Album Review: MR. BIG – Defying Gravity (2017)

I had a feeling that 2017 was gonna kick some serious ass but I had zero idea that it will be THAT good of a rock&roll year. Just when I thought that 2017 can’t get any better, Mr. Big dropped this awesomeness, titled “Defying Gravity” and once again I’m left speechless. Frontiers Music are on a roll this year – big thank you for keeping great music alive and supporting artists who deserve it.

“Defying Gravity”

Mr. Big - Mr. BigSo many beautiful things are happening in this album and I don’t even know where to start. First of all, remember that groundbreaking 1988 self-titled debut album with the torn shoes and the top hat? If you remember and you love that release, then you will most certainly be thrilled to know that their ninth studio album, “Defying Gravity” features those exact four original members Eric Martin (vocals), Billy Sheehan (bass), Pat Torpey (drums, with the help of Matt Starr due to his unfortunate Parkinson disease) and Paul Gilbert (guitar), along with the same producer, Kevin Elson. So far so good, right? It’s been almost 30 years since the release of that debut album but the guys and their talented producer did manage to recover the classic Mr. Big sound from the late ‘80s and early ‘90s that made them so popular and critically-acclaimed.

 “It was great to get back in the studio with our original producer, Kevin Elson,” says guitarist Paul Gilbert. “Kevin recorded all of our original classic albums from the ‘80s and ‘90s, and we immediately felt that magic chemistry with him on DEFYING GRAVITY. We basically played live in the studio. Over the years, we’ve all had a chance to experiment with every recording technique possible, but it’s still always the best just to play together as a band. Most of my guitar solos were tracked live with the band. I’ve worked hard on my improvisation in the last few years, and it really paid off on this record…both melodically, and on the face-melting stuff.”

(Quote retrieved from http://www.frontiers.it/album/5392)

 

mr big defying gravity new album

Impressively, Mr. Big recorded this album in a matter of six days. Your jaw probably just dropped, just like mine when I first read that so hurry now and pick it up from the floor. Imagine the determination, creativity and talent you gotta possess in order to come up with 11 smashing rock hits in just six days! If that doesn’t grab your attention then I guess it’s time for you to just get the album and listen carefully. The genuine, melodic rock atmosphere of “Defying Gravity” will conquer you right from the very first track. The guys aren’t joking around, though. A lot of thought has been put into this album and you can clearly spot it once you crank it up. Perfect production, wrapped up around quality songwriting skills and don’t you even get me started on those vocals and bass lines.

Let’s talk songs! (my favorite part)

“1992” is the absolute winner and the track that stood out to me the most (no, not because I was born in 1992 and it’s the most awesome year in history). In terms of melody, the track has that inviting, laid-back old-school rock&roll vibe thanks to which you are simply unable to click the “stop” button. When they released it on YouTube, I played just this one song for the entire day. The lyrics are what you should pay attention to. “1992” is kind of a humorous intake on their rise and fall back in the day with hits like “To Be With You”. What a brilliant approach. Its charming honesty can’t but leave a smile on your face. The opening track, “Open Your Eyes” is something to watch out for – the song has killing riffs and bluesy vibes. It has a bit of a Zeppelin feel into it (but just a little). Now is the moment to point out that vocalist Eric Martin brough his A game on this album and this song is only highlighting what I’m saying. He sounds as good as he did back in 1988, if not even better! The title track is undoubtedly the catchiest song among the playlist. It has a fine modern touch which we don’t really get to hear on radios these days. The album offers variety, that’s for sure. The acoustic bliss, “Damn I’m Inlove Again” is as joyful as a chilly fall evening around a beach fire. “Mean to Me” has a very bizarre but unique fast-paced riff which makes this song an unique experience for the listeners. “Forever and Back” is your mesmerizing classic Mr. Big ballad without which “Defying Gravity” would’ve been a little bit emptier, at least to me.

