[MIXTAPE] My Top 10 ALAN PARSONS PROJECT Songs

alan-parsons

Thank God Alan Parsons and Eric Woolfson – two of the most notable geniuses of progressive rock, decided to join creative forces in 1975 and create The Alan Parsons Project, a band whose presence entirely redefined progressive rock and the music scene of the time. Accompanied by talented session musicians and various vocalists, The Alan Parsons Project quickly established a name as the ultimate pioneers of concept album releases.

Alan Parsons, or as I like to call him Mr Everything, already had a long list of achievements, including engineering Pink Floyd’s “The Dark Side of the Moon” and helping with The Beatles’ “Abbey Road” and “Let it Be”. For such an outstanding songwriter, audio-engineer, producer, signer and most importantly – a man with a unique perspective and approach to music, the sky was the limit. He saw a respectful partner in crime in the early 1970s in the face of the equally talented lyricists, vocalist and multi-instrumentalist Eric Woolfson and… the rest was history.  

The Alan Parsons Project debuted with in 1976 with a concept album titled “Tales of Mystery and Imagination”. The band’s identity was yet to be solidified, though. In the years to come, the duo crafted groundbreaking albums like “I Robot” (1977), “The Turn of a Friendly Card” (1980), “Eye in the Sky” (1982), “Ammonia Avenue” (1984) which cemented the duo as one of the highest and most important British progressive rock towers in the mid-1970s and 1980s.

In their 40-year career, Alan Parsons and Eric Woolfson managed to craft some serious magic. Ten studio albums, each with its own thought-provoking concept, spawned numerous timeless hit singles, still relevant and appreciated by (progressive) rock fans all over the world. Heavily-orchestrated, enigmatic, a bit melancholic even, decorated with powerful lyrics – their music has always been my biggest soothing agent. It is impossible to cherry-pick ten songs from their extensive catalogue and label them as “my absolute favorites”, however I did my best to at least craft a reasonable playlist for the fans who wish to experience the music of The Alan Parsons Project. I do hope you enjoy it!


Eye in the Sky (1982)

The mesmerizing “Eye in the Sky” is among Alan Parsons Project’s biggest commercial successes. Coming from their 1982 album with the same name, the track brought them top chart positions in countries all over the world. Eric Woolfson provided lead vocals for “Eye in the Sky”, which perfectly aligned with the soothing, quiet, yet funky and thrilling rhythms of the song. The lyrics are what captivate the listener the most, in my opinion. Just listen…


Games People Play (1980)

“Games People Play” – another immensely satisfying tune, this time coming from Alan Parsons Project’s 1980 album “The Turn of a Friendly Card”Lenny Zakatek brought so much life into the tune with his memorable vocals. The concept of the song is pretty straightforward, directly related to the overall theme of the record. The lyrics are once again the strongest point, at least to me.


Time (1980)

“Time” comes from “The Turn of a Friendly Card”(1980) and is in my opinion one of the saddest songs ever to be made. Eric Woolfson’s quiet and gentle vocal delivery is everything but comforting. – It just makes me so emotional. Interestingly, this is one of the few songs in which we can hear Alan Parsons himself singing on the background.


Sirius (1982)

“Sirius” and “Eye in the Sky” are meant to be listened one after the other; however I separated them because the 2-minute instrumental has its own charm and sometimes I just play it on a loop, without moving on to the next tune. “Sirius” segues into “Eye in the Sky” and both were usually played as a package on radio stations. The instrumental, however, made a name for itself by becoming an opening number for many sport events.


Ammonia Avenue (1984)

The title track of Alan Parsons Project’s 1984 “Ammonia Avenue” album became one of the reasons why I got into the band in the first place. It seems like songs, performed by Eric Woolfson somehow always get to my heart. A little bit dramatic, but highly enjoyable, this soothing tune has often been there to help me when I am feeling down. I highly recommend it to everyone, it’s just so calming…


Children of the Moon (1982)

“Eye in the Sky” is indeed a very special album to me, as you can see. Another tune from that fabulous progressive rock extravaganza found its place in my top 10. “Children of the Moon” with David Paton on vocals is a rhythmic treasure with a sweet reggae aftertaste and gorgeous lyrics. Have a listen~


Some Other Time (1977)

Alan Parsons Project’s 1977 “I Robot” was their coming out party. Filled with outstanding progressive rock jewels, the record signalled the arrival of a strong prog rock force. The epic “Some other Time”, performed by Peter Straker and Jaki Whitren, stood out to me with its triumphant horn sections and memorable lyrics.


