ELECTRIC BOYS’ “Funk-O-Metal Carpet Ride” is Yet Another Reason why 1989 Rocked Pretty Hard!

 

I already talked about 1989 and how important this year was for rock music. In fact, why don’t I just put it right here so that you can have a look, in case you haven’t – MY TOP 15 Rock Albums, Released in 1989

Maybe it’s personal or it’s indeed a fact, but there’s just something very special about that year of 1989. Why? Well, first of all, it was the year that marked the end of a decade of solid rocking and rolling; Second of all, grunge was slowly but steadily making its way into the industry. The winds of change started to feel much colder all of a sudden so it was basically do or die for many bands. Shaky or not, this year will forever remain one of the strongest years of rock in my book. From powerful comebacks to solid debuts, 1989 had tons to offer to the fans. To some people this album I want to talk about today may just be one of the many late ’80s glam rock albums that flooded the scene; however to me, it’s a beautifully-made, highly entertaining and immensely captivating “modern” hard rock release that guarantees tons and tons of great time! I give you Electric Boys and their  1989 debut album “Funk-O-Metal Carpet Ride”.


Electric Boys

electric boys band
ELECTRIC BOYS (Photo, retrieved from https://heavyharmonies.com/)

For those of you who don’t know much about Electric Boys, I will try to briefly introduce the band and what they did throughout the years just so you can hopefully get intrigued and decide to dig a little bit deeper by yourself. You thought those handsome, long-haired guys come from the USA? Well, guess again! Electric Boys actually come from Sweden – yes, THAT country which spawned so many brilliant rockstars, including my beloved TREAT, ROXETTE and of course…EUROPE!

Originally a duo, Conny Bloom (guitar/vocals) and Andy Christell (bass guitar), hit it big locally with the ultra catchy single “All Lips and Hips” in 1988. What happened next? Well, you see talent anan opportunity and you grab it! Two more people were added to the line-up and the band’s debut album Funk-O-Metal Carpet Ride saw the light in 1989, with of course that “little” song “All Lips and Hips” leading the way! Do I even have to say that they didn’t get what they deserved? Well, I’m going to say it – they didn’t get what they deserved. A little bit of success here and there, a great tour supporting my lovelies, Thunder and that was it basically. By the time the follow-up album was released, grunge was already a strong force so no luck for our Electric Boys and their pretty decent sophomore effort.

Three albums and the band was no more. Thankfully, there was a reunion in 2009 and a new album in 2011. We will see what the future holds…

“Funk-O-Metal Carpet Ride”

electric boysWe are here for this album after all, so let’s get down to it! It’s all about the music at the end of the day now isn’t it? I already mentioned that “Funk-O-Metal Carpet Ride” is Electric Boys‘ debut album, released in 1989 but what you really need to remember are the electrifying songs and I’m sure you will because they are THAT good. Let’s start with the obvious mega hit, “All Hips N’ Lips” – a playful, sexy and absolutely hypnotizing piece of music which just begs you to crank it up and dance your ass off to it! This was the first song of theirs I heard and since I had no idea who was performing it, I had to write down the lyrics and search for it later on. Imagine what happened when I found it – listened to it for days without stopping. This seductive catchy rocker makes you wanna dance in the middle of the street without a single care in the world. Who cares whether this song is cheesy or doesn’t shine with that much lyrical or musical depth? I don’t. I absolutely adore vocalist Conny Bloom and we need tracks like this one in our lives every now and then. The album is so much more than this song, though. “Psychedelic Eyes” is equally appealing with its perfect mixture of raw energy and pleasant melodies. “If I Had a Cigar” is the song that finally explains why this album’s title says “Funk-O-Metal”. The groovy, alluring tune is one of the highlights of the album. I love the choruses. Moving on to another satisfying tune – “Rags to Riches”. Where do I even begin? There’s just something a bit aggressive in their approach to music and I simply love how they combined it with the desired melodic rock sound to create universal appeal…with a twist! What I miss is a gentle rock ballad – the ones I’m always looking for in an album but actually Funk-O-Metal Carpet Ride gives me way too much energy to even think about why they didn’t include a solid tear-jerker. The whole album is one huge invitation to dance, party and basically a way to lift your spirits up! There’s no way you can resist it. Funky, heavy, melodic – what else can you ask for! Listen to the songs, I dare you!

