982 album. The catchy, highly enjoyable rhythmic tune was written by lead vocalist Dag Ingebrigsten and composer Gustav Alfheim. Their first album remained the only one to feature songs with Norwegian lyrics and “Harley Davison” wasn’t an exception. At first, the song was available in Norwegian only and was sung by original member and lead vocalist Dag Ingebrigsten. However, later on, the guys re-recorded the track in English (Thank Thor) many times, with different vocalists and on different albums. Tony Harnell and Tony Mills both did a version of “Harley Davison” in English. Drummer and co-founder of TNT, Morten “DieselDahl also featured this tune on his 1997 release, titled “Recycled”. This time, it was Frode Henriksen on lead vocals. There is also a version with vocalist Jorn Lande! All in all, this turned out to be one of THE songs of their career. Nothing surprising there – the catchy, uplifting tune is able to captivate the hearts of everyone! Not to mention that it’s the perfect song to crank up while you are driving alone on those long and lonely roads and feel like the king of the world.

Norwegian Version

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

From “Recycled”(Diesel Dahl & Friends)

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Eddie

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Similarly to “Harley Davison”, the story of TNT’s “Eddie” also begins from their self-titled debut album. A Norwegian tune, written by lead vocalist Dag Ingebrigsten and composer Gustav Alfheim was simply too limiting to the international audiences, if I may say. Thankfully, the beautiful song was re-recorded for their second album – Knights of the New Thunder” (1984) with new vocalist Tony Harnell as a bonus track. Little by little the Norwegian tunes started to re-appear in English, which of course was the right thing to do. “Eddie” is a breathtaking ballad which I still believe got overlooked. In my opinion it is one of the best songs that came out in 1984 (talking about the English version, of course). The most fascinating aspect of the rocker is the powerful guitar solos, which can easily send you to another dimension.

 

 

 

 

 

 

 

 

 

 

 

 

 


U.S.A

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Another important song for TNT’s (early) career was the anthem “U.S.A” which once again has two versions – one in Norwegian (with Dag Ingebrigsten on vocals) from their 1982 debut album and one in English (with Tony Harnell on vocals), released from their sophomore album in 1984. There is a difference in the lyrics; however, as Tony re-wrote the song before it was officially included in Knights of the New Thunder”. “U.S.A” impresses with its memorable chants and energizing guitar riffs. It’s a great experience, believe me.

Norwegian Version

 

 

 

 

 

 

 

 

 

 

 

 

English Version

 

 

 

 

 

 

 

 

 

 

 


Seven Seas

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The opening track of Knights of the New Thunder” is this beautiful Viking metal/glam rock extravaganza which I still consider one of the highlights of their career. That sophomore album spawned incredible rockers and this one tops them all, if we gotta be honest with ourselves. Tony is a superb vocalist and I gotta say he was certainly the perfect fit for TNT. “Seven Seas” was credited to the entire band and that’s why it’s so special. Moreover, it’s a worthy opening track that captivates you right from the beginning. I am personally enjoying every second of this melodic treasure and I can’t recommend it enough.

 

 

 

 

 

 

 

 

 


10,000 Lovers (In One)

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Time to travel back to 1987 when TNT released their junior album, titled “Tell No Tales”. I have to admit, it’s a recent discovery of mine but it took me exactly one listen from start to finish to fall in love with it! So many magical things are happening on this release and “10,000 Lovers (In One)” has to be one of them – 100% pure Norwegian heavy metal with a little bit of that European flavor that always makes things so interesting. The song is just a solid opening to an excellent ‘80s heavy metal/glam rock album. Fantastic guitars (courtesy of Ronni Le Tekrø), solid melodic hooks and outstanding vocal performance by Tony Harnell – just listen and you will see for yourself! There truly was a reason why this song conquered the American audiences and even won a Norwegian Grammy!

 

 

 

 

 

 

 


Everyone’s A Star

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Everyone’s A Star” is yet another brilliant moment on “Tell No Tales”. I’ve always been amazed by the vocal range of singer Tony Harnell and this song is just another mindblowing example of how great he is! The iconic MV received a heavy rotation on MTV back in the day too! “Everyone’s A Star” is a great song for when you feel down and you need that extra push. I just love songs that make you feel special and brighten up your mood!

