The Story of DEEP PURPLE’s “Stormbringer”

First time I listened to Deep Purple’s “Stormbringer” was a life-changing moment for me. I may have been just a little girl but I knew well how to experience music and let it flow through my body and soul. After the first couple of times I played it, I knew two things: first, that male vocalist will occupy an important part of my life; second, this will be one of the tunes I will be seeking empowerment and strength from.

I don’t know a person who doesn’t love Deep Purple, even though fans’ preferences when it comes to line-ups are sometimes different. I love the classic Purple years, as well as their grandiose 80s comeback with “Perfect Strangers” but the Coverdale years, I believe, are always what I come back to. That’s why I wanted to give the spotlight to a beloved Deep Purple track of mine, performed by the magnificent David Coverdale. On top of all, he introduced the song to a whole new generation a couple of years ago on Whitesnake‘s 2015 “The Purple Album”. With all that in mind, I believe we have to acknowledge the significance of “Stormbringer” and most importantly, never forget to play it as loud as possible!

  • deep-purple-stormbringer“Stormbringer” is the opening track to Deep Purple’s 1974 album of the same name. It’s the second release, after “Burn” to feature David Coverdale as the lead vocalist of Deep Purple. The album failed to match the commercial excellence of the band’s previous releases, such as the iconic “Machine Head”, “Who Do We Think We Are!” and even “Burn”; however it did give birth to some outstanding classics. “Stormbringer”, “Soldier of Fortune” and “High Ball Shooter” are some of the tunes from the album that surely stood the test of time. Moreover, it will always be remembered as the album that brought the (temporal) departure of Ritchie Blackmore and the album with the perfect Coverdale/Hughes vocal collaboration.

  • Written by Ritchie Blackmore and David Coverdale, “Stormbringer” is a powerful heavy metal blast, showcasing the band’s love for hard solid rock&roll, soul and even funk music. The tune grabbed everyone’s attention with its peculiar lyrics and intriguing title, making it one of Deep Purple’s essential live acts during the ‘70s.

  • The title and theme of the song have always been subjected to questions and constant fan interest. The charismatic mysticism that surrounds “Stormbringer” has often been associated with Michael Moorcock who uses the same name to describe a magical sword, appearing on a couple of his fantasy novels. David Coverdale, however, denied any relation with Moorcock’s works or that he had any prior knowledge of his work, before writing the song.

“I wrote the lyrics about a mythical creature called Stormbringer who, in a surrealistic story, creates a lot of trouble. But I never even considered Michael Moorcock‘s work,” David Coveradle explained in a 1974 interview with New Musical Express.

  • At the beginning of “Stormbringer”, David Coverdale speaks some gibberish which always sounded quite spooky and devilish, at least to me. According to Glenn Hughes, this was in fact the “dialogue that Linda Blair’s character utters in the film The Exorcist when she is questioned by the priest.” [?]

  • “Stormbringer”’s hook line – “Ride the rainbow, Crack the sky” is supposedly where Ritchie Blackmore got the idea to name his next band “Rainbow”.
  • whitesnake-the-purple-albumIn 2015, Whitesnake released “The Purple Album”, consisting of interpretations of classic songs from Deep Purple band lineups Mark III and Mark IV – the time when David Coverdale was DP‘s frontman. Among the remakes were tunes such as “Burn”, “Soldier of Fortune”, “Might Just Take Your Life”, “Mistreated” and of course “Stormbringer”. This newer version of the 1974 gem was heavier, more intense and in my personal opinion, better than the original.

Whitesnake‘s version of “Stormbringer” (The Purple Album, 2015)


 

Stormbringer Lyrics

Comin’ out of nowhere
Drivin’ like rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Rainbow shaker
On a stallion twister
Bareback rider
On the eye of the sky
Stormbringer coming down
Meaning to stay
Thunder and lightning
Heading your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Coming out of nowhere
Drivin’ like a-rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

 


 

References:
Lyrics retrieved from http://www.azlyrics.com

DEEP PURPLE’s Stormbringer Turns 40 – “I’ve Never Embraced The Expression Heavy Metal Because All My Themes Are Emotional”, retrieved from http://bravewords.com/features/deep-purples-stormbringer-turns-40-ive-never-embraced-the-expression-heavy-metal-because-all-my-themes-are-emotional
“Stormbringer” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Stormbringer_(album)

“Stormbringer” SongFacts, retrieved from http://www.songfacts.com/detail.php?id=14243

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

10 Essential DEF LEPPARD Ballads

What happens when you listen to your favorite band rocking the hell out of a beautiful ballad? Well, you have the time of your life (at least I do). My immense adoration for Def Leppard comes as no surprise, especially to people who have been following my blog and/or twitter page. To me, they are the perfect rock act and I don’t see myself connect with another band’s music on such deep, emotional level as I did with Def Leppard’s. There’s just something so special about these hardworking Sheffield guys and their turbulent, but exceptional career, spawning some of the most brilliant rock classics of all time! I can talk all day and night about Def Leppard’s accomplishments and unquestionably legacy, starting with their raw debut in 1981 with “On Through The Night”, moving on to the biggest blockbuster of the ‘80s, “Hysteria” (1987) and end up with their latest self-titled release in 2015, proving that they can still blow our minds away with solid rock music. However, now I would like to focus on a specific side of their music catalog – Def Leppard’s ballads. The majority of rock fans are well aware of classics like “Love Bites” or “Bringin’ on the Heartbreak”, but there are a couple of more mellow rockers that deserve your attention. Leppard’s ‘90s releases, especially, are filled with beautiful ballads which unfortunately are not as popular as their ‘80s classics. As a die-hard fan of Def Leppard and a rock ballad enthusiast, it’s my duty to remind you of some of those songs or give you at least one new ballad to add to your playlist! Let’s listen to 10 essential Def Leppard ballads!


Long Long Way To Go (from “X”, 2002)

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“Long Way to Go” is by far one of Def Leppard’s saddest songs, at least to me. The ballad comes from their 2002 release, titled “X” and is their last UK Top 40 hit single, surprisingly. This tune became a major reason why I fell in love with the album, as it was the first “X” song I heard back in the day. The crying guitars, accompanied by Joe Elliott’s heavyhearted but hopeful vocals are drawing the perfect ballad picture for me. The lyrics are what caught my attention in the first place, as I found myself in them…

“…Then every time I turn around
And you’re nowhere to be found
I know I got a long, long way to go
Before I can say goodbye to you…”

Unbelievable (from “X”, 2002)

def-leppard-x

I always wondered why critics were  judging “X” so harshly and condemning it as Leppard’s worst release, when in fact it is filled with so greatly-written and delicate songs like “Long Way to Go” and “Unbelievable”. It wasn’t as commercially successful as their previous releases but who the hell cares? “Unbelievable” is unbelievably astonishing. Not as gloomy as “Long Way to Go”, but sweeter, more uplifting with such a memorable anthem-like ending. Both ballads are the only two songs from “X” not co-credited by a member of Def Leppard.