All Hips N’ Lips

Psychedelic Eyes

Listen to the entire album from start to finish:


References:

I don’t own any audio or visual material used in this publication. All the images on this blog are copyright to their respectful owners. Please note that the digital brand, “My Rock Mixtapes” is for rock music educational purposes only and is in no way participating in any commercial activities.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of Tyketto’s 1991 Debut “Don’t Come Easy”

Commercially speaking, the early ‘90s was definitely not a best time for a hard rock band to release a debut and try to hit it big. Labels started investing all their time and money on alternative/grunge rock acts and kicked the door in front of the faces of many glam rock bands with big dreams. Still, regardless of the little promotion and attention those rock bands got from the labels (and fans as a matter of fact), the quality of music was still good and there were tons of great releases in those initial years of the new decade. Where do I even begin? Survivor, Giant, Fair Warning, Europe, MSG, Hardline, Thunder, Harem Scarem, Bad Company, Firehouse, Slaughter, etc.; all of these bands and many more released phenomenal rock albums in the early ‘90s, despite the grunge scene’s vicious attacks. One more band that deserves to be respectfully mentioned is Tyketto, of course. Since I’m a big fan and their debut album is actually one of the best rock debuts in my book, I decided to dedicate a little something to them. Contrary to what I expected, there are many people out there who know so little of that album (and the band, ultimately), so I hope to introduce your next favorite songs in this publication! Enjoy the read and don’t forget to play those mind-blowing tunes!

 

Tyketto & “Don’t Come Easy”

The important thing to know about those guys is that they come from the streets of New York and were assembled by the former vocalist of Waysted, Danny Vaughn. The band was formed in the late ‘80s but scoring a record deal with Geffen and preparing a killer debut takes years, naturally.

“Don’t Come Easy” was released at the very beginning of 1991 and needless to say, despite its edgy hard melodic rock sound and killer vocals, it didn’t get what it deserved. Till today, many die-hard rock fans see this album as one of the most refreshing and promising ‘90s debuts; it was apparently a much-needed breath of fresh air and tons of music enthusiasts found its true value. Unfortunately, for the majority of rock lovers, this album doesn’t even exist. Sad, isn’t it?

tyketto dont come easy“Don’t Come Easy” features 10 stunning hard rock gems, that deserve nothing but high praises. I must begin out discussion with the opening track and the biggest hit of Tyketto’s career, “Forever Young”. How do you describe a song that outstanding? From the powerful, clean vocals of Danny, to the terrific monster riffs this entire song could easily be referred to as the song of the year. Don’t you even get me started on those haunting lyrics: “Forever young, time on our side, we’ve got tomorrow, we’ve got tonight…”! What a mind-blowing experience this track is; the kind of song you can’t just skip, regardless of how many times you’ve listened to it!

We move on to “Wings” which is the point where you actually realize how incredible this album is and that you will play it from start to finish for the next few weeks. “Wings” is a superb mid-tempo rocker with solid hooks and…man, those vocals are killing me! I never got the chance to witness a live performance of Tyketto but with a talent like Danny’s, it must be an experience of a lifetime!  “Burning Down Inside” starts slowly, quite mysteriously…and then BAM – Danny opens a door to an exciting melodic rock world, you just can’t escape from (& you don’t want to). The energizing “Lay Your Body Down” is a personal favorite and how can it not be!? The atmospheric “Standing Alone” is a gorgeous ballad, often forgotten or misunderstood, despite the enormous amount of emotions it holds within itself.

And it goes on and on…

If this album doesn’t send butterflies through your stomach, then you clearly need to listen again and listen better! I highly recommend it to any rock fan out there who appreciates great music and doesn’t necessarily judge it by the number of sales.