In the Real World (1985)

This tune represents a stronger, more rock-oriented side of Alan Parsons Project which is equally intriguing and worthy of appreciation. “In The Real World” comes from their ninth album, titled “Stereotomy” (1985). The highlight of that record has to be the instrumental “Where’s The Walrus?” which even got them a Grammy Award. However, the uplifting rocker “In The Real World”, performed by Graham Dye, appealed the most to me.


Pipeline (1984)

“Pipeline” is one of the alluring instrumentals on “Ammonia Avenue” (1984) and generally, one of my favorite instrumentals of all time. Alan Parsons Project just know how to craft a time-enduring pieces of art that are equally intriguing with or without lyrics.


Separate Lives (1985)

Alan Parsons Project’s 1985 “Vulture Culture” was probably the last commercial and critical success of the duo. The ‘80s arrived and with them new musical trends, directions and possibilities. There was just little room left for progressive rock. Nevertheless, I find this record to be exceptional, especially “Separate Lives”, once again performed by Eric Woolfson.


+ I Wouldn’t Want to Be Like You (1977)

A bonus tune – “I Wouldn’t Want to Be Like You” from Alan Parsons Project’s highly successful “I Robot” (1977).  Vocalist Lenny Zakatek brought so much to the table, it was no wonder that later on he would sing so many of the band’s songs. You can’t but be compelled by this funky, disco-sounding tune!


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Remembering Greg Lake (1947-2016)

greg-lake-65I am writing this publication with tears in my eyes but I really felt like saying a little something to the person whose voice and music brought me so much comfort and joy when I really needed them. Greg Lake passed away on the 8th of December 2016 (age 69) after he lost a long battle with cancer. He was the frontman of King Crimson and Emerson, Lake & Palmer – two bands that defined progressive rock and completely changed the course of music history with their extraordinary musicianship, experimentation with hard rock and symphonic elements, profound lyrics and never-seen before technicality. Two unbelievably talented bands, both led by Greg Lake – one of the most emotionally-fueled voices of rock music; a voice that always found a way to touch people’s souls and make them fly. I cannot believe we lost him…

My progressive rock journey started with ELP and in particular the song “Still…You Turn Me On”. I will always remember how immensely captivated I was by the bizarre, but gorgeous instrumentation, stunning lyrics and of course, Greg’s vocals that just sent me to another dimension. I felt so attracted to this song; my body, my mind instantly reacted and by the time I knew it, I was already listening to their entire discography. ELP opened a new chapter of my life and for that I will always love them. “Brain Salad Surgery”, “Trilogy”, “Pictures at an Exhibition” – all albums that showed me the true depth of music. One reason why I connected so much with the band was of course Greg Lake. His tender, calming voice was there to help me fall asleep while I was going through some tough times and couldn’t even close my eyes; his music guided me through the dark roads of despair and stress. They say that music helps the pain fade; for me, it was the music of ELP, fronted by Greg that helped me fight my demons and made me feel alive again.

After ELP, I moved on to the debut album of King Crimson “In the Court of the Crimson King” which many people refer to as “the birth of progressive rock”. In songs such as “Epitaph”, Greg perfectly demonstrates how immensely talented he is. I could listen to that song for ages and never get tired of hearing his mind-altering delicate voice. Just listen to his isolated vocals – that’s the kind of experience you will never get from music, being released nowadays. Greg Lake delivered sadness, comfort, happiness, sorrow…the whole rainbow of emotions trough his singing and believe me, for that he will always be appraised and loved.

Keith Emerson died earlier in 2016 and now we lost Greg Lake in the last month of 2016. Carl Palmer remains the third and final member of ELP to be alive. I am still in shock and refuse to believe that one of my favorite bands is down to its final piece. 2016 took so many lives and in my book it’s simply going to be remembered as “the year music died”.

No one is ever prepared and the loss is huge but I am glad that the world was able to witness his musical creativity, passion and vision. Greg Lake will be remembered as a first-class producer with a heavenly voice and an unforgettable approach to music. I will remember him as the artist who lovingly brought harmony and peace in my life. Thank you so much for your music! Rest in peace, my love….


