In 1990, FIREHOUSE Released a Debut Album of a Lifetime

The Importance of a Debut Album

You never get a second chance to make a first impression and that applies in every sphere of life, including music. A debut album can make or break a musician’s career. That first release is like an immensely important first date with the biggest, most relevant judge in the world – the audience. Therefore, the artists need to strike with their strongest, most exceptional creative weapons right from the very beginning if they want to make a name for themselves in this competitive music market. A successful debut album is essential in the sense that it’s a key to establish a fanbase, not to mention that it sets some sort of standards and expectations for the following projects. Having a powerful debut album doesn’t always walk hand in hand with a powerful, everlasting career; however, it’s indeed a significant aspect to think about when building a reputation. Some great rock acts, like Guns N’ Roses, Boston, Bad Company, even The Beatles, of course, spawned enormously impactful debut albums that stood the test of time. Unfortunately you can’t build a career on just one debut album – you need to develop artistically and be consistent with your releases. Some other rock acts like Elton John, Thin Lizzy and even the great Journey had a rather weak debut but managed to rise from the ashes and come back stronger than ever.

firehouse-debut-2So many rock albums are on my list of “favorite rock debuts of all time”, I don’t even know where to begin with – from Def Leppard’s “On through the Night” to Bad Company’s self-titled debut, from ASIA to Rainbow, the list goes on and on. One of those albums is the album I will be focusing on throughout this publication – the 1990 coming out party of the American glam rocker, FireHouse. Intrigued by the gorgeous power-ballad, “Love of a Lifetime”, I followed its footsteps back to this record where I found out that there was indeed a reason why it was certified double platinum. The album showcases so much talent, effort and what’s so fascinating is that it somehow managed to make a statement during a transitional, rather shaky period in the music world. The time for a debut wasn’t that suitable because grunge basically took over and media, along with fans, just stopped caring about glam rock. Still, what’s good is good and I am sure many people, just like me, appreciate FireHouse and this marvelous album, full of explosive melodic-rockers.

FireHouse

firehouse3Vocalist C. J. Snare, guitarist Bill Leverty, drummer Michael Foster, and bassist Perry Richardson caught the last wave of the glam rock era with a firm grab. What they did with that first release not only got them prestigious awards, including Best Newcomer in the States, but also launched their international success in many countries, including Canada and Japan. FireHouse is yet another band to brag with its supportive fandom and strong presence in the Japanese market and this first album has a lot to do with it.

The band, along with that debut album turned into a much needed breath of fresh air. People were losing interest in melodic AOR records and were waiting for the next big thing. The strong force, known as hair metal, was losing its powers. Suddenly, however, those talented guys came along and spawned a double platinum album in 1990. No one saw that coming but everyone loved it. The quartet, along with producer David Prater, who worked with Dream Theatre, obviously knew how to craft some good old, enduring American hard rock.

Songs and Style

FireHouse was an absolute glam rock revolution, in the sense that they brought so much more than glitter and gold to the table. The critical and audience appreciation was on point – those four guys weren’t joking around – armed with great talent, for FireHouse the sky was the limit. On the surface, to many people it may seem like a regular hair metal album, stuffed with ordinary party rockers with little substance, however once you get to know the songs a little bit better; you will understand why exactly this debut album conquered the world.

“FireHouse” offers a selection of twelve, well-polished pop/metal jewels, which respectfully clogged he radio stations and mesmerized (and still do) the fans with gorgeous riffs and superb vocals. “All She Wrote” – a catchy, humorous rocker which just begs you to find your inner (in my case non-existing) vocal strength and sing your heart out – it’s that captivating! This was the first FireHouse song I heard years ago and it grabbed my attention instantaneously. “All She Wrote” deserved so much more than it got, but then again, chart positions aren’t all that matter, right? “Shake & Tumble” gets its hands on you right from the beginning – those mindblowing riffs are like an energy drink; I can almost taste the power coming out of that tune. The opening track – “Rock on the Radio” is your typical party hard rocker, generating tons of excitement. “Don’t Treat Me Bad” is a sweet mid-tempo radio favorite, showcasing appealing acoustic elements. Another highly compelling tune has to be “Home is Where the Heart is” – I am beyond fascinated with Snare’s vocal delivery on this one, he absolutely kills it.