Every other track on “Defying Gravity” is the ultimate earworm and I’m saying that in the most positive way you can imagine. Easy to sing along with, a little bit of fire, a little bit of ice, tons of good mood and excellent lyrical strength. What a solid comeback. Get it now in case you haven’t.


1992

Defying Gravity

Forever & Back

Everybody Needs a Little Trouble


 

References:
Mr. Big – “Defying Gravity” Album Page: http://www.frontiers.it/album/5392
THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

[Album Review] RIVERDOGS Won My Heart with “CALIFORNIA”

Intro:

Funny how all good things in my life are somehow linked to Def Leppard; seems like discovering them back in the day was one of the best things that could’ve happened to me. Becoming a fan of Def Leppard led to many different roads. Guess how I got to know some of my favorite rock acts, like Helix, Billy Squier or Tesla? Same way I discovered and became a fan of Roadhouse, Shadow King, Last in Line and of course Riverdogs – they are all somehow related with my beloved members of Def Leppard.

riverdogs debutWhen I got to know and completely fell for Vivian Cambell’s guitar playing with Def Leppard it was only a matter of time before I traced back his career to Riverdogs and that brilliant debut album of theirs. The rest is …well history.

Ultimately, it all led to this moment right here, the moment I’ve been waiting for so long! That’s right – Riverdogs, featuring original members Rob Lamothe (vocals, guitars), Nick Brophy (bass, vocals) and Vivian Campbell (lead guitar), together with drummer Marc Danzeisen are back with a brand new album, titled “California” and I can barely hold my excitement. Many of you are quite familiar with Vivian and his work with Dio and Def Leppard but in case the other three guys are currently not on your musical radar, now is the time to dig a little deeper and add them to your book of great rock artists.

I knew that this was going to be a rock solid year for Frontiers Records but this release right here completely changed the face of the game. I had a feeling that the album will be quite good but you know what – “California” exceeded every expectation I had in terms of sound, lyrics and influence. It was only natural to dedicate a publication on the new album and share a few of my observations and the reasons why this album might as well just top my playlist for 2017 releases. Let’s dive in…

Riverdogs

RIVERDOGS

Coming from Los Angeles, Riverdogs formed back in 1989 – an interesting, quite dynamic time for rock music if you ask me. Still, the band managed to stand out with an exceptional 1990 debut album, conquering fans and critics with an original ‘70s blues rock style, entirely different from the glam metal sound and image that was popular at that time. Songs like “America”, “I Believe” and “Toy Soldier” are just a few of the reasons why their debut achieved recognition and found its place in the hearts of many fans (including mine, of course).

Unfortunately, as I already mentioned, the times were quite turbulent and in this period of transition, many bands couldn’t really secure a stable position on the music scene. Riverdogs re-assembled with new members and released two more albums in the ‘90s before they called it quits. The original line-up got back together in the early 2000s, which eventually led to a new album in 2011, titled “World Gone Mad”.

Now, six years later, “California” is a fact and honestly, nothing else really matters. Whether you are a die-hard fan and lived through those glory old days of rock or you’re just seeing the name Riverdogs for the very first time, “California” most certainly will grab your attention and bring you that much needed summer boost. Melodic rock fans, fans of quality music, fans of the old-school ways of making good music – this is the album for you!

Now, let’s talk more about the songs…

“California”

RIVERDOGS CALIFORNIA BIG

“California” is as soothing as night winds on a warm July evening. You just simply can’t get enough of this blissful feeling the album brings to you. Song after song, emotion after emotion – it’s all there. I wish I was exaggerating but I’m not; “California” is a stunning set of sing-alongs, rock anthems, bluesy soul-touching tracks, all brilliantly decorated with thoughtful lyrics and memorable melodies.