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Want to Get Drunk on Progressive Rock? Listen to These 5 Albums:

One of my greatest musical passions is progressive rock. There is just something so magical and immensely captivating in mixing rock with elements of classical music, all wrapped up under layers of complex instrumentation, life-changing lyrics, intense experimentation and supreme technicality. Not to mention the groundbreaking album artworks those beautiful compositions come with. The origins of progressive rock are quite debatable – many people, including myself, believe that it all started in the late 60s as a logical advancement of psychedelic rock. It’s important to mention the significance of albums like “Sgt. Pepper’s Lonely Hearts Club Band” by The Beatles which is credited by many critics as the album where the idea of progressive rock began. It wasn’t until the ‘70s when prog rock found its way to the hearts of the general audience. Albums like “The Dark Side of the Moon” (1973) by Pink Floyd completely transformed the notion that this type of music is very difficult to enjoy. For the rest of the decade, prog rock was a predominant force on the worldwide music scene, especially among British audiences. Rock acts like YES, Emerson, Lake & Palmer, Pink Floyd, King Crimson, Genesis, Jethro Tull, The Moody Blues, Frank Zappa and many more are notable names in the genre.

My gigantic adoration for progressive rock grew out of a couple of albums which till today remain my ultimate soul-feeding musical pieces. The following albums are definitely part of the list. Not only that, but each of them has its own unique place in the history of progressive rock and music in general. If you are not so familiar with the genre and are looking for the start, look no further – these five records are surely going to provide you with the ultimate progressive rock experience. Noticeably, I haven’t included the earth-shattering prog rock titles like “The Dark Side of the Moon” by Pink Floyd because I wanted to demonstrate a little bit of variety and give the green light to other equally essential records. Also, Pink Floyd are a completely different monster.
Please enjoy my selection and I hope those albums can bring you at least a little bit of the comfort they bring me.


King Crimson – In The Court of the Crimson King (1969)

king-crimson-in-the-court-of-the-crimson-king-1969This might be a bit heavy for some listeners who are not accustomed to the sound of progressive rock but bottom line is – every conversation about progressive rock should begin and end with this album! Historically relevant, highly experimental, critically acclaimed and seen by many as the birthplace of progressive rock – meet King Crimson’s 1969 debut album “In The Court of Crimson King”. Personally, I see is as one of the most impactful forces in the history of rock in general. Where do we even begin with this album? Jazz, blues, classical influences, psychedelic rock elements, mind-blowing lyrics, questioning your entire existence. “In The Court of Crimson King” is THE progressive rock album! The monumental artwork is another reason behind the album’s significance – just look at it! That is how you will react when you listen to King Crimson for the first time!


Yes – Fragile (1971)

Yes - Fragile - Roger DeanIf you want to experience progressive rock at its fines, YES’ “Fragile” (1971) is another album you should devote your time to. “Roundabout” is YES’ ultimate classic and one of the reasons behind the commercialization of progressive rock. People were, and still are, simply in love with the elegant guitars of Steve Howe, accompanied by mindblowing organs, stunning keyboards, mind-altering drums and of course Jon Anderson’s a-list vocals. This whole record is a fantasy coming alive. It became a rock staple and influenced generations of musicians.


Emerson, Lake & Palmer – Brain Salad Surgery (1973)

emerson-lake-palmer-brain-salad-surgery-1973And ladies and gentleman the album that changed my life – Emerson, Lake & Palmer’s “Brain Salad Surgery” (1973). This record is like a door to a new colorful world, a world in which there are no limitations to what your body and soul can experience. I can’t even begin describing why this album is such a huge masterpiece. “Still. . . You Turn Me On”,“Toccata”,“Karn Evil 9” – all sending you on a mind-altering journey after which you feel like a different person. The trio is simply phenomenal – Keith is running through the keyboard with unimaginable precision; Carl is the king of the drums and Greg’s impactful but gentle vocal delivery is releasing you from every little trace of stress and negativity. That’s just how it affects me…


Jethro Tull – Thick as a Brick (1972)

jethro-tull-thick-as-a-brick-1972Jethro Tull’s “Thick as a Brick” is just one 44-minute song which really does it for me. Concept, parodies and tricks aside, I do really enjoy diving into the atmosphere of this musical treasure from time to time. You click on “play” and for the next 40 minutes you have the perfect background to your work. I feel like this type of music synchronizes quite well with your work tempo and gives you that extra push! (Or maybe It’s just me). It’s a beautiful piece of progressive rock and musically speaking it is the whole package, not to mention the dozens of instruments we get to enjoy throughout this tune – trumpet, saxophone, timpani, violin and so much more.


Rush – Moving Pictures (1981)

rush-moving-pictures-1981Another album you have to listen to if you are into “progressive rock mood” would be Rush’s “Moving Pictures” (1981). Both critically and commercially acclaimed this is one of the albums that truly deserve a spot on your shelf and in your heart. I included it as a part of my selection because despite coming out relatively late, compared to other progressive rock jewels, it did manage to leave a lasting trail of classic prog rockers and radio staplers. It’s a perfect combination between hard rock, adopting a lot of experimental techniques and state of the art technologies to craft the perfect sound. It’s accessible progressive rock at its finest; a natural evolution of a genre!


