Memories, Becoming Friends and Learning more About the Music Industry in an Interview With Producer and Songwriter Alessandro Del Vecchio

(by Velina of “My Rock Mixtapes”)

Revolution Saints Cover - FrontiersAs we all know, the month of October brought us Revolution Saints’ sophomore album “Light in the Dark” which according to many fans, including myself, is indeed one of the highlights of this year’s melodic rock scene. I already expressed my honest feelings in my review publication which you can go ahead and check over here: Album Review: Revolution Saints – Light in the Dark (2017). The album is the brainchild of a group of exceptional musical geniuses who were brought together by the same end goal – to craft a meaningful record that symbolizes and stands for something; a record that will bring strength and courage to people and will turn into their saving grace in times of need. The best thing is that they did all that and way more and you don’t need to be an expert in music to feel it – the vibe, the emotions, the message…it’s all there for you to take it.

alessandro 2
Alessandro Del Vecchio

The dream team behind “Light in the Dark” is Deen Castronovo (Lead vocals, drums), Jack Blades (Bass, vocals), Doug Aldrich (Guitar) and the cherry on top – producer/songwriter Alessandro Del Vecchio who’s the main star of today’s show. Not only did he oversee the production of this album but he also contributed with his appraised songwriting skills and of course, his favorite keyboards that put that extra color to the album. Yes, the reason why I got to meet and talk to him in the first place was because of his immense contribution to this album but you should be well aware of the fact that he is one of the most prominent, versatile and networked musicians in contemporary rock music scene. He produced, wrote for and worked with so many of the big names out there, including Deen Castronovo, Neal Schon and Arnel Pineda from Journey,  Fergie Frederiksen, Bobby Kimball, Joseph Williams and Steve Lukather from Toto,  Ian Paice, Glenn Hughes and Roger Glover from Deep Purple, James LaBrie and Jordan Rudess from Dream Theater, Jack Blades from Night Ranger and Damn Yankees, Doug Aldrich and Bernie Marsden from Whitesnake, Joe Lynn Tuner, Craig Goldy, Carmine and Vinny Appice, Russell Allen from Symphony X, Tony Franklin, Michael Kiske of Helloween , Bruce Gaitsch and Bill Champlin from Chicago and many more. He’s also working with his bands Edge Of Forever, Hardline and Voodoo Circle as keyboardist and singer. That’s not all! Alessandro is the in-house producer for one of the most prolific and hardworking rock&roll labels out there – Frontiers Records; that should tell you enough! He participated in the making of countless exceptional melodic rock gems and not just those that are under the Frontiers tagline. To sum it up, Alessandro is most certainly an artist worth knowing and appreciating for everything he did and keeps on doing for this industry.

The circumstances under which I got the chance to talk to him couldn’t have aligned better. He was touring with the new supergroup Sainted Sinners and fortunately, the guys were just about to have a little tour in Bulgaria, including gigs in Plovdiv, Veliko Tarnovo and Yambol where Sainted Sinners partnered up with the legend himself – Mr. Ian Paice from Deep Purple. I got invited to the concert which was believe me, most certainly a life-changing event. I wrote all about my experiences on one of my previous publications so you can go ahead and check it out here: Concert Experience: SAINTED SINNERS & IAN PAICE @ Diana Hall, Yambol, Bulgaria (28/10/2017)

 

The concert brought me and Alessandro together for a quick chat about so many things related with music and his long long list of activities and projects that keep coming out as we speak. I had the honor of interviewing him and finding out more about Revolution Saints, the new album, what it takes to fulfill your dreams and the past and current state of the industry. He’s certainly an artist you can learn so much from. I do hope you enjoy the following interview:


Q: I’m very interested in your work and how in the first place you got into the entertainment industry? Tell me your story from the very beginning?

A: The very beginning was that in my house there was always music. My father was a teenager during the ‘70s and the ‘60s so what we normally used to listen to in the house was Jimi Hendrix and The Beatles and Jethro Tull and Uriah Heep so what happened every day is that you know, back then you used to have Stereo Hi-Fis in the house and my father was blasting music the whole day. My first memory is listening to the Greatest Hits from the Beatles so I think that shaped up my taste and I think around 6 or 7 my father gave me as a present a Walkman which back then was a cassette player and he gave me some cassettes and my favorite one was “Selling England by the Pound” by Genesis. I was a little kid listening to adult, mature music and that shaped up my taste so I ended up…I think I was 12 that I found out a cassette by the Queen and I heard “Bohemian Rhapsody” for the first time and I was struck by lightning! I was like, “I  wanna do that” and I remember my father came for dinner after work and I said “Pa, I wanna be a musician, I wanna be like Freddie Mercury, I wanna play the piano and I wanna sing!” I still remember his face. He was totally amazed and happy about it and that’s how I started. I wanted to be like Freddie Mercury and then I heard for the first time Malmsteen and I wanted to play that kind of music and then Deep Purple, Rainbow, Whitesnake…and it all fell into that thing.

Q: Right now, you do mostly production work or you are working on your solo career?

A:  I’m not a solo guy. I’m more like a band guy and I have my own band which is called Edge of Forever. We’re about to do our fourth record next year. Works for the others even if obviously bands like Hardline, you know I can say it’s my band cause I write and produce and been part of the band longer than any other member, apart from Johnny. I would say that Edge of Forever and Hardline are my main acts. I’ve always thought that if I had to do something as a solo artist, it has to be different than what I do with Edge of Forever, Hardline or Revolution Saints. It would make sense. I would love to do a blues record, actually cause I’m a blues guy more than anything else.

Q: The reason why we connect and we are here right now is Revolution Saints’ new album – “Light in the Dark”. I wanted to interview you because I know that you indeed have a huge contribution to this album. Can you please tell us more what exactly did you do for this album and how did it feel to work with Deen Castronovo? I would also like to know if you have a favorite song or a favorite moment from the process of making the album?

A: It’s kind of different than the first record because the firs record was more like, “Ok, let’s put songs together and let’s get a band for Deen; let’s make a band that’s made of friends!” – that’s how we ended up with the line-up. For the second record, I wanted to write with the whole band as much as I could. Even if I look like a control freak, I’m not. I’m a band guy so as soon as everything was put on paper for the deals and the schedule and everything, I said “Okay guys, everyone just throw ideas and we see what happens.” Basically, the record is I would say mostly me and Doug as the songwriting and Deen contributed to some of the vocals to “Freedom”, entirely for lyrics. I wrote most of the lyrics and Jack wrote the lyrics for “Light in the Dark”.