 

 

 

 

 

 

 

 


As Far as the Eye Can See

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My third pick from “Tell No Tales” is “As Far As The Eye Can See”. Written by lead vocalist Tony Harnell and lead guitarist Ronni Le Tekrø, it’s yet again a worthy example of how great TNT were back in the day. There’s just so much heart and passion in their music! Not to mention Ronni’s demolishing guitar sounds this should’ve given him a seat among the best guitarists of all time.

 

 

 

 

 

 


Intuition

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We arrived at our final destination – “Intuition” (1989) which has to be my favorite TNT album! Yes, we could easily point it out as their most commercial-sounding album but then again, what’s wrong with that? As long as you do things with love and devotion and you obviously have tons of talent, things will turn out great!
The title track of “Intuition” would be a reason enough to understand what am I talking about. Gorgeous hard rock melodies, spirited guitars, Tony killing it yet again (that man’s an alien I just know it) and tons of good mood! The song is everything you’ll ever need in case you are feeling down! Enjoy!

 

 

 

 


Caught Between the Tigers

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Let’s move on to “Caught Between the Tigers” which impresses with its funky, energetic hard rock sound. You listen to songs like this one and you can’t but wonder why the hell weren’t those guys way bigger back in the day? Why in the name of Thor weren’t Tony Harnell or Ronni Le Tekrø right alongside the biggest names of rock music? Frustrations aside, both this tune and the album are perfect!

 

 


Tonight I’m Falling

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I saved the best for last. “Tonight I’m Falling” is the absolute crown jewel of TNT’s “Intuition” (arguably of their career too) and maybe it’s just me but the song has one of those indescribable auras that bring nothing but happiness and joy to your life. Where do I even begin? The first time I heard it, it was like a door to a new world opened in front of me. The lyrics, the melody, the vocal delivery, the guitars…they all compose this endless river of emotions you just gotta experience. My heart starts beating faster every time I hear the haunting intro. Thank you, TNT for this song and thank you Tony Harnell and Ronni Le Tekrø for writing it.

 


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[POLL] VOTE FOR YOUR FAVORITE ’80S (Power) BALLAD(S)

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It’s time to crown the GREATEST (power) ballad of the ’80s!

The glory days of rock ballads may be long gone, but all those breathtaking mellow tunes are still relevant and still loved by people from all over the world. As a (power) ballad enthusiast and a huge fan of the ’80s rock music scene, I decided to prepare this little poll for my readers to see which one of these tearjerkers will turn out to be the most beloved one!?

Please feel free to participate in my poll or add a favorite (power) ballad in case it’s not on the list! The results will be announced one month from now in a separate publication!

Happy Voting!

 

 

10 Forgotten but Deserving AOR Classics

Bands like Journey, Foreigner, Boston, ASIA, Survivor and many of similar nature were among the big names of the contemporary ‘80s rock music scene. Their radio-friendly, synthesizer-driven, rich in pop/rock hooks sound, guaranteed them a solid presence on the airwaves. By the late ‘70s things had already changed for the radio stations as their Album Oriented type of programming was drifting away from its original progressive roots. Program directors and music experts were carefully choosing a couple of songs from a particular rock album (not necessarily the released singles), possessing that “universal” and “commercial” appeal and consequently what we know as Album Oriented Rock format turned into a predominant new direction on the radio stations.

The above mentioned bands received a lot of airplay on AOR stations, mainly because of their well-established catchy hard rock formula for songwriting and music production. I personally don’t think people will ever forget ultimate classics like Foreigner’s “4” or Journey’s “Escape” which even nowadays can be heard all the time on rock radios from all over the world. However, the following albums and ultimately, bands, can’t really brag about that. For one reason or another, they couldn’t establish a solid name in the industry, despite their enormous talent and beautiful rock music. Most of them got lost in translation due to the rising popularity of grunge in the late ‘80s and the beginning of the ‘90s. Others were “one hit wonders” which people don’t think of that often, nowadays. Nevertheless, I really enjoy listening to the following albums and all of them, despite being somewhat forgotten and lost in time, will always be a part of my playlist. I hope I remind you of some or introduce you to an album or an artist you are not so familiar with! Cheers and let’s listen!

 To find out more about what exactly AOR is, read my full publication here:

What is AOR?