Many turbulent situations came after this album, including the departure of bass player Jimi Kennedy and eventually vocalist Danny Vaughn; However, in 2016 the band came back with a new album, titled “REACH“, once again fronted by Danny. They are still alive and kicking, celebrating a career of over 25 years! If that doesn’t convince you to check them out, then I don’t know what will…

Enjoy the tracks and let me know what you think!

tyketto

“Forever Young”

“Wings”

“Burning Down Inside”


 

I don’t own any audio or visual material used in this publication. All the images on this blog are copyright to their respectful owners. Please note that the digital brand, “My Rock Mixtapes” is for rock music educational purposes only and is in no way participating in any commercial activities.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Remembering Jimi Jamison and his Final Album – “Never Too Late” (2012)

I don’t think I will ever get over the fact that Jimi is no longer with us. Yes, I do get the chance to listen to his magnificent voice on a daily basis, thanks to the huge legacy he left us with (with Survivor and his solo years); however, the mere thought that this gorgeous artist who had this out-of-this-world talent is gone, makes me feel so emotional, every single time.

Jimi 4I don’t think I’ve shared this before but me and Jimi go way back – way before I even truly knew what rock&roll was. Just like every ’90s kid out there, I was also part of that “Baywatch” frenzy that spread all over the world, including in my home country of Bulgaria. Surely, I had little idea of what was really going on on that show – I was what, like 4 or something, I don’t remember. What I always remembered though (besides the red swimming suits and the beautiful lifeguards) was of course, the opening song – “I’m Always Here”. I couldn’t speak English back then but I was loving this track so much! I didn’t know who Jimi Jamison or Survivor were but I knew how to sing those lyrics with my broken kiddo English/unknown language haha – you should’ve seen me. Many years later when Survivor became one of my most beloved bands of all time and I found out that the frontman was this exact person who sang one of the songs of my childhood, I was mind-blown. It all just fell into place and I guess destiny played its role. That’s one of the many reasons why I love and miss Jimi so much. Way before Def Leppard, Journey, Pink Floyd and the other favorite bands of mine, it was just him. He was always there and he will always be here – in my heart.


I do listen to Survivor on a daily basis and it’s been like this for many years. I personally don’t believe that there will ever come a time when I will get tired of albums like “Vital Signs”, “When Seconds Count”, “Too Hot to Sleep”, “Reach” or his solo albums, “Empires”, “Crossroads Moment” and of course the album I wanted to talk about today, “Never Too Late”. I really want to convey with words how much he and his music mean to me but I don’t think it’s possible. I just know that every part of my existence will love him and forever be thankful for his songs who were there when I needed them.

In 1984, Jimi Jamison joined Survivor, after Dave Bickler left the band….& the rest is history – a solid line of monumental releases, endless tours, going back and forth with Survivor, many collaborations…he was even asked to be the frontman of Deep Purple! He never truly left Survivor, though; Jimi took some time off to work on his solo stuff but ultimately, he was touring with the band till his dying breath.

jimi jamison never too late“Never Too Late” is the last solo album he released. It came out in November, 2012, via Frontiers Records (of course). No one knew that this was going to be his last release but I don’t think we could’ve gotten a more beautiful farewell than this one. The inspiring title, the touching words and and heart-melting songs are just a few of the reasons why I consider this album to be one of the purest, most angelic pieces of music I have ever heard. “Never Too Late” is an album with a message – you need to follow your dreams and despite the hardships of life, despite your broken heart, despite the endless fear – you need to keep going and don’t turn back! There’s just so much soul, so much character and passion within those notes; from start to finish, this album is one fantastic, life-changing, if I may say, melodic rock adventure you can never get bored of. One more thing – just look at the album artwork – it’s astonishing! The eagle is a symbol of freedom, opportunity, progression, determination – all important qualities needed to succeed in life. I think it perfectly suits the sonic atmosphere of the album.

Another amazing thing about “Never Too Late” is that it sounds like a vintage Survivor album from the ’80s. The title track could easily be mistaken for a “Vital Signs” single (it reminds me so much of “The Moment of Truth”). That’s not all!