All She Wrote

Shake & Tumble

Don’t Treat Me Bad

I’m saving the best for last! In case you wonder which band released the greatest power ballad of all time, here’s your answer – it’s FireHouse and you can find it on this album! “Love of a Lifetime” is a simply a ballad of a lifetime. Written by vocalist C.J. Snare, it quickly became a worldwide sensation and their most well known song up to date. Not only that, but it turned into an absolute necessity for every wedding ceremony – the impact and fan love for that song just goes beyond any limits. There’s no surprise, though – just listen to the tune and let it reach every little part of your rock n’ roll heart. Dreamy lyrics, full of hope and encouragement, beautiful solo and heartmelting melody – “Love of a Lifetime” has the whole package.

Love of a Lifetime


What followed?

firehouse-hold-your-fireWhat followed was indeed pure fire! “Hold Your Fire” was released in 1992 and though it couldn’t compete with the debut one in terms of sales, it still left a mark of its own. “When I Look Into Your Eyes”, “Hold Your Fire”, “Reach for the Sky” – all immensely successful hit singles and fan favorites. This right here is a perfect example of a worthy sophomore effort – an album that delivered what the fans expected after the first one. Unfortunately, those were the last good albums we got before grunge hit the music scene and kicked hard rock out of the picture. Nevertheless, I am still here, along with many other fans, who love and haven’t forgotten about bands such as FireHouse! Cheers!


References:
“FireHouse” Album Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(album)
FireHouse Official Wikipedia Page: https://en.wikipedia.org/wiki/FireHouse_(band)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] EUROPE In 10 Outstanding Rockers

europe-band-collageAs a proud European, it’s only natural for me to be a huge fan of Europe; as a matter of fact they are among my most beloved hard rock acts of all time. I feel pretty excited to be writing this because the connection I share with those guys is too strong and I do have to say a thing or two about their fantastic career, spawning some of my favorite songs of all time.

Originally named Force, the Swedish band of vocalist Joey Tempest, guitarist John Norum, bass guitarist Peter Olsson, and drummer Tony Reno is a solid example of how dreams do come true as long as you are not afraid to try and give it your all. From innocent beginnings to becoming an international sensation in the mid-1980s, Europe definitely proved that you don’t have to be British or American to know how to produce quality rock n’ roll and  conquer the world with it. After a moderately successful self-titled debut album (1983) and a strong evolution with “Wings of Tomorrow (1984), Europe caught the attention of the right people who knew exactly what to make out of those outstanding musicians. In May 1986, the world welcomed “The Final Countdown” – a record and a title track known by each and every person on this planet, I believe. Kevin Elson, a mastermind producer, who worked with Journey stepped in and shaped what is known as one of the most era-defining records of all time. Europe kept on delivering impressive rock in the following “Out of This World” (1988) and “Prisoners in Paradise” (1991). Unfortunately, just like many other hard rock bands on the market, Europe also stumbled and fell over the sudden grunge outburst in the early 1990s. Despite releasing a phenomenal record in that magical 1991, they received little appreciation, making it one of the most underrated albums in my book. After a little break, they got their act together and released some decent albums, including the most recent one “War of Kings” (2015). What comes next for Europe? A worldwide tour, celebrating the 30th Anniversary of that groundbreaking record that redefined the 80s! They surely still got it!

In honor of “The Final Countdown” and because I am a huge fan of Europe, I prepared this little playlist of 10 songs, which I believe best represent the band and their exciting sound. The playlist is suitable for people who are meeting the band for the first time, as well as to those who want to experience good music all over again! I am not discriminating against their newer releases (they are very good, actually) but for me personally, the first five albums are the greatest pieces of work they have done so far and whatever I do, I always go back to those classic rock jewels.

Cheers to Europe!