Where do I begin? I don’t know, the songs are all so good! After I played the entire album for the very first time, “The Heart is a Mindless Bird” stood out to me the most. I’m a softie and this is the perfect song for me. The lyrics, along with the deep, affecting vocals of the criminally underrated vocalist Rob Lamothe conquered me right from the start. Next one of my list is “I Don’t Know Anything” which has a similar vibe and I guess that’s the reason why those two songs are my top ones.  Rob singing “I don’t know anything…That doesn’t stop me now…”, followed by those mellow riffs is one of the best moments on “California”. The opening track, “American Dream” is your well-known pounding rocker, aimed at grabbing you by the throat from the very beginning. The breezy second track, “The Revolution Starts Tonight”, should’ve been the opener, at least in my humble opinion. We go full blues mode with the third track, “Something Inside” which brings you back to the good years of Bad Company. “You’re too Rock and Roll” is my new favorite Friday night song. It just begs you to crank it up while having a couple of beers with your favorite people.

Viv is brilliant – we don’t really have to comment on that, just listen to the entire album. To me, though, the biggest strength of the album lies within the gentle but powerful vocals of Rob Lamothe. He truly shines on this album and not only with his powerful singing but also with his songwriting skills.

It’s quite obvious that I’m a devoted fan and I might be biased but at the end of the day, this is how I feel. What I truly pray for is that other people will recognize their talent and ability to write the kind of rock music we truly need nowadays, so that Riverdogs will keep on releasing new albums in the future and make every fan, old or new, feel as proud as I do right now.


“I Don’t Know Anything”

“Welcome to the New Disaster”

“American Dream”

“Something Inside”

Riverdogs “Welcome To The New Disaster” (Live Acoustic Version)


References:

Album art retrieved from http://www.frontiers.it/album/5390
Band photo retrieved from https://www.youtube.com/watch?v=_ZKFAm6S3Do

THIS BLOG claims no credit for any images posted on this site unless otherwise noted. Images on this blog are copyright to its respectful owners. If there is an image appearing on this blog that belongs to you and do not wish for it appear on this site, please E-mail with a link to said image and it will be promptly removed.

The Story of Tyketto’s 1991 Debut “Don’t Come Easy”

Commercially speaking, the early ‘90s was definitely not a best time for a hard rock band to release a debut and try to hit it big. Labels started investing all their time and money on alternative/grunge rock acts and kicked the door in front of the faces of many glam rock bands with big dreams. Still, regardless of the little promotion and attention those rock bands got from the labels (and fans as a matter of fact), the quality of music was still good and there were tons of great releases in those initial years of the new decade. Where do I even begin? Survivor, Giant, Fair Warning, Europe, MSG, Hardline, Thunder, Harem Scarem, Bad Company, Firehouse, Slaughter, etc.; all of these bands and many more released phenomenal rock albums in the early ‘90s, despite the grunge scene’s vicious attacks. One more band that deserves to be respectfully mentioned is Tyketto, of course. Since I’m a big fan and their debut album is actually one of the best rock debuts in my book, I decided to dedicate a little something to them. Contrary to what I expected, there are many people out there who know so little of that album (and the band, ultimately), so I hope to introduce your next favorite songs in this publication! Enjoy the read and don’t forget to play those mind-blowing tunes!

 

Tyketto & “Don’t Come Easy”

The important thing to know about those guys is that they come from the streets of New York and were assembled by the former vocalist of Waysted, Danny Vaughn. The band was formed in the late ‘80s but scoring a record deal with Geffen and preparing a killer debut takes years, naturally.