Strangeways – Walk In The Fire (1988)

strangeways-walk-in-the-fire-1988

The Scottish AOR/Melodic rock band, Strangeways debuted in 1984 with an impressive self-titled album, followed by an outstanding sophomore effort – “Native Sons”. Their third album, however, titled “Walk in the Fire” was the reason why I got to know them in the first place. I played the first track – “Where are they Now” and I was immediately captivated by the gorgeous melody and the superb killer-vocals of Terry Brock. Their Americanized sound can be characterized as mixture between Journey, Boston and Bad Company, but with a little something extra. Strageways’ third album which I am presenting to you right now showcases their musical growth and tons of variety, suitable for any rock fan out there (like me) who expects their rock albums to be served with a large dose of great melodies and blasting rock rhythms. In addition to “Where are they now”, some other highlights include the charming power ballad “Love Lies Dying” and the uplifting “Every Time You Cry”.
“Walk in the Fire” didn’t really achieve commercial success, despite its first class AOR qualities. The album, along with the band should’ve been so much bigger back in the day. Nevertheless, they are worth discovering. I can’t recommend this album enough.


Giant – Time to Burn (1992)

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Giant were another one of those immensely talented bands for which the timing just wasn’t right. During the late ‘80s and early ‘90s, all the records companies and music media outlets were shifting their attention and re-adjusting their air time in favor of the newly emerging grunge craze. Giant simply couldn’t compete. Their debut album, “Last of the Runaways” (1989), was somewhat successful, probably due to the ultimate hit ballad, “I’ll See You In My Dreams” and the guitar-driven “I’m a Believer”. However, their sophomore effort – “Time to Burn” didn’t enjoy the same amount of attention and recognition, despite being (in my opinion) better than the debut one in many ways.

“Time to Burn” was released in 1992, which I consider as the last good year of rock music. The album consists of 12 AOR jewels, each better than the one before. It’s a killer collection of rockers, showcasing talent, passion and distinctive style. Giant were not an ordinary AOR band and this album can prove it. From the fiery opening track “Thunder and Lightning” to one of the most emotional power ballads of all time – “Lost in Paradise”, the whole album is one pure melodic heaven. Dann Huff is one of the most expressive vocalists of all time and I can listen to him sing songs like “I’ll be There (When it’s Over)”. Nothing more to say, except get a copy and dive into this AOR treasure!


Fair Warning – Fair Warning (1992)

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The German hard rock band Fair Warning debuted in 1992 (that magical year once again) with a beautiful self-titled AOR album. Despite achieving a moderate commercial success in Japan and some European countries, Fair Warning and the album itself didn’t really make a huge splash in the States, unfortunately.

I listened to the album a couple of months ago for the first time and it was love at first listen. So many intriguing things are happening on this album, I can’t believe people didn’t really pay much attention to it. Every song on “Fair Warning” is a glorious melodic rock anthem. My favorite one has to be the power ballad “Long Gone” which completely re-defined the concept of ballads for me. “Longing for Love”, “One Step Closer”, “Hang On” – all breathtaking AOR classics. If you are a fan of the genre, this is the right album for you. Listen from start to finish and there’s no way you’d be disappointed. Such passion, fuelling “Fair Warning” can rarely be observed.


Mark Free – Long Way from Home (1993)

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Mark Free fronted a couple of glam/hard rock bands such as King Cobra and Single but in 1993, he took off on a journey of his own with an AOR solo debut, titled “Long Way from Home”. The album is the ultimate catch for any melodic rock fan out there. It’s filled with gorgeous vocal performances, impressive hooks and superb keyboard details. “Long Way from Home” offers a great selection of rockers, among which striking tunes like “Someday You’ll Come Running to Me”, “Stranger Among Us”, “State of Love” and “The Last Time” are standing out with breathtaking melodies and lyrics.

Overall, “Long Way from Home” is a bit softer and sweeter but definitely his best work as a performer and as a songwriter, that is in my opinion of course. By 1993, melodic rock was already dead and Mark Free couldn’t revive it with this AOR effort. However, the album is a true masterpiece and nothing can change that. It’s almost impossible to get your hands on a copy but if you do, don’t hesitate to get it!  


Autograph – Sign In Please (1984)

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We all remember Autograph’s signature hit single, the irresistible “Turn up the Radio” which is in my opinion one of the most representative ‘80s rockers. However, there are a couple of other equally enjoyable melodic classics on “Sign in Please” which I believe are worthy of our attention. Night Teen & Non-Stop”, “Deep End”, “Thrill of Love”, “Girlfriends Boyfriend” – all fantastic melodic treasures. The lead singer Steve Plunkett is absolutely killing it on this record! If you are into AOR/melodic rock, you need to have some Autograph in your collection and in particular “Sign in Please” – there’s a lot of passion going on in that album and I can’t recommend it enough.