All or Nothing

The opening track of “Prisoners in Paradise” (1991) has to be my most beloved Europe tune of all time. Captivating guitar intro that progresses in catchy hard rock rhythms, accompanied by Joey’s mesmerizing vocals – this song is everything. If you are the type of person who likes solid hard rock, characterized by hooky melodies to sing over to, this is the tune for you. The lyrics are not as impressive as the melodies, but still pleasing and easy to sing:  All or nothing at all, There’s nothing I won’t do, And the one thing I want, All of is you…”


I’ll Cry for You

“I’ll Cry for You” became the reason why I fell inlove with “Prisoners in Paradise”. The instant attention-grabbing keyboard intro is transforming into a guitar-paradise and bittersweet lyrics that really get under your skin “…I wanna give you my heart, Give you my soul; I wanna lay in your arms, Never let go…”


Girl from Lebanon

Very unique and intriguing concept right here. “Girl from Lebanon” yet again came out from “Prisoners in Paradise” and in my opinion is one of their greatest works. Those thunder riffs are unforgettable, John Norum is simply killing it on this one…


Wings of Tomorrow

The title track of their sophomore album, “Wings of Tomorrow” (1984), clearly showcased a progress towards the right direction. Raw, straightforward, hitting you hard with no preparation whatsoever, this is definitely my favorite tune from the album. Of course, it’s a bit far from that polished sound we get to experience on the junior record, but equally interesting and worthy of appreciation.


“Out of This World” (1988) spawned four internationally successful singles, among which “Superstitious” and “More Than Meets the Eye” stood out the most to me and to the majority of Europe fans, actually. Following the well-established “The Final Countdown” formula for success, Europe defended the title of the kings of European melodic rock with that album. Both songs impress with catchy riffs and simple, yet charming lyrics.

Superstitious

More Than Meets the Eye


Seven Doors Hotel

“Seven Doors Hotel” was Europe’s first single, released from their debut album back in 1983. This song signalled the arrival of a great songwriting force. That’s right, I am talking about Joey Tempest who at such young age, with no experience whatsoever demonstrated such talent. “Seven Doors Hotel” was actually one of the first songs he had ever written. It became an enormously successful hit single in Japan. Interestingly, Europe are actually one of the few Western bands that became a strong force on the Japanese market back in the day. Even nowadays, Japanese fans love them to death!


coverI will wrap up my playlist with three hit singles from “The Final Countdown” (1986) – the spirited party-anthem, “Rock the Night”; the gentle power ballad, “Carrie”; and of course the monstrous hard rocker, “The Final Countdown”. Each of these tunes have its own uniqueness and became an absolute staple of ‘80s rock scene. You don’t have a party without “Rock the Night”, you don’t create a power-ballad playlist without “Carrie” and you don’t associate with people who don’t like “The Final Countdown” – simple as that!

Rock the Night

Carrie

The Final Countdown


+Bonus Track

Little Bit of Lovin’

There is just something very special about “Prisoners in Paradise” and I want you guys to really feel it. I may have included a lot of tunes from that album, but I stand by what I said – it’s their most deserving work.


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Song of the Week: PRIDE OF LIONS – THE TELL

As a huge fan of Jim Peterik – as a matter of fact, he is in my top 5 favorite songwriters of all time, I was immensely excited to find out that Pride of Lions are releasing a new record next month. “Fearless” will be out on the 27th of January 2017, under Frontiers Records and it will be their seventh album, following “Immortal” (2012).

Just for a second there I thought that there was nothing exciting coming out next year! Not only that but, 2017 will start with a blast (at least for me). “The Tell” was released last week (29.11.2016) on YouTube and I haven’t stopped listening to this gorgeous tune ever since. It’s my choice for “song of the week” because I think it truly deserves it! I hope the rest of the album is going to be as intriguing as this tune. Haunting lyrics about a woman who is giving off signals she’s not really aware of, (I already know it by heart), A-level vocals and very pleasing instrumentation – this track was everything I’ve wished for!

Have a listen!



P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of Queensrÿche’s Silent Lucidity

It’s fascinating how some songs can trigger an emotional response so strong that it can easily shatter down all the walls we keep on building around our hearts. I’ve always said that one important strength of a song comes from its ability to let people feel vulnerable for a few minutes. We live in a world where the constant hardships of life turned many people into emotionally-constrained beings, rarely letting go and allowing sincere feelings, even sadness, to pass by their existence. I didn’t want to get too philosophical but that’s how I see it – a song can be the perfect outlet through which we can experience emotions and feelings we keep on stuffing deep down inside our souls. For me personally, Queensrÿche’s Silent Lucidity is one such song. Every time I listen to the haunting acoustic intro and Geoff Tale’s thrilling vocal performance, I feel this immense doze of sadness and pain that is actually freeing me from my apathetic prison, called daily life. To me, it’s a song that lets me get out of my comfort zone and for that I will always appreciate it. Honestly, before it became such a huge part of my life, I had no idea how commercially successful it was. With this in mind I thought that maybe this gorgeous tune touched the hearts of many people like me who would love to read a few selected pieces of interesting information about it, along with my interpretations!