I don’t know where to begin talking about the mesmerizing tunes you can find on this album. There’s absolutely no way you wouldn’t fall inlove with the playlist (unless you have a heart of stone). Jimi poured his soul out on each one of those tracks and because of his artistic sincerity, the connection is instantaneous (or at least it was with me).

The album opens up with “Everybody’s Got a Broken Heart” – a mid-tempo, spirit-lifting melodic bliss of a song with a beautiful message. Don’t even get me started on his soaring vocals. The title track starts similarly with a distinctive gentle piano, progressing into a motivational, day-brightening melody and a voice you could listen to for days and days… “I Can’t Turn Back” is my personal favorite; I get goosebumps every time I hear its opening – his voice is capable of playing with emotions like nothing else in this wold, I swear. Besides, the lyrics have been haunting me ever since I played it for the first time – “…I can’t turn back I can’t move on I cannot fight the feeling Though I know it’s wrong With the sweet lips of an angel The devil claims my soul I can’t turn back…”
All the tracks stand out with sensational intros – just pick any and you will see for yourself.  Magnificent songs like “Street Survivor”, “The Air That I Breathe”, “Bullet In The Gun” share this characteristic – a captivating intro that plays with your feelings right from the very first second. I almost forgot!!! “Hot Tonight” is another one of my personal favorites – the rhythms, the lyrics…this song keeps getting better and better with every listen!

I wish there was a possibility for me to deliver the entire spectrum of emotions I experience every single time I play a song from this album. I get sad, of course, because I miss Jimi so much; but I’m grateful, so grateful that I found him and he left me and everyone else out there with these beautiful gifts of art. I wish he was still here, releasing new albums, touring with Survivor…but that’s life and we have to accept it. He will never be forgotten.

Everybody’s Got A Broken Heart

Never Too Late

I Can’t Turn Back


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Album Recommendations: Shadow King’s 1991 Self-Titled Debut

I love giving life back to old-school rock gems by reminding people of their greatness. One of my favorite types of publications is “ALBUM RECOMMENDATIONS” because I get the chance to not only share some of my all time favorite less-known releases but I also introduce them to readers from all over the world who don’t know much abut these albums or don’t know about their existence at all. This week, I chose a special but short-lived band, named Shadow King because the members of this band (especially two of them) are very dear to my heart; on the other hand we have a pleasing hard rock record which deserves our attention. Let’s go!

Shadow King

Supergroups are highly intriguing, at least to me. There’s nothing cooler than having a bunch of well-known musicians, members of your favorite bands, teaming up for a project. You witness how pieces of different puzzles become a whole new piece and in most of the cases, the results are so satisfying! This was also the case with Shadow King. We have the founder – Lou Gramm, the voice of Foreigner, guitarist Vivian Campbell (Dio, Whitesnake, Riverdogs and now Def Leppard), bass player Bruce Turgon (Foreigner, Black Sheep, eventually the Lou Gramm Band) and drummer Kevin Valentine (Breathless, of Donnie Iris and the Cruisers and eventually also in the Lou Gramm Band); obviously there was a lot of talent in that band and under different circumstances, I’m sure they would’ve lasted for more than just a single release.

Lou Gramm had previously worked with Vivian Campbell and Bruce Turgon on his solo releases so the frontman knew quite well how to assemble a winning team. However, it seems to me that all members of the band were in some kind of a transitional period in those early ears of the new decade and that’s one of the reasons why I think they went their separate ways after this album. “Shadow King” ended up as an “in-between” project till the guys decided which way to go.

Shadow King were supposed to embark on an extensive tour and move on to new projects, however fate got in the way; Vivian became a member of (the greatest band in the world) Def Leppard; Lou and Bruce rejoined Foreigner in 1992 and they both, along with Kevin Valentine went on to become members of The Lou Gramm band in the early 2000s.

What’s in the past is in the past, though; Short-lived or not, I’m still grateful that they released this one album, full of breathtaking gems and glorious rock tunes.