It’s such a pity that these hardworking LA guys couldn’t enjoy the success they deserved, despite working hard and possessing enormous talent.  I have always been somewhat drawn to Autograph due to their energetic appeal, passionate musicianship and that special “rawness”, which many ‘80s bands couldn’t keep.


Fortune – Fortune (1985)

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Another essential album to listen if you are into ‘80s AOR music. It took me a while to discover Fortune and their 1985 self-titled debut album, but at the end they found their way to my music library. “Fortune” is filled with melodic hooks and catchy lyrics, strictly following the ‘80s AOR formula. “Thrill of It All”, “Lonely Hunter” and the gorgeous ballad “Stacy” are just some of the well-polished and highly appealing rockers from the album.

“Fortune” is very Journey-reminiscent album but that’s not surprising at all. What’s surprising is that radio stations didn’t do much justice for this glorious melodic paradise. This ended up being their only release, unfortunately.


Giuffria – Giuffria (1984)

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American rock band Giuffria (named after the keyboardist Gregg Giuffria) debuted in 1984 with a self-titled album, peaking at #26 on the Billboard charts. The album remained their most successful release but that’s not something to be surprised at – the great Andy Johns, who worked with Free, Quiet Riot, Rod Stewart, Van Halen, Cinderella and many more co-produced “Giuffria”.
The highlight and the most commercially successful single from album is “Call to the Heart”. “Do Me Right”, “Dance” and “Lonely in Love” are some of the other appealing rockers on “Guifrria”. What I love about this album is that it’s very keyboard-driven and I am enjoying that forcefulness track after track. There are no surprises on the record because it once again follows the AOR formula that is designed to appeal to the mainstream audience. However, it’s still a charismatic, perfectly crafted melodic wonderland.

“Giuffria” is one of the most underrated AOR albums of the ‘80s and it makes me so mad because the radio stations should’ve made them kings! Nevertheless, the album will forever remain a must-have by fans who are crazy about everything that is AOR!


Signal – Loud & Clear (1989)

Mark Free once again makes a statement on my AOR list, but this time as the vocalist of Signal. Their 1989 debut album “Loud & Clear” should’ve gotten so much more than it actually did. Every time I think about this album I get so mad, I just want to go back in time and do everything I can to give it all it deserved! For one reason or another (I once again blame it on grunge, though), “Loud & Clear” couldn’t make a name for itself but that doesn’t mean it should be overlooked! The album is filled with impressive AOR hooks, powerful riffs and outstanding vocal performances, guaranteeing a great mood. Where do I begin – “Arms of a Stranger”, “My Mistake”, “This Love This Time” – only a few of the deserving classics from “Loud & Clear”. You can find tons of quality rock music on this album.

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Treat – Dreamhunter (1987)

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There’s just something special about Swedish rock bands and Treat are one of the bands that tells us why. Unfortunately, despite being so talented, they couldn’t become a household name in the 1980s melodic rock scene. There was another Swedish rock band that took all the glory but I won’t be talking about them right now.

Their third studio album, titled “Dreamhunter” is another example of how a perfect AOR album should sound like. However, there was also something quite different about Treat and this release in particular, I believe. It’s a bit heavier and definitely more intense but still capturing that AOR spirit with its smooth melodies and attractive vocals. “Sole Survivor”, “Take Me on Your Wings” and You’re The One I Want” are some of the stand outs from “Dreamhunter”, all impressing with great production value and brilliant melodies.There’s absolutely no way this album can’t win over any melodic/AOR fan.
“Dreamhunter” is very difficult to find but in case you come across it, don’t hesitate to buy it!


Harem Scarem – Harem Scarem (1991)

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I almost forgot about the Canadian rockers Harem Scarem and their 1991 self-titled debut album, which according to many fans is one of the best AOR debuts of all time, despite its moderate success and little to no attention from the US music scene. Harem Scarem never actually broke into the mainstream audience, despite releasing some pretty decent AOR classics, including this album, of course.

