The Story of YNGWIE MALMSTEEN’s 1986 Masterpiece “TRILOGY”

trilogy-yngwieIt doesn’t take that long to fall in love with the right music – the kind of music that completes you, empowers you and fills up your heart with nothing but pure delight. I had a similar experience when I heard Yngwie Malmsteen’s You Don’t Remember, I’ll Never Forget” for the first time. Songs like this one made me experience that “love at first listen” feeling, which I think is one of the most beautiful things in the world. A whole new world opened for me after that song; I just simply had to find and listen to more! I got the album and that’s how my Yngwie journey started. “Trilogy” was the album that completely redefined my attitude and expectations towards guitarists. One listen from start to finish was more than enough for me to learn how to further appreciate aspects of guitar playing, such as speed and technicality and not just take it for granted. Don’t get me wrong, there are plenty of superb guitar players who possess admirable qualities and are able to turn every song into a magical experience. However, there are a few who go beyond those well-known and highly enjoyable electrifying riffs. Yngwie Malmsteen is one of them and if you listen to “Trilogy” you will understand what I’m talking about.

Background:

  • Despite Yngwie’s steady reputation as a guitar virtuoso and a debut album that completely blew everyone’s minds away, his junior album – “Trilogy” couldn’t really make a huge statement on the charts, outside his homeland of Sweden. Nevertheless, as I keep on repeating over and over again – chart positions and commercial performance are not the greatest merit of the brilliance and quality of an album. In fact, “Trilogy” remains probably the second most critically appraised and beloved album of Yngwie Malmsteen (after “Rising Force”, 1984). 
  • Released in November 1986, “Trilogy” is Yngwie Malmsteen’s thoughtful dedication to Swedish Prime Minister, Olof Palme, who was assassinated earlier that year. 
  • The album carries the name of the closing instrumental, titled “Trilogy Suite Op:5”. The name is of course related with the fact that it is after all Yngwie’s third release. Many fans consider this album and its title as a perfect way to wrap up an exceptional trilogy of albums, featuring “Rising Force” (1984), “Marching Out” (1985) and “Trilogy” (1986).

Themes and Songs:

  • One quick glance at the tracklist will instantly give you an idea of what kind of themes and atmosphere to expect from the album. “Dark Ages”, “Fury”, “Fire”, “Magic Mirror”, “Queen In Love”, etc. – the titles are telling a medieval story, filled with fantasy, magic and skilfully portrayed in intriguing, imagination-stimulating lyrics. It’s not all about dungeons and dragons, though. The opening track, “You Don’t Remember, I’ll Never Forget” is Yngwie’s attempt at crafting a radio-friendly, more universally-acceptable tune and I believe he did a splendid job with that. Vocalist Mark Boals is giving his all. His vocal style and Yngwie’s music is simply a match made in heaven. The mad guitar-genius sends chills down our spines right from the very start – that thrilling intro grabs you by the throat and doesn’t even give you a second to prepare yourself for what’s coming. I have always emphasized on the importance of a song intro and this right here is one great example of how things should be done! What comes next is as exciting as you can predict. “Liar” is yet another forceful, mind-blowing guitar tornado that destroys everything that stands on its way. Mark is hitting those high notes with blissful ease. “Queen In Love” is another high point on “Trilogy” and a personal favorite of mine. The soul-shredding guitar solos and alluring chorus are surely going to leave an everlasting impact on the listener. Yngwie’s guitar is gently moaning on the acoustic euphoria, titled “Crying”. The emotionally-charged instrumental is the much needed breath of fresh air, after the explosive first tracks. “Fury”, “Fire”, “Magic Mirror” and “Dark Ages” are the last couple of drops to make up this violent sea of heavy metal flames. Yngwie’s secret master plan was to make our minds go up in smoke once we listen to those tunes. The closing instrumental, “Trilogy Suite Op:5” is in my opinion one of Yngwie’s highest points of his career. No words can describe the power that comes out of those riffs. It’s an absolute supernatural force that took a musical form.

“You Don’t Remember, I’ll Never Forget”

“Liar”

“Queen in Love”

“Crying”

“Fire”

Album Artwork:

  • The album artwork of “Trilogy” definitely has a spot on my list of favorite album covers. I mean, just look at it – can it be any cooler? I don’t think so. A three-headed dragon vs. a guitarist – a battle of a lifetime! A magical journey to distant lands, filled with intriguing adventures, monsters and queens. Believe me, you will never forget the musical  once you open that record and set foot on Yngwie’s mystical creation, named “Trilogy”.

trilogy2

What Followed Next?