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[MIXTAPE] 10 Classic Rock Songs With A Girls’ Name In The Title

names

Crafting playlists is my favorite thing to do – I am sure you already know that if you follow my blog or follow me on Twitter. I try to collect classic rock songs that share similarities in terms of themes, lyrics, titles, instrumentation and many other characteristics.

The idea of coming up with a playlist, featuring classic rock songs with a girl’s name in the title came to me the other day as I was listening to the playlist I have on my phone (it’s on shuffle, of course). First it played Toto’s “Rosanna” and then it jumped to Boston’s “Amanda” – such an interesting coincidence. Then it hit me – there are so many beautiful rock tunes who share that exact same peculiarity! Most of all, it was one of the biggest trends of the ‘70s and the ‘80s. Nowadays we don’t really observe such fashion; however as you will see in the following mixtape, every major rock act had at least one or two songs that were titled after a girl’s name. From AC/DC to Ramones; from Derek and the Dominos to Boston – all major artists loved to sing about that special girl with the gorgeous name. One more thing, pay attention to the names – all vocally strong, ending in –a or –e, aimed at creating a lasting memorable impact.

There are plenty more to add, however I had to draw the line somewhere! Feel free to add your choices on the comment section or on Twitter! Cheers!


Boston – Amanda (1986)

Derek & The Dominos – Layla (1970)

Toto – Rosanna (1982)

Europe – Carrie (1986)

Steve Perry – Oh! Sherrie (1984)

The Police – Roxanne (1978)

Rod Stewart – Maggie May (1971)

Ike & Tina Turner – Proud Mary (1970)

The Rolling Stones – Angie (1973)

The Kinks – Lola (1970)

+ Bonus Tracks

AC/DC – Whole Lotta Rosie (1977)

 Ramones – Sheena Is a Punk Rocker (1977)


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Triumphant Debut of BAD COMPANY (1974)

Mark Sullivan 70's Rock Archive
Bad Company, 1974

When we talk about triumphant rock debuts, the conversation should start with a few artists, including The Beatles, Led Zeppelin, Boston, Van Halen, even Guns N’ Roses. Another band that most certainly deserves to be mentioned along with the big names is Bad Company. Their glorious 1974 debut achieved much more than critical and commercial success; the self-titled album of the supergroup brought good old-fashioned rock&roll back into the music scene. Filled with catchy straightforward classics, “Bad Company” is the perfect example of album oriented blues rock, showcasing the band’s biggest selling point – their moody but quite soulful signature sound.

In 1973 vocalist Paul Rodgers (Free), guitarist Mick Ralphs (Mott The Hoople), bassist Boz Burrelll (King Crimson) and drummer Simon Kirke (Free) teamed up to form one of the most gifted (at least in my opinion) British hard rock supergroups – Bad Company. One year later, their debut album became the first ever album to come out of Led Zeppelin’s Swan Song label. The record was an instant success, showcasing excellent musicianship and a brilliant formula, which they followed through the rest of the ‘70s.

bad-company-debutThe debut album topped the US Billboard chart, spent 25 weeks on the UK Albums Chart and spawned three timeless hit singles. Fans, critics – everyone was giving it their stamp of approval. The music scene in the early 70s was drowning in flamboyancy and experimentalism – nothing wrong with that of course. Among the dazzling theatrics and extravagant musical innovations, “Bad Company” was the much needed “back to the roots” record. Unpretentious, quite simple even, the debut album creates the perfect bluesy, soulful, working class rock&roll atmosphere.

paul-rogers-and-mickBad Company’s secret weapon was the strong songwriting collaboration between vocalist Paul Rodgers and blues-based guitarist Mick Ralphs, both shining as bright as the Sun on the self-titled effort. Loaded with classic rock staples like “Can’t Get Enough”, “Rock Steady” and “Ready for Love”, the record was destined for success. Interestingly, even the more dynamic songs on “Bad Company” are fueled with a sense of danger, under an umbrella of gloom. That’s definitely the ultimate charm of the band and ultimately the record itself – moody but instantly captivating. I have always found an immense attachment to “Ready for Love” (original by Mott the Hoople). Paul Rodgers’ vocals absolutely did it for me – with his sensual, quite erotic even performance, he simply immortalized it. The title track is another high point from the record – I have never witnessed such a brilliant synergy between piano and rock&roll. Not to mention the intriguing theme of the song – a band of fugitives and “rebel souls” that carry nothing but trouble with them! Sounds like a good soundtrack, doesn’t it?