– The American progressive metal band Queensrÿche has had a long and immensely prolific career. However, to the general audience “Silent Lucidity” remains their most famous and instantly recognizable tune. Written by the band’s lead guitarist Chris DeGarmo, this rock symphony was the second single from their highly successful 1990 record, titled “Empire”.

– The power ballad was accepted with open arms from both fans and critics. Grammy nominations, MTV awards, top chart positions in the USA and the UK – just a few of its notable achievements. There was no way this song could have failed; you don’t get to listen to such euphonious rock creation every day.

– “Silent Lucidity” was placed at number 21 on VH1’s list of “Greatest Power Ballads”! Personally, I think this is a well-deserving spot and definitely in my top 30 as well!

“I love that song. I think it’s a beautiful, beautiful piece. And although I didn’t write it, I had a lot to do with shaping the destiny of that track through my melodic contributions and the way I sang it, and also in the mixing of the song and that kind of thing.
It had a strange beginning. It started out as simply just acoustic guitar and voice. And it wasn’t until we were almost finished with the record, just in the last week of working on the record, that we added all the other instrumentation to it,” said Queensrÿche‘s lead singer Geoff Tate in an interview for Songfacts.

– In terms of instrumentation, “Silent Lucidity” impresses with its humble but shivering acoustic intro that skilfully builds up tension before it finally reaches the point of absolute tranquillity. The instantly recognizable opening riffs, along with the lines “Hush now, don’t you cry, wipe away the teardrop from your eye…” is in my opinion the best part of the song. I have always said that a song needs to have a strong intro and this right here is the perfect example of how it should be done! Brahm‘s “Lullaby”, played be a cello at the end of the song is another pleasant moment of the tune. Soothing rhythm, mesmerizing melody and quiet, but truly powerful symphonic composition – “Silent Lucidity” is the perfect song for your trip to serenity.

– It would be very difficult to come up with just one interpretation of the lyrics of Queensrÿche’s Silent Lucidity. So many things are happening within those words; not to mention that some of the lines carry a subjective meaning to different people. Obviously, one thing we can all agree on is that the song is about lucid dreaming  – a state in which dreamers are fully aware that they are dreaming and are able to exercise some control over their actions in the dream. Such an intriguing concept for a song!

‘Silent Lucidity’ is probably one of the most genuinely out there things we’ve ever done. It’s about what they call ‘lucid dreaming’. Or ‘dream-control’. Basically, just opening up the doors to your subconscious mind, and learning how to master your dreams. Actually be able to steer and control them,” said guitarist Chris DeGarmo for Kerrang! Magazine in 1990.

– If you are lucid dreaming, you are capable of taking the wheel and basically do what you feel like doing – you are free to explore this new world and be yourself. I know that the song is addressing this specific phenomenon, but metaphorically, to me the lyrics represent people’s personal growth as they break down the strong walls, built around their souls – “The walls you built within come tumbling down and a new world will begin.” Furthermore, another interpretation I have for the lyrics is that they are a message to people who must embrace death and cross-over to a new magical dimension – a new world where you can feel safe, free to fly, learn how to control your life and where all of your dreams are alive, waiting for you – “…You’re safe from pain in the dream domain, A soul set free to fly…”

Live at 1991 MTV Awards


“Silent Lucidity” Lyrics

Hush now, don’t you cry
Wipe away the teardrop from your eye
You’re lying safe in bed
It was all a bad dream
Spinning in your head
Your mind tricked you to feel the pain
Of someone close to you leaving the game of life
So here it is, another chance
Wide awake you face the day
Your dream is over… or has it just begun?

There’s a place I like to hide
A doorway that I run through in the night
Relax child, you were there
But only didn’t realize and you were scared
It’s a place where you will learn
To face your fears, retrace the years
And ride the whims of your mind
Commanding in another world
Suddenly you hear and see
This magic new dimension

I- will be watching over you
I- am gonna help you see it through
I- will protect you in the night
I- am smiling next to you, in Silent Lucidity

[spoken during solo]
(Visualize your dream)
(Record it in the present tense)
(Put it into a permanent form)
(If you persist in your efforts)
(You can achieve dream control)
(Dream control)
(How are we feeling today, better??)
(Dream control, dream control)
(Help me)

If you open your mind for me
You won’t rely on open eyes to see
The walls you built within
Come tumbling down, and a new world will begin
Living twice at once you learn
You’re safe from pain in the dream domain
A soul set free to fly
A round trip journey in your head
Master of illusion, can you realize
Your dream’s alive, you can be the guide but…

I- will be watching over you
I- am gonna help to see it through
I- will protect you in the night
I- am smiling next to you….