  • yngwie-odysseyIn 1987, a fatal car crash accident almost took Yngwie Malmsteen’s life. Regardless, one year later, his next project, titled “Odyssey” was released. Together with one of the most talented rock vocalists of all time – Joe Lynn Turner (Fandango, Rainbow, Deep Purple), Yngwie once again crafted a dreamy, stylish and very up-to-date album, quite suitable for a constant radio play. There wasn’t any place for his mystical, dungeons-and-dragons, medieval neo-classical themes. It was time for something more romantic, approachable. Most importantly, it was the time to make hits. He couldn’t have picked a better singer to collaborate with. Songs like “Dreaming (Tell Me)”, “Déjà vu”, “Heaven Tonight” and “Crystal Ball” are the perfect blend between raw guitars, captivating vocals and perfect melodies.

References:
“Trilogy” Official Wikipedia Page: https://en.wikipedia.org/wiki/Trilogy_(Yngwie_Malmsteen_album)

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[’80s Rock Album Focus] STRANGEWAYS – Native Sons (1987)

strangeways-native-sons

NATIVE SONS

Released: 1987
Genre: AOR / Pop Rock / Hard Rock
Duration: 44:52
Label: Hangdog Records / Majestic Rock Records (2006)
Producer(s): John Punter

native-sons-back-and-front

buy-from-amazon


OVERVIEW

In 1987, the British-American AOR/Melodic rock band Strangeways released arguably their finest work, titled “Native Sons”. The follow-up to their respectable 1984 eponymous debut also proved that the right singer can make all the difference in the world. Original vocalist Tony Liddell was replaced with Terry Brock – a renowned back-up singer for some of the biggest names of the era, including Foreigner and Journey. What followed after he stepped in as the new frontman, could easily be described as pure musical magic. “Native Sons” is a brilliant melodic rock record that guarantees you nothing but delight and feelings of great pleasure.  The album carries all the best genre elements of the era, including colourful keyboards, splendid guitar playing and glittering hooks. Add Terry’s powerful vocals, the edgy hard-rock vibe and the A-level songwriting and you end up with a melodic treasure that could effortlessly stand on its own two feet against the big AOR titles of the late ‘80s.

If AOR/melodic rock runs through your blood, this might be the right album for you. Kicking things off with the playful but classy tune “Dance With Somebody”, “Native Sons” properly sets the mood for the remarkable things that are about to come. The mellow rocker “Only a Fool” is another track that stands out with its gorgeous melody and touching lyrics. Terry Brock’s spirited vocal delivery could easily turn this song into your next favorite ballad. “Empty Streets” is unquestionably the hidden pearl of “Native Sons” and one of the finest AOR gems I have ever heard in my life. The high-powered guitars, heated up by Terry’s fiery vocals give me thrills every time I play it. “Where Do We Go From Here”, “Stand Up and Shout” and “Never Gonna Lose it” are just a couple of the other warm and powerful 100% AOR-authentic masterpieces you can find on “Native Sons”.

“Native Sons” remains one of the forgotten and highly underrated representatives of the large AOR scene of the late ‘80s, despite the admirable qualities and superb songwriting it showcases. Thankfully, there are still people like me (and you) who know that picking up an apple from the top of the basket doesn’t mean that it’s the best apple of the bunch. “Native Sons” is a melodic bliss from start to finish – play any song from the tracklist and you get a melodic rock classic and a couple of minutes in rock paradise. I can’t recommend this album enough. Strangeways’ junior album “Walk In The Fire” (1989) is what you should get next, after “Native Sons”!
Cheers to great music!

 

Tracklist:

“Dance With Somebody” – 4:26
“Only a Fool” – 4:42
“So Far Away” – 4:57
“Where Do We Go From Here” – 3:58
“Goodnight L.A.” – 5:02
“Empty Streets” – 4:20
“Stand Up and Shout” – 3:28
“Shake the Seven” – 4:33
“Never Going to Lose It” – 4:47
“Face to Face” – 4:39


Dance With Somebody

Only a Fool

Where Do We Go From Here

Empty Streets

Stand Up and Shout

…or listen to the entire album here:


 

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of DOKKEN’s Breathtaking Ballad “Alone Again”

I guess there are a couple of tunes you could totally skip when you craft your “’80s power ballad playlist” but Dokken’s “Alone Again” should definitely not be one of them. In fact, when I talk about Dokken with other rock fans or introduce them to people who aren’t so familiar with their career and music catalog, the discussion always starts with “Alone Again”, the highest point of their 1984 sophomore album “Tooth and Nail”. I think it was because in general I am the type of person who always searches and falls for the power ballads, but it took “Alone Again” literally just a couple of seconds to become an instant favorite and a tune I simply can’t live without; there is just something so magical about that song, Don Dokken’s spellbinding vocals, astonishing melody transformations, jumping from gentle acoustic sounds to heavy electric tornadoes; and those lyrics that fill your heart with nothing but beautiful sorrow. It’s a gorgeous but heartbreaking rock tune and it’s my duty to remind you of it, give you another reason to play it just or introduce it to you for the first time.
[My Rock Mixgtapes] presents the story of Dokken’s “Alone Again”.

