Billy Squier’s “Don’t Say No” Might Be The Catchiest Album You’d Ever Listen To

Everyone loves a good melodic rock hook and this album right here has plenty of those, believe me! The reason why I titled this publication “the catchiest album you’d ever listen to” is because the whole record might as well be played on every single radio station out there, all day long and people will still be excited and singing joyfully with it. Yes, it’s that ear-pleasing, that catchy and that familiar.

don't say noBilly Squier (William Haislip Squier) is a name known by many die-hard rock fans out there, especially those who grew up in the States. I, as an European, got the chance to experience his music for the first time quite recently. The most important thing however is that those immensely captivating rhythms of classics like “The Stroke” and “In The Dark” managed to conquer me and now it’s to pass the torch to other young fans out there who must yet discover the magic of those gems. Also, it might be a good way for older rock generations to remind themselves of Billy Squier’s biggest accomplishment of his career which is of course, his 1981 album, “Don’t Say No”.


“Don’t Say No” spawned a long list of gratifying tunes that solidified its position on the Billboard album chart for over two years! This interesting fact should tell you enough about its colossal impact on the music market. Moreover, every single from “Don’t Say No”, including “In the Dark”, “Lonely Is the Night”, “My Kinda Lover” and “The Stroke” established itself as a major radio hit, playing on every station, all over the States for the entire first half of the ‘80s. Last but not least, the album sold over 3 million copies in the US alone, making it one of the most-desirable and beloved records of all time!

Now let’s talk about that hard-to-resist, hard-to-beat sound that made this album so famous back in the day. Honestly, when I heard “Don’t Say No” for the first time, I could swear it was released in the late ‘80s; it just sounded too “polished” and “radio-ready” to me. I was highly surprised when I found out that this album got out so early in the decade. It seems like it was one of those well-done, commercial releases that set the tone for the years to come. A round of applause to the famous record producer and sound engineer Reinhold Mack (a.k.a. Mack) who previously worked with big names like Deep Purple, Scorpions, Queen, ELO and countless more; he surely left his magical trace on “Don’t Say No”.

I can write plenty on how entertaining, groovy and great-sounding this album is. However, it would be way better for you guys to listen and sing along with the following tunes. The title sums it up quite well – “Don’t Say No” to this album!

“In The Dark”

“The Stroke”

“My Kind of Lover”

“Lonely is the Night”

…& don’t forget to listen to the entire album:

Release Date: April 13, 1981
Genre: AOR / Pop Rock / Hard Rock
Duration: 38:11
Label: Capitol
Producer(s): Mack and Billy Squier

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References:
“Don’t Say No” Official Wikipedia Page:  https://en.wikipedia.org/wiki/Don%27t_Say_No_(Billy_Squier_album)

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

HARDLINE’s “DOUBLE ECLIPSE” – An Album Worth Discovering

I’ve talked about that magical year of 1992 before in my “16 Reasons Why 1992 Rocked Pretty Hard!” article and it’s time to talk about it yet again!

The times, they were changing; the ‘80s were long gone and with them the good old ways of rock&roll. Grunge was occupying all the attention of major music media outlets and labels and people were shifting their musical preferences from heavier hard rock to softer alternative rock. Nevertheless, the strong heavy metal thunder could still be heard during the first couple of years of the new decade. From solid comebacks to refreshing debuts, the early ‘90s offered a wide range of intriguing rock music events before it all died out by mid-decade.

This time I would like to focus on a band that formed in 1991 and debuted in 1992 with what I consider as one of the most exciting albums of that year. I’m talking about Hardline and their coming out party, titled “Double Eclipse”.

Brothers Johnny Gioeli and Joey Gioeli joined forces with none other than Bad English and Journey’s Neil Schon, along with bass guitarist Todd Jensen and drummer Deen Castronovo. All together, they attacked the music scene with a highly satisfying, though overlooked, glam rock record, possessing every little detail needed to captivate the hearts of any heavy metal fan out there.  