References:
Lyrics retrieved from http://www.azlyrics.com/
“Silent Lucidity” by Queensrÿche on SongFacts: http://www.songfacts.com/detail.php?id=5856
“Silent Lucidity” Official Wikipedia page: https://en.wikipedia.org/wiki/Silent_Lucidity
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[’80s Rock Album Focus] DANGER DANGER – DANGER DANGER (1989)

danger-danger-album

DANGER DANGER

Released: June 27 1989
Genre: Glam Rock / Hard Rock
Duration: 49:40
Label: Epic
Producer(s): Lance Quinn

buy-from-amazon


OVERVIEW

Numerous talented glam rock bands emerged in the late 80s but got wiped away way too quickly after grunge took over the music scene in the beginning of the 90s. Bands like Winger, Thunder, Giant, Kix, Slaughter, Danger Danger and many similar others chose a bad time for their coming out party. Most of them enjoyed their 15 minutes of fame and moderate success and disappeared into the mist. Fortunately, there are still people out there, like me, through which the spirit of those unlucky but deserving rock acts continues to live.

Danger Danger debuted in the summer of 1989 with a self-titled album, strictly following the well-established hair metal formula for success. Fuelled with catchy, rhythmic and easy to absorb tunes, the record could easily be described as an “enjoyable Friday night experience”. Unfortunately, as I previously mentioned, the time period wasn’t reasonable – the audience were already getting bored of the same old glam rock tunes and Danger Danger’s catchy, mainstream, poppy radio tunes didn’t really impress them that much. To be fair, the record does sound a bit too generic and can’t really stand out with an exceptional musicianship, outstanding vocal delivery or profound lyrics. Nevertheless, this melodic hard rock jewel can almost guarantee you a perfect mood.

“Naughty Naughty” and “Bang Bang” were released as singles and turned into Danger Danger’s best-known classics. (Those guys really enjoyed double titles.) Both tracks are fun and highly entertaining, despite their obvious commercial-driven goals. “Saturday Nite” has too much Def Leppard in it for me to truly appreciate it. “Don’t Walk Away” is once again giving me that Def Leppard vibe, which is probably why this is one of my favorite moments of the record (it really reminds me of “Stand Up (Kick Love Into Motion)” from Adrenalize (1992). This mid-tempo rocker deserved so much more than it got. “Rock America” is another good moment – anthem-like, synthesizer-driven tune with a lot of spirit and captivating energy. “One Step from Paradise”, “Feels Like Love” – another highly satisfying set of pop rockers which deserve a listen or two.

Danger Danger got all the pieces of the puzzle; however they were 5-10 years later for the party. This album would’ve got so much attention on AOR radio! It definitely isn’t the most valuable glam rock record but it’s full of charm and pleasing tunes!  “Naughty Naughty” has been an inseparable part of my playlist for so many years! Have a listen in case you need a reminder!

Tracklist:

  1. “Naughty Naughty” – 4:50
  2. “Under the Gun” – 4:39
  3. “Saturday Nite” – 4:17
  4. “Don’t Walk Away” – 4:56
  5. “Bang Bang” – 3:56
  6. “Rock America” – 4:54
  7. “Boys Will Be Boys” – 4:58
  8. “One Step From Paradise” – 4:47
  9. “Feels Like Love” – 4:52
  10. “Turn It On” – 3:40
  11. “Live It Up” – 3:54

Naughty Naughty

Bang Bang

Don’t Walk Away

One Step from Paradise

Feels Like Love


References:
“Danger Danger” Official Wikipedia webpage: https://en.wikipedia.org/wiki/Danger_Danger_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Behind the Lyrics of EAGLES’ “Hotel California”