  • dokken-tooth-and-nailWritten by vocalist Don Dokken and bass guitarist Jeff Pilson, the power ballad “Alone Again” was released as a single from Dokken’s 1984 album “Tooth and Nail”. After a highly unsuccessful debut album, it was do or die for Dokken. The label barely agreed to give them a second chance but thank God they did, otherwise brilliant songs such as “Alone Again” would’ve remained on a paper, rotting somewhere under a pile of music notebooks.

  • Don Dokken wrote the song back in the 1970s, when he was barely 25 years old. Here’s what he recalls about the birth of “Alone Again” during an interview with the Sioux Falls, South Dakota radio station, KBAD 94.5 FM:

“I wrote it on a little 4-track recorder, put it on a cassette and it ended up in a box for, like, eight years. And the record company, on Tooth And Nail, our second album, they said ballads are the thing. Journey had a big hit with ‘Lights’ and Night Ranger… Everybody had ballads, and we didn’t have any ballads. So I dug out a bunch of times, and [I went], ‘What’s this? ‘Alone Again’ I don’t even remember it.’ So I listened to it, and Jeff Pilson, the [Dokken] bassist, listened to it, and he said, ‘That’s a cool chorus. Maybe we [can] revamp it.’ So we recorded ‘Alone Again.'”
(extract retrieved from http://www.blabbermouth.net)

  • Chart positions have never been a merit for the brilliance, quality or emotional impact of a song and the fact that “Alone Again” barely broke into a top 70 position on the Billboard charts, backs up my claim. Charting at #64 on the Billboard Hot 100 and #20 on the Hot Mainstream Rock Tracks Chart most certainly doesn’t make the song unworthy. On the contrary, I do believe that it’s one of the most beloved (though underappreciated) ‘80s power ballads of all time.
  • The lyrics of “Alone Again” have provoked the curiosity of many fans and music journalists and that’s not only in regards to the depressive, post-break up theme they carry. The sensual vocal delivery of Don Dokken truly makes us think whether there’s something more behind those mournful choruses. He was repeatedly questioned about the true story behind those touching words. Here’s what he says about it:

“This is a thing I wrote when I was very young, very naïve. Everybody says, ‘Who’d you write about?’ ‘I don’t know.’ ‘What was the girl’s name?’ ‘I don’t know.’ I must have been in love – it’s a very sad song – but I don’t remember who I wrote it about. I don’t know. It was just a song that came out, I always say, from here [points up above his head] – whatever that higher power is.”
(extract retrieved from http://www.blabbermouth.net)

  • Nothing obscure or overly-poetic about the lyrics; in fact the strength of those words is their simplicity, universalism and the way they are delivered to the public. Losing someone you love with all your heart can be one of the most traumatic and painful experiences of one’s life. You want to see this person “in the morning light” and feel him/her “when it comes to night” but for one reason or another you are all alone and can do nothing but feel sorry for yourself and let the tears “fall like rain”. Yes, for a couple of agonizing moments you will feel like you lost your way but this is life and unfortunately, we have to go through all that and hope that these terrible times will pass as soon as possible.

Alone Again Lyrics

I’d like to see you in the morning light
I like to feel you when it comes to night
Now I’m here and I’m all alone
Still I know how it feels, I’m alone again Tried so hard to make you see
But I couldn’t find the words
Now the tears, they fall like rain
I’m alone again without you
Alone again without you
Alone again without you I said stay, but you turned away
Tried to say that it was me
Now I’m here and I’ve lost my way
Still I know how it feels, I’m alone again

Tried so hard to make you see
But I couldn’t find the words
Now the tears, they fall like rain
I’m alone again without you

I tried so hard to make you see
But I couldn’t find the words
Now the tears, they fall like rain
I’m alone again without you

 


References:
Lyrics, retrieved from: http://www.azlyrics.com/lyrics/dokken/aloneagain.html
Quotes and Extracts, retrieved from: “The Story Behind DOKKEN’s Most Famous Ballad ‘Alone Again”,  http://www.blabbermouth.net/news/the-story-behind-dokkens-most-famous-ballad-alone-again/#L9xtCYpi0LVSdxfS.99

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

16 Reasons Why 1992 Rocked Pretty Hard!

A lot of interesting things were happening on the rock music scene in the year of 1992. To many it’s even the last year of true hard rock before the grunge movement completely took over the industry. It was an expected change, to be honest; after all, hard rock/glam rock was dominating for far too long and people were intrigued by the new alternative scene, making its way during the late ‘80s. Still, rock music enjoyed a couple of more successful years, before it was completely overshadowed by grunge and modern rock music, styles and directions, especially from the mid-90s onwards. Of course, well-established rock acts, like Def Leppard, Van Halen, Bad Company, Bon Jovi, Asia and heavy metal bands like Iron Maiden, Megadeth and Metallica were still going strong and producing great albums during the ‘90s.  