The Self-Titled Debut

shadow kingI will try to be as straightforward as possible because when you have one of the strongest, most iconic rock vocalists of all time as a frontman, you can’t but expect the best. The most surprising thing, though, is that despite Lou‘s fame and worldwide recognition, many fans don’t really know this album and project even existed! Why, though? – The sound is maybe a bit too similar to Foreigner (well duh, Foreigner was founded by Lou) and people think they are just listening to the classic rock band; the time period was unsuitable – you know, the early ’90s wasn’t the best time to be a hard rock act and release an album that wasn’t “alternative”. Ultimately, I don’t know why people often forget about “Shadow King” but here I am, writing about it with the hopes of reviving it. And no, I’m not going to refer to it as Lou’s third solo album.

Most of the songs are written by the talented songwriting team of Lou Gramm and Bruce Turgon who skillfully crafted a catchy, highly enjoyable melodic rock playlist. Objectively speaking, the album cannot really compete with Foreigner’s earlier works, despite sounding a lot like a Foreigner album. Don’t be surprised – Lou was behind Foreigner’s iconic sound and classic songs. The difference is that now we have Vivian who changes the game for me; I may be a little bit biased but Viv is a top-notch guitarist and he can produce some of the greatest guitar sound out there.

The Songs you Must Hear:

Well, I am definitely recommending the entire album – from start to finish; however, if my words didn’t persuaded you to do so, I’m going to let you enjoy just a few songs from the self-titled release, to get a little idea of what’s going on (and why I’m so right).

The playlist didn’t get enough radio play despite sensational AOR classics like, “I Want You” and “Anytime, Anywhere”. There’s not even a single disappointing song on this record and I’m not just saying it for no reason. 

Have a listen at the beautiful melodic rock gems below and let me know what you think; I sincerely hope you appreciate the tunes and the album as much as I do.

What Would It Take

Once Upon A Time

I Want You


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

31 Years Ago, EUROPE Released “The Final Countdown”

On this day, 31 years ago, EUROPE released “The Final Countdown”. Whatever I say from this point onward would be totally pointless and you may as well just not read it…I mean, what could I possibly say about one of the biggest rock albums of the ’80s? Which fancy musical terms and pop culture references would be suitable enough to describe this glorious album? None…absolutely none;

Still, since I just saw EUROPE for the first time in my life and on top of it all, it was a continuation of their “The Final Countdown 30th Anniversary Tour”, I felt like I should write a little something to commemorate the 31st birthday of this album (even if it’s just a boring description of how great and empowering this album is).

europe the final countdownEurope already had the talent, the potential and the charisma to become a worldwide rock sensation but ultimately, it was “The Final Countdown” that was responsible for their international breakout. In addition to the great lyrical and musical value, I guess one of the most appealing aspects of this album was that each song has its own unique background and history that in a couple of cases goes way before Europe even thought about releasing this album. Take the title song for example – Joey Tempest composed that riff in the early ’80s when he was so young! Thankfully he didn’t use it back then. You know what they say, timing is everything! This song appeared exactly when it had to on the right album, with the right producer. It just all fell into place. Those David Bowie-inspired lyrics were just the final piece of the puzzle. Voila! We ended up with this stimulating, life-changing, eye-opening tornado of a song that we can’t just let go, even after 30 years.

The second track, “Rock the Night” is arguably the best track from the album and if you ask me, it should’ve been the opening track (and “The Final Countdown” should’ve been left as the grand finale). Two tracks of such equal strength together in the same album, one after the other – that’s something!

What else is there? Oh, right…that GORGEOUS “little” tear-jerker power ballad, “Carrie” which may as well be titled “Cryyie”.

“Cherokee” …OH! Marching on the trail of tears! I will never forget how happy I was when they played that song in front of me; Joey has a fascination about Native American culture and history and it’s definitely something unusual as he is from Sweden. For him to write that song and make it so personal – I can’t but be in love and respect with this amazing human being.

My other personal favorite is “Heart of Stone” and that’s because of the vocals. Lyrically, it’s not as impressive as some other songs on the album, but Joey is just killing it on this one; The moment I hear the opening, “I’ve told you once and I’ve told you twice,” I just switch to a “don’t talk to me, I’m in the zone” mode and nothing or no one else matters.