From a fan’s point of view I can only say two things about this album. First of all, the inclusion of Neil Schon in the picture shouldn’t scare you at all – there’s no trace of that sweet, tender, quite melodic Journey or Bad English vibe on “Double Eclipse”. It’s a ferocious rock release, with a lot more edge and tons of character. Needless to say if you are a fan of ‘80s hard rock, you most certainly can’t go wrong with “Double Eclipse” – it’s the exact thing you need to complete your collection! Second of all, once in your life you might come across an album which is worthy of occupying almost an hour of your life. “Double Eclipse” is one of those rare gems with no fillers and no boredom – every song is a potential favorite and guarantees a good time!

Speaking of songs, let’s talk a little bit about the playlist. We have our radio staples – the catchy, energetic “Takin’ Me Down”, the lovely ballad “Can’t Find My Way” and of course Hardline’s version of Danny Spanos“Hot Cherrie” which actually scored a top 30 chart position in 1992. The solid opener and a personal favorite, “Life’s a Bitch” turned into one of my theme songs. The lyrics are on point and don’t even get me started on those mind-blowing guitars. “Rhythm From A Red Car” is yet another hair-raising surprise that guarantees a splendid time! The mid-tempo, “Love Leads The Way” and the guitar-driven ballad “Change of Heart” are just a couple of the other valuable assets, characterizing “Double Eclipse”.

Final verdict: “Double Eclipse” by Hardline is an album worth discovering and adding to your AOR/Hard Rock collection. Too bad Neil Schon didn’t stick around much with those talented guys and went on to pursue other projects. Don’t think twice – crank it up and enjoy it!

Takin’ Me Down

Life’s a Bitch

Can’t Find My Way

Hot Cherie


Release Date: April 28, 1992
Genre: AOR / Hard Rock

Duration: 56:53
Label: MCA
Producer(s): Neal Schon

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 References:
“Double Eclipse” Official Wikipedia Page: https://en.wikipedia.org/wiki/Double_Eclipse
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of XYZ’s Self-Titled 1989 Debut Album

I’ve said it before and I will say it again – 1989 was one of the greatest, most prolific years when it comes to hard rock and this album right here is yet another fine example, backing up my statement. We witnessed some great rock debuts during the late ‘80s and early ‘90s – XYZ, Giant, Danger Danger, Slaughter, Heavens Edge, Firehouse and so many countless others; and I never understood why all of a sudden every major music media outlet and label turned their back on those immensely talented musicians in favor of the grunge wave…Anyhow, what’s in the past is in the past. All we can do right now is to keep on discovering music that is worth discovering and appreciate talent when we see/hear it! That’s the reason why I wanted to talk about one of the forgotten but deserving late-‘80s-bands – XYZ and specifically their self-titled debut album.  Not only it showcases an excellent playlist of feel-good rockers but it’s a great collection piece for all hard rock fans out there who love to recall the good old days!

don dokken1I discovered XYZ rather recently, as I was taking one of my routine walks on the endless paths of old-school hard rock. There was something highly captivating about their sound which puzzled me as I rarely have this instant connection. I fell for the album, without knowing the reason why it felt so cozy and so familiar. Later on I discovered the reason why I was so easily hooked up… Their debut was produced by none other than Don Dokken!  I am a huge Don Dokken fan and this should come as no surprise, especially to the people who follow my postings. Of course, everyone knows who Don Dokken is and is well-aware of all the beautiful things he did as a frontman and co-songwriter of the hard rock band, Dokken. If you love Dokken as much as I do, there is no way you won’t fall for XYZ and that first album of theirs!

By the time XYZ’s debut album was released, Dokken had already split due to the turbulent relationship between Don Dokken and George Lynch. Before Don wrapped things up with his first solo album “Up from the Ashes” (1990), he jumped in as the skillful producer of the French-American band, XYZ’s coming-out party. Unfortunately, the household name Don Dokken printed on the back of the album under “produced by” didn’t really help that much. XYZ’s debut album barely got into the Billboard charts, under #99.