This informative publication is for all the people who still, after all those years, believe that Eagles’ biggest hit single “Hotel California” (1977) is a song about a hotel…in California. In a recent conversation I had, I was once again reminded that even though the popularity of the track is immensely high – on a worldwide level, the lyrics continue to remain misinterpreted, even from people who claim they are fans. Of course, that is somehow understandable because the true meaning of the song is very well-disguised in clever words and genius metaphors. I grew up with Eagles and even as a kid with quite limited English language skills, I could somehow sense that there’s so much more behind that generic title. I will briefly talk about the lyrics and how to correctly interpret them. For those of you who already know, you can just sit back and listen to the song!

eagles-hc

“On just about every album we made, there was some kind of commentary on the music business, and on American culture in general. The hotel itself could be taken as a metaphor not only for the myth-making of Southern California, but for the myth-making that is the American Dream, because it is a fine line between the American Dream, and the American nightmare,” said Don Henley in a 2013 documentary.

Don Henley has actually given a lot of interpretations of this song, all of them somehow connected and adding to each other, following a similar theme. Let’s trace back some of the things, officially stated about this track.

– “A sociopolitical statement.”

– “It was really about the excesses of American culture and certain girls we knew. But it was also about the uneasy balance between art and commerce.”

– “It’s a song about the dark underbelly of the American Dream, and about excess in America which was something we knew about.”

– “It’s a song about a journey from innocence to experience.”

– “We were all middle-class kids from the Midwest. Hotel California was our interpretation of the high life in Los Angeles.”

There have been many “wild interpretations” of the song, especially when it was first released back in 1977. Everyone was simply obsessed with finding out what was the deal with that hotel (some people even thought it was all about drugs).
Basically, what we have to understand is that every little word is a giant metaphor for losing sacred things in life like youth, humility, innocence and goodness and falling for corruption, immorality and selfishness. “Hotel California” is a cynical piece of art, telling us that the integrity of people and consequently the American dream are long gone and all we fight for nowadays is simply…money and fame. LA has always been seen as this beautiful, gorgeous place, full of opportunities, happy people and fulfilled desires. However, that may not be necessarily the case. The track tells us the exact opposite – LA is not a paradise and what happens underneath the lights is highly disturbing and definitely sinful.

~The way I see it…

To me this song was always about the greed and depravity of the music industry and the wicked businessmen who ruthlessly control everyone and everything in the scene. Not that things have changed much since the mid-70s – music is a business and will always been seen that way. Los Angeles was and still is the mecca of the music scene. We have to think about the time period too. By 1977, big companies were already investing millions of dollars and fighting for music domination. Music started to be seen as a serious money-making business when the Beatles conquered the world so it was natural for the corporate side of music to keep on expanding and finding ways to get more and more money. I think Eagles did a brilliant job with the lyrics, exposing how evil, shallow and wrong this whole industry was at that time. For instance the last line – You can check-out any time you like, But you can never leave!– …tells me that the artist are working for a label and they have contractual obligations so they can’t have their freedom.

Furthermore, the chorus – Welcome to the Hotel California, Such a lovely place, Such a lovely face” is obviously a well-written sarcasm. Even Don Henley sings it with a little bit of bitterness, adding to the whole metaphoric experience of the track.“Plenty of room at the Hotel California” – there will always be a place for more and more, but there is a price…

Finally, I would like to finish by saying that it is indeed quite difficult to fully interpret and make sense of this song. To many people it’s about drugs or just simply committing to a world full of money, fame and sin. What I want to emphasize on, though, is that this song is NOT about a random hotel in California and this song has a METAPHORIC meaning, definitely open to interpretation. Any thoughts?

 

Lyric Video

Hotel California Lyrics

🎶 On a dark desert highway, cool wind in my hair
Warm smell of colitas, rising up through the air
Up ahead in the distance, I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night
There she stood in the doorway;
I heard the mission bell
And I was thinking to myself,
“This could be Heaven or this could be Hell”
Then she lit up a candle and she showed me the way
There were voices down the corridor,
I thought I heard them say… Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year (Any time of year)
You can find it here

Her mind is Tiffany-twisted, she got the Mercedes bends
She got a lot of pretty, pretty boys she calls friends
How they dance in the courtyard, sweet summer sweat.
Some dance to remember, some dance to forget

So I called up the Captain,
“Please bring me my wine”
He said, “We haven’t had that spirit here since nineteen sixty nine”
And still those voices are calling from far away,
Wake you up in the middle of the night
Just to hear them say…