“Danger on the Track”, “Ninja”, “Love Chaser”…do I have to go on? It’s just one shot of adrenaline after another;

It’s sad to think that one day, when younger (and weirder) generations are roaming the Earth this album might lose its relevance BUT I hope I’m still around to keep these oldies alive and introduce them to the newbies. If you are educating the youngsters on ’80s rock music, start here…

Now, I’m gonna go play it as loud as possible…

europe
My “The Final Countdown” Vinyl and CD  ~ I wish the artwork was as good as the album…

References:
I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

 

 

Overview of REO SPEEDWAGON’s Smashing Hit Album,”Wheels Are Turnin'” (1984)

REO Speedwagon

A story…

A few weeks ago I went to this huge bookstore where they sell CDs and Vinyl records; I was looking for a REO Speedwagon CD and I asked one of the staff about it. (Not) Surprisingly, the person I asked had no idea who they were and while searching for the CD, they asked me about the band. I thought about it for a second – like, how do I introduce this American old-school rock band to a young European who doesn’t know anything about them. I just said that they are a melodic rock band and moved on (they didn’t have the CD I wanted either ways).

This made me think about it. Similar bands like Foreigner, Journey, Boston, etc. were quite popular in my country (and still are) but somehow REO Speedwagon didn’t really become a thing over here. Anyhow, I just really felt like dedicating a little something to one of my most beloved melodic rock bands and the first album of theirs I heard back in the day. My American readers would of course be well-aware of the band and their career but for the others, I hope you discover something life-changing!

REO Speedwagon formed in the late ‘60s even though many people might think that they are just one of the many ‘80s melodic rock bands. Yes, the early-to-mid ‘80s were indeed the heydays of their career, but they go way back! It would be somewhat difficult to go through every stage of the band and the numerous line-up changes that occurred throughout the years. Ultimately, what you need to know about them is that their early years were quite shaky (but very charming) and REO Speedwagon often reo speedwagon hi infhad a different frontman for every new release. The bell of success rang in the late ‘70s with their “You Can Tune A Piano, But You Can’t Tuna Fish” album. Their melodic rock/pop turn was fully made by the early ‘80s with staple rock albums like “Hi Infidelity” and “Good Trouble”. Both these albums, especially “Hi Infidelity” (1980) set the tone for the early ‘80s music scene and brought tons of recognition to the band. It was that same album that arguably defined the career of the band and remained their most beloved and critically acclaimed release.

“Wheels Are Turnin'”

reo speedwagonStill, if someone who has never heard of REO Speedwagon asks me to recommend him/her an album to start with, I’d pick “Wheels are Turnin’” in a heartbeat. Not only it’s one of their best-selling albums but it also contains some of the catchiest, most uplifting classic rock tunes that came out in the ‘80s. As a matter of fact, it was the first REO Speedwagon album I grabbed and where it all started from me.

The album did make quite the splash on the charts and spawned evergreen rock classics, including that “ballad” everyone knows the words to, “Can’t Fight This Feeling”. Many fans refer to “Wheels are Turnin’” as a “guilty pleasure” – back in the day, releasing a synthesizer-oriented album that early in the decade was still frowned upon; still, I’m certain that everyone was criticizing it but secretly listening to it ( you just cannot NOT fall for those magical melodic rock hooks). Keyboardist Neal Doughty wasn’t just your regular keyboardist; he was a true visionary and his elegant keyboard style was one of the main reasons why REO Speedwagon caught the attention of fans all over the world.

“Wheels are Turnin’” is so much more than the smashing hit single “Can’t Fight This Feeling”. I won’t argue though, this song is one of the main reasons why I was sold back in the day. The moment you hear “I can’t fight this feeling any longer…and yet I’m still afraid to let it flow,” you just start singing and you feel your heart filling up with joy and happiness. Every song on that album has a similar effect on me. The opening track, “I Do’ Wanna Know” is a personal favorite maybe because it has that early-REO Speedwagon vibe, mixed with modern elements. It’s actually the best of both worlds – raw and melodic. It’s most certainly a song that should’ve gotten more attention and recognition. “One Lonely Night” is another worthy track; Kevin Cronin was just born to sing for this genre. “Rock ‘N Roll Star” is an often forgotten rock anthem despite being a fantastic piece of a puzzle. The rest is just as appealing; from start to finish, “Wheels are Turnin’”, is a beautiful melodic bliss. If you are in a mood and need a little cheer, don’t go to the store for a huge box of ice-cream; instead, play REO Speedwagon’s “Live Every Moment” which has to be one of the liveliest and most positive songs I’ve ever heard. The album wraps things up with the title track which to me sounds as if it was made in the mid ‘70s, (that’s a great thing, of course). I’m unconditionally inlove with the piano touches and the riffs on this one.