“…You don’t say that it’s over, over
Never thought this could die
But you speak without words
Making me feel so damn good, ‘bye
It’s unbelievable…”


Goodbye (from “Euphoria”, 1999)

def-leppard-euphoria

“Goodbye” comes from Def Leppard’s 1999 release, titled “Euphoria”. Written by Rick Savage, this has to be one of their most overlooked ballads, despite being one of their best in my book. The song is a beautiful confession; the protagonist is proclaiming his love and is ready to give his everything for that special person. After all, who wouldn’t like to hear words like that:…

 “…I’d be there if the sun refused to shine
As the night gets colder I will be your shoulder
I give you my heart until death us do part
Every day, every moment, forever?”


Blood Runs Cold (from “Slang”, 1996)

def-leppard-slang

Written by Joe Elliot and Phil Collen, this has to be my favorite tune from Def Leppard’s 1996 release, titled “Slang”. “Slang”, along with “X” are the two albums to which critics didn’t do much justice, despite being absolutely phenomenal. I mean, just listen to the elegant guitars and Joe’s perfect vocal harmonies and tell me how it is possible to say something bad about the song or the album? Not to mention that “Blood Runs Cold” is another beautiful tribute to the late Steve Clark, who died of an alcohol poisoning. Def Leppard turned their immense pain over the loss of their friend to a superb ballad. It carries and important message too:…

“I guess what I’m trying to say
Is whose life is it anyway because livin’
Living is the best revenge
You can play…”  


When Love & Hate Collide (from “Vault”, 1995)

def-leppard-vault

In 1995, Def Leppard released their greatest hits album, titled “Vault”. In addition to their timeless classics, fans got the opportunity to enjoy one newly recorded song, the power ballad “When Love and Hate Collide”. The history of that tune dates back to their 1992 album “Adrenalize”; its demo was actually the last recorded guitar solo by Leppard’s original guitarist, Steve Clark before he died in 1991.
When it was released as a single in 1995, the song became an instant success – as a matter of fact it’s one of their most successful singles in the UK. Not surprised at all, the tune is so attractive; you must have a “heart of stone” to not fall in love with it.

“…Without you
One night alone Is like a year without you baby
Do you have a heart of stone
Without you
Can’t stop the hurt inside
When love and hate collide…”


Two Steps Behind (from “Retro Active”, 1993)

Def Leppard - Retroactive tough girl

Track number 4, on Def Leppard’s 1993 album, “Retro Active” is the acoustic bliss, titled “Two Steps Behind”. It’s also featured on the “Last Action Hero” soundtrack. “Two Steps Behind” is another ballad with a long history, going back to 1989, when Joe recorded the original demo. It was also released on the “Make Love like a Man” single in 1992 (from “Adrenalize”). There are two versions of this tune, equally brilliant; however, for the purpose of this playlist, I preferred to take the acoustic one over the electric.
Joe Elliot wrote the song, but it was Phil Collen’s suggestion to record an acoustic version – a pretty good suggestion, don’t you think? The results were magnificent; I love every note and every word! Its simplicity is groundbreaking.

 “…(Whatever you do)
I’ll be two steps behind you
(Wherever you go)
and I’ll be there to remind you
that it only takes a minute of your precious time
to turn around and I’ll be two steps behind…”

Miss You In A Heartbeat (from “Retro Active”, 1993)

Def Leppard - Retroactive tough girl

The second ballad on “Retro Active” (1993) is “Miss You in a Heartbeat”, which I think is one of their most touching and heartbreaking compositions. Once again, there are two versions – acoustic and electric and I am giving you the chance to check both of them out, because I couldn’t pick just one. Written by Phil Collen as a bonus track for “Adrenalize” (1992), it was originally recorded by The Law, led by the great Paul Rodgers (ex-Free, Bad Company and The Firm). I am not going to compare both versions, I will leave it to you, guys.

“Miss You in a Heartbeat” gives you the perfect chance to say “I miss You” to someone you love…The lyrics are breathtaking:…

“…I believe, that there’s something deep inside
That shouldn’t be from time to time.
I sure found out, thought love was such a crime
The more you care, the more you fall
No need to worry, no need to turn away
‘Cause it don’t matter, anyway …”

“Miss You in a Heartbeat” by The Law


Have You Ever Needed Someone so Bad (from “Adrenalize”, 1992)

Def_Leppard_-_Adrenalize

Let’s move on to Def Leppard’s “Have You Ever Needed Someone So Bad”, from their multi-platinum 1992 release, “Adrenalize”.  The ballad was a total success – not only did it reach top chart positions but it turned into one of Def Leppard’s most beloved mellow rockers of all time. It was destined for such enormous worldwide appreciation and I blame it on the relatable lyrics. Def Leppard always mange to convey a strong, engaging message in a simple, yet elegant way.

“…Why save your kisses for a rainy day
Baby let the moment take your heart away…
Have you ever needed someone so bad, yeah
Have you ever wanted someone
You just couldn’t have
Did you ever try so hard
That your world just fell apart
Have you ever needed someone so bad…”


Love Bites (from “Hysteria”, 1987)

Def_Leppard_-_Hysteria_(vinyl_version)

One way or another, we were destined to bump into “Love Bites” because let’s face it, we can’t talk about essential Def Leppard ballads and not mention their GREATEST, most successful one of all time – “Love Bites”, released from the 1987 blockbuster “Hysteria”. The influence it had on the audience was colossal – not only it topped the charts but it completely redefined the importance of power ballads in the last couple of years of the ‘80s. Brilliantly produced by Mutt Lange, “Love Bites” will forever remain synonymous with “power ballad”.

“…I don’t wanna touch you too much baby
‘Cos making love to you might drive me crazy
I know you think that love is the way you make it
So I don’t wanna be there when you decide to break it
No!…”


Bringin’ On The Heartbreak (from “High ‘n’ Dry”, 1981)

Def Leppard - High n Dry

I will wrap things up with Def Leppard’s 1981 power ballad “Bringin’ On the Heartbreak”. Released as the second single from their “High ‘n’ Dry” album, the tune marks a very important point as it set an early standard for power ballads. It’s also one of Def Leppard’s catchiest, least-sweet and “cheesy- sounding” ballads of their career. It was written by Steve Clark, Pete Willis, and Joe Elliott. Mariah Carey did a cover version in 2002 – if you are curious about it, go to YouTube, I won’t be posting it on my blog. The lyrics are very engaging, I love the chorus!