1992 is a colossal year for rock music and not just because I was born in 1992 (😋). That magical year gave birth to some of the most outstanding rock releases and presented long-awaited comebacks of major names, such as Eric Clapton, Bon Jovi, Dream Theater, Def Leppard, Asia and others. Moreover, bands that debuted in the late ‘80s, such as Giant and Slaughter jumped into 1992 with strong sophomore albums. 1992 marked a couple of splendid debut releases as well, including the German hard rock band Fair Warning’s first self-titled album. Some not so pleasant things also happened in 1992, including the disbandment of White Lion, Europe and Ratt. Nevertheless, my final verdict is that 1992 distinguished itself as a smashing rock&roll year. To prove my statement, [My Rock Mixtapes] presents to you 15 admirable rock releases that made 1992 one of the good years of rock!


Bad Company – Here Comes Trouble

bad-company-here-comes-troubleThe last Bad Company album to feature the fantastic voice of Brian Howe, titled “Here Comes Trouble” was released in September, 1992. The title track, along with memorable AOR classics like “How About That” and “This Could Be the One”, enjoyed a significant amount of airplay on radio stations, making quite the splash in 1992. The album was an absolute fan-favorite, though it most certainly couldn’t compete with the commercial success of their previous releases.
It took Bad Company three years to release the follow-up to “Here Comes Trouble”. “Company of Strangers” showcased a brand-new sound, courtesy of lead vocalist Robert Hart.


Giant – Time to Burn

giant-time-to-burn-1992giant-time-to-burn-1992Giant’s sophomore album, “Time to Burn” became reality in the early spring of 1992. The follow-up to their successful 1989 debut, “Last of the Runaways” didn’t get the attention it deserved, despite the band’s obvious musical growth. From the fiery opening track “Thunder and Lightning” to one of the most emotional power ballads of all time – “Lost in Paradise”, the whole album showcased Giant as everything but your ordinary AOR band. With his beautiful voice, Dann Huff brought so much color to the spring of 1992. “Thunder and Lighting” and “Stay” are some of the other gems from “Time to Burn” which received some considerable time on the classic rock radio stations. Overall, this album remains highly underrated, despite being one of the best releases of 1992, in my opinion. It took Giant 9 years to come back with “III”, which is also worthy of checking out.


Def Leppard – Adrenalize

Def_Leppard_-_AdrenalizeAfter releasing one of the most important and definitive ‘80s albums – the blockbuster “Hysteria”, things were looking pretty good for Def Leppard. Unfortunately, another tragedy struck the guys from Sheffield just went they barely recovered from Rick Allen’s life-changing accident. Guitarist Steve Clark died from alcohol poisoning in 1991. One thing we can say about Def Leppard is that they know how to rise from the ashes with great dignity and strength, despite the constant hardships. In the spring of 1992, after a couple of years of recording, they released “Adrenalize” – an album that gave the fans a chance to one last time listen to the killer riffs of Steve Clark. Splendid rockers like “Heaven Is”, “Let’s Get Rocked”, “Tonight” and “I Wanna Touch You” stood the test of time and till today remain some of Leppard’s most beloved songs. “Adrenalize” achieved immense commercial success, topping the charts in the UK, USA, Australia and New Zealand and selling over three million copies. The strong grunge movement wasn’t able to stop the great Def Leppard!


Asia – Aqua

asia-aquaAsia’s first album with new singer John Payne was released in the early summer of 1992. Moreover, Asia’s original guitarist Steve Howe once again reunited with his old buddies after his departure, following the release of “Alpha” in 1983. The new and exciting line-up, armed with glorious, dangerous even, hard rock sound and top quality production are what made the album so good. John Payne’s hard-edged vocals brought tons of appeal; not only that, he was like a breath of fresh air for Asia and their fans with his approach to songwriting. The album didn’t achieve much recognition, nor it caused a stir among the public; however, with songs like “Who Will Stop The Rain”, “Someday” and “Lay Down Your Arms”, “Aqua” is most certainly one of the great gems of 1992.


Eric Clapton – Unplugged

eric-clapton-unpluggedIn January 1992, armed with an acoustic Martin, backed by just a couple of musicians, in front of a small audience, legendary guitar hero Eric Clapton performed acoustic versions of original compositions, along with a few blues classics for the infamous MTV Unplugged TV series. In August, the concert album was out, becoming one of the first-ever MTV albums and consequently, a turning point in Eric Clapton’s career. After a series of ’80s AOR jewels, including “August” and “Journeyman”, Clapton successfully went on to complete a once in a lifetime project, which critics often consider his best, most sincere release of all time. With so much class, splendid guitar work and emotions, no wonder “Unplugged” stole so many Grammy Awards, including Album of the Year, Best Rock Male Vocal Performance and Best Rock Song. The tender and absolutely heartbreaking hit single “Tears in Heaven” went on to become one of Clapton’s highest career achievements and ultimately the highlight of the concert record.