If you want to get into Bad Company, this is the record you should start with. Play it as loud as possible if you want to experience the ageless magic of pure hard solid rock&roll. This album (along with a couple of more, of course) defined the mid-70s and for that it truly deserves to be appreciated. “Bad Company” is a historically relevant debut and nothing can take that away from it. Hope you guys got reminded of this classic and will go play it now!

Listen to the whole album here:


References:
“Bad Company” Official Wikipedia Page: https://en.wikipedia.org/wiki/Bad_Company_(album)
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[Playlist] 5 PINK FLOYD Instrumentals That Will Blow You Away

instrumentals-pinkfloyd

In addition to monumental songs, filled with poetic gorgeousness that leaves you breathless, Pink Floyd can definitely brag about their haunting, but equally exciting progressive rock instrumentals. Sometimes, people definitely need to take a little break from the heavy, quite absurd even lyrics, which despite being an essential part of their music, can leave a very dismal and gloomy aftertaste. Not that it’s bad thing – on the contrary, I’d pick complex, well-thought of lyrics that deal with philosophical or other profound topics (such as isolation, greed, time, human nature, the universe) over lyrics about love and sex any day! Usually, I first connect with the words and then I connect with the melody or the different elements that make up the composition. I was never a person who listens to instrumentals – I need lyrics and that’s that. Till, of course, Pink Floyd came into my life and completely changed the way I think about rock instrumentals. The band was never deeply acknowledged for such types of songs, because when you have brilliant lyricists like David Gilmour and Roger Waters, you always expect to hear words that can make you shiver. However, they do deserve to be praised for their instrumentals and I am here to remind you of some of their most groundbreaking wordless creations that can and for sure will blow you away. These five beautiful pieces of art have always been an inseparable part of my playlist – all of them somehow manage to give me comfort, a much needed isolation and a long array of emotions that leave me questioning my entire existence.  Do you have favorite ones?


Obscured By Clouds (1972)

The title track of Pink Floyd’s 1972 soundtrack album “Obscured by Clouds” has always been one of their greatest instrumentals in my book. Highly experimental, adopting new analog synthesizers and recording techniques, the track can easily haunt you for days.

Any Color You Like (1973)

“The Dark Side of the Moon” is one of the wonders of our world and nothing can change that. Among the timeless classics such as “Time” and “Money”, this groundbreaking instrumental, titled “Any Color You Like” somehow manages to stand out on its own ground. A sensational keyboard solo, accompanied by state of the art studio technologies, all mixed up to create the perfect trance experience. A genius instrumental!

Terminal Frost (1987)

With Roger Waters gone, it was up to David Gilmour to keep the spirit of the band and produce groundbreaking music. “A Momentary Lapse of Reason” is a glorious album and probably one of my favorite Pink Floyd records of all time. “Terminal Frost” is the thrilling instrumental, featuring a complex combination of mind-blowing guitars, piano and saxophone. This tune was crafted by an alien, I swear…

Marooned (1992)

“The Division Bell” has to be my favorite Pink Floyd album of all time and nothing or no one can take that away from me. “Marooned” is the most creative, imaginative and rousing instrumental on this list, at least for me that is. It gets me every time…What a genius David is!

It’s What We Do (2014)

Pink Floyd’s farewell album offered a lot of pleasing compositions and this is one of them. It was somehow difficult for me to decide which instrumental to pick, since almost the entire album is instrumental-centered, but I settled on “It’s What We Do” because of the mesmerizing intro! This instrumental brought me back to their glory days, despite being released in 2014.


P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

Metallica – “Hardwired… to Self-Destruct” Album Review

metallica-hardwired-to-self-destruct

Hardwired… to Self-Destruct

Released: November 18, 2016
Genre: Heavy Metal, Thrash Metal
Producer(s): Greg Fidelman, James Hetfield, Lars Ulrich
Label: Blackened Recordings
Length: 77:26

buy-from-amazon


OVERVIEW

 

Metallica put an end to the long 8 years of waiting with their smashing new heavy metal storm, titled “Hardwired…to Self-Destruct”. The mighty metal Gods survived through the long gap, after which the majority of rock acts would’ve been totally obliterated by the constantly changing music scene, and rose from the ashes with a comeback album worthy of being called a moment of unification of all metalheads around the world. The expectations were high – Metallica had to preserve their relevance with something that goes beyond any ordinary record; they had to dig deeper. The results are finally here and believe me, they are more than satisfying.