“…I’m sorry but it’s true
You’re bringin’ on the heartbreak
Takin’ all the best of me
Oh can’t you see?
You got the best of me
Whoah can’t you see? …”


10 is never enough…

Let Me Be The One (from “X”, 2002)

Breathe a Sigh (from “Slang”, 1996)

Where Does Love Go When It Dies (from “Slang”, 1996)

All I Want is Everything (from “Slang”, 1996)

You Can’t Always Get What You Want (from “Adrenalize”, 1992, original by The Rolling Stones)

Tonight (from “Adrenalize”, 1992)

Hysteria (from “Hysteria”, 1987)

Too Late for Love (from “Pyromania”, 1983)


References:
Lyrics, retrieved from http://www.azlyrics.com/
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

A Dose of Power Ballads from CINDERELLA

cinderella-collage

Among the endless river of glam rock bands, flooding the music scene in the late ‘80s, one band managed to stand out with their enormous talent and exceptional songwriting skills. That’s right, I’m talking about Cinderella, led by the exceptional Tom Keifer. I fell in love with their music and with his instantly recognizable, out-of-this-world, husky voice the moment I heard “Don’t Know What You Go (Till It’s Gone)”. That was a very pivotal moment for me because that’s how I was introduced to one of my favorite bands, Cinderella. Not only that but that song became a very important part of my life and one of the reasons why I fell in love with ‘80s power ballads in general. As a matter of fact, when I talk about power ballads and their dominance during that period, a couple of songs instantly come to my mind, including Cinderella’s “Nobody’s Fool” and “Don’t Know What You Go (Till It’s Gone)”. Why? Well, because those two are the absolute staples of ‘80s power ballads and the ultimate examples of how it’s okay to follow a trend, as long as you have a talent and do things with elegance and style. Those two tunes defined the relatively short-lived (unfortunately) career of Cinderella and honestly if you are going to be remembered by a couple of songs, they better be that good. In our case they are THAT GOOD! On top of it all, those two power ballads are their best-selling songs of all time! That should say something, right?

Cinderella’s catalog, include four studio albums – “Night Songs” (1986), “Long Cold Winter” (1988), “Heartbreak Station” (1990) and “Still Climbing” (1994). Those records spawned some pretty awesome rockers, including “Shake Me”, “Night Songs”, “Somebody Save Me”, “Shelter Me” and many more. Moreover, they housed a couple of groundbreaking tender rock ballads, which I would like to talk about now. The two previously mentioned blockbuster ballads are not the only slow-paced rockers Cinderella can brag with. There are a couple of more gentle tunes, which I believe are worthy of appreciation. If you are a rock ballad freak like me, you would probably enjoy the following playlist quite a lot. Let’s go!


Nobody’s Fool

cinderella-night-songs-2

“Nobody’s Fool” was released as the second single from their debut album “Night Songs” (1986) and quickly conquered the charts in the States. In addition, it became their second best-selling single, coming after “Don’t Know What You Got (Till It’s Gone)”. Written by Tom Keifer himself, the song talks about a protagonist, being used, mistreated and lied to in a relationship. Tom sings about being sick and tired of being someone’s fool. He finally got the strength to cut things off and keep his self-respect.

I personally think the lyrics are the most appealing part of the song because the topic of being abused, taken for granted or toyed around with by someone else is something we have all experienced in our lives. Of course, Tom’s scratchy voice makes things much deeper. I especially love the part where he sings I scream my heart out, just to make a dime, and with that dime i bought your love, But now i’ve changed my mind…” – this is such a powerful moment.

“That song, that’s something I think everyone can relate to. In life there is the falling in love, and then there’s the falling out of love. There are songs for both experiences, and ‘Nobody’s Fool’ is certainly the song for the falling out of love experience. And I would say that was not written for any one particular person. I’d been through that several times prior to writing that song. A lot of times, the emotions of songs are cumulative. That’s not one particular experience, but the culmination of many, “ Tom Keifer explained.


Don’t Know What You Got (Till It’s Gone)

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“Don’t Know What You Got (Till It’s Gone)” was once again written by singer-songwriter and co-founder of Cinderella, Tom Keifer. The track was released as a single from their second album “Long Cold Winter” (1988). Up to date, it’s their highest charting single and most successful track! It was also pretty popular on MTV as it received heavy rotation in the late 80s.
“Don’t Know What You Got (Till It’s Gone)” can easily become a soundtrack to the end of a love story – a painful reminder of how we have to cherish and appreciate what we have because one day, it might be long gone. I am absolutely in love with the lyrics, though I must say they make me feel so sad and lonely. Tom just knows how to craft something so beautiful and lasting. Don’t even get me started on his vocal delivery – absolutely mind-blowing.

Read the Story of Cinderella’s “Don’t Know What You Got (Till It’s Gone)”


Long Cold Winter

4264_1

“Long Cold Winter” may not fit perfectly into the description of a “power ballad”, however the tender blues tune is still one of Cinderella’s greatest ballads of all time, at least to me. The title track from their 1988 album is once again reminding us that they are not your ordinary glam rock band. Tom Keifer draws his influences from the blues and he is mixing it with the typical elements of ‘80s glam rock with such ease and excellence. His soulful voice was made for such kind of songs.


Coming Home

4264_1

A country-style grandiose ballad which is another highlight from “Long Cold Winter”. The guitar work is simply superb. I don’t even have to talk about Tom – he makes the whole experience so atmospheric. That album is splendid, there’s just no weak no song or performance! It’s a must for everyone!

 


Heartbreak Station

cinderella-heartbreak-station

In 1990, Cinderella came back with another incredible record, titled “Heartbreak Station”, which Tom Keifer himself often point as his favorite Cinderella album. Once again fans weren’t disappointed with the new material. The title song, a power ballad yet again, is moving a bit further from the successful formula they used for the previous tender rockers. “Heartbreak Station” can’t exactly fall under the category of glam rock, I believe. The song, as well as the entire album as a matter of fact, is more blues, hard rock-influenced which I believe was the natural way to go. Tom Keifer wanted to fully embrace the spirit of The Rolling Stones and he did it quite eloquently.