Fair Warning – Fair Warning

fair-warning-1992March was certainly the rock month of 1992! Despite achieving a moderate commercial success in Japan and some European countries, Fair Warning and the album itself didn’t really make a huge splash in the States, unfortunately. Every song on “Fair Warning” is a glorious melodic rock anthem. From the power ballad “Long Gone” to the dangerous rockers “Longing for Love”, “One Step Closer” and “Hang On” – the albums presents a great selection of breath taking AOR classics. Such passion, fuelling “Fair Warning” can rarely be observed. I often consider this album as one of the most underrated debuts of all time! Fair Warning came back three years later with an equally appealing release, titled “Rainmaker”.


INXS – Welcome to Wherever You Are

inxs-welcomeINXS’ eight studio album, Welcome to Wherever You Are”, marked a new musical direction for the Australian rockers. Amidst the war between grunge and rock, they just said “screw it” and grabbed the sitar, called a 60-piece orchestra and did something they haven’t done before. On top of it all, the sound was more intriguing, different and much more raw than their previous releases. The album topped the UK charts; though things went downhill after that for INXS. Nevertheless, songs like “Baby Don’t Cry” and “Not Enough Time” did achieve a certain amount of recognition and remained some of INXS’ most beloved tracks.  Fans were impressed with the band’s new approach and some even call it “the most welcoming INXS album ever”. There is a reason for that, believe me!


Bon Jovi – Keep the Faith

bon-jovi-keep-the-faith“Keep The Faith” was a very important album for Bon Jovi because it marked a significant shift for the guys – they turned from glam rockers with the perfect ’80s sound and image to becoming a true rock&roll band of the 90s. Released in the end of 1992, the album did manage to create quite the fuss and excitement among fans. Romantic piano ballads and straightforward rockers, decorated with longer guitar solos and more meaningful lyrics, showcased Bon Jovi’s growth as a band. No wonder “Keep The Faith” sold over 2 million copies! The new and improved Bon Jovi was all fans could talk about and listen to. Impressive gems like “Bed of Roses”, “In These Arms”, “I Believe” and the title track, of course, are pretty solid easons to fall in love with this album.


Great White – Psycho City

great-white-psycho-cityGreat White warmed up the autumn of 1992 pretty well with their sixth studio album, titled “Psycho City”. The fact that the industry personnel preferred to give more attention to grunge music and screamed at the faces of bands like Great White that hard rock was dead, couldn’t change the fact that “Psycho City” was and still is a brilliant hard rocker, full of great music. Great White were not the ordinary “poodle rock” band from the ‘80s – they had something special in them and I think that this album showcases this exact spark I am talking about. Exceptional songs, like the gentle “Love is a Lie”, “Big Goodbye”, “I Want You” and the bluesy “Maybe Someday” prove that their sound was unique and definitely going in a more sophisticated direction. 2 years later, they released their acoustic album, named “Sail Away”.


Slaughter – The Wild Life

slaughter-the-wild-lifeIn April, 1992, Slaughter came back with an enthusiastic sophomore album that solidified their position as one of the talented, early ‘90s rock bands that could actually produce something meaningful and impactful. Considered as one of their best effort, “The Wild Life” presents variety, good old rock&roll and pretty much something for everyone. “Days Gone By”, “Real Love”, “The Wild Life” and “Out for Love” are just some of the tracks, displaying Slaughter’s great potential and well-deserved fan adoration. It was indeed blown away by all those grunge bands who were dictating the music scene at that time, but still, it’s an album that definitely made the spring of 1992 much more interesting.


Yngwie Malmsteen – Fire and Ice

yngwie-j-malmsteen-fire-and-iceThe sixth studio album of guitar God Yngwie Malmsteen, titled “Fire & Ice” was released in early 1992 and marks a return to more classical, baroque-influenced heavy metal music. As a matter of fact it could easily be considered as one of the best examples of how well classical and heavy metal music can co-exist, if approached with talent and creative mind. Every track on “Fire & Ice” is a loud expression of virtuosity, brightened by relevant lyrics and enjoyable melodies. Malmsteen and Edman’s “Cry No More”, “Forever is a Long Time” and the magnificent title track, of course, are just some of the mind-blowing guitar tornadoes which made quite the statement in 1992. Nothing much to add or say as a matter of fact – the entire album is epic and able to please any fan of Yngwie.