I think this record is special because we ended up working all together in the same environment for 3-4 weeks. We were in the studio, we recorded together, and we arranged parts together. It was a great feeling to have – three of my favorite musicians and idols in my studio and to do music together. This record I think it’s different because of that – it’s got more personality, it’s got more of everybody! It’s very deep because we tried to tell Deen’s story not in a romantic kind of way – kind of raw and real; it’s a record about resurrection and getting out of the dark.  It’s also a record about finding the way to express yourself out of the darkest moments. It was a vehicle for mostly all of us to prove that the first record wasn’t just a one record off; we wanted to make a stamp as a band. It’s tougher; it’s more rock & roll, rawer. 90% of the record was done together in the studio and I think you can hear the difference because of that.

Q: I’m generally a ballad person. I would die for a great rock ballad. I think that one of the greatest ballads that came out this year was “I Wouldn’t Change a Thing” from “Light in the Dark”. People are also responding to it quite well. I would like to know who wrote the song and what was the inspiration for writing it? Was it you?

A: No, it was Richard Page from Mr. Mister.  He wrote the lyrics and the music. Richard wrote the song years and years ago. Nobody picked it. It was just available as a demo on an Indie record that he did. Serafino from Frontiers sent me this acoustic track with just an acoustic guitar and vocals and said “Can you turn this into an epic ballad?” I pushed play on the song and I was totally struck because the lyrics kind of resonated and I think they resonate with everyone because everyone can come out of a relationship, out of friendship, out of everything with a person and know that even if whatever happens, still what you experience – it’s still worth living it so…

If you hear the original, it’s a little bit different. It took me days to get to that version. I had to change the melody in order to fit Deen’s voice and range. We wanted to make it as Journey as we could. I think it’s probably my best production and arrangement ever because everytime I’m very critical with my work but if I play that song it feels like I almost didn’t do it. It’s like I’m listening from the outside and it’s kind of cool. It’s the first time that it happened to me that I’m listening to a song and I’m listening as a listener, like a regular rock lover, not as an insider.

Q: Do you have a favorite song you wrote on the record that really means a lot to you?

A: Probably “Falling Apart”. That is the real resurrection song. Everybody can fall apart. Everybody can make mistakes and see everything destroyed as a reaction to what you do and then raise from the dust and get over it, learn and live. Everybody lives and learns from mistakes and experiences. “Falling Apart” is my special song on the record. Also I really like “Ride On” because it’s a double kick and it’s kind of different. I’m a meaningful, slow songs guy, so “Falling Apart” is my favorite from the record.

Q: It has a beautiful message. This whole album is one beautiful striking message.

A: It’s kind of strange because I’m Italian and I never wrote songs in Italian. I always wrote in English since I’m a teenager; it’s kind of ironic that I’m writing for American people and the songs are perceived the way I wanted them to be perceived. The fact that I can write about life and not just the love, sex, whatever, rock & roll kind of thing; I really care about the lyrics even if I don’t feel like I’m the greatest lyricist but if I can tell a story and the story and the story is clear and I think the combination of having Deen through something and having a voice that knew what was happening made the songs even more real. It’s not just singing my lyrics; it’s got the experience to express something that’s so deep. We were calling each other during rehab and all the stuff that he was going through and I said “Well, Deen, if we do a record, it’s going to be a record about you; you are the singer and I don’t want you to sing something that’s not personal.” That’s how I started to write all about resurrection, getting up and making it right.

Q: You mentioned that you are from Italy. You are also the in-house producer of Frontiers records that are based in Italy. But you also mentioned that you write for American bands. How the American audience does differ from the European audience, especially in terms of experience music?

A: The big difference between America and Europe is that America had great American bands and we had Deep Purple, Black Sabbath, Led Zeppelin, Uriah Heep and all the bands that came out of the British Rock Invasion; We had the Beatles, Free, Bad Company. I think that European bands weren’t driven by a dream; they were just expressing themselves because that’s what we have done for centuries. I think that Americans, their cultural expression was driven differently. When they were doing things, they were doing them 200%. If you think of the success of bands like Chicago or Journey or Van Halen, the soundtrack of American rock, the energy is different. I think it’s because the starting point of the creative process is different. Basically, that’s the big difference. Nowadays, the reality is that in America there’s no rock scene anymore. There’s no rock ground. It’s still about the classics; it’s still about the soundtracks of the 70s and the 80s for rock. American musicians think that in Europe we get that and we think that Americans are getting that so. To me it’s just the cultural environment that’s different.

Some bands didn’t even tour in Europe. We never saw Journey in the ‘80s or the ‘90s. American audiences are a little bit spoiled because they saw everyone and we didn’t. The first Rush show in Italy 10 years ago, and they’ve been touring forever in the USA and Canada; I think that’s the big difference probably, we’re still starstruck because we’re not used to seeing those bands.

Q: You live in Italy. Most of your work is in Italy. I know that you are doing vocal couching, etc. I’m very interested to know about the rock music scene in Italy and how does it differ from other European countries?

A: The environment is totally against rock. A general average people going to a rock show is about 200 in Italy, if we talk about underground bands like Hardline or you know the Dead Daisies. Obviously if it’s Deep Purple or Toto, things are different. There’s no middle ground. You go from 200 to 2000. Right now it’s tough because we don’t have the venues anymore. We have 300 people capacities and 2,000 people capacities and the big arenas. A lot of the tours don’t even come to Italy because it’s not worth for the crowd; it’s not worth for the laws and illegal merchandise outside of the shows. It’s all against the rock touring thing. There are a lot of bands; there are a lot of okay bands, there are very few great bands but you know we’re Italians, we go against ourselves. For example, Lacuna Coil has been mocked and discouraged by everyone. Still today, Lacuna Coil is the most well-known band from Italy. We’re not a rock country. We never had it. We are still struggling.

Q: I want to know more about your production work because this is very interesting to me. You are putting your magic touch into so many records that are coming out these days. I would like to know which record you crafted this year meant the most to you and what comes next for you in terms of production?