REO Speedwagon flourished on their 11th studio album, “Wheels are Turnin’”. The guys just wanted to craft a satisfying piece of rock music and they did it. The album is breezy and atmospheric, overflowing with fantastic instrumentation, gratifying riffs and superb vocals. This album is as warm as an afternoon coffee with extra marshmallows.

Now, it’s time to listen to it….


“One Lonely Night”

“Can’t Fight This Feeling”

“I Do Wanna Know”


References:
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Story of JOURNEY’s “Raised on Radio” (1986)

Journey

Journey - September 3rd, 1981By 1986, Journey was already a household name in the popular music scene not only in their homeland of the USA but also all over the world. Multi-platinum albums, sold-out concerts, millions of fans – that was just the beginning of it. The kings of radio crafted a universally-beloved sound which was basically the secret behind their ultimate success. The appealing mixture of rock and pop, colored by mesmerizing keyboards, rhythm sections and unforgettable hooks, all topped by Steve Perry’s unbelievable, out-of-this-world voice was basically the formula that sky-rocketed their career. AOR treasures, like the 3xtimes Platinum “Departure” (1980), the 9xtimes Platinum “Escape” (1981) and the 6xtimes Platinum “Frontiers” (1983) became inseparable parts of every person’s collection; hit singles like “Don’t Stop Believin’”, “Separate Ways” or “Open Arms” defined the ‘80s and influenced generations of musicians. Whatever more I say would be obsolete. Journey was and still is one of the greatest bands out there and their songs will live forever!


The Years before “Raised on Radio”

the threeThe songwriting partnership between Steve Perry, Neal Schon and Jonathan Cain was what kept the band on the top shelves for an entire decade, basically. Things got out of hand, though. We’ve heard the story before with many other bands – fame, success and worldwide recognition can sometimes be the reason why tensions arise within the band, egos start clashing and can sometimes lead to members going their separate ways. After Journey released the smashing hit album “Frontiers” in 1983, guitarist Neal Schon and vocalist Steve Perry took some time off to focus on individual “journeys”. Neal Schon teamed up with Sammy Hagar and released “Through the Fire” in 1984 and Steve Perry recorded that “little” solo album “Street Talk” which was out the same year. Guess which endeavor was more successful?

Steve Perry said so many times that while writing and recording “Street Talk” he had the time of his life and even considered leaving Journey for good. I can understand; after all, if you are as talented as Steve Perry and you found what makes you truly happy then there’s nothing wrong to pursue it. Same goes to Neal Schon who by the way is one of the most networked musicians of all time. It was keyboardist Jonathan Cain who somehow pursued Steve Perry to come back and finish with what was started years ago. That’s the short version of how “Raised on Radio” became a reality.

I am not one of those people who would say that Steve Perry was JOURNEY but I am one of those people who ask themselves whether there could be a JOURNEY without Steve Perry. I’m not going to go into details on who did what and who was given what before Perry came back to record “Raised on Radio” but ultimately, there was a line-up change, along with a shift in musical as well as leadership direction in the band.  We are here to talk about the music, though! I get that there might be some people interested in the “juicy” stuff but whatever happened happened. The results were more than satisfying so it’s time to focus on the content, rather than on its background.