Despite the moderate success, three singles and two music videos were released. The MVs for “Inside Out” and “What Keeps Me Loving You” got a little bit of that MTV spotlight. The third single, “Maggy” didn’t get a MV, however found its way to the big screen, as a soundtrack piece for the 1990 Dolph Lundgren movie, “Come in Peace”.

xyzAll in all, “XYZ” is an album that can easily blow out any other hard rock album of that era, even the multi-platinum ones. It’s such a shame when talent remains behind the shadows due to unreasonable circumstances. The four guys – Terry Ilous (vocals), Marc Richard Diglio (guitar), Paul Monroe (drums) and Patrick Fontaine (bass) crafted a steady piece of rock music that is suitable for any music-fanatic out there who is ready to have a great time! Don Dokken’s producer touch could easily be felt as we proceed from one song to another. Yes, the album does sound like a little bit like Dokken, but the sound is rougher, edgier and possesses that young and hungry spirit.

Where do I even begin? “Inside Out” is a satisfying rock masterpiece which can only be enjoyed if played as loud as possible. Glorious guitar work and don’t even get me started on the vocals – Terry is simply fantastic! “What Keeps Me Loving You” is the turning point – a power ballad ready to knock your socks off with its soul-grabbing melody and tender lyrics! “Take What You Can” impresses with its mind-blowing, thunderous guitar intro, which introduces us to a world, dominated by Terry Ilous’ violent screams. “Follow the Night” is yet another praiseworthy ballad I grew an attachment to. The second half of the album is as intriguing as the first – “Come On N’ Love Me”, “Souvenirs” and “After the Rain” are all offering one memorable sonic experience! The strong power ballad presence on the album makes things so interesting for me!

Final verdict: XYZ is another underrated killer band with a superb debut album that should’ve been way bigger! Tons of talent and full of character – I can’t recommend it enough!

Inside Out

What Keeps Me Loving You

Take What You Can

…or you can listen to the entire album here:

Release Date: October 17, 1989
Genre: AOR / Hard Rock

Duration: 41:12
Label: Enigma Records
Producer(s): Don Dokken

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References:

XYZ (album) Official Wikipedia Page: https://en.wikipedia.org/wiki/XYZ_(XYZ_album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~

Inside the 1989 Debut of John Sykes’ BLUE MURDER

It was only right to send off a decade full of splendid solid gold rock music with a bang. So many fascinating things happened during the last year of the ‘80s and Blue Murder’s debut album was definitely one of the musical highlights (at least to me). After all, what else can you expect from master guitarist and songwriter John Sykes if not the best?

One of my favorite things to discuss when it comes to old-school rock is the huge pile of underrated artists and bands that deserved way more than they actually got. I often talk about Blue Murder and John Sykes because the band and the album should’ve taken over the world. Unfortunately, for one reason or another, they didn’t.

John Sykes proved that he is a worthy monster guitarist as a member of household names such as Tygers of Pan Tang and Thin Lizzy. What followed next was a career-defining move which secured him a pretty solid position on the popular hard rock movement during the second half of the ‘80s. David Coverdale took John Sykes in after the release of Slide It In in 1984. After a couple of recording sessions and a successful tour in support of the album, John Sykes was already in line for “the next best guitarist in town” crown. Whitesnake kept momentum with what is often considered as one of the most Whitesnake Whitesnakeenormous hard rock records of all time. Yes, of course I’m talking about that influential 1987 album that spawned timeless hit singles like “Here I go again”, “Still of the Night” and “Is This Love”, known by every single soul on this universe. If you thought that these monstrous songs were crafted all by David Coverdale himself, you are greatly mistaken. John Sykes co-wrote the majority of tracks, recorded the killer guitars and even did some back up vocal work here and there. Unfortunately, sometimes partnerships in life don’t last as much as we want them to. Personalities often clash and this is exactly what happened in the case of John vs. David. I won’t be getting into details because that’s not the main focus of this publication. All in all, they both went their separate ways, even though the magic they did sold over 8 million copies in the USA alone.

It was time to move on and most importantly, entirely devote to making great music once again. Geffen Records also lend a helping hand, singing Sykes to a new great deal. You can’t just let go of someone so immensely talented, right? He quickly recruited Vanilla Fudge drummer Carmine Appice and The Firm bassist Tony Franklin and the line-up was all set and done, ready to make the next big album! That’s how Blue Murder was formed in 1988.