“Harem Scarem” has no weak or filler song – each one is a potential radio hit. “Hard to Love”, “With a Little Love” and the gentle ballad “Honestly” are some of my favorite ones from the album. There’s just so much more than beautiful melodies and catchy rhythms. The album has depth and I believe it could easily be felt after just one listen. Don’t even get me started on how great Harry Hess sounds on this record. Overall, the pace is a bit faster and there’s more intensity, a bit metal-like even, but still, Harem Scarem are absolutely killing it with this AOR jewel.

 

 


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

A Dose of Power Ballads from CINDERELLA

cinderella-collage

Among the endless river of glam rock bands, flooding the music scene in the late ‘80s, one band managed to stand out with their enormous talent and exceptional songwriting skills. That’s right, I’m talking about Cinderella, led by the exceptional Tom Keifer. I fell in love with their music and with his instantly recognizable, out-of-this-world, husky voice the moment I heard “Don’t Know What You Go (Till It’s Gone)”. That was a very pivotal moment for me because that’s how I was introduced to one of my favorite bands, Cinderella. Not only that but that song became a very important part of my life and one of the reasons why I fell in love with ‘80s power ballads in general. As a matter of fact, when I talk about power ballads and their dominance during that period, a couple of songs instantly come to my mind, including Cinderella’s “Nobody’s Fool” and “Don’t Know What You Go (Till It’s Gone)”. Why? Well, because those two are the absolute staples of ‘80s power ballads and the ultimate examples of how it’s okay to follow a trend, as long as you have a talent and do things with elegance and style. Those two tunes defined the relatively short-lived (unfortunately) career of Cinderella and honestly if you are going to be remembered by a couple of songs, they better be that good. In our case they are THAT GOOD! On top of it all, those two power ballads are their best-selling songs of all time! That should say something, right?

Cinderella’s catalog, include four studio albums – “Night Songs” (1986), “Long Cold Winter” (1988), “Heartbreak Station” (1990) and “Still Climbing” (1994). Those records spawned some pretty awesome rockers, including “Shake Me”, “Night Songs”, “Somebody Save Me”, “Shelter Me” and many more. Moreover, they housed a couple of groundbreaking tender rock ballads, which I would like to talk about now. The two previously mentioned blockbuster ballads are not the only slow-paced rockers Cinderella can brag with. There are a couple of more gentle tunes, which I believe are worthy of appreciation. If you are a rock ballad freak like me, you would probably enjoy the following playlist quite a lot. Let’s go!


Nobody’s Fool

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“Nobody’s Fool” was released as the second single from their debut album “Night Songs” (1986) and quickly conquered the charts in the States. In addition, it became their second best-selling single, coming after “Don’t Know What You Got (Till It’s Gone)”. Written by Tom Keifer himself, the song talks about a protagonist, being used, mistreated and lied to in a relationship. Tom sings about being sick and tired of being someone’s fool. He finally got the strength to cut things off and keep his self-respect.

I personally think the lyrics are the most appealing part of the song because the topic of being abused, taken for granted or toyed around with by someone else is something we have all experienced in our lives. Of course, Tom’s scratchy voice makes things much deeper. I especially love the part where he sings I scream my heart out, just to make a dime, and with that dime i bought your love, But now i’ve changed my mind…” – this is such a powerful moment.

“That song, that’s something I think everyone can relate to. In life there is the falling in love, and then there’s the falling out of love. There are songs for both experiences, and ‘Nobody’s Fool’ is certainly the song for the falling out of love experience. And I would say that was not written for any one particular person. I’d been through that several times prior to writing that song. A lot of times, the emotions of songs are cumulative. That’s not one particular experience, but the culmination of many, “ Tom Keifer explained.


Don’t Know What You Got (Till It’s Gone)

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“Don’t Know What You Got (Till It’s Gone)” was once again written by singer-songwriter and co-founder of Cinderella, Tom Keifer. The track was released as a single from their second album “Long Cold Winter” (1988). Up to date, it’s their highest charting single and most successful track! It was also pretty popular on MTV as it received heavy rotation in the late 80s.
“Don’t Know What You Got (Till It’s Gone)” can easily become a soundtrack to the end of a love story – a painful reminder of how we have to cherish and appreciate what we have because one day, it might be long gone. I am absolutely in love with the lyrics, though I must say they make me feel so sad and lonely. Tom just knows how to craft something so beautiful and lasting. Don’t even get me started on his vocal delivery – absolutely mind-blowing.