 “Heartbreak Station” is one of my most beloved songs of all time. The lyrics are too sentimental and Tom’s vocal delivery is playing with my emotions with such an ease. He is simply singing about being heartbroken, after his love left him. A simple concept, but delivered in a stunning way.


Winds of Change

cinderella-heartbreak-station

The delicate “Winds of Change” is the last song on “Heartbreak Station” and one of their underrated songs. I recently re-discovered it and quickly turned into one of my soothing safe places. The gentle acoustic guitars and Tom’s shape-shifting voice are just sending me to another realm. It’s a very beautiful song and in case you missed it, now is your chance to take a listen.


Hard to Find the Words

cinderella-still-climbing

Many people overlooked Cinderella’s last album – “Still Climbing” (1994) merely because the timing wasn’t right for this kind of release. The audience was obsessed with grunge and alternative rock bands, which were dominating all musical mediums, including the biggest one – MTV. Tom had to deal with vocal issues, the company also didn’t do much justice with the promotion of the record and adding the grunge boom, we can conclude that “Still Climbing” had a very little chance to make a difference on the music scene. It’s quite sad, actually – the album is so beautiful and soul-soothing.

The two ballads from “Still Climbing”“Hard to Find the Words” and “Through the Rain” are the highlights of the album, in my opinion of course. Especially the latter, I believe holds one of the keys to my heart. I wish more people would appreciate it the way I do.

Through the Rain

cinderella-still-climbing

A gorgeous race between gentle piano sounds, mellow guitars and Tom’s alien-like voice! This song is sending me to heaven.


References:
“Nobody’s Fool” on SongFacts: http://www.songfacts.com/detail.php?id=2022
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

TOP 10 Rock Albums of 2016

top10mine

2016 was the year of the comebacks – some of them great, some of them not so great, but if we look at the big picture, this year definitely rocked pretty hard. Right from the very beginning, David Bowie’s “Blackstar” signaled the arrival of a strong rock&roll year. We lost David just a couple of days later, but we are beyond grateful for his last gift to us. January awarded us with Megadeth’s “Dystopia” and Dream Theater’s “The Astonishing”. After that, all hell broke loose – Elton John released “Wonderful Crazy Night”, Last In Line debuted with “Heavy Crown” and Iggy Pop came back with a new studio album – “Post Pop Depression”. The spring brought a lot of color and joy with the much anticipated releases of Cheap Trick with “Bang, Zoom, Crazy… Hello”, Sixx:A.M.‘s “Prayers for the Damned: Vol. 1”, Cyndi Lauper’s “Detour”, Eric Clapton’s “I Still Do” and many more. The summer of 2016 was hotter than ever thanks to Paul Simon, Roxette, Neil Young, Jeff Beck, Steve Vai, Heart and Steven Tyler. The last four months of 2016 were, in my opinion, the strongest in terms of rock releases. After 16 years, Kansas came back on the horizon with “The Prelude Implicit”. Along with them, Bruce Springsteen, Van Morrison, Barry Gibb, Leonard Cohen, Glenn Hughes, Bon Jovi, Sting, Simple Minds and of course, Metallica with “Hardwired…To Self-Destruct”, left quite the impression with their new albums. December gave us The Rolling Stone’s “Blue & Lonesome” –they surely know how to wrap things up with style.

Coming up with a “Top 10 Rock Albums of 2016” can be quite the formidable task. So many interesting things happened on the music scene this year and I think all of the above mentioned artists deserve a round of applause and our deep appreciation. Of course, the beauty of music is that it has something for everyone and this year there were plenty of releases with which I managed to establish a deep connection. The following 10 albums stood out to me for one reason or another and I truly believe they are among the greatest rock jewels 2016 spawned. I would like to say that this is a personal selection, driven by my taste in music. In case you haven’t listened to those albums yet, I strongly recommend you to do so! Here we go!


1. Kansas – The Prelude Implicit

kansas-the-prelude-implicit

The album that tops my list of favorite 2016 releases is Kansas’ long awaited comeback – “The Prelude Implicit”. Even before the album was officially out in September, I somehow sensed that I will fall in love with it. The elevating, colorful mixture of progressive and hard rock, along with the refreshing vocals of new singer Ronnie Platt created the perfect rock experience for me. David Ragsdale’s heated violin playing was the final element that sealed the deal. “The Prelude Implicit” is absolutely stunning – from the charming opening rocker “With this Heart” to the spectacular instrumental “Section 60”, the whole album just keeps on throwing one strong punch after another. “Camouflage” became my absolute favorite song from “The Prelude Implicit” and I am still waiting for a music video, actually. “Camouflage”, along with “Crowded Isolation” and the exciting hard rocker “Rhythm in the Spirit” are some of the highlights of the album. I can’t recommend this enough.

Read My Full Review Here : Kansas – “The Prelude Implicit” Album Review

My Copy of “The Prelude Implicit”

kansas


2. Glenn Hughes – Resonate

glenn-hughes-resonate-album-art

Number 2 on my list is Glenn Hughes’ powerful hard rock dynamite, titled “Resonate”. No words can describe the dangerous, electrifying and absolutely mind-blowing aura of the record. Glenn is one of a kind legend and this jaw-dropping album only solidifies his position as one of the best rockers out there. “Resonate” is no joke, it’s the ultimate galvanizing rock experience of 2016! Glenn hits hard right from the beginning with the aggressive “Heavy” and moves on to “My Town”, “Let It Shine” and “God of Money” – all explosive, guitar-driven tornadoes. “When I Fall” demonstrates the gentle side of the rock monster. Overall, if you want to get drunk on pure hard rock, this is the album for you. Glenn is still here, still relevant and still releasing incredible material. The youngsters need to take notes – “Resonate” is a great example of how real hard rock should sound like.

Read My Full Review Here : Glenn Hughes – “Resonate” Album Review


3. Eric Clapton – I Still Do

Eric Clapton - I Still Do (2016)

Legendary guitar hero Eric Clapton released his twenty-third solo album in May 2016 and as a long-time fan of him I just couldn’t be happier! For “I Still Do”, the king of blues recorded original songs, as well as cover versions of classics by artists such as Robert Johnson and Bob Dylan. Positively laidback, the album definitely grabs your attention with its bluesy easy-going and breezy aura that creates the perfect mood. The songs are rather homogeneous and once again perfectly aligned with Eric Clapton’s standards and practices of reviving and exploring old ways and meanings of music. The original composition “Spiral” is one of the highlights of the record, on which Clapton demonstrates how well he can improvise with a guitar and how effortlessly he can create something so fanciful and memorable. Robert Johnson’s “Stones in My Passway” and JJ Cale’s Somebody’s Knocking” showcase Clapton’s confidence when it comes to the blues. The genuine “I Still Do” reflects Eric’s current self-assured spirit – he wants to do music his own way and he couldn’t care less what everyone things about it. The album just goes beyond class – it’s everything I dreamed of.