“Hardwired…to Self-Destruct” is an epic double monster album, spitting 12 fiery tracks which run for almost 80 minutes! Let’s give a round of applause (or a scream of excitement) to singer-guitarist James Hetfield and drummer Lars Ulrich who co-wrote almost the entire set of throat-grabbing, killer shocks on the record. With such explosive musicianship and furious songwriting dedication, Metallica can absolutely afford to go for an average song length of six-to-seven minutes. They are making their own rules without a single care in the world.

Disc one is more striking, up to the point, offering one heavy rocker after another. The finest moments of “Hardwired…to Self-Destruct” could be found among those first six tracks – from the merciless riffs of the opening track “Hardwired”, to the rigorous pulse of “Now That We are Dead”, every track carries that trademark Metallica kick-ass sound formula, mixed with a couple of surprisingly good new tricks. “Halo on Fire” wraps things up in a similar dark, intensity-fueled manner, leaving us with high hopes for what’s coming on the next CD. Disc two is a less damaging, somewhat unfocused mixture of lengthy rockers. The momentum is slowly declining as we progress from one song to another but that’s not necessarily such a bad thing for the listeners who need to take a breath. “Murder One” is a surprisingly splendid tribute to Lemmy Kilmister, that definitely deserves a listen (or two).

“Hardwired…to Self-Destruct” is a strong comeback album, despite its length and unnecessary fillers (especially on Disc Two). One thing that truly makes a quite obvious stand is James Hetfield’s explicit, much improved vocal delivery, which is the final touch to the electrifying concept of the album. Metallica build up quite the excitement among fans so it’s natural to completely lose your mind over this album. “Hardwired…to Self-Destruct”, however, is far from being their best effort. It’s somewhat familiar but still innovative, proving that Metallica are still standing on the heavy metal pedestal! For that it deserves to be praised!

 

Tracklist:

Disc One:

“Hardwired”
“Atlas, Rise!”
“Now That We’re Dead”
“Moth Into Flame”
“Dream No More”
“Halo on Fire”

Disc Two:

“Confusion”
“ManUNkind”
“Here Comes Revenge”
“Am I Savage”
“Murder One”
“Spit Out the Bone”

Hardwired

Moth Into Flame

Atlas, Rise!

Murder One

Lords of Summer (from the Deluxe Edition of “Hardwired… to Self-Destruct”)

Spit Out the Bone

Dream No More


References:
“Hardwired… to Self-Destruct” Official Wikipedia Page: https://en.wikipedia.org/wiki/Hardwired…_to_Self-Destruct
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
Cheers~
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.

My Top 10 Rock Songs about “TIME”

You guys know that crafting playlists with songs addressing a specific theme or suitable for a particular occasion is one of my favorite things to do! It all goes back to my favorite past time when I was a little girl – recording music from the radio and making mixtapes for pretty much every possible mood or situation. Some things never change I guess…

These weeks I have been thinking about a very sensitive topic – time. Probably because I am at this point in my life where every second of my day is filled up with work and countless of projects and tasks but I seem to have been using the phrase “I don’t have time” way too often. That’s not how a person should live their lives – it’s not about having time, it’s about making time and being in control of your own day…and that’s something I lack. Maybe some of you, guys can understand me.

I don’t want to get philosophical and all but the concept of time can be pretty scary. The mere thought of this mysterious, life-eating master of our universe who dictates every step of our lives can make you shiver. We are so obsessed with checking our clocks and scheduling our lives second by second that sometimes I think we forgot how to stay “that’s it” and start using our limited time more wisely and happily. Time waits for no one – you can’t buy it with money and you can’t control it. The only thing you can do is learn how to make special, spend it with beautiful people, and fill it with love, smiles and joy. It may sound quite romantic and idealistic, but every second counts and every moment is precious – find the time to love, laugh and experience all the beautiful things live can offer you.

The concept of time is a very popular theme in all forms of art – poetry, painting and of course, music. Many brilliant musicians have dedicated a song or two to the idea of time and all of its encompassing notions, such as living for the moment; spending it with someone you love; choosing the right time to do something; how time changes everything; waiting no more or simply leaving it all in the hands of time and so many other related twists. Since this is a place where we celebrate rock music, I will naturally be focusing on rock acts, the way they interpreted time and incorporated it into their music. I have gathered 10 of my favorite songs, dealing with this subject, all performed by outstanding rock musicians who truly managed to deliver their message about time, each in its own  tasteful and special way. I do hope that those melodies and most importantly lyrics, will somehow remind you that even though we are here, on this planet, for a limited amount of time, we should find a way to fill it with what gives our souls wings to fly. Last, but not least, it’s a collection of incredible rockers which surely deserve your attention.