A: Apart from Revolution Saints, for the records that are already out, I really loved working with Kryptonite – a Swedish band. I loved working with Jakob. To me, he is one of the best lyricists in Europe and if you read through the lyrics of the record, it’s just stunning the way he puts down the stories. I also really enjoyed working with Kee of Hearts.

As far as the next records, I’m working on Johnny Gioeli’s  solo record which is going to be very challenging because it’s not an AOR record, it’s more of a modern new breed kind of record; very melodic but very modern, I would say an AOR version of Foo Fighters. I like to challenge myself with grounds that are not what I normally do. That record I think is gonna be really something.

Q: What gives you the most pleasure when you produce a record?

A: Probably when I’m mixing because it’s already done. It’s like giving birth to a baby – it becomes evident. When I write a song or when I arrange a song, I already picture in my head how it’s gonna sound and how it’s gonna be at the end. So, it’s not a surprise emotion; it’s more like a good relief and a sense of accomplishment. I feel like “Ah, you made it again!”. It’s a good sensation.

Q: Do you always get that feeling of satisfaction when you hear a band in the studio and then you hear them live? Have you ever been disappointed to hear a band that sounds different in the studio than the way they sound live?

A: It’s a tough question. For the experience that I have, I can feel when a record is fake and it’s not representing the band. I’m not very surprised when a band is not exactly on the record when they play shows. You can feel when a record has been done more by the production than the band itself.

For example, if you listen to the new Europe record, you know listening to the record that the band is gonna sound like that live. To me, it’s more because new bands are spoiled in the studio. They know that they can fix it. Back then, you couldn’t. You had to be extremely good. You know, what I miss of those days is that a lot of bands don’t rehearse the records anymore. They just go into the studio and they create the records in the studio. So what happens? You don’t know how it feels to play that thing. You just add spices all over the songs and maybe you cannot play them live. They rely more than the technology than the music itself. That’s why bands like Rival Sons are special. Even if they didn’t re-write the history of rock & roll or didn’t break any new ground, they are real, compared to all the other bands that are cheese and stuff in the studio and trying to sound so good that’s unrealistic.

It’s not good and it’s not bad, it’s just a different way of crafting entertainment. It’s not right or wrong, it’s the way you do things.

A: You’ve created a perfect bridge for my last question. We are now here, talking to each other because of the Internet and the new technologies.  You have been in the industry and worked with so many people for a long time. What do you think has been the biggest change in the music industry and how did it change? Is it the Internet, social media, etc? Did it affect it positively or negatively?

Q: I’m very realistic. I don’t wanna see the negative sides of things. It’s poisoning, especially if you are an artist. I think that the Internet is one of the biggest things that happened to the music world because it glued the whole world in one place. When I was a young musician and trying to get work and get known, I literally sent CDs to every address that I found. Nowadays, if you wanna get in touch with someone, you just write an e-mail and maybe you get an answer. Everything became very easy with the Internet. Finally, the bands are more real. It’s not like in the past – you didn’t even know the way an artist was. But nowadays, you can picture the person behind the artist because of the Internet.

I have a strange, divided opinion on social media but I’m every day on Facebook. It’s more like a promotional tool but it’s also a way to stay close to my friends and people who are supporting my art. I take it as it is. I take the good sides and elevate them. It’s fun to me that a person from Australia can write to me and say “I loved your record, thank you very much for doing it”; it’s amazing.

Obviously, the downside is the trolls and the negative people. They are everywhere; it’s not just the Internet. If you go to a bar, you hear the same opinions. The Internet opened the cages so everyone can shout their opinion. Years ago, you could say it; nowadays you can shout it and hide behind the screens. You just don’t care about them and go on.

Q: Is there an artist you haven’t worked with yet, but really want to someday? Whether we are talking about producing or songwriting?

A: It’s tough because I honestly work with so many of my idols. I think Malmsteen and Coverdale are left out of my dream list. I would really like to work with Steve Perry – that would be a dream. One thing I would like to do is to get to work with Chicago – one of these real groups, big bands. It’s a tough question because I didn’t even dream of doing everything that I’ve done. I always tell the story of when I saw “California Jam” from Deep Purple for the first time. Then I dreamed of being playing with Ian. I ended up playing with Ian for years.

Q: How does it feel? To play with him on stage?

A: I’m a professional. I’m used to that. I’m not starstruck. Honestly, every time that I sing Glenn’s part from “Burn” with Ian, it always feels like “Oh, man – I cannot believe that!”

When I was a kid and somebody came to me and told me – “One day you are going to be singing that part a hundred times with Ian and members of Deep Purple” I would’ve laughed my ass off. That’s the fulfillment of my dream and living my dream.

I’m not the best musician around. I’m not the best singer, I’m not the best songwriter. I just try to be competent and put my soul every time. I always try to give my best and I always try to be as good as I can. I still think that the attitude and the way you work with the people, makes a difference. Ringo wasn’t the best drummer but he was making the songs special and he never gave up.  

Still, when I play a Deep Purple record or a Black Sabbath record or a Journey record, I’m still like “Oh  man, I played with him!” A lot of friends of mine are making fun of me because if they name a band, somehow I worked with them. It’s a great feeling. I enjoy it. Every morning I wake up and I’m so grateful. I don’t know what I could’ve been. I only know how to make music. I put everything there. I’m grateful, I work hard and I take all the joys from doing it.

Thank you, Alessandro so much for the amazing interview and I wish you all the luck and success!

me and alessandro


This interview was conducted by Velina (me), founder and owner of “My Rock Mixtapes”. If you would like to use quotations or reference it on your website and/or blog, please make sure you first contact me at velina.rockmixtapes@gmail.com

Cheers.

 

L.A. GUNS – “The Missing Peace” Album Review (2017)

(by Velina of “My Rock Mixtapes”)

I didn’t have the chance to grow up in the ’80s and experience that magical, flamboyant, so attractive to me hard rock scene that forever changed the music industry but with albums like “The Missing Peace”, young fans like myself can get a pretty good taste of those old-school vibes, presented in a modern-day environment. I am still mindblown by the authenticity of L.A. Guns‘ new album and the tasteful manner in which such energetic, a bit forceful and instantly-consuming Sunset Strip-staple hard rock music was delivered to the audience of 2017. It took me just one listen from start to finish to realize that what we have right here might be one of the best representations of how to sustain your original sound that made you famous back in the day and still stay musically-current even 30 years later. 