Welcome to the Hotel California
Such a lovely place (Such a lovely place)
Such a lovely face
They livin’ it up at the Hotel California
What a nice surprise (what a nice surprise)
Bring your alibis

Mirrors on the ceiling,
The pink champagne on ice
And she said “We are all just prisoners here, of our own device”
And in the master’s chambers,
They gathered for the feast
They stab it with their steely knives,
But they just can’t kill the beast

Last thing I remember, I was
Running for the door
I had to find the passage back
To the place I was before
“Relax, ” said the night man,
“We are programmed to receive.
You can check-out any time you like,
But you can never leave! ” 🎵💕🎶

 


References:
“Hotel California” Songfacts, retrieved from http://www.songfacts.com/detail.php?id=1121
“Hotel California”, retrieved from https://jdmitchelldesigns.wordpress.com/tag/hotel-california-was-our-interpretation-of-the-high-life-in-los-angeles/
“Hotel California” Official Wikipedia Page: https://en.wikipedia.org/wiki/Hotel_California
“Hotel California” Lyrics, retrieved from http://www.azlyrics.com/lyrics/eagles/hotelcalifornia.html

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~

The Triumphant Debut of BAD COMPANY (1974)

Mark Sullivan 70's Rock Archive
Bad Company, 1974

When we talk about triumphant rock debuts, the conversation should start with a few artists, including The Beatles, Led Zeppelin, Boston, Van Halen, even Guns N’ Roses. Another band that most certainly deserves to be mentioned along with the big names is Bad Company. Their glorious 1974 debut achieved much more than critical and commercial success; the self-titled album of the supergroup brought good old-fashioned rock&roll back into the music scene. Filled with catchy straightforward classics, “Bad Company” is the perfect example of album oriented blues rock, showcasing the band’s biggest selling point – their moody but quite soulful signature sound.

In 1973 vocalist Paul Rodgers (Free), guitarist Mick Ralphs (Mott The Hoople), bassist Boz Burrelll (King Crimson) and drummer Simon Kirke (Free) teamed up to form one of the most gifted (at least in my opinion) British hard rock supergroups – Bad Company. One year later, their debut album became the first ever album to come out of Led Zeppelin’s Swan Song label. The record was an instant success, showcasing excellent musicianship and a brilliant formula, which they followed through the rest of the ‘70s.

bad-company-debutThe debut album topped the US Billboard chart, spent 25 weeks on the UK Albums Chart and spawned three timeless hit singles. Fans, critics – everyone was giving it their stamp of approval. The music scene in the early 70s was drowning in flamboyancy and experimentalism – nothing wrong with that of course. Among the dazzling theatrics and extravagant musical innovations, “Bad Company” was the much needed “back to the roots” record. Unpretentious, quite simple even, the debut album creates the perfect bluesy, soulful, working class rock&roll atmosphere.

paul-rogers-and-mickBad Company’s secret weapon was the strong songwriting collaboration between vocalist Paul Rodgers and blues-based guitarist Mick Ralphs, both shining as bright as the Sun on the self-titled effort. Loaded with classic rock staples like “Can’t Get Enough”, “Rock Steady” and “Ready for Love”, the record was destined for success. Interestingly, even the more dynamic songs on “Bad Company” are fueled with a sense of danger, under an umbrella of gloom. That’s definitely the ultimate charm of the band and ultimately the record itself – moody but instantly captivating. I have always found an immense attachment to “Ready for Love” (original by Mott the Hoople). Paul Rodgers’ vocals absolutely did it for me – with his sensual, quite erotic even performance, he simply immortalized it. The title track is another high point from the record – I have never witnessed such a brilliant synergy between piano and rock&roll. Not to mention the intriguing theme of the song – a band of fugitives and “rebel souls” that carry nothing but trouble with them! Sounds like a good soundtrack, doesn’t it?

If you want to get into Bad Company, this is the record you should start with. Play it as loud as possible if you want to experience the ageless magic of pure hard solid rock&roll. This album (along with a couple of more, of course) defined the mid-70s and for that it truly deserves to be appreciated. “Bad Company” is a historically relevant debut and nothing can take that away from it. Hope you guys got reminded of this classic and will go play it now!

Listen to the whole album here:


References:
“Bad Company” Official Wikipedia Page: https://en.wikipedia.org/wiki/Bad_Company_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~