PLAYLIST:

THE ALAN PARSONS PROJECT – “Time” (1980)
PINK FLOYD – “Time” (1973)
JOURNEY – “Precious Time” (1980)
CREAM – “Passing the Time” (1968)
ROXETTE – “Spending My Time” (1991)
CHICAGO – “Does Anybody Really Know What Time It Is? “ (1969)
ASIA – “Only Time Will Tell” (1982)
BAD ENGLISH – “Time Stood Still” (1991)
ALICE COOPER – “Time to Kill” (1987)
RUSH – “Time Stand Still” (1987)


 

THE ALAN PARSONS PROJECT – “Time” (1980)

Time
Flowing like a river
Time
Beckoning me
Who knows when we shall meet again
If ever
But time
Keeps flowing like a river
To the sea
Goodbye my love
Maybe for forever
Goodbye my love
The tide waits for me
Who knows when we shall meet again
If ever
But time
Keeps flowing like a river (on and on)
To the sea
To the sea


PINK FLOYD – “Time” (1973)

And you run and you run to catch up with the sun but it’s sinking
Racing around to come up behind you again
The sun is the same in a relative way, but you’re older
Shorter of breath and one day closer to death…


JOURNEY – “Precious Time” (1980)

How it rescued me, baby, baby it rescued me.
Oh, there’s a place in time not far from here,
A place we all could see;
So if you’re lookin’ for a better day,
Touch the sky and see.
Oh, precious time placed it’s hand on me;
Oh, precious time, how it rescued me.


CREAM – “Passing the Time” (1968)

Passing the time, everything fine.
Passing the time, drinking red wine.
Passing the time, everything fine.
Passing the time, wine and time rhyme.
Passing the time.
It is a long winter,
Away is the summer.
She waits for her traveller
So far from home.
She sits by the fireside,
The room is so warm.
There’s ice on the window,
She’s lonely alone…


ROXETTE – “Spending My Time” (1991)

I get up and make myself some coffee
I try to read a bit but the story’s too thin
Then I thank the Lord above
That you’re not there to see me
In this shape I’m in
Spending my time
Watching the days go by
Feeling so small
I stare at the wall
Hoping that you think of me too
I’m spending my time…


CHICAGO – “Does Anybody Really Know What Time It Is?“ (1969)

As I was walking down the street one day
A man came up to me and asked me what the time was that was
on my watch, yeah
And I said
Does anybody really know what time it is
I don’t
Does anybody really care
care
If so I can’t imagine why
about time
We’ve all got time enough to cry…


ASIA – “Only Time Will Tell” (1982)

Now, sure as the sun will cross the sky
This lie is over
Lost, like the tears that used to tide me over
(Only time will tell)
One thing is sure
That time will tell
(Only time will tell)
If you were wrong
The brightest ring around the moon
Will darken when I die…


BAD ENGLISH – “Time Stood Still” (1991)

Time stood still
As we walked into the night together
The memory is locked in our hearts forever
It seems just like yesterday
Time stood still…


ALICE COOPER – “Time to Kill” (1987)

Well, I was born on a dead end street I’m cold blooded but I always felt the heat.
All my friend are dead and gone
If there’s a hell, I’m one step closer to it
Somewhere I crossed the line
Somewhere I’m lost in time
I lost my soul and now I’m losing my min
Time to kill
I’ve had enough of all your lies
I’ve only got time to kill
I’ve seen the fire in my eyes
I’ve only got time to kill…


RUSH – “Time Stand Still” (1987)

(Time stand still)
I’m not looking back
But I want to look around me now
(Time stand still)
See more of the people and the places that surround me now
Freeze this moment a little bit longer
Make each sensation a little bit stronger
Experience slips away
Experience slips away…


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

The Sexiest Rock Mixtape You Will Ever Listen To

collage-sexy-rock-songs

Things are about to get pretty hot in here!

Nothing wrong with being a little suggestive and naughty from time to time! Rock&Roll has always been fun and sexy, after all! Many rock tunes are regarded as too provocative, getting out of hand and even a little bit sexist, but we have to understand that making love has always been and will always be an inseparable part of music.