So many long-overdue reunions have been happening this past year and many rock music enthusiasts, including myself have placed L.A. Guns’ comeback as one of the most anticipated ones in their fan books. It has been, after all, 5 years since their last album, “Hollywood Forever” and not to mention almost 30 years since the release of their famous self-titled debut album that sky-rocketed their name and career. No need to yet again talk about their past and remind everyone of how and why those guys are relevant and deserve recognition – their solid trace speaks for themselves. What is important to know is that L.A. Guns’ glorious reunion happened and is once again, after over a decade, in the capable hands of the winning songwriting team of guitarist Tracii Guns and vocalist Philip Lewis. I was so looking forward to their new collaboration and as obvious, they still have it, they still rock it, they still conquer it! One of the things that immediately strike you as you go on song after song on “The Missing Peace” is the aura of the album and the way it makes you feel – the guys have found a way to revive a classic sound, hit it as hard as ever and bring it to us with all their might, strengthened by modern-day technologies. The 12-song album was released on October 13, 2017, via Frontiers Music Srl and is yet another important piece of the puzzle I’ve been talking about for so long – there’s a hard rock renaissance and Frontiers, along with hard-working classic rock bands like L.A. Guns are the main players. What a time to be alive!

Let’s talk music – we are here because of it, after all. Each track on “The Missing Peace” has the potential of finding a place on your list of favorite songs because they all are doing justice to both the genre and the band. The album kicks things off with “It’s All the Same To Me” – a classic hard rock punch, taken right out the streets of Sunset Strip. Philip Lewis is showcasing perfect vocal progression and unbelievable match between vocals, melody, rhythm, guitars and every other little thing that makes this song so good. The follow-up track, “Speed” is …well the title says it all – the entire song is a bundle of energy and just what you needed in your life right now. “Baby Gotta Fever”, along with “The Devil Made Me Do It” are topping my list of favorite songs from this album. Both represent what I’m looking for in a rock&roll experience – catchy choruses, melody, rhythm and of course, brilliant vocal delivery. Not to mention that those two songs, especially “The Devil Made Me Do It”, are “so ‘80s” and that in my book is an absolute WIN! The enslaving “Christine” – a strategic mid-point, placed there to calm your spirits and demonstrate how well the band can craft not only crazy rockers but soothing softer pieces. The rough “Don’t Bring a Knife to a Gunfight” was another one of my “love-at-first-listen” tracks that won me with that dangerous L.A. Guns trademark sound it carries.

“The Missing Peace” is something that was truly missing in today’s rock&roll scene; I’ve been waiting for an album with that extra danger, extra roughness and that beloved ’80s attitude for so long and now when it’s finally here, I just can’t get enough of it. Production is top-notch and the reaction from the audience speaks louder than my words.

Check out the tracks and share your thoughts and opinions on L.A. Guns‘ terrific comeback in the comment section below:


“Baby Gotta Fever”

“Speed”

“Christine”

TRACKLIST

It’s All The Same To Me
Speed
A Drop Of Bleach
Sticky Fingers
Christine
Baby Gotta Fever
Kill It Or Die
Don’t Bring A Knife To A Gunfight
The Flood’s The Fault Of The Rain
The Devil Made Me Do It
The Missing Peace
Gave It All Away

Philip Lewis – Vocals
Tracii Guns – Guitars
Johnny Martin – Bass
Michael Grant – Guitar
Shane Fitzgibbon – Drums


References:
Album artwork, retrieved from: http://www.frontiers.it/album/5409
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Album Review: Revolution Saints – Light in the Dark (2017)

(by Velina of “My Rock Mixtapes”)

“I Wouldn’t Change a Thing”

You know, it’s October already and I was beginning to worry that I might not actually get the ballad I was waiting for – you know that mind-crushing, emotional experience of a song that I always look for in an album. But you know, recently Revolution Saints released “I Wouldn’t Change a Thing” and as a rock ballad critic, lover and ultimate enthusiast, I can firmly state that this might possibly be my favorite rock ballad of 2017 so far. The song was just what I was looking for and not to mention that it pointed my attention to a strong melodic rock force that was about to arrive on the horizon. After the ballad that knocked my socks off, I couldn’t but have high expectations for Revolution Saints’ new album – “Light in the Dark” and now when I finally had the chance to listen from start to finish, I realize how much I needed this album in my life.

I’ve been following the career of prominent drummer Deen Castronovo since I became fan of Journey and eventually Hardline and Bad English back in the day. On top of it all, he’s a stunning vocalist and it was only natural for him to go for it. Thankfully, an opportunity for him to explore his vocal talents was soon on the horizon. Frontiers’ President, Serafino Perugino assembled Revolution Saints with Deen fronting a strong team of A-players, including Doug Aldrich (The Dead Daisies, ex-Whitesnake, DIO) and Jack Blades (Night Ranger, Damn Yankees). After a 2015 debut that fans and rock communities still talk about and listen to, the band is back with a sophomore release full of surprises, bold moves and exceptionally well written and produced melodic rock music, courtesy of producer/songwriter Alessandro Del Vecchio (Hardline, JORN), who was also there for Revolution Saints’ debut album. Now, the whole dream team is back and the result is more than satisfying. “Light in the Dark” is an absolute manifestation of high quality rock music. Fans are expected to dive into a world of classic melodic rock style, colored by meaningful and emotion-stirring moments, proving that indeed the age of rock is back!