In April, 1989, Blue Murder’s self-titled debut album was released to the public. It’s a pity that the record couldn’t generate a big fuss, however the brilliant guitar work showcased on this album did influence generations of musicians, making it important on a whole different level. “Blue Murder” possessed all the right ingredients to become the biggest release of 1989, including out-of-this-world guitar solos, intriguing song themes and spellbinding hard rock melodies. Of course, most of the tunes were written by John Sykes himself, however the team spirit and great collaboration between the members of the supergroup is quite obvious. Under the skillful leadership of John Sykes, each could bring something great to the table. Moreover, Blue Murder recruited legendary producer Bob Rock who worked with Kingdome Come, Bon Jovi, Metallica, Bryan Adams, Motley Crue and many other big industry names. The 1989 debut album turned into one of the highlights of the huge pile of profitable melodic, yet ferocious hard rock releases he produced.

The Songs

The albums that are hard to explain with words are usually the ones that are that good. The powerful magical guitar world opens up with the earth-shattering, throat-grabbing “Riot” which in my book is one of the best opening tracks of all time. Other songs of similar nature include “Blue Murder” and “Black-Hearted Woman” which deserve nothing but to be played as loud as possible. Heavy guitar riffing, killer rhythm sections and hypnotizing vocal delivery are just some of the reasons why your socks might get knocked off just after the first time you play them. The epic 8-minute “Valley of the Kings” is my personal favorite and arguably the greatest moment on the record. From the enchanting intro, followed by John’s mighty screams, to the ecstatic lengthy guitar solos, “Valley of the Kings” is one of those songs you can play for days. The power ballad “Out of Love” is as breath-taking as any other power ballad that hit the big numbers in 1989 but unfortunately couldn’t make a splash. Never understood why so few people actually appreciate and remember this passionate heart-breaking tune when in fact is one of the best among all power ballads of the decade. “Jelly Roll” is an interesting song, brightened with a little blues feel that makes all the difference in the world.   

Every track on “Blue Murder” is infectiously good! The album captures hearts with  impeccable musicianship and satisfying variety, ranging from electrifying hard rock, to stunning blues-influenced rhythms. Valuable and well-crafted albums like this one are hard to spot so in case you are one of the many people out there who still haven’t discovered the greatness of “Blue Murder”, now is the time to do it!

John Sykes is a genius and a guitar virtuoso and he deserves nothing but respect and adoration! Enjoy the songs!


Riot

Valley of the Kings

Out of Love

Jelly Roll


References:
“Blue Murder” (Album) Official Wikipedia Page: https://en.wikipedia.org/wiki/Blue_Murder_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of Bonham’s 1989 Debut,”The Disregard of Timekeeping “

When you are the son of one of the members of probably the biggest rock act out there and carry that colossal family name “Bonham” you don’t really have much of a choice, except to fully embrace that musical spirituality you were born with. As a person who grew up in a family of musicians, I can’t but relate to that – that passion for music and the burning desire to be part of that world are running through your veins and absolutely nothing or no one can change that.

jason-bonham-32Jason Bonham, being born into the big Led Zeppelin family, has been drumming ever since he was a little kid, naturally. At the age of four, he appeared alongside his father on that “little” film, “The Song Remains The Same” and the rest is …one hell of a rock&roll ride! By the age of 17, he was already opening up for AC/DC and Queen with his band Air Force. That should tell you something! Throughout his long and productive career, he has collaborated with major names, such as Jimmy Page, Paul Rodgers, Foreigner, Sammy Hagar, UFO and many more. He has done a great job and his father would’ve been so proud of him! Excellent drummer, a brilliant songwriter and a dedicated artist who always gave and keeps on giving his all – Jason Bonham is the perfect example of how nothing in life should be taken for granted, even a royal family name. You gotta work twice as hard and make your own path of success!