Read My Full Review Here : Eric Clapton – “I Still Do” Album Review

Me With My Copy of “I Still Do”

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4. Last In Line – Heavy Crown

last-in-line-heavy-crown

Former members of DIO – drummer Vinny Appice, bassist Jimmy Bain, guitarist Vivian Campbell, and keyboardist Claude Schnell, along with vocalist Andrew Freeman formed Last In Line in 2012, with their name, of course, coming from DIO’s 1984 album. Kicking off things as a mere tribute band, reminding fans of the glory days of DIO and explicitly focusing on the classic albums “Holy Diver”, “The Last in Line”, and “Sacred Heart”, the guys quickly stirred things up the excitement among the fans. It wasn’t long before they decided that it’s time they pave their own way with original compositions. “Heavy Crown” was released in February 2016 and it instantly captivated the audience, including myself. I am a huge fan of Vivian (because of Def Leppard, of course), so I was impatiently waiting to see how he will lead Last In Line into triumph, which he absolutely did with this unbelievably good old-school hard rock blast, titled “Heavy Crown”. “Starmaker” and “Devil In Me” are the instant attention-grabbers with their fiery tempos and of course, the soaring chants of Andrew, who is absolutely killing it on this record. “Burn This House Down”, “I Am Revolution” and “Blame It On Me” are a couple of others energizing metal explosions, completely overpowering every one of our senses. “Heavy Crown” follows the strong spirit of DIO but at the same time, goes beyond that, quite successfully if I may say. Moreover, this album gives us one more chance to experience the talents of Jimmy Bain, which in itself is a reason enough to put the record in my top 5.


5. The Rolling Stones – Blue & Lonesome

rolling-stones-blue-and-lonesome

Since I love the blues so much, including The Rolling Stones’ “Blue & Lonesome” on my list would come as no surprise. The rock&roll Gods came back with a phenomenal collection of spirited covers, bringing us back to the golden days of blues. “Blue & Lonesome” is Rolling Stones’ first album to feature exclusively cover songs. Among the twelve blues jewels, we get to listen to interpretations of forgotten but classic tracks by Howlin’ Wolf, Willie Dixon, Buddy Johnson, Memphis Slim and other legendary bluesmen. Recorded within just a few days, with no preparation whatsoever, “Blue & Lonesome” is the perfect example of how The Rolling Stones can effortlessly craft some serious magic out of nowhere and still sound as confident as ever. Mick Jagger is absolutely killing it on songs like “Just Your Fool” (Buddy Johnson), “Little Rain” (Ewart G. Abner Jr. and Jimmy Reed), “All of Your Love” (Magic Sam) and the atmospheric title track “Blue & Lonesome” (Memphis Slim) – raw, brave and soulful, his vocal delivery is obviously reflecting his high level of satisfaction with this album. I am mind blown by the terrific guitar work of Keith Richards and Ronnie Wood and the drum beats of Charlie Watts. Also, my idol – Eric Clapton also appears on “Everybody Knows About My Good Thing” and “I Can’t Quit You Baby”. “Blue & Lonesome” offers a galvanizing blues experience and I definitely recommend it.

Read My Full Review Here: The Rolling Stones – “Blue & Lonesome” Album Review


6. Cheap Trick – Bang, Zoom, Crazy… Hello

cheap-trick-bang-zoom-crazy-hello

In 2016, Cheap Trick were inducted into the Rock n’ Roll Hall of Fame, but that definitely didn’t mean they were done with rocking and rolling – on the contrary, their golden days are far from over. Their “Bang, Zoom, Crazy… Hello” simply proved that those guys have a lot more energy, talent and joy to spread to the world. Uplifting, spirited, charming and highly entertaining – the record was the perfect spring rock sonata. Cheap Trick are still rocking pretty hard and we can clearly see it in songs like “Heart on the Line”, “When I Wake Up Tomorrow”, “Blood Red Lips” and “Do You Believe Me?”. The band’s first release for the country giants Big Machine Records is also the first album without the presence of long-time drummer Bun E. Carlos. Nevertheless, this modern-day rock extravaganza is everything but boring. Guitarist Rick Nielsen is doing a superb job; I am absolutely in love with the catchy riffs on “Bang, Zoom, Crazy… Hello”. A well-deserving comeback by Cheap Trick, I recommend you guys to take a listen or two!


7. David Bowie – Blackstar

david-bowie-blackstar

David Bowie’s last album – “Blackstar” was released just a few days before we lost him. I still can’t believe this beautiful human being is not with us anymore, it was such a tragic loss for everyone. I am beyond grateful for “Blackstar” – the last chance to say goodbye and experience his magical voice and one of a kind musicianship. The value of the album lies in its aggressive experimentalism which for many people may be a bit difficult to absorb, but as a long-time fan of progressive/art rock, the anxiety of “Blackstar” perfectly matched my tastes. The twenty-fifth album of Bowie, produced by long-time collaborator and a friend, Tony Visconti, presents seven intriguing, devilish even compositions, each reminiscent of Bowie’s ‘70s glory days but still compiling tons of new and exciting elements. Songs like “Girl Loves Me”, “Lazarus” and “I Can’t Give Everything Away” are fuelled with pure drum’n’bas wickedness. David’s moody groans are the foundation of “Blackstar”. It’s so inspiring to hear him perform so bewitching given what his condition was at that time. Saxophonist Donny McCaslin is also bringing so much to the table. You will never ever hear anything like “Blackstar” again and for that it deserves to be listened and appreciated.


8. Heart – Beautiful Broken

heart - beautifulbroken

“I Jump” was my absolute favorite song of summer 2016! I couldn’t have my day going without listening to this glorious tune by the Wilson sisters. As a matter of fact, this song itself is one big part of the reason why this album is even in my top 10.
On “Beautiful Broken”, sisters Ann and Nancy Wilson are simply offering an intriguing selection of seven re-imagined and re-recorded cherry picks from their early career, along with a few new exciting additions to their catalogue. Ann Wilson will always be one of my favorite female vocalists of all time and this record definitely proves that she still got it! Some highly appealing things are happening on this record, including the guest appearance of Metallica’s James Hetfield, whose roaring vocals work quite well with Ann’s soulful and clear singing. The heavy orchestral “I Jump” possesses that Led Zeppelin vibe, which is not surprising at all – the girls are often crediting Led Zeppelin as their biggest musical influence. “Two” and “Heaven” are a couple of other high points from “Beautiful Broken”. Many of the fans out there, including myself, are quite sentimental and prefer the original classics, however “Beautiful Broken” definitely deserves a chance – if not for the old-new songs, than for the three gorgeous new additions to their music library. Also, Ann’s voice is a reason enough to have this record!