“Light in the Dark” opens up with an inspiring title song with a lot of personality! Having a bad day? Needing that extra push or motivation? Look no further – this song is the thing you’ve been waiting for. Superb hooks and uplifting lyrics that put an instant smile on your face! Couldn’t have picked a better opener! “Freedom” brings in a little bit of weight and tons of class into the album atmosphere. Watch out for Doug Aldrich’s spellbinding riffs and those surprisingly well-fitting keyboards that make the song one of the most interesting ones from the album. “Ride On” picks up the album’s speed and once again showcases what these guys are made for – pure talent. Deen Castronovo is killing it on every song but I am especially enjoying his powerful howls on this one. We move on to the star of the show and my favorite song from the album, “I Wouldn’t Change a Thing”. This track is not just a ballad – it’s an epic 6-minute piano journey, accompanied by Deen’s soul-touching vocals, after which you can’t even take your breath. Arguably, this is the best song from the album when it comes to impact. Musically, it’s simple, yet elegant; gentle, yet heart-breaking. What a masterpiece! The other ballad – “Can’t Run Away from Love” is equally fulfilling and only solidifying Deen’s vocal strengths. Songs like “Take you Down”, “Don’t Surrender” and “Running on the Edge” are all solid rockers showcasing two things – first of all, rock will never die as long as we have passionate artists like Revolution Saints and second of all, “Light in the Dark” is an album that certainly has a lot to bring to the table!

What a year for rock music! I thought it was over, but the rock&roll waves are getting harder and stronger with each release this year. Revolution Saints“Light in the Dark” takes a respectable place on this year’s long list of remarkable releases. The quality, class and impact of this album are beyond expectation and I am proud to be here to witness the making of such releases. The greatest thing about “Light in the Dark” is its ability to draw newer and older generations of rock fans together and simply make them feel good about life and being here right here, right now.  The album is out on October 13, 2017! Don’t forget to get your copy!

Tracklist:

  1. Light In The Dark
  2. Freedom
  3. Ride On
  4. I Wouldn’t Change A Thing
  5. Don’s Surrender
  6. Take You Down
  7. The Storm Inside
  8. Can’t Run Away From Love
  9. Running On The Edge
  10. Another Chance
  11. Falling Apart
  12. Back On My Trail (live, bonus track on deluxe edition only)
  13. Turn Back Time (live, bonus track on deluxe edition only)
  14. Here Forever (live, bonus track on deluxe edition only)
  15. Locked Out Of Paradise (live, bonus track on deluxe edition only)

 


“Freedom”

“Light in the Dark”


References:
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Album Review: Steelheart – Through Worlds of Stardust (2017)

(by Velina of “My Rock Mixtapes”)

 “You Got Me Twisted”

Is there anything worthy and meaningful you can possibly say after hearing such song? Well, it’s great if you can, because I am having difficulties with turning the whole spectrum of emotions and feelings I have towards this glorious track and album into words. I will try my best, though, because Steelheart‘s “Through Worlds of Stardust” is an enormous contribution to the powerful rock music scene of 2017 and because it’s THAT good! I had high expectations and I think the majority of rock fans throughout the world had them too; that’s why when “Through Worlds of Stardust” was released and it shattered my world to its grounds, I was able to feel that sweet sweet relief and scream to everyone “I told you so!”

Rockstar veteran and one of the most powerful and praised voices of rock music Miljenko Matijevic is back with a brand-new release, proving that you can never put out a fire in a heart burning with so much determination and courage. Mili – the soul of Steelheart has been through a lot – we almost lost him during that well-known Halloween night and the horrific accident that took place. Fortunately for the world, he rose from the ashes and with him, a revived version of Steelheart that penetrated the music world with a mighty rock&roll punch and is here to stay. The future belongs to Steelheart!

steelheart cover - frontiersSpeaking of future, “Through Worlds of Stardust” does really sound like it was made in another dimension, somewhere in 2020. I mean, I do really like to use the term “modern-day rock” but that saying can’t really do much justice to this album. Yes, it’s edgy, it’s heavy, mighty, versatile and it combines all the necessary old and new elements to captivate any generations of fans, however I feel like it carries a sound that will echo in the years to come and will remain memorable, current and stylish after 5, 10 and more years. In that sense, what Steelheart crafted can be referred as timeless – an adjective I don’t really use that much these days for current releases. That should tell you something.

I honestly see myself listening to songs like “You Got Me Twisted” in 10 years for example because that kind of power and spirit in a piece of music is something that just sticks with you. The song is pure manifestation of Mili‘s vocal capabilities and musical skills, allowing him to put emotions and feelings into sounds. I’m praising the music video and his obvious dedication to this project – just look at him pouring his heart all out on those choruses. I will jump right into the orchestrated ballad, “Lips of Rain”, which was love-at-first-listen for me. The melody gently touches your soul and reminds you that only beautiful music like this can make us feel alive. The opening track “Stream Line Savings” brings me back to the ’70s with that heavy Led Zeppelin feel. Definitely a solid opener with unique ups and downs, keeping the listener on edge till the very end. I love how Mili just comes in, fills in the room with passion and confidence and by the end of the song you are still trying to collect the jaw you dropped on the floor. On “My Dirty Girl” you learn how rock screams can entirely transform your musical experience and how they should be done the right way in a rock song! “My Dirty Girl” is full of attitude and rock&roll spirit – the kind of song you just need in your life! “My Word” is referred to as one of the highlights according to many fans and critics and I can totally relate. The sound is very contemporary; drums, vocals, riffs – they all instantly grab you by the throat before you even know it.

Final verdict: “Through Worlds of Stardust” is an album overcoming many challenges – challenges of the mind, body and soul and most importantly, of time. With so many songs being released at any given second, imagine how hard it would be for an artist to stand out and craft something that would stand against the test of time, digitization and the constant rotation of millions and millions of new tracks!? Thankfully, Steelheart, led by Mili have what it takes to make an album that just stands out from the crowd and offers gems for your personal playlist that will never ever get old. I highly enjoyed it and recommend it to music lovers who are ready for something serious and real for the long term.

“Got Me Runnin'”

“Come Inside”


References:
Album artwork, retrieved from: http://www.frontiers.it/album/5403
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Album Review: Wayward Sons – “Ghosts Of Yet To Come” (2017)

(by Velina of “My Rock Mixtapes”)

I’ve been listening to Wayward Sons“Ghosts of Yet to Come” for a little bit over a week now and am super eager to share my thoughts with you on that. I do my best to give the spotlight to artists and albums that truly deserve it so no surprises that this one found its way on this blog and in my heart – “Ghosts of Yet to Come” is an album of immeasurable class and something I truly wasn’t ready for! The good news is that it’s here, it’s ours and we can enjoy it! Let’s dive into the band and the music; I guarantee that one song is enough for you to understand how different this album is from the rest of its genre category.