Read the Story of Cinderella’s “Don’t Know What You Got (Till It’s Gone)”


Long Cold Winter

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“Long Cold Winter” may not fit perfectly into the description of a “power ballad”, however the tender blues tune is still one of Cinderella’s greatest ballads of all time, at least to me. The title track from their 1988 album is once again reminding us that they are not your ordinary glam rock band. Tom Keifer draws his influences from the blues and he is mixing it with the typical elements of ‘80s glam rock with such ease and excellence. His soulful voice was made for such kind of songs.


Coming Home

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A country-style grandiose ballad which is another highlight from “Long Cold Winter”. The guitar work is simply superb. I don’t even have to talk about Tom – he makes the whole experience so atmospheric. That album is splendid, there’s just no weak no song or performance! It’s a must for everyone!

 


Heartbreak Station

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In 1990, Cinderella came back with another incredible record, titled “Heartbreak Station”, which Tom Keifer himself often point as his favorite Cinderella album. Once again fans weren’t disappointed with the new material. The title song, a power ballad yet again, is moving a bit further from the successful formula they used for the previous tender rockers. “Heartbreak Station” can’t exactly fall under the category of glam rock, I believe. The song, as well as the entire album as a matter of fact, is more blues, hard rock-influenced which I believe was the natural way to go. Tom Keifer wanted to fully embrace the spirit of The Rolling Stones and he did it quite eloquently.

 “Heartbreak Station” is one of my most beloved songs of all time. The lyrics are too sentimental and Tom’s vocal delivery is playing with my emotions with such an ease. He is simply singing about being heartbroken, after his love left him. A simple concept, but delivered in a stunning way.


Winds of Change

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The delicate “Winds of Change” is the last song on “Heartbreak Station” and one of their underrated songs. I recently re-discovered it and quickly turned into one of my soothing safe places. The gentle acoustic guitars and Tom’s shape-shifting voice are just sending me to another realm. It’s a very beautiful song and in case you missed it, now is your chance to take a listen.


Hard to Find the Words

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Many people overlooked Cinderella’s last album – “Still Climbing” (1994) merely because the timing wasn’t right for this kind of release. The audience was obsessed with grunge and alternative rock bands, which were dominating all musical mediums, including the biggest one – MTV. Tom had to deal with vocal issues, the company also didn’t do much justice with the promotion of the record and adding the grunge boom, we can conclude that “Still Climbing” had a very little chance to make a difference on the music scene. It’s quite sad, actually – the album is so beautiful and soul-soothing.

The two ballads from “Still Climbing”“Hard to Find the Words” and “Through the Rain” are the highlights of the album, in my opinion of course. Especially the latter, I believe holds one of the keys to my heart. I wish more people would appreciate it the way I do.

Through the Rain

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A gorgeous race between gentle piano sounds, mellow guitars and Tom’s alien-like voice! This song is sending me to heaven.


References:
“Nobody’s Fool” on SongFacts: http://www.songfacts.com/detail.php?id=2022
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

In 1990, FIREHOUSE Released a Debut Album of a Lifetime

The Importance of a Debut Album

You never get a second chance to make a first impression and that applies in every sphere of life, including music. A debut album can make or break a musician’s career. That first release is like an immensely important first date with the biggest, most relevant judge in the world – the audience. Therefore, the artists need to strike with their strongest, most exceptional creative weapons right from the very beginning if they want to make a name for themselves in this competitive music market. A successful debut album is essential in the sense that it’s a key to establish a fanbase, not to mention that it sets some sort of standards and expectations for the following projects. Having a powerful debut album doesn’t always walk hand in hand with a powerful, everlasting career; however, it’s indeed a significant aspect to think about when building a reputation. Some great rock acts, like Guns N’ Roses, Boston, Bad Company, even The Beatles, of course, spawned enormously impactful debut albums that stood the test of time. Unfortunately you can’t build a career on just one debut album – you need to develop artistically and be consistent with your releases. Some other rock acts like Elton John, Thin Lizzy and even the great Journey had a rather weak debut but managed to rise from the ashes and come back stronger than ever.

firehouse-debut-2So many rock albums are on my list of “favorite rock debuts of all time”, I don’t even know where to begin with – from Def Leppard’s “On through the Night” to Bad Company’s self-titled debut, from ASIA to Rainbow, the list goes on and on. One of those albums is the album I will be focusing on throughout this publication – the 1990 coming out party of the American glam rocker, FireHouse. Intrigued by the gorgeous power-ballad, “Love of a Lifetime”, I followed its footsteps back to this record where I found out that there was indeed a reason why it was certified double platinum. The album showcases so much talent, effort and what’s so fascinating is that it somehow managed to make a statement during a transitional, rather shaky period in the music world. The time for a debut wasn’t that suitable because grunge basically took over and media, along with fans, just stopped caring about glam rock. Still, what’s good is good and I am sure many people, just like me, appreciate FireHouse and this marvelous album, full of explosive melodic-rockers.