“Raised on Radio”

“Raised on Radio” was out just in time for the hot summer of 1986. Steve, Neal and Jonathan were back to their usual songwriting days, except this time Steve Perry took over the production role as well. He did a marvelous job on his solo debut so giving him this opportunity was a justified decision, I think. A few tracks were written by Steve and Jonathan only; the majority of tracks were crafted by the trio.

journey raised on radioI was always drawn by that bright blue album artwork; it’s just so appealing to me. I find it quite simple, elegant and so suitable for the songs and the overall musical atmosphere of the album. It’s like when I think of that beautiful blue color and I immediately think of groovy uplifting songs like “Girl Can’t Help It” or “Positive Touch” (it goes the other way around as well). Interestingly, what’s shown on that artwork is actually the studio and antennas of KNGS (AM Radio), formerly owned by Steve’s parents. He was also the one who renamed the album to “Raised on Radio” (the original name for that album was “Freedom”). It just seems like this whole project was very close to Steve Perry and he wanted to make it as personal as possible.

In terms of commercial success, “Raised on Radio” couldn’t really match the enormous popularity and critical acceptance of the previous two albums of Journey. Nevertheless, it was certified 2xPlatinum and it did spawn a few mind-blowing singles that took over the charts.

One more thing you gotta know about this album is that Steve, Neal and Jonathan weren’t just the main songwriters of Journey. They were actually the only official members left. That’s right, “Raised on Radio” was done by those three, along with dozens of guest musicians. You might ask what happened with Journey’s drummer and bass player and why was the band just trimmed down to a trio? Well, what can I say – sometimes things work out, sometimes they don’t. Don’t worry though, those two came back and are still rocking with Journey.


The Songs

It’s a matter of opinion and fan devotion when it comes to this album. Some people strongly believe that “Raised on Radio” was just Steve Perry calling all the shots without being able to fill in that hole left by the two guys that got fired. To others, this album was Journey’s natural progression, reflected by the time period. To me, this is just a piece of beautiful pop/rock fusion album that sounded just as good as “Frontiers” and “Escape” and to some extent, even better!

The song that introduced me to the greatness of this album was “It Could Have Been You” which is also a personally-relevant song. I fell for the lyrics, along with that somehow mellow (at least to me) vibe of the song. It’s difficult to describe it but I always felt so sad while listening to this tune, despite its uplifting grooves; I mean just listen to Steve singing: “I can’t wait all my life, on a street of broken dreams, It could have been you my love, where are you now…I still wonder if you remember the night, It could have been you…” – that’s just so heartbreaking.

“Girl Can’t Help It” – the third single from the album is definitely one of the catchiest, most uplifting songs of Journey; there’s just so much life in that song. “I’ll Be Alright Without You” – the ultimate post-break up track is also another highlight on “Raised on Radio”. Excluding the fact that Steve Perry can turn any song into a memorable body/mind experience, this song is indeed quite affecting and empowering. “Suzanne” is another rhythmic, immensely atmospheric tune just waiting for you to go to the dancefloor. The rest is just as good – “Once You Love Somebody” which came out straight from a ‘80s action movie is a personal favorite and “Why Can’t This Night Go On Forever” is your typical world-spinning Journey ballad, so full of soul. The title song is absolutely stunning; Perry’s sincere tribute to his rock&roll heroes who he grew up with at his parents’ radio station is a key track on “Raised on Radio” and one of Journey’s best if you ask me. “Be Good to Yourself” is another spirited track that was actually written and recorded in a flash of inspiration on the day they were supposed to finish the record. Steve was going through some tough personal times and he was seeking for inner strength and affirmation.

The great thing about “Raised on Radio” is that there are tons of enjoyable and easy to fall for ear-candies. That’s not all, though. The album is in no shortage of genuine rock tunes, full of feelings and emotional backstories. Overall, this is a positive, eager and exceptionally well-written and produced album. I don’t necessarily think that “Raised on Radio” brought that much to the band; it didn’t really get them that higher. The general mood of the album seems a bit different from their previous work; it is energetic and enthusiastic but not on the same levels as before. Some songs are too sweet but since it’s Steve singing them, I’m totally cool with that!

Now, it’s your turn to listen and feel the great music on “Raised on Radio”…


“Girl Can Help It”

“It Could’ve Been You’

“I’ll Be Alright Without You”


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P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~