Wayward Sons is a new name on the block but don’t get fooled – the members of the band have been making music and enriching people’s lives for many many years. Vocalist and band leader Toby Jepson made a name for himself as a prominent producer of acts like Saxon, Toseland and Fastway; not only that but he also fronted the popular UK hard rock act Little Angels that rose to stardom in the mid-80s. Now, he’s back with a promising new project, aiming at reviving the importance of not just recording good rock music, but music that can be enjoyed best if played live. Wayward Sons is a band, built to play live so don’t get confused if the moment you crank up this album, you start imagining being in a big arena, attacked by the energizing waves of a powerful live guitars and strong real vocals, penetrating the air like a razor.

Let’s talk music!

“Ghosts of Yet To Come” rewards the listener with a playlist of 10 hard-hitting high-quality rockers, proving that Mr. EverythingToby Jepson is back and ready for another career breakthrough; with a sharp rock&roll statement like this album, he sure as hell is getting it! I love bands that that incorporate new methods and technologies to craft a modern-day sound but still somehow manage to put in a little bit of that classic flavor, reminding everyone that old is…well gold. To me, the perfect representative of that combo can easily be traced in tracks like “Don’t Wanna Go” – a killer classic hard rock sound and one of the songs that stood out to me at first album listen. The opening track “Alive” blew me away. You are certainly not getting out of this song alive – lyrics, riffs, vocals and hooks are assembling into a charged-up ear-worm, impossible to get rid of. “Until the End” takes pride in being the catchiest song in the album with yet again themed, quite memorable lyrics. The third track, “Ghost” is another spirited groovy tune, pouring confidence. “Killing Time” is a personal favorite – I love the laid-back, Friday-night-at-the-rock-bar feeling.

All in all, this whole album could easily be viewed as just one endless river of positivism, energy and encouragement – just what we needed to meet and greet the new fall season of 2017. “Ghosts of Yet to Kill” masterfully combines modern-day melodic rock feels and ’70s classic vibes into a brilliant, pleasingly enslaving musical experience, suitable for all ages. I highly recommend it!

P.S. We had tons of gorgeous album covers this year, but when it comes to memorability and affect, Wayward Sons’ are absolute winners. I’m simply in love with the colors, comic book style, message and uniqueness of this artwork and urge other bands to take notes – this is how you do it!

wayward sons

 


“Until The End”

 

“Ghost”

“Alive”

“Crush”


References:
Album artwork retrieved from http://www.frontiers.it/album/5401
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Album Review: Kee of Hearts’ Debut Self-Titled Album

…or how to put a photo of yourself next to a definition of “brilliant melodic rock music”.

(by Velina of “My Rock Mixtapes”)

We had plenty of impressive melodic rock releases this year so far and yet none of them has given me this amount of excitement, comfort and satisfaction as this one right here. It might be because it is after all made by melodic rock kings or because Tommy Heart is one of the very few vocalists, capable of bringing so much warmth and coziness to my tiny little rock heart, but “Kee of Hearts” is without doubt, a pivotal moment for the melodic rock scene of 2017. Frontiers Music are throwing one kick-ass punch after another and I’m not sure I can handle it or keep up with the amount of top notch rock music thrown at me but I can sure as hell try. I am beyond ecstatic to be witnessing the making and release of such album. Let me tell you why…

Kee of Hearts represents the collaboration between vocalist Tommy Heart (Fair Warning) and guitarist Kee Marcello (Europe). Those two superstars got together last year and made some serious magic in that studio which later on materialized into an elegant self-titled debut album of a lifetime you simply can’t get enough of. As a die-hard fan of Fair Warning and someone who reaches for their music in times of pain and trouble, you can only imagine how thrilled I was to learn that Tommy Heart is doing a new project. This meant one thing – I was about to very soon meet my new favorite melodic rock album.  

kee of hearts“Kee of Hearts” was out on September 15, 2017 via Frontiers Records. Thankfully, the album was immediately available on Spotify so I cranked it up right from the early morning to the late of dawn. I couldn’t stop smiling, song after song. I became a glowing ball of energy only because of this album and I still am by the way!

Let’s talk music! “The Storm” is the opening track and the title pretty much sums it up all! A powerful blazing melodic rock impact right from the very beginning, signalling the arrival of something truly valuable. I am enchanted by the lyrics, though this phenomenon could be observed throughout the entire album. “A New Dimension” is another promising song with a “wow” aftereffect further proving why Tommy Heart is one of the best melodic rock vocalists out there. What follows is as good as the rest. Classic AOR songs like“Bridge To Heaven” and “Stranded” offer a bouquet of wonderful hooks, impeccable vocal arrangements, groovy guitars and pleasing keyboard touches. The honest “Mama Don’t Cry” and the quite relevant (these days especially) “S.O.S.” are two of the stand-outs for certain. “Edge of Paradise” is a personal favorite; the only justice that can be done to this song is if it’s played live in a huge arena in front of thousands of people. I keep imagining this… The classy “Twist of Fate” is a close second favorite – you just can’t take those catchy refrains out of your head…but then again, why should you? The track is the ultimate sing-along joyride.

Final verdict: “Kee of Hearts” is a melodic rock bliss from start to finish. This album represents just the kind of class and nobility we so desperately need on the rock music scene these days. Tommy Heart and Kee Marcello crafted a fine release that rocks, entertains and keeps our spirits lifted from start to finish. It’s a must-have for every AOR fan out there who knows what is true and what is not…I pray those two come up with a follow-up!


“A New Dimension”

“The Storm”

“Crimson Dawn”

“Bridge to Heaven”


References:
Album artowork, retrieved from http://www.frontiers.it/news/10951
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

[Album Review] RIVERDOGS Won My Heart with “CALIFORNIA”

Intro:

Funny how all good things in my life are somehow linked to Def Leppard; seems like discovering them back in the day was one of the best things that could’ve happened to me. Becoming a fan of Def Leppard led to many different roads. Guess how I got to know some of my favorite rock acts, like Helix, Billy Squier or Tesla? Same way I discovered and became a fan of Roadhouse, Shadow King, Last in Line and of course Riverdogs – they are all somehow related with my beloved members of Def Leppard.

riverdogs debutWhen I got to know and completely fell for Vivian Cambell’s guitar playing with Def Leppard it was only a matter of time before I traced back his career to Riverdogs and that brilliant debut album of theirs. The rest is …well history.