FireHouse

firehouse3Vocalist C. J. Snare, guitarist Bill Leverty, drummer Michael Foster, and bassist Perry Richardson caught the last wave of the glam rock era with a firm grab. What they did with that first release not only got them prestigious awards, including Best Newcomer in the States, but also launched their international success in many countries, including Canada and Japan. FireHouse is yet another band to brag with its supportive fandom and strong presence in the Japanese market and this first album has a lot to do with it.

The band, along with that debut album turned into a much needed breath of fresh air. People were losing interest in melodic AOR records and were waiting for the next big thing. The strong force, known as hair metal, was losing its powers. Suddenly, however, those talented guys came along and spawned a double platinum album in 1990. No one saw that coming but everyone loved it. The quartet, along with producer David Prater, who worked with Dream Theatre, obviously knew how to craft some good old, enduring American hard rock.

Songs and Style

FireHouse was an absolute glam rock revolution, in the sense that they brought so much more than glitter and gold to the table. The critical and audience appreciation was on point – those four guys weren’t joking around – armed with great talent, for FireHouse the sky was the limit. On the surface, to many people it may seem like a regular hair metal album, stuffed with ordinary party rockers with little substance, however once you get to know the songs a little bit better; you will understand why exactly this debut album conquered the world.

“FireHouse” offers a selection of twelve, well-polished pop/metal jewels, which respectfully clogged he radio stations and mesmerized (and still do) the fans with gorgeous riffs and superb vocals. “All She Wrote” – a catchy, humorous rocker which just begs you to find your inner (in my case non-existing) vocal strength and sing your heart out – it’s that captivating! This was the first FireHouse song I heard years ago and it grabbed my attention instantaneously. “All She Wrote” deserved so much more than it got, but then again, chart positions aren’t all that matter, right? “Shake & Tumble” gets its hands on you right from the beginning – those mindblowing riffs are like an energy drink; I can almost taste the power coming out of that tune. The opening track – “Rock on the Radio” is your typical party hard rocker, generating tons of excitement. “Don’t Treat Me Bad” is a sweet mid-tempo radio favorite, showcasing appealing acoustic elements. Another highly compelling tune has to be “Home is Where the Heart is” – I am beyond fascinated with Snare’s vocal delivery on this one, he absolutely kills it.

All She Wrote

Shake & Tumble

Don’t Treat Me Bad

I’m saving the best for last! In case you wonder which band released the greatest power ballad of all time, here’s your answer – it’s FireHouse and you can find it on this album! “Love of a Lifetime” is a simply a ballad of a lifetime. Written by vocalist C.J. Snare, it quickly became a worldwide sensation and their most well known song up to date. Not only that, but it turned into an absolute necessity for every wedding ceremony – the impact and fan love for that song just goes beyond any limits. There’s no surprise, though – just listen to the tune and let it reach every little part of your rock n’ roll heart. Dreamy lyrics, full of hope and encouragement, beautiful solo and heartmelting melody – “Love of a Lifetime” has the whole package.

Love of a Lifetime


What followed?

firehouse-hold-your-fireWhat followed was indeed pure fire! “Hold Your Fire” was released in 1992 and though it couldn’t compete with the debut one in terms of sales, it still left a mark of its own. “When I Look Into Your Eyes”, “Hold Your Fire”, “Reach for the Sky” – all immensely successful hit singles and fan favorites. This right here is a perfect example of a worthy sophomore effort – an album that delivered what the fans expected after the first one. Unfortunately, those were the last good albums we got before grunge hit the music scene and kicked hard rock out of the picture. Nevertheless, I am still here, along with many other fans, who love and haven’t forgotten about bands such as FireHouse! Cheers!


References:
“FireHouse” Album Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(album)
FireHouse Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(band)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~