One of the many outstanding things he did was forming the hard rock band Bonham in 1989. Together with the one-of-a-kind singer Daniel MacMaster, bassist/keyboardist John Smithson and guitarist Ian Hatton, they truly had all the right characteristics to be the next big name in the late ‘80s/early ‘90s rock music scene. For one reason or another, however, the band lasted for about two albums only. Nevertheless, Bonham still enjoyed a certain amount of commercial and chart success, as well as one lengthy tour and of course, tons of radio airplay. Arguably, “The Disregard of Timekeeping” has to be the better album out of the two they released. I thought it’s high time I featured this glorious hard rock typhoon on my blog!

jason-bonham-band1


 

bonham-disregard

Released: 1989
Genre:
Hard Rock / Hair Metal
Duration:
57:00
Label:
Sony Music Entertainment (CBS Records)
Producer(s):
Bob Ezrin

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The Album:

  • “The Disregard of Timekeeping”, the first actual attempt of Jason Bonham to hit it big commercially, became a reality in 1989. The project caused quite the stir among the rock fan communities but it was only natural – the son of legendary Led Zeppelin drummer was about to unleash a new force to the competitive hair metal musical market and fans just had to see through it all!

    The powerful, instantly recognizable drumming techniques of Jason weren’t going to be enough to carry the weight of the band. Daniel MacMaster – a Canadian-born vocalist (ex-Scorcher) was recruited to complete the picture, along with influential bassist John Smithson and lead guitarist Ian Hatton. The final touches were added by producer Bob Erzin who significantly helped in shaping the band’s distinguishable contemporary sound.

    The Led Zeppelin comparisons were inevitable and immediate. No one expected it to be otherwise. Was it more because of people’s already fixed perceptions of what to expect from the band or because it was actually true, Bonham’s debut album “The Disregard of Timekeeping” does have a part of that Led Zeppelin vibe. Also, is it just me, or Daniel MscMaster does sound a little bit like Robert Plant?

    Daniel’s tenor, in combination with Jason’s drum domination perfected a superb AOR sound, which unfortunately wasn’t good enough for the English audiences. Then again, let’s not forget that that’s exactly what happened with Led Zeppelin back in the day! Bonham’s debut album didn’t even find a spot on the English charts. Canadian and American fans, however, were as always more welcoming and gave the band the chance they deserved. A top 40 position on the Billboard 200 Chart and a top 70 position on the Canadian charts, in addition to hitting the gold RIAA status were just a couple of the outcomes. Successful, never-ending tours with major bands, like Bad Company and The Cult granted them an even more favorable position in the hearts of American audiences.

The Songs:

  • “The Disregard of Timekeeping” spawned two singles, both becoming absolute classics of the genre. The Top-10 song, “Wait for You”, credited to all four members of Bonham, turned into an absolute sensation and probably the biggest hit of their career. To fully experience the magic of “Wait for You”, you have to listen it right after the opening instrumental, which bears the same name as the album. The tune itself was of course, a perfected product of the era, but why would we be mad about it? It’s a catchy, sensual, haunting even rock composition, which despite often forgotten, could easily match any other big title from the era. I am a sucker for rock songs that feature a string section. “Wait for You” does hint a little bit of that epic string feeling but it’s their second single – “Guilty” that truly made me fall in love with that album. It just has it all – a mesmerizing intro, unparalleled vocal delivery by Daniel MacMaster and that soul-demolishing violin solo by bassist John Smithson that is sending me to another dimension.

    “Bringing Me Down” is another highly memorable moment on “The Disregard of Timekeeping”. Perhaps that Led Zeppelin influence is way too obvious on that one, but I can totally forgive and forget about it. “Holding On Forever” and “Don’t Walk Away” are the songs I love to crank up because that’s the only way you can do justice to their captivating, thrilling sound. “Playing to Win” is winning me with its lyrics. “Cross Me and See” is another mid-tempo doze of instant satisfaction. “Just Another Day” is a personal favorite, yet again thanks to that exciting string section which just dances with my soul in a beautiful, shattering rhythm. Symbolically, the album wraps things up with a song, titled “Room for Us All”. We live in a forever-changing world but yes, there’s always a room for talented and spirited artists who do things for the right reasons.

What followed next?