Read My Full Review Here: Heart – “Beautiful Broken” Album Review


9. Metallica – Hardwired To Self-Destruct

metallica-hardwired-to-self-destruct

The mighty metal Gods survived through the long gap, after which the majority of rock acts would’ve been totally obliterated by the constantly changing music scene, and rose from the ashes with a smashing new heavy metal storm, titled “Hardwired…to Self-Destruct”. The expectations were high but they did deliver something quite satisfying so let’s give a round of applause to singer-guitarist James Hetfield and drummer Lars Ulrich who co-wrote almost the entire set of throat-grabbing tunes.
“Hardwired…to Self-Destruct” is an epic double monster album, spitting 12 fiery tracks which run for almost 80 minutes! At first I thought that the record could be easy to inhale but once I heard the entire set, I realized that probably they should’ve just stopped after CD1 (which by the way is the reason why this album is in my top 10). “Dream No More” quickly became a personal favorite; I am enjoying this dark and highly-intense tune every time I play it. Some other memorable moments from “Hardwired…to Self-Destruct” include the opening track “Hardwired” and of course the surprisingly splendid tribute to Lemmy Kilmister, “Murder One”Metallica build up quite the excitement among fans, including me, so it’s natural to completely lose your mind over this album.

Read My Full Review Here: Metallica – “Hardwired… to Self-Destruct” Album Review


10. Jeff Beck – Loud Hailer

jeff-beck-loud-hailer

This summer, Jeff Beck surprised us with a brilliant 11th album, which completely blew me away. I must say, I was sceptical at first, but the album just grew on me with every listen. “Loud Hailer” is not your typical Jeff Beck record – it’s a completely different kind of monster. Then again, it would be foolish to expect him to do the same thing over and over again, so I am applauding him for this revolutionary work on “Loud Hailer”. Two immensely talented female musicians – vocalist Rosie Bones and guitarist Carmen Vandenberg are the reason why there’s so much color and intrigue on this record. Bones sings about apathy, greed, politics, media and a number of other issues, destroying our society. That’s one of the reason why it appealed to me that much. “Live in The Dark” is the highlight of “Loud Hailer”, at least to me. I am falling in love with the thrilling vocals and time-stopping rhythms over and over again every time I play it. The haunting instrumental “Pull It” is feeding my soul with so much power. “Shrine” wraps things up with a similar folk-blues vibe, which sends you to another dimension. “Loud Hailer” melts me with ever listen. I can’t recommend it enough.


The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
Cheers~

In 1990, FIREHOUSE Released a Debut Album of a Lifetime

The Importance of a Debut Album

You never get a second chance to make a first impression and that applies in every sphere of life, including music. A debut album can make or break a musician’s career. That first release is like an immensely important first date with the biggest, most relevant judge in the world – the audience. Therefore, the artists need to strike with their strongest, most exceptional creative weapons right from the very beginning if they want to make a name for themselves in this competitive music market. A successful debut album is essential in the sense that it’s a key to establish a fanbase, not to mention that it sets some sort of standards and expectations for the following projects. Having a powerful debut album doesn’t always walk hand in hand with a powerful, everlasting career; however, it’s indeed a significant aspect to think about when building a reputation. Some great rock acts, like Guns N’ Roses, Boston, Bad Company, even The Beatles, of course, spawned enormously impactful debut albums that stood the test of time. Unfortunately you can’t build a career on just one debut album – you need to develop artistically and be consistent with your releases. Some other rock acts like Elton John, Thin Lizzy and even the great Journey had a rather weak debut but managed to rise from the ashes and come back stronger than ever.

firehouse-debut-2So many rock albums are on my list of “favorite rock debuts of all time”, I don’t even know where to begin with – from Def Leppard’s “On through the Night” to Bad Company’s self-titled debut, from ASIA to Rainbow, the list goes on and on. One of those albums is the album I will be focusing on throughout this publication – the 1990 coming out party of the American glam rocker, FireHouse. Intrigued by the gorgeous power-ballad, “Love of a Lifetime”, I followed its footsteps back to this record where I found out that there was indeed a reason why it was certified double platinum. The album showcases so much talent, effort and what’s so fascinating is that it somehow managed to make a statement during a transitional, rather shaky period in the music world. The time for a debut wasn’t that suitable because grunge basically took over and media, along with fans, just stopped caring about glam rock. Still, what’s good is good and I am sure many people, just like me, appreciate FireHouse and this marvelous album, full of explosive melodic-rockers.

FireHouse

firehouse3Vocalist C. J. Snare, guitarist Bill Leverty, drummer Michael Foster, and bassist Perry Richardson caught the last wave of the glam rock era with a firm grab. What they did with that first release not only got them prestigious awards, including Best Newcomer in the States, but also launched their international success in many countries, including Canada and Japan. FireHouse is yet another band to brag with its supportive fandom and strong presence in the Japanese market and this first album has a lot to do with it.

The band, along with that debut album turned into a much needed breath of fresh air. People were losing interest in melodic AOR records and were waiting for the next big thing. The strong force, known as hair metal, was losing its powers. Suddenly, however, those talented guys came along and spawned a double platinum album in 1990. No one saw that coming but everyone loved it. The quartet, along with producer David Prater, who worked with Dream Theatre, obviously knew how to craft some good old, enduring American hard rock.

Songs and Style

FireHouse was an absolute glam rock revolution, in the sense that they brought so much more than glitter and gold to the table. The critical and audience appreciation was on point – those four guys weren’t joking around – armed with great talent, for FireHouse the sky was the limit. On the surface, to many people it may seem like a regular hair metal album, stuffed with ordinary party rockers with little substance, however once you get to know the songs a little bit better; you will understand why exactly this debut album conquered the world.