“Don’t Come Easy” was released at the very beginning of 1991 and needless to say, despite its edgy hard melodic rock sound and killer vocals, it didn’t get what it deserved. Till today, many die-hard rock fans see this album as one of the most refreshing and promising ‘90s debuts; it was apparently a much-needed breath of fresh air and tons of music enthusiasts found its true value. Unfortunately, for the majority of rock lovers, this album doesn’t even exist. Sad, isn’t it?

tyketto dont come easy“Don’t Come Easy” features 10 stunning hard rock gems, that deserve nothing but high praises. I must begin out discussion with the opening track and the biggest hit of Tyketto’s career, “Forever Young”. How do you describe a song that outstanding? From the powerful, clean vocals of Danny, to the terrific monster riffs this entire song could easily be referred to as the song of the year. Don’t you even get me started on those haunting lyrics: “Forever young, time on our side, we’ve got tomorrow, we’ve got tonight…”! What a mind-blowing experience this track is; the kind of song you can’t just skip, regardless of how many times you’ve listened to it!

We move on to “Wings” which is the point where you actually realize how incredible this album is and that you will play it from start to finish for the next few weeks. “Wings” is a superb mid-tempo rocker with solid hooks and…man, those vocals are killing me! I never got the chance to witness a live performance of Tyketto but with a talent like Danny’s, it must be an experience of a lifetime!  “Burning Down Inside” starts slowly, quite mysteriously…and then BAM – Danny opens a door to an exciting melodic rock world, you just can’t escape from (& you don’t want to). The energizing “Lay Your Body Down” is a personal favorite and how can it not be!? The atmospheric “Standing Alone” is a gorgeous ballad, often forgotten or misunderstood, despite the enormous amount of emotions it holds within itself.

And it goes on and on…

If this album doesn’t send butterflies through your stomach, then you clearly need to listen again and listen better! I highly recommend it to any rock fan out there who appreciates great music and doesn’t necessarily judge it by the number of sales.

Many turbulent situations came after this album, including the departure of bass player Jimi Kennedy and eventually vocalist Danny Vaughn; However, in 2016 the band came back with a new album, titled “REACH“, once again fronted by Danny. They are still alive and kicking, celebrating a career of over 25 years! If that doesn’t convince you to check them out, then I don’t know what will…

Enjoy the tracks and let me know what you think!

tyketto

“Forever Young”

“Wings”

“Burning Down Inside”


 

I don’t own any audio or visual material used in this publication. All the images on this blog are copyright to their respectful owners. Please note that the digital brand, “My Rock Mixtapes” is for rock music educational purposes only and is in no way participating in any commercial activities.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Recommendations: Shadow King’s 1991 Self-Titled Debut

I love giving life back to old-school rock gems by reminding people of their greatness. One of my favorite types of publications is “ALBUM RECOMMENDATIONS” because I get the chance to not only share some of my all time favorite less-known releases but I also introduce them to readers from all over the world who don’t know much abut these albums or don’t know about their existence at all. This week, I chose a special but short-lived band, named Shadow King because the members of this band (especially two of them) are very dear to my heart; on the other hand we have a pleasing hard rock record which deserves our attention. Let’s go!

Shadow King

Supergroups are highly intriguing, at least to me. There’s nothing cooler than having a bunch of well-known musicians, members of your favorite bands, teaming up for a project. You witness how pieces of different puzzles become a whole new piece and in most of the cases, the results are so satisfying! This was also the case with Shadow King. We have the founder – Lou Gramm, the voice of Foreigner, guitarist Vivian Campbell (Dio, Whitesnake, Riverdogs and now Def Leppard), bass player Bruce Turgon (Foreigner, Black Sheep, eventually the Lou Gramm Band) and drummer Kevin Valentine (Breathless, of Donnie Iris and the Cruisers and eventually also in the Lou Gramm Band); obviously there was a lot of talent in that band and under different circumstances, I’m sure they would’ve lasted for more than just a single release.

Lou Gramm had previously worked with Vivian Campbell and Bruce Turgon on his solo releases so the frontman knew quite well how to assemble a winning team. However, it seems to me that all members of the band were in some kind of a transitional period in those early ears of the new decade and that’s one of the reasons why I think they went their separate ways after this album. “Shadow King” ended up as an “in-between” project till the guys decided which way to go.