Ultimately, it all led to this moment right here, the moment I’ve been waiting for so long! That’s right – Riverdogs, featuring original members Rob Lamothe (vocals, guitars), Nick Brophy (bass, vocals) and Vivian Campbell (lead guitar), together with drummer Marc Danzeisen are back with a brand new album, titled “California” and I can barely hold my excitement. Many of you are quite familiar with Vivian and his work with Dio and Def Leppard but in case the other three guys are currently not on your musical radar, now is the time to dig a little deeper and add them to your book of great rock artists.

I knew that this was going to be a rock solid year for Frontiers Records but this release right here completely changed the face of the game. I had a feeling that the album will be quite good but you know what – “California” exceeded every expectation I had in terms of sound, lyrics and influence. It was only natural to dedicate a publication on the new album and share a few of my observations and the reasons why this album might as well just top my playlist for 2017 releases. Let’s dive in…

Riverdogs

RIVERDOGS

Coming from Los Angeles, Riverdogs formed back in 1989 – an interesting, quite dynamic time for rock music if you ask me. Still, the band managed to stand out with an exceptional 1990 debut album, conquering fans and critics with an original ‘70s blues rock style, entirely different from the glam metal sound and image that was popular at that time. Songs like “America”, “I Believe” and “Toy Soldier” are just a few of the reasons why their debut achieved recognition and found its place in the hearts of many fans (including mine, of course).

Unfortunately, as I already mentioned, the times were quite turbulent and in this period of transition, many bands couldn’t really secure a stable position on the music scene. Riverdogs re-assembled with new members and released two more albums in the ‘90s before they called it quits. The original line-up got back together in the early 2000s, which eventually led to a new album in 2011, titled “World Gone Mad”.

Now, six years later, “California” is a fact and honestly, nothing else really matters. Whether you are a die-hard fan and lived through those glory old days of rock or you’re just seeing the name Riverdogs for the very first time, “California” most certainly will grab your attention and bring you that much needed summer boost. Melodic rock fans, fans of quality music, fans of the old-school ways of making good music – this is the album for you!

Now, let’s talk more about the songs…

“California”

RIVERDOGS CALIFORNIA BIG

“California” is as soothing as night winds on a warm July evening. You just simply can’t get enough of this blissful feeling the album brings to you. Song after song, emotion after emotion – it’s all there. I wish I was exaggerating but I’m not; “California” is a stunning set of sing-alongs, rock anthems, bluesy soul-touching tracks, all brilliantly decorated with thoughtful lyrics and memorable melodies.

Where do I begin? I don’t know, the songs are all so good! After I played the entire album for the very first time, “The Heart is a Mindless Bird” stood out to me the most. I’m a softie and this is the perfect song for me. The lyrics, along with the deep, affecting vocals of the criminally underrated vocalist Rob Lamothe conquered me right from the start. Next one of my list is “I Don’t Know Anything” which has a similar vibe and I guess that’s the reason why those two songs are my top ones.  Rob singing “I don’t know anything…That doesn’t stop me now…”, followed by those mellow riffs is one of the best moments on “California”. The opening track, “American Dream” is your well-known pounding rocker, aimed at grabbing you by the throat from the very beginning. The breezy second track, “The Revolution Starts Tonight”, should’ve been the opener, at least in my humble opinion. We go full blues mode with the third track, “Something Inside” which brings you back to the good years of Bad Company. “You’re too Rock and Roll” is my new favorite Friday night song. It just begs you to crank it up while having a couple of beers with your favorite people.

Viv is brilliant – we don’t really have to comment on that, just listen to the entire album. To me, though, the biggest strength of the album lies within the gentle but powerful vocals of Rob Lamothe. He truly shines on this album and not only with his powerful singing but also with his songwriting skills.

It’s quite obvious that I’m a devoted fan and I might be biased but at the end of the day, this is how I feel. What I truly pray for is that other people will recognize their talent and ability to write the kind of rock music we truly need nowadays, so that Riverdogs will keep on releasing new albums in the future and make every fan, old or new, feel as proud as I do right now.


“I Don’t Know Anything”

“Welcome to the New Disaster”

“American Dream”

“Something Inside”

Riverdogs “Welcome To The New Disaster” (Live Acoustic Version)


References:

Album art retrieved from http://www.frontiers.it/album/5390
Band photo retrieved from https://www.youtube.com/watch?v=_ZKFAm6S3Do

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

Album Review: Go Louder, Harder and Faster with WARRANT’s New Album

It has been six years since one of our favorite ’80s/’90s hard rock bands, Warrant, released an album. “Rockaholc”, featuring vocalist Robert Mason (Lynch Mob, Cry of Love) for the very first time, hit the market in the spring of 2011 – just a few months before the tragic death of Warrant’s original frontman, Jani Lane. No one can take away the precious memories the immensely talented Jani brought to us with his music, but it’s also okay to make new memories with new music, styles and voices. With that being said, I encourage you to listen to “Louder Harder Faster” with an open mind, expect something both familiar and new and most importantly, enjoy music the same way you did 20 or so years ago.

I may as well write a three-word review about Warrant’s new album and call it a day. Guess which words I will use… That’s right – Loud, Hard and Fast! The title says it all – you are in for a real wild, fiery and pleasantly devastating rock&roll experience right from the very first second! Frontiers Records keep on releasing one smashing album after another and I can barely keep it up with all that awesomeness. Have some mercy, please…

jeff pilsonBefore I dig a little deeper into individual album songs, I want to applaud the superb production of “Louder Harder Faster”, courtesy of the legendary Jeff Pilson (Dokken, Dio, Foreigner) who I believe did an outstanding job, capturing the mood of the album. I’ve been a fan of Jeff, his music and production work for so many years now and he still keeps on impressing me with every new project! Remember how well he did with Last in Line’s debut album, “Heavy Crown”? Expect something in similar, if not in higher production level – he truly did great!