  • The perks of that newfound glory, included a busy rockstar lifestyle, lengthy tours and tons of pressure, coming from all directions and people. New management, along with drug and alcohol problems were just a couple of the obstacles, Bonham had to deal with. Vocalist Daniel MacMaster even said that he never wanted to sing again – he was that mortified by the music industry.

    mad-hatter-bDespite all, in 1992, however, Bonham did come back with a sophomore album, titled “Mad Hatter”. Unfortunately, the album wasn’t even half as successful as the debut one was. On top of it all, it was 1992 –people were shifting their preferences towards the big grunge movement which eventually wiped out hard rock acts, including Bonham. Nevertheless, I still consider the sophomore album as a solid effort; definitely not as good as the first one and obviously the band was trying hard to distance themselves from that Led Zeppelin-influenced sound, but still, I give it full points.
    Jason Bonham is still as active as ever, mostly occupied with his Jason Bonham’s Led Zeppelin Experience project, touring all over North America.

 

RIP Daniel MacMaster (July 11, 1968 – March 16, 2008)

daniel


Guilty

Wait for You

Bringing Me Down

Don’t Walk Away


References:
“Bonham” Official Wikipedia Page: https://en.wikipedia.org/wiki/Bonham_(band)
“The Disregard of Timekeeping” Official Wikipedia Page: https://en.wikipedia.org/wiki/The_Disregard_of_Timekeeping
+ Information about the album, referenced from the CD Booklet I own

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

Cheers~

’90S ROCK BLAST: SLAUGHTER – Stick It To Ya

slaughter-stick-it-to-ya

Released: January 27, 1990
Genre: Glam Metal / Hard Rock
Duration: 49:02
Label: Capitol
Producer(s):
Dana Strum, Mark Slaughter

slaughter-stick-it-to-ya-3

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OVERVIEW

What an explosive start of a new decade! American hard rock band Slaughter debuted in January 1990 with what quickly turned into one of the best-selling and most beloved albums of the year. “Stick It To Ya” was like a much needed slap in the face – the audience was waiting for someone to come and finally wake them up! The ride, unfortunately, didn’t last that long. Slaughter became one of the last glam rock bands to enjoy a significant amount of success before that grunge wave wiped them all, together with other talented acts, such as Winger, Danger Danger, Giant and many more. Nevertheless, thankfully, they still managed to leave this beautiful piece of hard rock music behind and now, 27 years later, classics like “Fly to the Angels”, “Spend My Life”, “Up All Night” and “Eye to Eye” are still relevant and deeply appreciated by any rock fan out there.

Vocalist/rhythm guitarist Mark Slaughter and bassist Dana Strum are the ones that deserve a standing ovation for what they showcased on “Stick it To Ya”. It’s such a rare selection of ear-shattering, soul-scratching, mind-blowing rockers – you jump from one track to another and you don’t even know what the hell is going on! All of a sudden your temperature goes up and you want to go do something wild! I gotta say, not many albums provoke such a strong physical reaction; it’s like my body is a volcano ready to erupt! “Eye to Eye” and “Burnin’ Bridges” are like a shot of adrenaline. Mark Slaughter is a one of a kind vocalist and he just knows how to trigger that hidden rebel spirit of yours with his rough, high-pitched voice. “Fly to the Angels” – one of the most beautiful ballads of all time and a #1 hit, is also among the main reasons why this album is such a treasure. There’s no way you will ever forget the touching melody or cruching lyrics of that song. “She Wants More” and “That’s Not Enough” are just a couple of the other standout sexy tunes, all set and done to knock your socks off. “You Are the One” is a personal favorite – a mid-tempo, romantic tune, perfect for any softie out there (like me).

Nothing more to say about “Stick It To Ya”, except – CRANK IT UP and enjoy it to the max! Slaughter became one of the best early-90s hard rock bands and I’m glad they came to the scene, though it was too little too late. Travel back to 1990 and experience Slaughter’s best effort so far (in my opinion). It absolutely deserves any second you will devote to it!