Shadow King were supposed to embark on an extensive tour and move on to new projects, however fate got in the way; Vivian became a member of (the greatest band in the world) Def Leppard; Lou and Bruce rejoined Foreigner in 1992 and they both, along with Kevin Valentine went on to become members of The Lou Gramm band in the early 2000s.

What’s in the past is in the past, though; Short-lived or not, I’m still grateful that they released this one album, full of breathtaking gems and glorious rock tunes.

The Self-Titled Debut

shadow kingI will try to be as straightforward as possible because when you have one of the strongest, most iconic rock vocalists of all time as a frontman, you can’t but expect the best. The most surprising thing, though, is that despite Lou‘s fame and worldwide recognition, many fans don’t really know this album and project even existed! Why, though? – The sound is maybe a bit too similar to Foreigner (well duh, Foreigner was founded by Lou) and people think they are just listening to the classic rock band; the time period was unsuitable – you know, the early ’90s wasn’t the best time to be a hard rock act and release an album that wasn’t “alternative”. Ultimately, I don’t know why people often forget about “Shadow King” but here I am, writing about it with the hopes of reviving it. And no, I’m not going to refer to it as Lou’s third solo album.

Most of the songs are written by the talented songwriting team of Lou Gramm and Bruce Turgon who skillfully crafted a catchy, highly enjoyable melodic rock playlist. Objectively speaking, the album cannot really compete with Foreigner’s earlier works, despite sounding a lot like a Foreigner album. Don’t be surprised – Lou was behind Foreigner’s iconic sound and classic songs. The difference is that now we have Vivian who changes the game for me; I may be a little bit biased but Viv is a top-notch guitarist and he can produce some of the greatest guitar sound out there.

The Songs you Must Hear:

Well, I am definitely recommending the entire album – from start to finish; however, if my words didn’t persuaded you to do so, I’m going to let you enjoy just a few songs from the self-titled release, to get a little idea of what’s going on (and why I’m so right).

The playlist didn’t get enough radio play despite sensational AOR classics like, “I Want You” and “Anytime, Anywhere”. There’s not even a single disappointing song on this record and I’m not just saying it for no reason. 

Have a listen at the beautiful melodic rock gems below and let me know what you think; I sincerely hope you appreciate the tunes and the album as much as I do.

What Would It Take

Once Upon A Time

I Want You


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Review: Mark Slaughter – Halfway There (2017)

slaughter-stick-it-to-yaI remember the first time I heard Slaughter – it was on one of those ballad compilation albums and the song was, of course, “Fly to the Angels”. The progress was natural because let’s face it, there’s no way you can listen to that gorgeous song and don’t ask for more! I got their debut album, “Stick it To Ya” and instantly fell for the distinctive, rough, high-pitched voice of Mark and the band’s dangerous, thrilling rock sound. Till today, that first release remains one of my most beloved glam metal releases and I still think that it deserved so much more than it actually did.

mark slaughter1990 is long gone but thankfully, Mark Slaughter is still making music, as good as he did over 25 years ago. The band is also currently active, participating in concerts and touring around the States. The ‘90s were, however, Slaughter’s busiest and with that, most successful period of their career. Once the new decade kicked in, vocalist and songwriter Mark Slaughter started exploring other musical directions, including DJ-ing, voice-acting, music composing for TV shows and others. It took Mark Slaughter some time before he officially embarked on a solo musical journey. First, he released a single track, then a digital-only album and now, we can finally purchase and enjoy a full-length solo record, titled “Halfway There”. The special 10-track album (11 in Japan) hit the music market on the 26th of May via EMP Label Group (a US-based label owned by David Ellefson, Megadeth bassist) and let me tell you something – it hit it hard! I really missed that classic, Slaughter sound and Mark is just bringing it all back on this album – that and way way way more! “Halfway There” is a worthy progression and obvious artistic evolution for him but with a little bit of old-school hint. It was a pleasure for me to listen to it from start to finish and I hope after reading this article, you will grab the album if you haven’t done it yet.