I’ve always been somehow drawn to this direct, quite voluptuous side of rock&roll because let’s face it – it’s what makes things so much more interesting. I have created this playlist of 20 classic rock songs that are pretty spicy but definitely worth listening to. Whether its rhythm, lyrics or the overall atmosphere, each of these songs is about to make you sweat, I guarantee it! Also, if you and your significant other are in a good mood, this playlist can be a suitable companion for your special night.

I would also like to thank my Twitter friends who also participated in the creation of this playlist! You guys are awesome (you know who you are)!

 

Feel like making love?

 


The Doors – Light My Fire (1966)

Rolling Stones – Brown Sugar (1971)

Led Zeppelin – Whole Lotta Love (1969)

AC/DC – The Jack (1976)

Bad Company – Feel Like Making Love (1975)

Montrose – Rock Candy (1973)

Def Leppard – Pour Some Sugar on Me (1987)

Scorpions – Rock You Like a Hurricane (1984)

Thunder – Dirty Love (1990)

Danger Danger – Naughty Naughty (1989)

Guns ‘N’ Roses – Rocket Queen (1987)

Winger – Seventeen (1988)

Kix – Midnight Dynamite (1985)

Great White – Baby’s on Fire (1989)

Firehouse – Hold Your Fire (1992)

38 Special – Rockin’ Into the Night (1980)

Aerosmith – Love in an Elevator (1994)

Def Leppard – All Night (1999)

Kiss – Uh! All Night (1985)

Van Halen – Hot For Teacher (1984)

Lynch Mob – Tangled in the Web (1992)


 

P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~

[’80s Rock Album Focus] GIANT – Last Of The Runaways

giant-last-of-the-runaways

Last Of The Runaways

Released: August 29, 1989
Genre: Rock/Hard Rock/AOR
Duration: 55:16
Label: A&M
Producer(s): Terry Thomas

buy-from-amazon


OVERVIEW

 

Giant’s “Last of the Runaways” deserved so much more than it actually got. Unfortunately, the time wasn’t right for it – by 1989, the heydays of album-oriented rock were long gone. Despite its high production value, melodic quality and outstanding vocals and riffs by Dann Huff, “Last of the Runaways” somehow got lost in the transition period from the ‘80s to the ‘90s. Nevertheless, there will always be rock fans like me and you, who can truly appreciate a piece of art when they see it, regardless of any other factors. The debut album of Giant has a lot to offer – from solid rockers, fueled with mind-blowing riffs, to emotional power-ballads, the whole album is a pure melodic paradise.

“Last of the Runaways” makes a clear statement right from the first tune – “I’m a Believer” is a solid rocker with one of the most chilling, hair-raising guitar intros. What follows next is a beautiful, well-balanced selection of arena rock tunes, perfectly demonstrating the artistic skills and qualities of Giant. “Innocent Days”, “Can’t Get Close Enough” and “No Way Out” are just a few of the dangerously obsessive rock tornadoes that could be heard on this album. I’m saving the best for last – “Last of the Runaways” gives us three of the greatest power ballads ever written – “Love Welcome Home”, “It Takes Two” and of course their most commercially successful song, “I’ll See You in My Dreams”. How Dann and the rest of the guys wrote such powerful and emotionally-charged pieces of art is beyond my understanding, but believe me when I say this – If you are searching for a heart-stirring musical experience, look no further than those three tunes, especially “I’ll See You In My Dreams”. (I mean just listen to those lyrics “…Time, time will never be a friend of mine again, It tries to make your memory fade, but I won’t let it end…”)

Last of the Runaways” wrapped up the ‘80s in an outstanding way, with excellent music craftsmanship and gorgeous selection of rockers. I can’t recommend it enough! Giant’s next step – the sophomore album “Time to Burn” yet again proved that they weren’t your ordinary hard rock/hair metal band. Listen to the songs and I hope you will understand what I’m saying…

Tracklist:

I’M A BELIEVER
INNOCENT DAYS
I CAN’T GET CLOSE ENOUGH
I’LL SEE YOU IN MY DREAMS
NO WAY OUT
SHAKE ME UP
IT TAKES TWO
STRANGER TO ME
HOLD BACK THE NIGHT
LOVE WELCOME HOME
THE BIG PITCH

I’m a Believer

I’ll See You In My Dreams

It Takes Two

No Way Out


 

References:
“Last of The Runaways” Official Wikipedia webpage: https://en.wikipedia.org/wiki/Last_of_the_Runaways
P.S. I don’t own any audio or visual material used in this publication. All the rights and credits go to the owners and/publishers.
The publication expresses my personal opinion and in no way is trying to make a generalized statement. Please be kind and considerate when you read and/or comment.
Cheers~