Up All Night

Fly to the Angels

Spend My Life

Mad About You


References:
“Stick It To Ya” Official Wikipedia Page: https://en.wikipedia.org/wiki/Stick_It_to_Ya
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

THUNDER – “Rip It Up” Album Review

rip-it-up-thunder

Released: February 10, 2017
Genre: Hard Rock
Label: EARMUSIC
Duration: 51:13
Producer(s): Luke Morley

Tracklist:

  1. No One Gets Out Alive – 4:21
  2. Rip It Up – 4:43
  3. She Likes The Cocaine – 4:34
  4. Right From The Start – 5:23
  5. Shakedown – 4:08
  6. Heartbreak Hurricane – 4:46
  7. In Another Life – 4:57
  8. The Chosen One – 5:09
  9. The Enemy Inside – 3:10
  10. Tumbling Down – 5:25
  11. There’s Always A Loser – 4:38

OVERVIEW

Thunder are back with a brand new studio album, titled “Rip It Up”. The follow-up to their highly successful, Top 10 2015 release, “Wonder days” has finally arrived and is loaded with a serious collection of mindblowing rock tunes, destined to become future classics. The title says it all – “Rip It Up” tears down all musical and creative barriers. That “now or never” attitude of Thunder is winning them the big points! The album showcases their new-found creative strength and obvious self-rediscovery, all packed together with their thunderous, indestructible spirit that made them a household name back in old-school days. Guitarist Luke Morley and vocalist Danny Bowes formed Thunder in 1989 and the rest is…well, what a history! 27 years after a groundbreaking debut album, “Backstreet Symphony”, fuelled with hard rock staples like “Dirty Love” and “Love Walked In”, Thunder are still going as strong as ever and their eleventh studio album, “Rip It Up” is simply another important stop on their long way to go.

“After the positive reaction to ‘Wonder Days’, we were very happy, and it justified the approach we took in the writing and recording. We decided to push it further on all fronts this time, to see what happened, and I think it shows in the writing and the individual performances. We couldn’t have made this album 10 or even 5 years ago, we weren’t good enough! We’re really looking forward to playing the new tunes live alongside the more established ones.”

Quote retrieved from: http://www.blabbermouth.net/news/thunder-to-release-rip-it-up-album-in-february/#UhDxQEZhpkxtss80.99

“No One Gets Out Alive” is a promising opening track that welcomes you to one truly fascinating world where hard rock is a religion and Thunder are one of the Gods. It’s a fearless composition that impresses with its striking lyrics that tell us that we might not live forever, but that’s totally fine! Danny Bowes is sending a strong message – don’t waste your time away and enjoy the ride! The title track is as fierce as its name. “Rip It Up” became an instant favorite of mine with its atmospheric bluesy/old-school party vibes that just make you forget about everything. “She Likes the Cocaine” was inspired by a woman who guitarist Luke Morley used to know back in his days of youth. The lady in question used to be the heart and soul of the party and so many years later, she still is (at least that’s what Luke says). The song takes on a lighter perspective of drugs, looking at things through the fun way of it. Lynne Jackaman is making a memorable appearance on the track with her outstanding backing vocals. “Right from the Start” slows things down to remind us why ballads are so important for any release. Thunder have always been famous for their slower-paced tunes and there’s a reason why. Their trademark ballad sound is immensely captivating. “Shakedown”, “In Another Life” and “The Enemy Inside” are just a few of the heavier, upbeat rockers that bring that much-need intensity caused by the satisfying clash between deafening guitars and bold vocals. “Rip It Up” wraps things up with another soft rocker, titled “Everyone’s A Loser”. Nothing much to say about this pleasing end to a splendid album, except that indeed everyone who doesn’t listen to this album is a loser.

“Rip It Up” is Thunder’s gutsy confession, incorporating elements of their well-established formula for success into a solid modern-day hard rock sound. I didn’t expect the album to contain any unprecedented, far-out tracks so I wasn’t really disappointed when I got this well-known enjoyable piece of good old rock&roll music. Bottom line is, Danny Bowes still has the pipes and Luke Morley can still write extraordinary songs. So get ready for an album that will easily compete for the greatest rock release of 2017, I’m sure of it.


“Rip It Up” Official Song Stream

No One Gets Out Alive

Playlist:


References:
THUNDER To Release ‘Rip It Up’ Album In February, retrieved from http://www.blabbermouth.net/news/thunder-to-release-rip-it-up-album-in-february/#UhDxQEZhpkxtss80.99
“Rip it Up” Official Wikipedia Page: https://en.wikipedia.org/wiki/Rip_It_Up_(Thunder_album)

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The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
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