“Halfway There”

“…a return to form of the classic Slaughter sound, but with some modern upgrades,” says the EMP Label Group.

One of the most brilliant aspects of this album is that Mark was actually in charge of not only the vocals but he’s also the one playing the guitar, bass, keyboards and behind the orchestration as well. That should tell you something! This is clearly a very dear album to him and he put his soul, heart and every talent he has to make it sound as sincere as possible. Mark is a superb artist and taking full control over this entire record was definitely the right direction.

Let’s talk songs!

halfwaythere slaughterThe album kick things off with the mighty rock anthem “Hey You” which just begs to be played live. I can imagine it – the crowd screaming together with Mark this captivating chant, “Hey You, All Hands up, Rock & Roll Forever!” What an opener! We move on to “Devoted” which is even more powerful and aggressive than the first one; I swear, this entire album is one punch in the stomach after another! “Supernatural” brings us back to Mark Slaughter‘s more melodic, radio-friendly appeal with its funky rhythms and cheerful vocal delivery.  The fourth track is the monumental title song which in my humble opinion has to be the highlight on “Halfway There” and that’s not just because I love ballads. Flawless vocals, striking personal lyrics and don’t you even get me started on the composition; this song left me speechless! “Conspiracy” and “Reckless” are two other tracks to watch out for. The dangerous guitar-driven “Conspiracy” is one of the heaviest, most destructive tracks on “Halfway There”; “Reckless” on the other hand is a straight-up classic rock tune, fueled with mind-blowing riffs that just make your head spin! What an experience! The album wraps things up in a gentle manner with the bluesy, modern-style “Not Here” which impresses with quality solos and of course, Mark‘s soul-soothing, lullaby-like vocal delivery.

I’ve been a huge fan of Slaughter so needless to say Mark‘s solo release was highly anticipated. We still have half a year to go, but this might actually turn out to be one of the top solo rock releases of 2017. It’s a brilliant album, showcasing Mark‘s artistic greatness and growth as a musician. He gets an A++ from me!


“Hey You”

“Devoted”


References:
I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Review: Canadian Rockers HAREM SCAREM are BACK with “UNITED”

One of my most anticipated releases of the year is here and I’m thrilled to finally have it! The expectations were high but let me tell you something – Harem Scarem met 100% of them and went way beyond that with “United”. This is definitely going to be a very strong year for Frontiers Records and this album right here is one of the reasons why!

Harem Scarem surely went a long way since their solid (but highly underrated, often forgotten) self-titled debut. The 1991 release spawned fantastic rockers, including “Slowly Slipping Away” and of course one of the saddest rock ballads in history (and the reason why I became a fan of HS), “Honestly”.

harem scarem united 2017 big.jpgAfter an impressive stream of good albums, compilations, live releases and a lengthy rockstar career, the band called it quits in 2008. That wasn’t the end of it, though. Thankfully, vocalist Harry Hess and guitarist Pete Lesperance pulled their acts together and went back in the studio. To mark their near-30th anniversary and of course, for the love of rock music, Harem Scarem put out their 14th studio album, suitably named “United”.

I’m already referring to Harem Scarem as melodic rock Gods and “United” just solidified their position as such. The album is stunning! The first time I played it, I felt like I was taking a walk in a melodic rock paradise and every song was a breath of fresh, highly energizing air.

The masterful production qualities of “United” (courtesy of Harry Hess and Pete Lesperance, of course) are just one small part of why this album turned out so great. “United” is certainly not in shortage of brilliant hooks, powerful choruses and don’t even get me started on the magnificent guitar riffs.  