Warrant – Dog Eat Dog

warrant-dog-eat-dogFans and critics consider Warrant’s “Dog Eat Dog” as the band’s most solid effort, despite its weak chart and commercial performance, compared to their previous two releases. The LA-based hard rock band got overlooked, in favour of the solid grunge movement that occupied pretty much every corner of the music scene during that time; however, “Dog Eat Dog” is still one of the strongest, most appealing releases of 1992 and nothing can change that. The album is harder, way more dangerous and sincere, but still managed to keep that fun and exciting glam-spirit that made them so famous in the late ‘80s. “The Hole in My Wall”, “Bonfire”, “Quicksand” and “Let it Rain” are just ome of the tracks that stood out, proving that Warrant could easily compete and even rise above the big names, like Bon Jovi or Motley Crue. “Dog Eat Dog” is a genuine heavy metal album and one of my personal 1992 favorite releases! There’s just something so special going on there!


Skid Row – B-Side Ourselves

skid-row-b-side-ourselves“B-Side Ourselves” is Skid Row’s tribute to the bands that left the biggest imprint on their career. Thrilling cover versions of songs by The Ramones, Kiss, Judas Priest, Rush and The Jimi Hendrix Experience are what make the project so interesting and appealing to the public – there’s just so much diversity, dressed up in obvious respect and passion towards their idols. “Delivering the Goods” is one of the most impressive points on “B-Side Ourselves” because it’s actually a live recording, featuring Judas Priest’s Rob Halford sharing the mic with Sebastian Bach. Skid Row’s interpretation of Rush’s “What You’re Doing” is a personal favorite of mine – Sebastian is absolutely killing it!


Iron Maiden – Fear of the Dark

iron-maiden-fear-of-the-dark1992 was a great year of heavy metal and Iron Maiden’s “Fear of the Dark” is one of the reasons why. The band’s ninth studio album also became the last one to feature lead vocalist Bruce Dickinson before his departure (thank God he came back later on). There seems to be an obvious division among fans’ opinions when it comes to this album – some find it weak, showcasing Iron Maiden’s creative decline in the ‘90s; while others think it’s a solid masterpiece. Nevertheless, it did conquer the charts and it does have a huge amount of charm which pleases me and many other people, so that’s what’s important. As a matter of fact, the title track is one of my favorite Iron Maiden songs of all time! From Here to Eternity”, “Chains of Misery” and “Wasting Love” are great rockers and perfect for fans who prefer lighter and catchier heavy metal hooks.


Pantera – Vulgar Display of Power

pantera-vulgar-display-of-powerOne of the most definitive ‘90s heavy metal albums is Pantera’s “Vulgar Display of Power”, featuring a couple of the band’s most instantly recognizable tunes, such as “This Love”, “Mouth for War” and “Walk”. Moreover, the album went on to become the band’s best-selling album, achieving a double-platinum status in the USA. When it comes to this release, the title says it all – “Vulgar Display of Power” is intense, forceful and full of rage and hostility. That’s exactly why the metalheads love it so much! Heavier, darker and presenting more polished heavy metal sound, as compared to Pantera’s 1990 “Cowboys from Hell”, their 1992 release definitely stood the test of time and is still one of the mandatory records for any metal fan! Not to mention that it’s also the perfect representative of the groove-metal genre.


Megadeth – Countdown to Extinction

megadeth-countdown-to-extinctionIn the hot summer of 1992, Megadeth released “Countdown to Extinction” – an album full of classic heavy metal gems, such as “Symphony of Destruction”, “Skin O’ My Teeth” and the title track, which even won an award for raising awareness for animal rights issues. The album was welcomed with open arms from both fans and critics, celebrating its melodic thrash qualities. As a matter of fact, “Countdown to Extinction” was responsible for the band’s commercial breakthrough in the ‘90s. No surprises there – the album unveils confidence, pure thrash fury, killer riffs and some great hooks. It might had been quite difficult to top the success of “Rust in Peace” but Megadeth still produced a classic rock gem, which is equally intriguing and fascinating, at least to me that is.



The publication expresses my personal opinion and in no way is trying to make a generalized statement. The publication presents a selection of 15 albums, picked based on my personal preferences and ideas, fitting the purpose of this article. Please be kind and considerate when you read and/or comment.

I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
Cheers~

The Story of DEEP PURPLE’s “Stormbringer”

First time I listened to Deep Purple’s “Stormbringer” was a life-changing moment for me. I may have been just a little girl but I knew well how to experience music and let it flow through my body and soul. After the first couple of times I played it, I knew two things: first, that male vocalist will occupy an important part of my life; second, this will be one of the tunes I will be seeking empowerment and strength from.