Warrant - Louder Harder Faster (2017)Back to “Louder Harder and Faster” which is a reason enough why 2017 could be considered a strong hard rock year! Original Warrant members, Erik Turner, Jerry Dixon, Joey Allen, and Steven Sweet, together with the returning for the second time vocalist Robert Mason have cooked a real knock-out album, stirred with the band’s trademark melodic rock hooks and tons of modern-day surprises! This killer direction is what makes “Louder Harder and Faster” suitable for any rock fan out there. You don’t need to know songs like “Heaven” or “I Saw Red” (tactically avoiding that one song we all know by Warrant) to be able to enjoy and rock on to Warrant’s 2017 release! I think what they did with this album is truly universal and “generationless” and they will most certainly grab the attention of the younger audiences.

“‘Louder Harder Faster’ is truly one of our best records to date. It has all the classic Warrant ingredients that people have come to know, plus a lot of extras that keep it in the modern realm of todays music. It’s a perfect mix between Balls and Ballads. When we started this project over two years ago, we wanted to bring the listener back to the days of sitting in the living room and cranking up a record from start to finish. Making full records seems to be a lost art, we hope in some small way that this album helps people find that art again,” said bass player Jerry Dixon.
(quote retrieved from http://www.antimusic.com)

The 12-song rock&roll gem, featuring a cover of the classic Merle Haggard song, “I Think I’ll Just Stay Here and Drink”, is your ultimate party album! With blazing melodic rock anthems, including the title track, “Louder Harder Faster”, “Devil Dancer” and “Only Broken Heart”, you will definitely be juiced up for days to come. The opening track is your perfect modern-day rock&roll tune, which grabs you by the throat from the first second! Vocalist Robert Mason is truly impressive on this one; not that he has to prove anything to anyone but if he had to, this song right here will shut everyone up! “Devil Dancer” is a personal favorite – those riffs just penetrated my skin and there’s no way I’ll recover. The sing-along tune “Perfect” is another highly memorable point! Pay attention to those harmonies sweet sweet lyrics; that song just won me over after one listen! There’s another side to the Warrant and this album, though. The piano-driven “U in My Life” is a beautifully-done ballad I can listen for days. I wish it had a bit stronger punch into it, though. “Music Man” is a very intriguing track; it starts slowly with just a simple acoustic guitar accompaniment but it nicely progresses into a cowboy blues tune, telling a story worth hearing. “Big Sandy” is another jumpy rocker, meant to lift your spirits. The rest of “Louder Harder Faster” is just as good. Gladly, the physical copy of the album includes the stimulating cover of “I Think I’ll Sit Here and Drink” which triggered a physical reaction in me upon listening. You know a song is good and the vocalist plays with you once your body starts moving and you feel the groove. I think it might be one of my favorite moments from the album.

Final verdict: I will be brief: Play it LOUD, party with it HARD and buy it FAST. (haha)

[For more rock reviews and publications, please subscribe to my blog or follow me on Twitter.]


Louder, Harder & Faster

“I Think I’ll Sit Here and Drink”

Perfect

Devil Dancer

Only Broken Heart


References:
“Warrant Announces New Album”: http://www.antimusic.com/news/17/March/10Warrant_Announce_New_Album_Louder_Harder_Faster.shtml
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

NIGHT RANGER – “Don’t Let Up” Album Review

One of the most anticipated releases of 2017 is finally here. The house of old-school rock, a.k.a Frontiers Music, is once again behind the comeback of yet another household name with a long and prolific 35-year-old career, spawning some of rock’s biggest classics, including “Sister Christian”, “Goodbye”, “Don’t Tell Me You Love Me” and “When You Close Your Eyes”. Yes, I’m talking about Night Ranger, of course – the renowned San Franciscan arena rockers, who sold over 17 million albums worldwide and held over 3,000 concerts! Needless to say, those numbers speak for themselves!

Night Ranger reached for the stars in the ‘80s and the results were both solid and lasting. The guys called it quits in 1989, however American and especially Japanese audiences wanted their rangers back! Here we are now, 12 albums later, still going as strong as ever, introducing the genre to whole new generations and adding more and more fans to the ever-growing worldwide fanbase! Night Ranger are back with a refreshing 12th album, featuring original members Jack Blades, Kelly Keagy and Brad Gillis, together with keyboardist Eric Levy and guitarist Keri Kelli. “Don’t Let Up” is exciting, positive and all in all, the perfect album to welcome the new spring season of 2017! Night Ranger are way beyond that “nostalgia act” label they are often given. To me, “Don’t Let Up” is an unquestionable proof that the guys are still relevant and they have yet many songs to write and many musical mountains to conquer before the world decides to forget them.

dont let up night ranger 1

The best thing about “Don’t Let Up” is the natural flow of the tracklist – songs seem to be pleasantly connected and each is building up the mood and adding more to that stimulating, thirst-quenching melodic rock aura of the album. At first listen it might be difficult to point out a stand-out song because they all seem quite similar. Still, the opening tune, “Somehow Someway”, along with “Truth” and the title track, “Don’t Let Up” clearly seem to be getting all the thumbs up. The responses on YouTube are clear – fans (me as well) love these encouraging rockers and are ready to hear the rest of it! “Nothing Left of Yesterday” is Night Ranger’s fine attempt at a modern-style power-ballad. “Running Out of Time” is a personal favorite – those catchy, captivating riffs and thunderous drums are making all the difference. Cheers to Jack Blades whose cheerful but powerful vocals made me want to sing and dance in the middle of my living room!

The rest of the album is as good as the songs I chose to mention and definitely worth your time and money! The artwork of “Don’t Let Up” sums it up quite well – every song, featured on the playlist is an exciting race between each musician’s distinctive talents! I was thrilled and had a great time while listening to “Don’t Let Up”. I guarantee you will have a similar experience! Enjoy!

Released: March 24, 2017
Genre: Hard Rock
Label: Frontiers Music

Duration: 50:25

Tracklist:

Somehow Someday
Running Out of Time
Truth
Day and Night
Don’t Let Up
(Won’t Be Your) Fool Again
Say What You Want
We Can Work it Out
Comfort Me
Jamie
Nothing Left of Yesterday
We Can Work It Out (Acoustic Version)

buy-from-amazon

“Truth”

“Comfort Me”

“Somehow Someday”

“Don’t Let Up”

“Day and Night”


References:
“Night Ranger’s Don’t Let Up”: http://www.frontiers.it/album/5359
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~