“FireHouse” offers a selection of twelve, well-polished pop/metal jewels, which respectfully clogged he radio stations and mesmerized (and still do) the fans with gorgeous riffs and superb vocals. “All She Wrote” – a catchy, humorous rocker which just begs you to find your inner (in my case non-existing) vocal strength and sing your heart out – it’s that captivating! This was the first FireHouse song I heard years ago and it grabbed my attention instantaneously. “All She Wrote” deserved so much more than it got, but then again, chart positions aren’t all that matter, right? “Shake & Tumble” gets its hands on you right from the beginning – those mindblowing riffs are like an energy drink; I can almost taste the power coming out of that tune. The opening track – “Rock on the Radio” is your typical party hard rocker, generating tons of excitement. “Don’t Treat Me Bad” is a sweet mid-tempo radio favorite, showcasing appealing acoustic elements. Another highly compelling tune has to be “Home is Where the Heart is” – I am beyond fascinated with Snare’s vocal delivery on this one, he absolutely kills it.

All She Wrote

Shake & Tumble

Don’t Treat Me Bad

I’m saving the best for last! In case you wonder which band released the greatest power ballad of all time, here’s your answer – it’s FireHouse and you can find it on this album! “Love of a Lifetime” is a simply a ballad of a lifetime. Written by vocalist C.J. Snare, it quickly became a worldwide sensation and their most well known song up to date. Not only that, but it turned into an absolute necessity for every wedding ceremony – the impact and fan love for that song just goes beyond any limits. There’s no surprise, though – just listen to the tune and let it reach every little part of your rock n’ roll heart. Dreamy lyrics, full of hope and encouragement, beautiful solo and heartmelting melody – “Love of a Lifetime” has the whole package.

Love of a Lifetime


What followed?

firehouse-hold-your-fireWhat followed was indeed pure fire! “Hold Your Fire” was released in 1992 and though it couldn’t compete with the debut one in terms of sales, it still left a mark of its own. “When I Look Into Your Eyes”, “Hold Your Fire”, “Reach for the Sky” – all immensely successful hit singles and fan favorites. This right here is a perfect example of a worthy sophomore effort – an album that delivered what the fans expected after the first one. Unfortunately, those were the last good albums we got before grunge hit the music scene and kicked hard rock out of the picture. Nevertheless, I am still here, along with many other fans, who love and haven’t forgotten about bands such as FireHouse! Cheers!


References:
“FireHouse” Album Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(album)
FireHouse Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(band)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] EUROPE In 10 Outstanding Rockers

europe-band-collageAs a proud European, it’s only natural for me to be a huge fan of Europe; as a matter of fact they are among my most beloved hard rock acts of all time. I feel pretty excited to be writing this because the connection I share with those guys is too strong and I do have to say a thing or two about their fantastic career, spawning some of my favorite songs of all time.

Originally named Force, the Swedish band of vocalist Joey Tempest, guitarist John Norum, bass guitarist Peter Olsson, and drummer Tony Reno is a solid example of how dreams do come true as long as you are not afraid to try and give it your all. From innocent beginnings to becoming an international sensation in the mid-1980s, Europe definitely proved that you don’t have to be British or American to know how to produce quality rock n’ roll and  conquer the world with it. After a moderately successful self-titled debut album (1983) and a strong evolution with “Wings of Tomorrow (1984), Europe caught the attention of the right people who knew exactly what to make out of those outstanding musicians. In May 1986, the world welcomed “The Final Countdown” – a record and a title track known by each and every person on this planet, I believe. Kevin Elson, a mastermind producer, who worked with Journey stepped in and shaped what is known as one of the most era-defining records of all time. Europe kept on delivering impressive rock in the following “Out of This World” (1988) and “Prisoners in Paradise” (1991). Unfortunately, just like many other hard rock bands on the market, Europe also stumbled and fell over the sudden grunge outburst in the early 1990s. Despite releasing a phenomenal record in that magical 1991, they received little appreciation, making it one of the most underrated albums in my book. After a little break, they got their act together and released some decent albums, including the most recent one “War of Kings” (2015). What comes next for Europe? A worldwide tour, celebrating the 30th Anniversary of that groundbreaking record that redefined the 80s! They surely still got it!

In honor of “The Final Countdown” and because I am a huge fan of Europe, I prepared this little playlist of 10 songs, which I believe best represent the band and their exciting sound. The playlist is suitable for people who are meeting the band for the first time, as well as to those who want to experience good music all over again! I am not discriminating against their newer releases (they are very good, actually) but for me personally, the first five albums are the greatest pieces of work they have done so far and whatever I do, I always go back to those classic rock jewels.

Cheers to Europe!


All or Nothing

The opening track of “Prisoners in Paradise” (1991) has to be my most beloved Europe tune of all time. Captivating guitar intro that progresses in catchy hard rock rhythms, accompanied by Joey’s mesmerizing vocals – this song is everything. If you are the type of person who likes solid hard rock, characterized by hooky melodies to sing over to, this is the tune for you. The lyrics are not as impressive as the melodies, but still pleasing and easy to sing:  All or nothing at all, There’s nothing I won’t do, And the one thing I want, All of is you…”


I’ll Cry for You

“I’ll Cry for You” became the reason why I fell inlove with “Prisoners in Paradise”. The instant attention-grabbing keyboard intro is transforming into a guitar-paradise and bittersweet lyrics that really get under your skin “…I wanna give you my heart, Give you my soul; I wanna lay in your arms, Never let go…”


Girl from Lebanon

Very unique and intriguing concept right here. “Girl from Lebanon” yet again came out from “Prisoners in Paradise” and in my opinion is one of their greatest works. Those thunder riffs are unforgettable, John Norum is simply killing it on this one…


Wings of Tomorrow

The title track of their sophomore album, “Wings of Tomorrow” (1984), clearly showcased a progress towards the right direction. Raw, straightforward, hitting you hard with no preparation whatsoever, this is definitely my favorite tune from the album. Of course, it’s a bit far from that polished sound we get to experience on the junior record, but equally interesting and worthy of appreciation.


“Out of This World” (1988) spawned four internationally successful singles, among which “Superstitious” and “More Than Meets the Eye” stood out the most to me and to the majority of Europe fans, actually. Following the well-established “The Final Countdown” formula for success, Europe defended the title of the kings of European melodic rock with that album. Both songs impress with catchy riffs and simple, yet charming lyrics.

Superstitious

More Than Meets the Eye


Seven Doors Hotel

“Seven Doors Hotel” was Europe’s first single, released from their debut album back in 1983. This song signalled the arrival of a great songwriting force. That’s right, I am talking about Joey Tempest who at such young age, with no experience whatsoever demonstrated such talent. “Seven Doors Hotel” was actually one of the first songs he had ever written. It became an enormously successful hit single in Japan. Interestingly, Europe are actually one of the few Western bands that became a strong force on the Japanese market back in the day. Even nowadays, Japanese fans love them to death!


coverI will wrap up my playlist with three hit singles from “The Final Countdown” (1986) – the spirited party-anthem, “Rock the Night”; the gentle power ballad, “Carrie”; and of course the monstrous hard rocker, “The Final Countdown”. Each of these tunes have its own uniqueness and became an absolute staple of ‘80s rock scene. You don’t have a party without “Rock the Night”, you don’t create a power-ballad playlist without “Carrie” and you don’t associate with people who don’t like “The Final Countdown” – simple as that!