I don’t know a person who doesn’t love Deep Purple, even though fans’ preferences when it comes to line-ups are sometimes different. I love the classic Purple years, as well as their grandiose 80s comeback with “Perfect Strangers” but the Coverdale years, I believe, are always what I come back to. That’s why I wanted to give the spotlight to a beloved Deep Purple track of mine, performed by the magnificent David Coverdale. On top of all, he introduced the song to a whole new generation a couple of years ago on Whitesnake‘s 2015 “The Purple Album”. With all that in mind, I believe we have to acknowledge the significance of “Stormbringer” and most importantly, never forget to play it as loud as possible!

  • deep-purple-stormbringer“Stormbringer” is the opening track to Deep Purple’s 1974 album of the same name. It’s the second release, after “Burn” to feature David Coverdale as the lead vocalist of Deep Purple. The album failed to match the commercial excellence of the band’s previous releases, such as the iconic “Machine Head”, “Who Do We Think We Are!” and even “Burn”; however it did give birth to some outstanding classics. “Stormbringer”, “Soldier of Fortune” and “High Ball Shooter” are some of the tunes from the album that surely stood the test of time. Moreover, it will always be remembered as the album that brought the (temporal) departure of Ritchie Blackmore and the album with the perfect Coverdale/Hughes vocal collaboration.

  • Written by Ritchie Blackmore and David Coverdale, “Stormbringer” is a powerful heavy metal blast, showcasing the band’s love for hard solid rock&roll, soul and even funk music. The tune grabbed everyone’s attention with its peculiar lyrics and intriguing title, making it one of Deep Purple’s essential live acts during the ‘70s.

  • The title and theme of the song have always been subjected to questions and constant fan interest. The charismatic mysticism that surrounds “Stormbringer” has often been associated with Michael Moorcock who uses the same name to describe a magical sword, appearing on a couple of his fantasy novels. David Coverdale, however, denied any relation with Moorcock’s works or that he had any prior knowledge of his work, before writing the song.

“I wrote the lyrics about a mythical creature called Stormbringer who, in a surrealistic story, creates a lot of trouble. But I never even considered Michael Moorcock‘s work,” David Coveradle explained in a 1974 interview with New Musical Express.

  • At the beginning of “Stormbringer”, David Coverdale speaks some gibberish which always sounded quite spooky and devilish, at least to me. According to Glenn Hughes, this was in fact the “dialogue that Linda Blair’s character utters in the film The Exorcist when she is questioned by the priest.” [?]

  • “Stormbringer”’s hook line – “Ride the rainbow, Crack the sky” is supposedly where Ritchie Blackmore got the idea to name his next band “Rainbow”.
  • whitesnake-the-purple-albumIn 2015, Whitesnake released “The Purple Album”, consisting of interpretations of classic songs from Deep Purple band lineups Mark III and Mark IV – the time when David Coverdale was DP‘s frontman. Among the remakes were tunes such as “Burn”, “Soldier of Fortune”, “Might Just Take Your Life”, “Mistreated” and of course “Stormbringer”. This newer version of the 1974 gem was heavier, more intense and in my personal opinion, better than the original.

Whitesnake‘s version of “Stormbringer” (The Purple Album, 2015)


 

Stormbringer Lyrics

Comin’ out of nowhere
Drivin’ like rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Rainbow shaker
On a stallion twister
Bareback rider
On the eye of the sky
Stormbringer coming down
Meaning to stay
Thunder and lightning
Heading your way

Ride the rainbow
Crack the sky
Stormbringer coming
Time to die
Got to keep running
Stormbringer coming
He’s got nothing you need
He’s gonna make you bleed

Coming out of nowhere
Drivin’ like a-rain
Stormbringer dance
On the thunder again
Dark cloud gathering
Breaking the day
No point running
‘Cause it’s coming your way

 


 

References:
Lyrics retrieved from http://www.azlyrics.com

DEEP PURPLE’s Stormbringer Turns 40 – “I’ve Never Embraced The Expression Heavy Metal Because All My Themes Are Emotional”, retrieved from http://bravewords.com/features/deep-purples-stormbringer-turns-40-ive-never-embraced-the-expression-heavy-metal-because-all-my-themes-are-emotional
“Stormbringer” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Stormbringer_(album)

“Stormbringer” SongFacts, retrieved from http://www.songfacts.com/detail.php?id=14243

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Song Of The Day : THE FIRM – Satisfaction Guaranteed (1985)

What happens when brilliant musicians like Paul Rodgers, Jimmy Page, Chris Slade and Tony Franklin get together? Pure magic – that’s what happens! In the mid-80s, hungry for new adventures, Page and Rodgers formed an exciting supergroup which despite its short life spawned some rockers of a lifetime! Second only to his collaboration with Coverdale, I think this project is my favorite work of Jimmy Page, after the classic Led Zeppelin years, of course.

Their self-titled debut album was brought to the world in 1985. Skilfully incorporating friendlier and more radio-ready sound to their bluesy and soulful musical approach, “The Firm” is a good example of a laidback, upbeat ‘80s record, worthy of checking out!