The upbeat opening track has all the right elements to knock your socks off. This sing-along treasure is just the beginning of the fiery punch this album is! The second track, “Here Today, Gone Tomorrow” is my personal favorite… and how can it not be! The entire song is one world-spinning experience, flavoured by the smashing backing vocals of Jeff Scott Soto (Yngwie Malmsteen). The intriguing journey doesn’t end there, though. The album doesn’t lose momentum – the mid and ending parts are as fascinating as the first tracks. “Gravity” and “Sinking Ship” are pure energy, synthesized in 4-minute songs. Where is my ballad? There it is, finally – track number 5 is the unbelievable “One of Life’s Mysteries”. Just when I thought it’s been a while since I heard a decent rock ballad, these guys pull out a song like this one…how can I not love them? “Bite The Bullet” is also a song to check out – it’s a very appealing modern-style rock tune. “The Sky is Falling” and “Things I Know” are a couple of the other creative, harmony-teemed sensations on “United”.

Final verdict: “United” might as well be one of the greatest melodic rock releases so far this year. I am recommending it to everyone who thinks that the genre went down years ago. It didn’t! As long as we have Harem Scarem and long partnerships like Hess-Lesperance, things will be alright!


Here Today, Gone Tomorrow

One of Life’s Mysteries

United


Reference:

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Recommendations: ROADHOUSE’s 1991 Self-Titled Album

Who are Roadhouse?

roadhouse bandWe all know Pete Willis as the original guitarist of Def Leppard. He was there when the Leppards released their triumphant debut “On Through The Night” (1980) and their even bigger sophomore hit, “High ‘N’ Dry” (1981). In fact, that hungry, raw, much heavier early sound of the band is often contributed to his guitar skills. In the summer of 1982, right in the middle of the “Pyromania” recording sessions, however, Pete Willis was let go due to his drinking problem. We know what happened with Def Leppard – they hired Phil Collen and went on to become on the most successful names in the industry. What happened with Pete, though? Not many people know exactly how his career moved on, actually. I can only imagine how tough the years to come and that whole transition must’ve been for him. However, he did manage to pull himself together and participate in another, less known but quite interesting rock project, titled Roadhouse. Guess who else was in the band? Drummer Frank Noon, who also was once part of the Def Leppard family, playing drums on The Def Leppard E.P. joined Pete Willis but for a short period of time; he left Roadhouse before the recording of the album. Finally, it was Wayne Grant on bass, Trevor Brewis on drums, Pete Willis and Richard Day with the guitar and Paul Jackson was recruited as the lead vocalist.

The album:

ROADHOUSE albumThe year was 1991 – definitely not the most suitable time to release a melodic rock album. Still, people were pretty excited to see what the first post-Def Leppard record of Pete Willis will sound like. Well, it sounds highly satisfying if you ask me!

The band filmed a few music videos with the hopes of getting some decent exposure on MTV. One of the singles, “Hell Can Wait” even got a top10 position on the UK charts. Well, that’s pretty much what happened in the popularity department back in the day. All in all, the outcomes were quite humble, excluding the brief chart presence. That doesn’t mean the album is unworthy of discovering. On the contrary, is one of the most appealing pieces of melodic rock that came out in the early ‘90s. A little bit of that Def Leppard sound might be spotted here and there but try to keep an open mind and don’t constantly compare “Roadhouse” with the Leppard albums.

Some of the delights on the album include the opening track, “All Join Hands” – a stunning radio rocker and the excellent ballad, “Time” which might be the most well-known song from “Roadhouse”. What happens after those two tracks is quite exciting – we have the catchy Firehouse-sounding “Tower of Love”, followed by a long playlist of shockingly well-done AOR gems. Make sure you play “Loving You” (a personal favorite) and “New Horizon”!

“Roadhouse” is 100% certified “worthy of checking out” *by me. Paul Jackson is exactly the kind of vocalist I love and he is perfect for the genre. If you adore melodic rock from the early ‘90s, this is the album for you!
(P.S. Too bad the band broke up soon after the release of the album)

Enjoy and feel free to share your opinion about it!

“Time”

“All Join Hands”

…or better check out the entire album on YouTube:


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~