Rock the Night

Carrie

The Final Countdown


+Bonus Track

Little Bit of Lovin’

There is just something very special about “Prisoners in Paradise” and I want you guys to really feel it. I may have included a lot of tunes from that album, but I stand by what I said – it’s their most deserving work.


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] My Top 10 ALAN PARSONS PROJECT Songs

alan-parsons

Thank God Alan Parsons and Eric Woolfson – two of the most notable geniuses of progressive rock, decided to join creative forces in 1975 and create The Alan Parsons Project, a band whose presence entirely redefined progressive rock and the music scene of the time. Accompanied by talented session musicians and various vocalists, The Alan Parsons Project quickly established a name as the ultimate pioneers of concept album releases.

Alan Parsons, or as I like to call him Mr Everything, already had a long list of achievements, including engineering Pink Floyd’s “The Dark Side of the Moon” and helping with The Beatles’ “Abbey Road” and “Let it Be”. For such an outstanding songwriter, audio-engineer, producer, signer and most importantly – a man with a unique perspective and approach to music, the sky was the limit. He saw a respectful partner in crime in the early 1970s in the face of the equally talented lyricists, vocalist and multi-instrumentalist Eric Woolfson and… the rest was history.  

The Alan Parsons Project debuted with in 1976 with a concept album titled “Tales of Mystery and Imagination”. The band’s identity was yet to be solidified, though. In the years to come, the duo crafted groundbreaking albums like “I Robot” (1977), “The Turn of a Friendly Card” (1980), “Eye in the Sky” (1982), “Ammonia Avenue” (1984) which cemented the duo as one of the highest and most important British progressive rock towers in the mid-1970s and 1980s.

In their 40-year career, Alan Parsons and Eric Woolfson managed to craft some serious magic. Ten studio albums, each with its own thought-provoking concept, spawned numerous timeless hit singles, still relevant and appreciated by (progressive) rock fans all over the world. Heavily-orchestrated, enigmatic, a bit melancholic even, decorated with powerful lyrics – their music has always been my biggest soothing agent. It is impossible to cherry-pick ten songs from their extensive catalogue and label them as “my absolute favorites”, however I did my best to at least craft a reasonable playlist for the fans who wish to experience the music of The Alan Parsons Project. I do hope you enjoy it!


Eye in the Sky (1982)

The mesmerizing “Eye in the Sky” is among Alan Parsons Project’s biggest commercial successes. Coming from their 1982 album with the same name, the track brought them top chart positions in countries all over the world. Eric Woolfson provided lead vocals for “Eye in the Sky”, which perfectly aligned with the soothing, quiet, yet funky and thrilling rhythms of the song. The lyrics are what captivate the listener the most, in my opinion. Just listen…


Games People Play (1980)

“Games People Play” – another immensely satisfying tune, this time coming from Alan Parsons Project’s 1980 album “The Turn of a Friendly Card”Lenny Zakatek brought so much life into the tune with his memorable vocals. The concept of the song is pretty straightforward, directly related to the overall theme of the record. The lyrics are once again the strongest point, at least to me.


Time (1980)

“Time” comes from “The Turn of a Friendly Card”(1980) and is in my opinion one of the saddest songs ever to be made. Eric Woolfson’s quiet and gentle vocal delivery is everything but comforting. – It just makes me so emotional. Interestingly, this is one of the few songs in which we can hear Alan Parsons himself singing on the background.


Sirius (1982)

“Sirius” and “Eye in the Sky” are meant to be listened one after the other; however I separated them because the 2-minute instrumental has its own charm and sometimes I just play it on a loop, without moving on to the next tune. “Sirius” segues into “Eye in the Sky” and both were usually played as a package on radio stations. The instrumental, however, made a name for itself by becoming an opening number for many sport events.


Ammonia Avenue (1984)

The title track of Alan Parsons Project’s 1984 “Ammonia Avenue” album became one of the reasons why I got into the band in the first place. It seems like songs, performed by Eric Woolfson somehow always get to my heart. A little bit dramatic, but highly enjoyable, this soothing tune has often been there to help me when I am feeling down. I highly recommend it to everyone, it’s just so calming…


Children of the Moon (1982)

“Eye in the Sky” is indeed a very special album to me, as you can see. Another tune from that fabulous progressive rock extravaganza found its place in my top 10. “Children of the Moon” with David Paton on vocals is a rhythmic treasure with a sweet reggae aftertaste and gorgeous lyrics. Have a listen~


Some Other Time (1977)

Alan Parsons Project’s 1977 “I Robot” was their coming out party. Filled with outstanding progressive rock jewels, the record signalled the arrival of a strong prog rock force. The epic “Some other Time”, performed by Peter Straker and Jaki Whitren, stood out to me with its triumphant horn sections and memorable lyrics.


In the Real World (1985)

This tune represents a stronger, more rock-oriented side of Alan Parsons Project which is equally intriguing and worthy of appreciation. “In The Real World” comes from their ninth album, titled “Stereotomy” (1985). The highlight of that record has to be the instrumental “Where’s The Walrus?” which even got them a Grammy Award. However, the uplifting rocker “In The Real World”, performed by Graham Dye, appealed the most to me.


Pipeline (1984)

“Pipeline” is one of the alluring instrumentals on “Ammonia Avenue” (1984) and generally, one of my favorite instrumentals of all time. Alan Parsons Project just know how to craft a time-enduring pieces of art that are equally intriguing with or without lyrics.


Separate Lives (1985)

Alan Parsons Project’s 1985 “Vulture Culture” was probably the last commercial and critical success of the duo. The ‘80s arrived and with them new musical trends, directions and possibilities. There was just little room left for progressive rock. Nevertheless, I find this record to be exceptional, especially “Separate Lives”, once again performed by Eric Woolfson.


+ I Wouldn’t Want to Be Like You (1977)

A bonus tune – “I Wouldn’t Want to Be Like You” from Alan Parsons Project’s highly successful “I Robot” (1977).  Vocalist Lenny Zakatek brought so much to the table, it was no wonder that later on he would sing so many of the band’s songs. You can’t but be compelled by this funky, disco-sounding tune!


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~