A song of theirs that left the greatest impression on me is “Satisfaction Guaranteed”. The slow-paced, light-hearted tune immediately captivated me with its rhythms. Not to mention Paul Rodgers who keeps on giving me the time of my life every time he starts singing. He sounds sexy, free and so natural on “Satisfaction Guaranteed”; his sweet voice can simply be the end of me, I swear. Jimmy Page is (of course) delivering quite the guitar performance!

Watch the classic MV below and enjoy the feelgood tune!


 

“Satisfaction Guaranteed” Lyrics

Mystery surrounds me, and I wonder where I’m going
There’s a cloud above me and it seems to hide the way
I’m going straight ahead, ’cause it’s the only way I know
I want to leave the past, and leave just for today

Now then tell me baby, do you need my love?
Tell me baby, are you thinking of me?
Tell me baby, what it is you need?
What kind of satisfaction guaranteed?

Sitting in the gutter with my head wrapped in my hands
I’ve been drinking all night, and I just can’t stand the pain
It took an awful lot of trouble just to make me understand
Now it’s clear to me, but will it ever be the same?

Now then tell me baby, do you need my love?
Tell me baby, are you thinking of me?
Tell me baby, what it is you need?
What kind of satisfaction guaranteed?

Now then tell me baby, do you need my love?
Tell me baby, are you thinking of me?
Tell me baby, what it is you need?
What kind of satisfaction guaranteed?

Head upon the highway, just as fast as I could go
I rode through the night, and halfway through the day
I had no direction I didn’t even want to know where I was going
The only thing I knew, was that I had to get away

Now then tell me baby, do you need my love?
Tell me baby, are you thinking of me?
Tell me baby, what it is you need?
What kind of satisfaction guaranteed?

Tell me baby, tell me baby, tell me baby, do you need my love?
Now that I’m here, yeah, do you need, do you need my love?


References:
Lyrics retrieved from http://www.metrolyrics.com/
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.

The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[The Greatest Rock Albums of the 80s] BLUE ÖYSTER CULT- Fire of Unknown Origin

fire-of-unknown-origin-blue-oyster

Fire of Unknown Origin

Released: July, 1981
Genre: Hard Rock
Duration: 39:06
Label: Columbia
Producer(s): Martin Birch
Certified: Gold (RIAA)

cd-blue-oyser

buy-from-amazon


OVERVIEW:

After a couple of rather commercially weak releases, Blue Öyster Cult rose from the ashes with new born confidence and an album that re-defined their career and introduced them to the audience of the ‘80s. The band’s mid-70s authenticity remained intact; however this time they did manage to put in a little something extra, crafting an immensely enjoyable and much friendlier sound. Many fans, including myself, consider “Fire of Unknown Origin” as Blue Öyster Cult’s finest effort for that exact reason – it’s a perfect hybrid between their dark, old-school rock&roll outlook and newly adopted musical direction. Patti Smith, rock critic Richard Meltzer and fantasy writer Michael Moorcock are some of the cameos, appearing on BÖC’s intriguingly catchy 1981 release. Their enigmatic lyrical approach is bringing so much life into the album!

“Burnin’ for You” is one of those rockers that actually deserved the attention it got. The infectious riffs, accompanied by Buck Dharma’s great vocal performance (which I personally prefer over Bloom‘s) and Allen Lanier’s worthy keyboard work, drew quite the picturesque melodic wonderland; no wonder the track conquered the charts and turned into one of their most famous songs.  The title song, “Fire of Unknown Origin” is as bizarre as ever but once those fiery guitars hit you, there’s no coming back. The synthesizer-driven “Veteran of the Psychic Wars” is one of BÖC’s best works. The ominous melody, along with Bloom’s threatening vocals is definitely something to look forward to on the album. Moreover, it was also featured on the soundtrack of the animated sci-fi film, “Heavy Metal”. “Heavy Metal: The Black and Silver” is a personal favorite – how can you not be captivated by that mighty guitar intro? “Vengeance: The Pact” is as close as we can get to BÖC’s old days. “Fire of Unknown Origin” doesn’t lose its appeal as we jump from one song to the next. The closing song, “Don’t Turn Your Back” keeps things interesting till the very end.

“Fire of Unknown Origin” is a solid piece, compiled of rather eccentric, yet highly appealing tunes. It’s safe to say that it’s one of BÖC’s most valuable releases and still deserves to be played and enjoyed!
Cheers to the timeless classics!


Fire of Unknown Origin

Veteran of the Psychic Wars

Burnin’ For You

Sole Survivor

Don’t Turn Your Back


 

References:
“Fire of Unknown Origin” Official Wikipedia Page: https://en.wikipedia.org/wiki/Fire_of_Unknown_Origin
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~